View allAll Photos Tagged Daska
Čovječe, kad pored mene prođeš,
nemoj podići ruku ni na jedno stablo,
ni na jedan grm.
Nemoj me nepromišljeno ozlijediti.
Ja sam toplina tvog doma i ognjišta
u hladnim zimskim noćima,
prijateljski hlad i štit od vreline
ljetnoga sunca.
Ja sam drvo tvoje kolijevke,
sljeme tvoje kuće, daska tvojeg stola,
postelja na kojoj spavaš
i odmorište vječnog počinka.
Čovječe, poslušaj me i usliši molitvu moju.
Ne ruši me nepotrebno, ne spaljuj me,
nepažnjom, ne sijeci me nerazumno,
ne ozlijedi me bezobzirno.
Kahlil Gibran
I am the heat of your hearth on the cold winter nights, the friendly shade screening you from the summer sun, and my fruits are refreshing draughts quenching your thirst as you journey on.
I am the beam that holds your house, the board of your table, the bed on which you lie, and the timber that builds your boat.
I am the handle of your hoe, the door of your homestead, the wood of your cradle, and the shell of your coffin.
I am the bread of kindness and the flower of beauty. ‘Ye who pass by, listen to my prayer: Harm me not.
Zalazak pod oblakom, veslanje pod obavezom
Uvala Stipanja još jednom nudi prizor koji se pamti. Sunce je sakriveno iza gustih oblaka, ali njegove zrake pronalaze put prema nama — poput lepeze svjetlosti nad morem. U prvom planu, daska, dvoje mladih — on vesla, ona uživa.
Poznata scena... i možda pomalo šaljiva, ali i nježna.
Fotografirano mojim vjernim Tamronom 18–270 mm, objektivom koji je deset godina bio moje oko.
Neka ova fotografija bude posveta svemu što traje i služi — čak i kad većina zaboravi.
Sunset behind the cloud, paddling under duty
The bay of Stipanja once again offers a memorable scene. The sun hides behind thick clouds, yet its rays find their way — like a fan of light spreading across the sea. In the foreground, a paddleboard, two young people — he paddles, she relaxes.
A familiar scene... a touch of humor, a dose of tenderness.
Captured with my faithful Tamron 18–270 mm, a lens that was my eye for a decade.
Let this photo be a tribute to all that lasts and serves — even when most forget.
had to wait for quite some time to put Mr Sun on the wires along with restless crows ;)
On Daska - Sialkot Road, Pakistan.
Building facts:
100% mesh structure ( everything is mesh)
Easy to rezz
No scripst
Low texture lag
PERMISSIONS MODIFY AND COPY
Package contains 2 versions- default - double room and smaller single room version
Version 1:
Footprint: 39x33m
Parcel Size Required: 2048 sq. meters or larger
Prims: 115
Version 2 ( single room):
Footprint: 39x18 m
Parcel Size Required: 1500 sq. meters or larger
Prims: 50
More info and demo at this location .
Mamitu Daska (born 16 October 1983 ) of Ethopia won the TCS World 10K road race held at Bangaluru on 17/5/2015.
Mamitu Daska Molisa is an Ethiopian long-distance runner who specialises in road running events. She is a two-time team silver medallist at the IAAF World Cross Country Championships. She has won the Dubai Marathon and Houston Marathon and has a personal best of 2:21:59 hours for the distance.
Cultural heritage is the legacy of physical science artifacts and intangible attributes of a group or society that are inherited from past generations, maintained in the present and bestowed for the benefit of future generations.
Whereas, Tragic from the lost historical architecture is a kind of heritage, which taking last breath’s of its being and about to be vanished from ground and eyes forever. The stories absorbed inside of glorious past from decades, centuries will be end with its loss.
I was wandering in outskirts of Daska in search of a pre-partition Gurdawara which is located in Fatah Bhinder village.
Fateh Bhinder is a small village of twenty, thirty houses. The two storey Gurdawara Building can be seen from a distance. It was constructed outside the village. The elevation of building is different from found other normally Gurdawara’s in Pakistani Punjab. The doors and windows are constructed of Colonial style buildings Pattern. The covered area of Gurdawara is around 4 kanal. The area is owned by Uqaf Department Punjab and they have given it on lease. Most of the villagers living in Fatehe bhinder were migrated from India after partition. So before partition it was a Sikh population village. Near Gurdawara there is Langer khana building (Place to feed Sikh Pilgrims) as well. There is no building of such stature exists in nearby villages.
Our historian Friend Mirza Safder Baig was also along us during exploration of this Gurdawara. He told that this Gurdwara is of Pehli Patshahi meaning the "Gurdwara of the first master”, visited by Guru Nanak Sahib during his life. Gurdwara Fatehe Bhinder Sahib has been built to preserve the memory of this visit of revered Guru.
The existing condition of Gurduwara is in very bad shape. After partition nobody has done any effort to preserve this historical building. Soon it will be all debris and the last symbol of great legacy of Sikh’s in Fatehe Bhinder will be tragically lost from history for ever.
You can also follow my work on Instagram ;D
www.instagram.com/yasha_jakovsky/
This kind of turtle is protected in Croatia by law.
Before few years I saw big turtle in the field, I made a photo with it and let it go.
P.s. Old cartoon "Touché Turtle and Dum Dum" gave me inspiration for title ;o).
The Zamzama Gun, also known as Kim’s Gun or Bhangianwala Toap is a large bore cannon. It was cast in 1757 in Lahore, now in Pakistan but at the time part of the Durrani Empire. It is currently on display in front of the Lahore Museum in Lahore, Pakistan.
The gun is 14 feet, 4½ inches (4.38 metres) in length, with a bore at its aperture of 9½ inches (24.13 centimetres). This historically significant gun, one of the largest ever made in the sub-continent, was cast at Lahore along with another gun of the same size in 1757 by Shah Nazir under the directions of Shah Wali Khan, who was prime minister in the reign of the Abdali King Ahmed Shah Durrani [1]. The gun has the date of manufacture, names of the monarch and the technician along with verses in Persian molded with floral patterns all over the barrel.
The Zamzama Gun was said to have been 'made of copper and brass'. Its construction was funded by the people of Lahore who were asked to give their kitchen utensils for the gun[citation needed]. According to some writers, some metal was obtained through jizya, metal vessels having been taken from Hindu households in Lahore
The cannon bears two Persian inscriptions. The front one reads: "By the order of the Emperor [ie: Ahmad Shah], DuriDurran, Shah Wali Khan wazir made the gun named Zamzama or the Taker of Strongholds." The longer versified inscription at the back eulogizes its bulk and invincibility: "A destroyer even of the strongholds of the heaven." Verses at the end of the inscription contain a chronogram: "From reason I enquire of the year of its manufacture; Struck with terror it replied, 'Wert thou be willing to surrender thine life, I wouldst unfold unto thee the secret.' I agreed, and it said, 'What a cannon! 'Tis a mighty fire dispensing dragon!'".
