SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

Ever fancied your having your portrait drawn by a street artist? Visitors to the MOCC Free Market went one better with a hacked scanner. A truly individualised datafication process! The hacked scanner was built with advice from artist Nathaniel Stern and the stall was run by Furtherfield artist in residence Carlos Armendariz and Amelia Suchcika as part of #wescanfinsburypark a project to build a collective portrait of Finsbury Park.

Read more about the Free Market here

www.moccguide.net/mocc-free-market-2/

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

Ever fancied your having your portrait drawn by a street artist? Visitors to the MOCC Free Market went one better with a hacked scanner. A truly individualised datafication process! The hacked scanner was built with advice from artist Nathaniel Stern and the stall was run by Furtherfield artist in residence Carlos Armendariz and Amelia Suchcika as part of #wescanfinsburypark a project to build a collective portrait of Finsbury Park.

Read more about the Free Market here

www.moccguide.net/mocc-free-market-2/

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SIGHT + SOUND

NON-COMPLIANT FUTURES

27-30/09/2017 | Never Apart | Montreal, CA

Photo: Cecile Lopes

AUDREY SAMSON [CA] - Goodnight Sweetheart

"Goodnight Sweetheart" is a data and device embalming service. Devices are cast in liquid plastic and data is transferred to ne.me.quitte(s).pas USB keys that are poured in epoxy. The service is a digital data funeral, a ritual to symbolically escape datafication and put our datafied selves to rest.

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SustainableCities: A Collective Eclipsing

Curated by Imogen Clendinning

Brigitta Zhao, Philip Gurrey, Michelle Wilson, Theo Jean Cuthand, Danielle Petti, and Jessica Joyce

Exhibition: November 14 – December 5

Reception: Friday, November 22 / 5-7PM

artLAB Gallery

An eclipse is in sense, a collaboration between two forces, passing across one another from immense distances and meeting in a cosmic dance. In the works of Theo Jean Cuthand, Philip Gurrey, Jessica Joyce, Danielle Petti, Michelle Wilson and Brigitta Zhao, intangible collaborative dynamics play out in acts of creation; in processes of remediation, explorations of materiality, human and non-human relations, interdisciplinary exchange and the use of digital technology, artificial intelligence and energy infrastructure. The eclipse serves as an ontological tool to rethink relations between matter and maker, situating material as not a resource to be mined, but an autonomous entity with its own logics and priorities. These many eclipses rotate and converge between critiques of colonial extraction and pollution, the poetry of minerals, microplastics, corn and rust, and various datafications of the environment.

Partnering with the Free Appropriate Sustainable Technology (FAST) research group in Western Engineering, A Collective Eclipsing features 3-d printing technology and solar power, in a celebration of digital infrastructures that require collaboration between the Sun, the weather, the artist and engineer.

This project is funded by: Western Sustainable Impact Fund, Western Research, Society of Graduate Students, Western Graduate & Postdoctoral Studies, the Department of Gender, Sexuality, and Women’s Studies, Centre for the Study of Theory and Criticism, Office of Indigenous Initiatives.

This exhibition is presented by Junyu Ke's SustainableCities Connect Workshop which will take place in the Visual Arts Department on November 22nd, 9:00am-4:00p EST. Click here the register by November 17th.

Thank you to our collaborators from the FAST research group, Dr. Joshua Pearce, Uzair Jamil, Motakkabir Rahman and Alessia Romani.

artLAB Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

© 2024; Department of Visual Arts; Western University

SIGHT + SOUND

NON-COMPLIANT FUTURES

27-30/09/2017 | Never Apart | Montreal, CA

Photo: Cecile Lopes

AUDREY SAMSON [CA] - Goodnight Sweetheart

"Goodnight Sweetheart" is a data and device embalming service. Devices are cast in liquid plastic and data is transferred to ne.me.quitte(s).pas USB keys that are poured in epoxy. The service is a digital data funeral, a ritual to symbolically escape datafication and put our datafied selves to rest.

Black Body Radiation: Rescripting Data Bodies is a collaborative art project by Ameera Kawash and Ama BE. It reimagines relationships between embodiment and datafication, interlinking live performance, AI-generated avatars, and body sensor networks to challenge dominant configurations of identity, data and commodification. Drawing from African masquerade and the concept of avatars, it integrates live performance and digital art to transform relationships between data, self, and commodity.

This project rethinks relationships between data and embodiment, exploring new ways to value and circulate performance artwork. It challenges data colonialism and digital practices based on exploitive relationships between data and self. Ameera Kawash designed a framework for capturing performer metrics and created AI-generated avatars that respond to Ama BE’s performance.

Photo: vog.photo

Black Body Radiation: Rescripting Data Bodies is a collaborative art project by Ameera Kawash and Ama BE. It reimagines relationships between embodiment and datafication, interlinking live performance, AI-generated avatars, and body sensor networks to challenge dominant configurations of identity, data and commodification. Drawing from African masquerade and the concept of avatars, it integrates live performance and digital art to transform relationships between data, self, and commodity.

This project rethinks relationships between data and embodiment, exploring new ways to value and circulate performance artwork. It challenges data colonialism and digital practices based on exploitive relationships between data and self. Ameera Kawash designed a framework for capturing performer metrics and created AI-generated avatars that respond to Ama BE’s performance.

Photo: vog.photo

3. Datafication of The Future is Now: 10 Amazing Technologies!

youtu.be/OFT8Mv1z_OM

#top10technology #top10technologyvideo #technology2023 #technologyfuture #Datafication

Datafication

Oil and gas firms are investing heavily in technology to improve energy exploration, production, transportation, and distribution. Words like automation, datafication, and digitalization are becoming buzzwords in the industry as businesses seek to maximize performance and save costs. The Fourth Industrial Revolution, according to Preston Trading firm founder Arif Patel of Preston UK, Dubai, is about to start as digitization transforms how we communicate, work, and live. And we ought to put more effort into altering our perspective on how we conduct business in this new normal environment.

Know More : www.lancashiretelegraph.co.uk/news/23660338.arif-patel-pr...