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Bing Li, Weihua Xiong, Weiming Hu. Web Horror Image Recognition Based on Context-Aware Multi-Instance Learning, ICDM 2011
A Guide to Dark Web #analytics #bergieweb #bigdata #charterweb #commonweb #darkweb #datamining #deepweb #DigitalMedia #hacking #marianasweb #socialhacking #surfaceweb fedotov.co/guide-dark-web/
Who is Peter Harris? A boy only 20 years old just sent home after a ten month tour of duty in Vietnam. Struggling with PTSD, he now occupies his time and most of his mind by attempting to rid the world of bull thistle, cirsium vulgare, an invasive plant which is more of a danger to America than the Vietnamese. He enjoys bull thistle. It's pretty.
„Digitalisierung – die neue Gefahr für die Demokratie!?“. Zu dieser Leitfrage veranstaltete die Initiative D21 die Fachkonferenz „Data & Politics Vol. 2“ am 24. Mai 2018 in den Räumlichkeiten von Microsoft Berlin. Zahlreiche Expertinnen und Experten aus Zivilgesellschaft und dem politischen Bereich diskutierten über aktuelle Entwicklungen, Chancen und Gefahren.
With a straight fall of 442 feet, (we measured by throwing people from the top of the waterfall) Akaka Falls is twice the height of Niagara Falls...however, Niagara Falls is greater in width and has a higher volume of water.
Datamined from the info sign, with slight modifications.
XPath is a main essential part of XSLT standard and it also stands for XML Path Language. XPath is mostly used to navigate/traverse through elements and attributes in an XML document.
XPath is mainly used like path syntax to identify nodes & also traverse/navigate nodes as well in an XML document.
Emil Kozole
How Much Is Your Face Worth?
Aksioma Project Space
Komenskega 18, Ljubljana
6 – 22 July 2016
Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2016
Photo: Aksioma/Katra Petriček
Sex, Lies, and Data mining with Luke DuBois at the Jacobs Institute for Design Innovation on 11/10/2016
Sex, Lies, and Data mining with Luke DuBois at the Jacobs Institute for Design Innovation on 11/10/2016
Image Caption: Listening Post (2001-2003), a media installation by Ben Rubin and Mark Hansen.
Credit: Photo courtesy of The Office for Creative Research.
Listening Post (2001-2003)
Media installation by Ben Rubin and Mark Hansen.
Development of Listening Post supported by Lucent Technologies, Rockefeller Foundation, On the Boards Seattle, and The Whitney Museum of Art.
Short description:
An art installation that culls text fragments in real time from thousands of unrestricted Internet chat rooms, bulletin boards and other public forums.
Abstract:
Listening Post is an art installation by Mark Hansen and Ben Rubin that culls text fragments in real time from thousands of unrestricted Internet chat rooms, bulletin boards and other public forums. The texts are read (or sung) by a voice synthesizer, and simultaneously displayed across a suspended grid of more than two hundred small electronic screens.
Listening Post cycles through a series of six movements, each a different arrangement of visual, aural, and musical elements, each with it’s own data processing logic. Dissociating the communication from its conventional on-screen presence, Listening Post is a visual and sonic response to the content, magnitude, and immediacy of virtual communication.
Listening Post can be seen at The London Science Museum and The San Jose Museum of Art, San Jose, Calif.
Project on OCR’s website: o-c-r.org/portfolio/listening-post/
Artwork and photo © 2012 The Office for Creative Research, all rights reserved.