The gun was used by Ahmed Shah in the battle of Panipat, in 1761. After the battle, on his way back to Kabul, he left it at Lahore with his governor, Khawaja Ubed, as the carriage that was supposed to take the gun to Kabul was not ready. The other gun he took with him but that one was lost in passage through the Chenab.
In 1762, Hari Singh Bhangi went into battle with Khawaja Ubed. Bhangi attacked the then village of Khawaja Said two miles from Lahore (now part of the city of Lahore), where the mughal governor Khawaja Ubed had his arsenal, and seized his artillery, arms and ammunition. Amongst the guns captured was the Zamzama Gun itself. It was renamed by its Sikh captors Bhangi Toap. For the next two years, it lay in the Shah Burj of the Lahore Fort. Thereafter, Lehna Singh and Gujjar Singh Bhangi got hold of it and they gave it to Charat Singh Shukerchakia as his share in the spoils. The Bhangi Sardars thought that Charat Singh would not be able to carry this gun with him and it would remain with them. But contrary to their expectations, Charat Singh successfully carried this gun to his fort at Gujranwala.
From Charat Singh, Zamzama was snatched by the Pashtuns of Chatha who took it to Ahmadnagar where it became a bone of contention between the Pathan brothers Ahmad Khan and Pir Muhammad. In the fight that ensued, two sons of Ahmad Khan and one of Pir Muhammad were killed. In this fight, Gujjar Singh Bhangi sided with Pir Muhammad. After the victory, the gun was restored to Gujjar Singh. After two years, the gun was wrested by Charat Singh Shukerchakia from whom it was once again snatched by the Pashtuns.
Next year, Sardar Jhanda Singh Bhangi defeated the Pashtuns of Chatha and brought the gun to Amritsar. In 1802, Ranjit Singh, after defeating the Bhangis, got hold of the gun. He used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged.[2]
Zamzama was severely damaged due to its use in wars told above and it had to be brought back to Lahore, unfit for any further use. It was placed outside Delhi Gate, Lahore, where it remained until 1860. When in 1864, Maulawi Nur Ahmad Chishti compiled the TahqiqatiChishti, he found it standing in the Baradari of the garden of Wazir Khan, behind the Lahore Museum. In 1870, it found a new asylum at the entrance of the Lahore Museum, then located in the Tollinton Market. It was placed in this position on the occasion of the Duke of Edinburgh’s visit to Lahore in 1870. When the present building of the museum was constructed it was removed further west and placed opposite the University Hall Repaired in 1977, the cannon now rests on Mall Road (Shahrah-e-Quaid-e-Azam) with Department of Fine Arts, University of Punjab on one side, and National College of Arts (NCA) and Lahore Museum on the other.
It came to be known as Kim's Gun after Rudyard Kipling in whose childhood memoirs it obtained frequent mention[3].
“ He sat, in defiance of municipal orders, astride the gun Zam-Zammah on her brick platform opposite the old Ajaib-Gher -- the Wonder House, as the natives call the Lahore Museum.
Who hold Zam-Zammah, that 'fire-breathing dragon', hold the Punjab, for the great green-bronze piece is always first of the conqueror's loot.
„
—Rudyard Kipling, Kim
It was also called Bhangianwala Toap, possibly[who?] a translation of the Persian name of the gun into Urdu or Punjabi.
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this place.
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this place.
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this place.
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this place.
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this place.
Panda no Ichigo Choco (Panda's strawberry chocolates), bought at Yokohama Chinatown.
Huge strawberries in white chocolate ^o^
Copyright © 2013 Tahir Iqbal, all rights reserved.
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
The Zamzama Gun also known as Kim’s Gun or Bhangianwala Toap is a large bore cannon. It was cast in 1762 in Lahore, now in Pakistan but at the time part of the Durrani Empire. It is currently on display in front of the Lahore Museum in Lahore, Punjab.
The gun is 14 feet 4 1⁄2 inches (4.382 metres) in length, with a bore at its aperture of 9 1⁄2 inches (24 centimetres). This gun, one of the largest ever made in the sub-continent, was cast at Lahore along with another gun of the same size in 1757 by Shah Nazir (a metalsmith of the former Mughal viceroy Muin-ul-Mulk), under the directions of Shah Wali Khan, who was prime minister in the reign of the Afghan King Ahmed Shah Durrani.
The Zamzama was said to have been 'made of copper and brass'. Its construction was funded by the people of Lahore who were asked to give their kitchen utensils for the gun.
The gun was used by Ahmed Shah in the battle of Panipat, in 1761. After the battle, on his way back to Kabul, he left it at Lahore with his governor, Khawaja Ubed, as the carriage that was supposed to take the gun to Kabul was not ready. The other gun he took with him but that one was lost in passage through the Chenab.
In 1762, Hari Singh Bhangi went into battle with Khawaja Ubed. Bhangi attacked the then-village of Khawaja Said two miles from Lahore (now part of the city of Lahore), where the Mughal governor Khawaja Ubed had his arsenal, and seized his artillery, arms and ammunition. Amongst the guns captured was the Zamzama Gun itself. It was renamed by its Sikh captors Bhangi Toap. For the next two years, it lay in the Shah Burj of the Lahore Fort. Thereafter, Lehna Singh and Gujjar Singh Bhangi got hold of it and they gave it to Charat Singh Shukerchakia as his share in the spoils. The Bhangi Sardars thought that Charat Singh would not be able to carry this gun with him and it would remain with them. But contrary to their expectations, Charat Singh successfully carried this gun to his fort at Gujranwala.
From Charat Singh, Zamzama was snatched by the Pashtuns of Chatha who took it to Ahmadnagar where it became a bone of contention between the Pathan brothers Ahmad Khan and Pir Muhammad. In the fight that ensued, two sons of Ahmad Khan and one of Pir Muhammad were killed. In this fight, Gujjar Singh Bhangi sided with Pir Muhammad. After the victory, the gun was restored to Gujjar Singh. After two years, the gun was wrested by Charat Singh Shukerchakia from whom it was once again snatched by the Pashtuns.
Next year, Sardar Jhanda Singh Bhangi defeated the Pashtuns of Chatha and brought the gun to Amritsar. In 1802, Ranjit Singh, after defeating the Bhangis, got hold of the gun. He used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged.
(References:- K. Lal in his book Tarekh e Punjab & The crumbling glory of Sheikhupura Fort by Aown Ali)
In West Punjab (now in Pakistan), the town of Sheikhupura (about 35 km west of Lahore) is hailed a center of historically significant architecture.
The Hiran Minar (Minaret of the Antelope) and the Sheikhupura Fort make this stop a focal point of interest.
The town, now a district headquarters and one of the major industrial cities of Punjab, has grown from a village, originally called “Jahangirpura” when it was settled during the reign of the Mughal emperor, Jahangir, because of its proximity to Hiran Minar, a royal hunting resort.
The primary historical importance of the city relates to its Fort. It lays no claim to grandeur. Locally known as Qila Sheikhupura, it has gave its name to the town as well.
Construction of the fort began in the second year of Jahangir’s reign (1607). The Tuzuk-i-Jahangiri (autobiography of Jahangir) mentions that the emperor assigned the job of constructing a fort at that location to Sikandar Moeen during a hunting trip to Hiran Minar.
The two centuries that followed were mostly uneventful for the Fort. Neither a seat of government nor a target for invaders, it remained but a halt for imperial entourages heading on pleasure trips to Kashmir in the north, or towards Kabul in the west.
The Fort’s political importance did not emerge until the establishment of the Sikh Empire at the end of the 18th century.
A veteran historian and archeologist, Ihsan H. Nadiem, tells us that immediately before the consolidation of Punjab under the Sikhs, the Fort served as a convenient place for robbers looting the countryside.
The Durrani king, Shah Zaman, during his invasion of Lahore in 1797, briefly besieged the Fort, but only to purge it of the robbers. Soon after his departure, the Fort was once again occupied by the highwaymen.
Shortly thereafter, Lehna Singh Majithia (who also served as the Governor of Lahore. The son of General Lehna Singh, Sardar Dyal Singh, was perhaps the most significant Punjabi of the late 19th century in the British Punjab. He was the main force behind the founding of Punjab University), an ally of Ranjit Singh, invaded the fort and took occupation. After him, its ownership passed on to Bhai Singh, followed by Sahib Singh and Sahai Singh in 1808, at which point Ranjit Singh marched upon it and caused its surrender.
This whole story of Sheikhupura raid wrote by Hindu writer K. Lal in his book Tarekh e Punjab (Page 196-197) and it is as under:
“Mahraja Ranjeet was busy in handling state affairs, in the meantime a group of farmers belong to Sheikhpura came to his door, they wanted to seek help against brutal Sikh rulers Sardar Arbel Singh & Sardar Ameer Singh. These Sardars had occupied the Sheikhupura fort and land, there army looting common people up to that level that they were dying of hunger. That group of farmer said the people of Sheikhupura accepted the over lordship of the Maharaja and requested to take their territory under Mahraja rule and control to protect them from these two brutal Sardars.
Mahraja accepted the request and assigned his eldest son, the crown prince, Kharak Singh for Sheikhupura fort Campaign. He reached Sheikhupura; he has four thousand army troops and support of one Cannon artillery.
Sheikhupura fort was very well constructed with strong fortified walls, Mahraja himself selected best cannons from his cannon yard for this campaign and also assign one of his best army officer Sardar Hakma Singh for assisting Crown prince Kharak Singh in this campaign.
When this troop reached Sheikhupura, Crown Prince Kharak Singh called both the ruling Sardar’s to him, but instead of appearing in front of Prince they have further fortified the fort and get ready for war.
The Prince first sieges the fort and then orders Canon artillery to start fire on fort walls. The fort walls were strongly fortified and hold the Cannon artillery attack for days.
This result less campaign made Prince to think if he wanted to win this fight he has to reinforce his troops and artillery as well. For that purpose he wrote for help to his father Mahraja Ranjit Singh. When Maharaja saw this letter he got angry, he ordered to send biggest cannon of his artillery the Ahmad Shahi Gun. Which he forcefully took from Saheb Singh Guajarati)
(Ahmad Shahi Gun also known as zamzama gun…, The Zamzama Gun is a large bore cannon. It is also known as Kim’s Gun or Bhangianwali Taop. It was cast in 1757 in Lahore. At that time Lahore was a part of the Durrani Empire. The gun was used by Ahmed Shah in the battle of Panipat in 1761. In 1802, Ranjit Singh got hold of the gun and used it in the battles of Daska, Kasur, Sujanpur, Wazirabad and Multan. In the siege of Multan, the gun was badly damaged. It is currently on display in front of the Lahore Museum at The Mall Road, Lahore.)
The Maharaja also reached the Sheikhupura Fort with fresh troops and again the battle started.
After two days of fight, Maharaja ordered to place Ahmed Shah Gun in front of Main gate of Fort. It was tough task and took many lives of soldiers but at last it was placed there. Hundred rounds of guns were fired and main gate of fort completely destroyed. The Mahraja troops entered the fort and raise the winning flag on wall. Both Arbel & Ameer Singh were arrested.
Since the area of Sheikhupura won in name of Crown Prince Kharak Singh, the fort and “Jageer” of Sheikhupura bestowed to Prince by his father Mahraja Ranjeet Singh under the primacy of her mother Rani Datar Kaur (1801-1840), the mother of the crown prince, Kharak Singh. She was also known as Rani Raj Kaur or Mai Nakkain. She lived in the Fort till her death.”
She had a considerable role in the rehabilitation of this small, strategically unimportant and hitherto almost abandoned citadel. She built a wonderful haveli within it. The excellent frescoes in the distinctive Kangra style found in the parlour and in the two chambers on the first floor of this haveli, are attributed to Raj Kaur‘s excellent taste.
In mid-19th century, when the British invaded Punjab, they used the Fort to imprison the Sikh kingdom’s Regent, Rani Jind Kaur – “Jindaa(n)” - after taking her son, the child Emperor Duleep Singh, prisoner.
In a letter dated August 9, 1847 Sir Henry Montgomery Lawrence, the British Resident in Punjab suggested to the Governor General that the Queen be banished from Punjab, to prevent the populace from rising under banner.
The 8-year old Emperor was removed from his palace in the Lahore Fort on August 19, 1847, and taken to the Shalimar Gardens, while his mother, the Queen, was confined to the distant Sheikhupura Fort.
Historian Himadri Banerjee describes how Jindaan was forcibly removed from Lahore between 8 and 9 pm under a heavy military escort. Accompanied by Sardar Arjan Singh Rangharnanglia and Gurmukh Singh Lamma, she was lodged in Sheikhupura Fort in the early hours of Friday, August 20, 1847, under the charge of Sardar Boor Singh.
Soon after her arrival at Sheikhupura, she wrote the following letter to the Resident at Lahore, protesting the ruthless separation from her young eight-year old.
With the Grace of the Great Guru
From Bibi Sahib to Lawrence Sahib,
We have arrived safely at Sheikhupura, You should send our luggage with care, As I was sitting in the Samman (Burj - Palace in Lahore Fort), in the same way I am in Sheikhupura. Both the places are same to me; you have been very cruel to me. You have snatched my son from me … In the name of the God you worship and in the name of the king whose salt you eat, restore my son to me. I cannot bear the pain of this separation … I shall reside in Sheikhupura. I shall not go to Lahore. Send my son to me. I will come to you at Lahore only during the days when you hold darbar. On that day I will send him. A great deal (of injustice) has been done to me. A great deal (of injustice) has been done to my son also. You have accepted what other people have said. Put an end to it now. Too much has been done.
The Queen resided in the Sheikhupura Fort for nine months. On the afternoon of May 15, 1848, she was taken away, to be imprisoned in Chunar Fort, near Benares (in current day Uttar Pradesh, India). She made a dramatic escape from there and fled to Nepal, where she remained until, years later, almost blind and dying, was finally allowed to visit her son, who was by then exiled in England.
The Sheikhupura Fort was thus witness to a number of crucial turning points during the half-century of the Sikh Raj.
The Empire had held played a crucial role as a bulwark against ongoing invasions through the subcontinent’s porous western borders. At its peak, it held sway from Tibet in the east to the Khyber Pass in the west, to Kashmir in the north and to Sindh in the south. It also, while Ranjit Singh was alive, kept the British at bay, even though the rest of the subcontinent had collapsed under them like a row of dominoes.
After the annexation of Punjab, the Sheikhupura Fort was temporarily used as administrative headquarters of the Gujranwala district from 1849 to 1851. However, upon the transfer of the district headquarters to Gujranwala town, it was turned into a military outpost.
After a split of administration jurisdictions in 1918, a new district was created in Sheikhupura. The Fort then passed on to house the police headquarters of the newly created district.
After the partition of Punjab and India in 1947, it was briefly used by the immigrants from East Punjab (by then in the newly-created India) as shelter, and
later by encroachers, from whom it came into the possession of the Department of Archaeology of Pakistan in 1967.
Within the complex, no building from the Mughal period is left standing, except the main entrance façade. There are also some remains of sandstone columns depicting the history of the laying of the foundations of the Sheikhupura Fort.
Today, what we can see standing, although dilapidated, is a crumbling six-storey haveli, identical to the haveli of Naunihal Singh, which is situated inside Mori Gate in Lahore.
The most vibrant aspect of the beauty of the haveli in the Sheikhupura Fort is its frescoes.
Sadly, precious wooden doors, windows and parts of the roof have already been whisked away by raiders and the haveli has turned into a haunted house.
Inside the ruins and rooms occupied by bats, we can still find signs of the former lifestyle through colourful and thematic paintings and other art work in the Kangra style. Fresco art work in the haveli of Raj Kaur portrays almost all aspects of daily life – ranging from worship to romantic love to military life. Colors are still vivid, the art work is glittering, but the haveli is now, due to institutional neglect, close to the end of its physical life.
Despite its poor condition, no contractor or labourer agrees to work as it is believed the fort is haunted by ghosts of the queens which used to live there.
This fort is closed to the public due to its bad structural condition; it took me at least three years to take permission to visit this place.
Panda no Ichigo Choco (Panda's strawberry chocolates), bought at Yokohama Chinatown.
Huge strawberries in white chocolate ^o^
Back To The Old N News..Extreme Left Chelsea Town Hall Opened In 1908 Clock Still Hangs!.And Amazingly Still Displays The Correct Time..Centre The Board of Guardians Offices,The Western Section Was Built In 1883 And Extended To Sydney Street In 1903-5..Extreme Right The Chelsea Palace of Varieties Opened In 1903 Late Used As TV Studios Hence The Granada Name And Sadly Demolished In 1966....Heals Stands There Now........
The inscription Capt. is highlighted in the picture. P. Dujmich. The sailing ship Capricorno was built in 1883 in Rijeka, in the Josip Bačić Selc shipyard in Pećine, as the last Rijeka long-sailing sailing ship. The captain of the boat - according to the publication Annuario marittimo, 1889 - was Jakov Pezelj. The picture is dominated by a barge sailing in a wavy sea. The sea is greenish-gray in color, with white shades of sea foam. The sailing ship has developed bow cross sails. Two cross sails are also developed on the central mast, while the aft mast has gathered sails. The sailing ship is equipped with boats, and crew members can be seen on deck. Superstructures on the deck, such as hatches, crew quarters and the like, are clearly visible on the sailing ship. A special atmosphere is given to the picture by the image of waves hitting and breaking on the edge of the deck.
3078 Muz Bark Capricorno nepoznati autor 1883. ulje na platnu, PPMHP, inv.br. 16,75 x 50 cm.
www.shipsnostalgia.com/media/bark-capricorno.355671/full
Na slici je istaknut natpis Capt. P. Dujmich. Jedrenjak bark Capricorno sagrađen je 1883. godine u Rijeci, u brodogradilištu Josipa Bačića Selca na Pećinama, i to kao posljednji riječki jedrenjak duge plovidbe. Kapetan je barka - prema publikacij Annuario marittimo, 1889. godine - bio Jakov Pezelj. Na slici dominira bark u plovidbi valovitim morem. More je zelenosive boje, s bijelim nijansama morske pjene. Jedrenjak ima razvijena pramčana križna jedra. Na središnjem su jarbolu također razvijena dva križna jedra, dok krmeni jarbol ima skupljena Jedra. Jedrenjak Je opremljen čamcima, a na palubi se mogu zamijetiti članovi posade. Na jedrenjaku se dobro uočava nadgrade na palubi, kao što su grotla, prostorije za posadu i slično. Poseban ugođaj slici daje prikaz udaranja i razbijanja valova o rub palube.
www.paluba.info/smf/index.php/topic,24081.msg358982.html#...
www.flickr.com/photos/morton1905/15307831850/
Posljednji bark s pećinskih navoza.
"U doba jedrenjaka, u devetnaestome stoljeću, stanovnici obalnog područja nisu samo plovili. Gradili su i brodove.Dokaz je tome trideset i jedno brodogradilište i dva škvera na istočnoj obali Jadranskoga mora 1877. godine.
U nekoliko desetljeća ere jedrenjaka, sa sušačkih su navoza, od Rječine do Martinščice, porinuti u more deseci jedrenjaka.
Krajem 1873. austrijsku je zastavu vijalo 617 brodova duge plovidbe. Od toga je bilo 539 jedrenjaka, a među njima više od polovice bili su barkovi, točnije, bilo je 289 barkova s 3.211 članova posade.
Izgradnja drvenog broda stajala je tada 125-135 forinti po toni, ne računajući opremu.
Primjerice, Capricorno, novosagrađen brod sušačke obitelji Kozulić, natkriven krovnim crijepom da bi se zaštitio od kiše, čekao je bolje dane za potpunu opremu. Za njegov su dovršetak upotrijebljeni ostaci pelješkoga baka Arfagsad, koji je uz još nekoliko brodova nastradao na riječkome sidrištu u orkanu 28. listopada 1882. Potpuno opremljen, bark Capricorno porinut je u more 21. rujna 1883. s brodogradilišta Josipa Bačića Belca na Pećinama. Bio je to posljednji brod duge plovidbe što ga je sagradio taj Grobničanin u jednom od svoja dva brodogradilišta u Sušaku. Taj je brod ujedno i najveći drveni jedrenjak duge plovidbe sagrađen u Austro-Ugarskoj te godine.
Capricorno je stajao 50.000 forinti. Za izgradnju korita, opremu, podvodno opločenje za zaštitu od morske flore i faune, utrošeno je 500 m kubičnih hrastovine iz Hrvatske i Istre, 120 m kubičnih borovine iz Štajerske, 60 mkubičnih jelovine iz Hrvatske, 70 m kubičnih bukovine iz Hrvatske, 16.200 kg željeza iz Austrije, 20.400 kg željeza iz Engleske, 500 kg olova iz Španjolske. Capricorno je sa svojih 589 tona bio tako jeftin zato što je oprema za njega uzeta s nastra-
daloga broda. Na svoje je prvo putovanje isplovio iz Rijeke 13. studenoga 1883. za Cette s kapetanom Jakovom Pezeljom.
Te su godine u Bačićevu brodogradilištu radili: jedan brodograditelj, šest šuperača, osam pilara, dva jarbolara, dva jedrara, tri opremača, deset tesara, šest bušača, dva stolara, dva konopara, dva pomorska kovača.
Ukupno su bila uposlena četrdeset i četiri čovjeka. Sve ljudi s mirisom mora u krvi. Osim u Trogiru gdje je te godine radilo pedeset i sedam obrtnika, ni u jednom drugom austrougarskome brodogradilištu u kojem su se gradili drveni jedrenjaci, nije bilo više zaposlenih.
Neki su se od njih ukrcavali na brod kao članovi posade, da bi u plovidbi otklonili nedostatke na brodu. Drugima je posao u brodogradilištu poslužio kao odskočna daska da bi postali pomorci ili brodom otišli u tuđinu.
Dakle, uz nekoliko tisuća pomoraca koji su plovili, mnogi su još sudjelovali u pomorskoj privredi i brodogradnji, kao pripomoć opstanku stanovništva".
Iz Kostrena pod jedrima Jure Suzanića.
www.shipsnostalgia.com/media/bark-capricorno.355671/
----------------------------
3078 MuzPPMHP CAPRICORNO Bark nepoznati autor 1883. Ulje na platnu PPMHP, inv. Br. 16, 75 x 50 cm Trg Riccarda Zanelle 1, 51000, Rijeka, Maritime and History Museum of the Croatian Coast SN355671
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FUJAIRAH GERMANY EAST GERMANY WEST GIBRALTER GREAT BRITAIN GREECE MALTA MAURITANIA MAURIUS MEXICO MOROCCO MONGOLIA MOZAMBIQUE MUSCAT(OMAN) NAMIBIA NEPAL NETHERLANDS NEWZELAND NICGERIA NORWAY PANAMA PAKISTAN PHILIPPINES. SPAIN SRI LANKA SOUTH WEST AFRICA SUDAN SWEDEN SWITZERLAND
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The Zamzama Gun at Mall Road Lahore.
Lenth: 14 Feet 4.5 Inches
Bore: 9.5 Inches
(i) 1757 A.D. Casted at Lahore by Shah Nazir on the order of Ahmad Shah abdali.
(ii) 1761 A.D. Used by the Abdali in the Battle of Panipat.
(iii) 1761 A.D. Brought to Lahore and left with Afghan Governor Khawaja Ubaid Khan.
(iv) 1762 A.D. Khawaja Ubaid khan was murdered by Hari Singh Bhangi, Captured it. The Gun lay un-mounted in Laore Fort.
(v) Mahraja Ranjit singh took possession of Amritsar City and this gun in 1802 and he used it in wars at Daska, Kasur, Subhanpur, Wazirabad and Multan.
This Gun was placed here in 1870 before that it was outside Dehli Gate Lahore (1818 to 1870)
Izložba studentskih projekata sa kursa STUDIO M02A – SEMINAR: U 1 NA 1 – ARHITEKTURA UPOTREBNOG PREDMETA, pod rukovodstvom doc. Nebojše Fotirića i asis. Bojane Jerković).
Izložba je trajala od ponedeljka, 27. juna do petka, 01. jula 2016. godine u galeriji Aula Arhitektonskog fakulteta.
Dragana Dobrisavljević
Daska za odlaganje vrućih poklopaca
Koncept upotrebnog predmeta proizilazi iz pitanja kako prevazići problem koji se javlja prilikom spremanja obroka, kada usled korišćenja poklopaca dolazi do njihovog zagrevanja koji često prouzrokuje nelagodnosti pri korišćenju i stvaranje pare i vode koja može da ošteti kuhinjske elemente. Analizom različitih poklopaca dolazi se do razvoja forme koja se dobija unijom različitih oblika i veličina poklopaca. Čitav predmet izradjen je od polietilenske plastike i postavljen iz segmenata koji se postavljaju na dva "češlja" koja omogućavaju stabilnu strukturu i mogućnost rasklapanja radi održavanja higijene. Postavljanjem forme iz segmenata na distancama od 4mm omogućava se da voda nesmetano prolazi bez zadržavanja.
1995
©1994, Hanna-Barbera Cartoons, Inc.
Credits
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FUJAIRAH GERMANY EAST GERMANY WEST GIBRALTER GREAT BRITAIN GREECE MALTA MAURITANIA MAURIUS MEXICO MOROCCO MONGOLIA MOZAMBIQUE MUSCAT(OMAN) NAMIBIA NEPAL NETHERLANDS NEWZELAND NICGERIA NORWAY PANAMA PAKISTAN PHILIPPINES. SPAIN SRI LANKA SOUTH WEST AFRICA SUDAN SWEDEN SWITZERLAND
TANZANIA THAILAND TURKEY TAIWA
U.A.E UGANDA U.S.A VIETNAM VENZUMELA YUGOSLAVIA YEMEN ZAMBIA ZIMBABWE
The end Waseb one news one aaj tv ptv home ptv news geo news atv ptv national world mtv filmazia starlite silver screen ktn news apna channel n vibe kashish tv music kashish dhoom tv kook tv joo doom avt khyber dm digital world waqat tv tensport pakistan ary digital asia music hum aag samaa geo super rohi dawn express dharti music dharti songs dharti dharti mehran din news rung r world g kaboom awaz zee tv network cinema zee smile b4u
movie Sindhi urdu music bollywood hollywood english pakistani punjabi indian benazeer bhoto songs lollywood punjabi film funny video fun megic india music song flexshow singer urdu singer pak pk folk cartoon welcome rang channel movie sehira geet mala mama lalu I love you abdul manan comedy dulhan mehndi brid bridal shadi muhammad qasim maka music channel
Abid Baig Abida Parveen Ahmed Mughal Allah Dino Khaskhely Allan Faqeer Amber Mehak Ameran begum Amir Shah Arshad Mehmood Ashiq Nizamani Asif Siyal AKHTIAR Ali DAYO Balak Sindhi Barkat ali gopang Barkat Ali Bedil Masroo Deeba Kanwal Deeba Samena kanwal Sahar Deedar Soomro Farzana Gul Farzana parveen Gul Sher Tewno Gullam Ali Samo Gullam Shabir samo Gullam hussian Hafeez Lashari Humera Channa Huzoor Bux Iqrar Waheed Jalal Chandio Jalal jogi Jaag Sindhi Jaag Kami Shah Manzoor Sakhirani Mashooq Khokhar Lemo faqir Marvi sindhu Master Manzoor Mehtab kanwal Mohammad Yousf Mukhtiyar Nadeem Mirani Najaf Ali Riaz Soomro Runa Laila Sadiq Faqeer Saeed Tunio Saima Manzoor Sajjad Yousf Sajjan Sindhi Sarmad Sindhi SAJID ALI SAJID Shafi Faqeeer Shahryar Ali Shahnila Ali Shaman Ali Mirali Shazia Khushk Sodho Leghari Suraya Soomro Tameer Hussain Tariq Chandio Tehmina Kanwal Tufail Sanjrani Ustad Juman Waheed Ali Waheed Hakro Waheed Lashari Zahid Gul Zamin Ali Zareena Baloch Zufi Ali Sabira sultana Deba sahar Aaroh
Abbas Ali Khan Abeer Abida Paeveen Abrar ul Haq Adeel Barki Adnan Sami Ahmed Jahanzeb Akaash Alamgir Ali Azmat Ali Haider Ali Khan Ali Noor Ali Sheikh Ali Sher Ali Zafar Amir Saleem Amir Zaki Annie Arif Lohar Arooj Aftab Arsh Asad Khan Ashar Asim Raza Atif Aslam Attaullah Essakhailvi Awaz Azaish Basit Bilawal Black Warrant Brian & Asim Bunny Call Danish Rahi Dehek Devotion Dhanak Dilara Dr Aur Billa Dramas Entity Paradigm Evolution Faisal Ali Khan Faisal Latif Fakhir Mehmood Fakhr e Alam Falak Farah Hassan Farida Khanum Fariha Pervaiz Fringe Benefits Fuzon Ghulam Ali Goonj Hadiqa Kiani Haroon Humera Arshad Imik Inteha Irtaash Jal Jawad Ahmed Jawad Kahlown Jazba Jimmy Attre Junaid Jamshed Kaavish Karavan Khadija Haider Khawar & Faiza Lagan Live Wires Malkoo Mauj Mazhar Rahi Mehdi Hassan Mekaal Hasan Band Mir Mizmaar Movies Musarrat Nazir Nadeem Jafri Nadeem Shahid Najam Shiraz Naseebo Lal Naweed Nayyara Noor Nazia & Zohaib Nijat Nizar Ali Noor Jehan Noori Nusrat Fateh Ali Khan Offroad Omer Inayat Opre
Overdrive Raasta Rabi Pirzada Rage Rahim Shah Raza Rizvi Razam Riqa Riznom Rizwan ul Haq Roxen Rubber Band Rungg Saima Khan Saira Arshad Saira Naseem Sajjad Ali Saleem Javed Salman Pirzada Saraab Shah Zaman Shahida Minni Shahzad Mughal Shahzad Roy Shah Zaman Sharique Roomi Shazia Manzoor Shiraz Uppal Shuja Haider Streben Strings Sur Surrayya Multanikar Taimur Tanveer Afridi Tarzz Tayyaba Tina Sani Uzma Shah Various Visaal Vital Signs Waqar Ali Waris Baig Yasir Akhtar Zavia Zoak Zohaib Hassan Aamir Khan Abhishek Bachchan Aftab Shivdasani Ajay Devgan Akshay Kumar Akshaye Khanna Amitabh Bachchan Anil Kapoor Arjun Rampal Arshad Warsi Ashmit Patel Bobby Deol Dino Morea Emraan Hashmi Fardeen Khan Govinda Himanshu Malik Hrithik Roshan Imran Khan Jackie Shroff Jimmy Shergill John Abraham Manoj Bajpai Priyanshu Chatterji Rahul Khanna Rahuldev Ranbir Kapoor Ritesh Deshmukh Sahil Khan Saif Ali Khan Salman Khan Sanjay Dutt Shahid Kapoor Shahrukh Khan Sunil Shetty Sunny Deol Tushar Kapoor Upen Patel Vivek Oberoi Zayed Khan Aarti Chabria Aishwarya Rai Amisha Patel Amrita Arora Amrita Rao Antra Mali Asin Thottumkal Ayesha Takia Bhumika Chawla Bipasha Basu Celina Jaitley Cleo Issac Deepa Chari Deepika Padukone Diana Hayden Diya Mirza Esha Deol Freida Pinto Genelia D Souza Gracy Singh Gul Panag Hrishitaa Bhatt Isha Koppikar Jiah Khan Juhi Chawla Kajol Kangana Ranaut Kareena Kapoor Karishma Kapoor Kashmira Shah Katrina Kaif Kim Sharma Kirti Reddy Koena Mitra Konkona Sen Sharma Lara Dutta Lisa Ray Madhuri Dixit Mahima Chaudhary Malaika Arora Mallika Sherawat Mandira Bedi Manisha Koirala Meghna Naidu Minissha Lamba Monikangana Dutta Mughda Godse Nagma Naina Dhariwal Namrata Shirodkar Nandita Das Natasha Nauheed Cyrusi Negar Khan Neha Dhupia Payal Rohatgi Perizaad Zorabian Pia Trivedi Pooja Batra Prachi Desai Preeti Jhingiani Preity Zinta Priya Gill Priyanka Chopra Raima Sen Rani Mukherjee Raveena Tandon Reema Sen Rekha Rimi Sen Rinki Khanna Riya Sen Sameera Reddy Shamita Shetty Sheetal Mallar Sherlyn Chopra Shilpa Reddy Shilpa Shetty Shriya Saran Soha Ali Khan Sonal Chauhan Sonali Bendre Sonam Kapoor Sridevi Suman Rangnathan Sushmita Sen Tabu Tanisha Mukherjee Tanushree Dutta Tara Sharma Tejaswini Kolhapure Twinkle Khanna Udita Goswami Urmila Matondkar Vidisha Pavate Vidya Balan Vidya Malvade Yana Gupta Yukta Mukhi Video videos music photo picture pictures images image movie movies film films news funny fun Channel tv slidshow show song songs audio singer Countries Country pk city village part . youtube album sindhi urdu englis pashto punjabi balochi vip best punjab nwfp blochistan fata azad jammu kashmir
1995
©1994, Hanna-Barbera Cartoons, Inc.
Credits
from the box:
Special thanks to Fred Seibert, William Hanna, Joseph Barbera, and to all those people who made The Hanna-Barbera Adventure Cards possible!
DESIGN
Jill Jones
Ray Guzman
Bobbi Jankovich
WRITERS
David Burd
Marty Pekar
THE HANNA-BARBERA CREW
Models
Iwao Takamoto
Ric Estrada
Tony Sgroi
Ron Roesch
Barbara Krueger
Donna Zeller
Scott Awley
Xerox
Star Worth
Martin Crossley
Ink & Paint
Alison Darling
Suzette Darling
Joanne Plein
Chirstine Kingsland
Nelda Ridley
Lori Hanson
Lydia Swayne
Backgrounds
Bonnie Callahan
Jim Hickey
Ruben Chavez
Jerry Loveland
Craig Robertson
Richard Daskas
Art Services
Mary DeMarle
Shannon Dashiell
Liz Watson
Scott Miller
Betty Tropp
Creative Services
Sue Doc
Research
Jeff Eckert
Hillary Dunchak
Scott Awley
Tom Barreca
Lance Falk
Marketing
Sally Prendergast
Stephanie Sperber
UPLOAD BY SAJJAN ALI ABBASI ANY INFO CONTACTS MOB 03033888813 WABSITE { WWW.SAJJANSINDHI.PEPERONITY.COM } E-MAIL SAJJANSINDHI1@GMAIL.COM
Video videos music photo picture pictures images image movie movies film films news funny fun Channel tv slidshow show song songs audio singer Countries Country pk city village part . youtube album sindhi urdu englis pashto punjabi balochi vip best punjab nwfp blochistan fata azad jammu kashmir Abbaspur Abbotabad Abdul hakim Adda jahan khan Adda shaiwala Akhora khattak Ali chak Allahabad Amangarh Arif wala Attock Badri banda Badin Bagh Bahawalnagar Bahawalpur Balakot Bannau Barbar loi Baroute Bat khela Battagam Bewal Bhai pheru Bhakhar Bhal wal Bhan saeedabad Bhara kahu Bhera Bhimbar Bhirya road Bhuawana Blitang Buchay key Bunair Bunner Burewala Chacklala Chaininda Chak jamal Chak jhumra sawara sheza Chakwal Chaman Charsada Chashma Cha winda Chicha watni Chiniot Chisthtian Chitral Chohar jamali Choppor hatta Chowha saidan shah Chowk azam Mailta Chunian Dadakhel Dadu Daharki Dandot Dargai Darya Daska Daud khel Daulat pur Daur Deh pathaan Depal pur Dera ghazi khan Dera ismail khan Dera murad Jamali Dara nawab sahib Dhatmal Dhirkot Dhoun kal Digri Dijkot Dina Dinga Doaaba Doltala Domeli Dudial Dunyapur Eminabad Estate l.m factory Faisalabad Farooqabad Fateh jang Fateh pur Feroz walla Feroz watan Fiza got Gadoon amazai Gaggo mandi Gakhar Gambaet Garh maharaja Garh more Gari habibullah mari Gawadar Gharo Ghazi Ghotki Ghuzdar Gilgit Gohar Ghoushti Gojar khan Gojra Goular khel Guddu Gujjar khan Gujranwala Gujrat Hafizabad Hala Hangu Hari Pur Hariwala Haroonabad Hasilpur Hussan abad Hattar Hattian Hattian lawencepur Haveli lakha Havelian Hayatabad Hazoro Head marala Hub chowki Hyderabad Islamabad Issa khel Jaccobabad Jaja abasian pur jatan Priwala Jampur Jamrud road Jamshoro Jan pur Jandanwala Jarawala Jauharabad Jehangira Jehanian Jehlum Jhand Jhang Jhatta bhutta Jhelum Jhudo Joharabad Kabir wala Kacha khooh Kahuta Kakul Kakur town kala bagh Kala shah kaku Kalar syedian Kalaswala Kallur kot Kamalia kamalia musa Kamber ali khan Kamokey Kamra Kandh kot Kandiaro karachi Karak karoor pacca karore lalisan kashmir kashmore kasur kazi ahmed khair pur mir khairpur nathan shah khan qah sharif khanbel khandabad khanewal khangaharh khanpur khangah dogran sharif Kharian Khewra khoski Khurian wala khushab khushal kot khuzdar kohat kot addu bunglow ghulam mohd mithan radha kishan kotla arab ali khan jam patdan loharan kotri kumbh kundina kunjah kunri Lahore Laki marwat Lala musa Rukh Laliah Lalshanra Larkana lawrence Layyah Liaquat Lodharan Laralai Lower dir ludhan Machi goth Mailsi Makli Malakwal Mamu kanjan Mandi bahauddin Mandra Manga mandi Mangla sada Mangi Mangla Mangowal Manoabad Manshera Mardan Mari indus Mastoi Matiari Matli Mehar Mehmood kot Mehrab pur Main chunnu Walli Mingora Mir ali Miran shah Mirpur khas mathelo Mohen jo daro More Kunda Morgah Moro Mubarik pur Multan Muridkay Murree Musafir khana Mustung Muzaffarabad Muzaffargarh Nankana sahib Narang mandi Narowal Naseerabad Naudero Naukot Naukundi Nawab shah New saeedabad Nilore Noor pur noranga Noshki Nowshera cantt Nowshera peroz Okara Padidan Pak china fertilizer punjan kisan Panjgoor Pannu aqil Pasni Pasroor Patika Patoki Peshawar Phagwar Phalia Phool nagar Piaro goth Pindi Bhattian Bhohri Dadan khan gheb Pir mahal pir pai Pishin punjgor Qalandarabad Qasba gujrat Qazi ahmed Qaidabad Quetta Rabwah Rahimyar khan Rahwali Raiwand Rajana Rajanpur Rangoo Ranipur Ratto dero Rawala kot Rawalpindi Rawat Renala khurd Risalpur Pohri Sadiqabad Sagri Sahiwal Saidu sharif Sajawal Sakrand Samanabad Sambial Samma satta samundri sanghar sanghi sangla hill sangote sanjawal sara e alamgir narang sargodha satyana bangla Sehar baqlas Serai alamgir Shadiwal shah kot Shahdad kot pur shahpur chakar shaikhupura Shakargraph shamsabad Shankiari Shedani sharif Sheikhupura shemier shikar pur Shorkot Shujabad sialkot Sibi Sihala Sikandarabad silanwala Sita road Skardu Sohawa distric daska sukkur Swabi Swatmingora Takhtbai Talagang Talamba Talhur Tando adam allahyar jam mohd khan Tank Tarbela Tarmatan Tarmol Taunsa sharif Taxila Tharo shah tharparkar Thatta Theing jattan more Thull Tibba sultanpur Tobatek singh Topi Toru Trinda pannah Turbat Ubaro Ugoki Ukba Umar kot Upper deval dir usta mohammad Vehari Village sunder wah cantt wahi hassain Wan radha ram Warah Warburton wazirabad Yazman Zahir pur Ziarat jaaz mobilink zong warid telenor pk ufone nokia lg sony ericsson samsung q mobile china engro foods Zulfi Sahah BACHAYO FUNNY PATHAR DUNYA KHONI MANHO Qader bux Mawali no 1 Sikander Sanam DVD indian top callectiom flood com computer google yahoo mp4 mp3 3gp 3ggp avi mpeg acc full ABU DHABI ADEN (Yeman PDR) AFGHANISTAN AJMAN ALBANIA ALGERIA ANGOLA ARGENTINA AUSTRALIA AUSTRIA BAHRAIN BANGLADESH BELGIUM BHUTAN BOLIVIA BRAZIL CUBA CYPRUS CZECHOSLOVAKIA DENMARK (QATAR)DUBAI EGYPT ETHOPIA FALKLAND FIJI FINLAND FRANCE
FUJAIRAH GERMANY EAST GERMANY WEST GIBRALTER GREAT BRITAIN GREECE MALTA MAURITANIA MAURIUS MEXICO MOROCCO MONGOLIA MOZAMBIQUE MUSCAT(OMAN) NAMIBIA NEPAL NETHERLANDS NEWZELAND NICGERIA NORWAY PANAMA PAKISTAN PHILIPPINES. SPAIN SRI LANKA SOUTH WEST AFRICA SUDAN SWEDEN SWITZERLAND
TANZANIA THAILAND TURKEY TAIWA
U.A.E UGANDA U.S.A VIETNAM VENZUMELA YUGOSLAVIA YEMEN ZAMBIA ZIMBABWE
The end Waseb one news one aaj tv ptv home ptv news geo news atv ptv national world mtv filmazia starlite silver screen ktn news apna channel n vibe kashish tv music kashish dhoom tv kook tv joo doom avt khyber dm digital world waqat tv tensport pakistan ary digital asia music hum aag samaa geo super rohi dawn express dharti music dharti songs dharti dharti mehran din news rung r world g kaboom awaz zee tv network cinema zee smile b4u
movie Sindhi urdu music bollywood hollywood english pakistani punjabi indian benazeer bhoto songs lollywood punjabi film funny video fun megic india music song flexshow singer urdu singer pak pk folk cartoon welcome rang channel movie sehira geet mala mama lalu I love you abdul manan comedy dulhan mehndi brid bridal shadi muhammad qasim maka music channel
Abid Baig Abida Parveen Ahmed Mughal Allah Dino Khaskhely Allan Faqeer Amber Mehak Ameran begum Amir Shah Arshad Mehmood Ashiq Nizamani Asif Siyal AKHTIAR Ali DAYO Balak Sindhi Barkat ali gopang Barkat Ali Bedil Masroo Deeba Kanwal Deeba Samena kanwal Sahar Deedar Soomro Farzana Gul Farzana parveen Gul Sher Tewno Gullam Ali Samo Gullam Shabir samo Gullam hussian Hafeez Lashari Humera Channa Huzoor Bux Iqrar Waheed Jalal Chandio Jalal jogi Jaag Sindhi Jaag Kami Shah Manzoor Sakhirani Mashooq Khokhar Lemo faqir Marvi sindhu Master Manzoor Mehtab kanwal Mohammad Yousf Mukhtiyar Nadeem Mirani Najaf Ali Riaz Soomro Runa Laila Sadiq Faqeer Saeed Tunio Saima Manzoor Sajjad Yousf Sajjan Sindhi Sarmad Sindhi SAJID ALI SAJID Shafi Faqeeer Shahryar Ali Shahnila Ali Shaman Ali Mirali Shazia Khushk Sodho Leghari Suraya Soomro Tameer Hussain Tariq Chandio Tehmina Kanwal Tufail Sanjrani Ustad Juman Waheed Ali Waheed Hakro Waheed Lashari Zahid Gul Zamin Ali Zareena Baloch Zufi Ali Sabira sultana Deba sahar Aaroh
Abbas Ali Khan Abeer Abida Paeveen Abrar ul Haq Adeel Barki Adnan Sami Ahmed Jahanzeb Akaash Alamgir Ali Azmat Ali Haider Ali Khan Ali Noor Ali Sheikh Ali Sher Ali Zafar Amir Saleem Amir Zaki Annie Arif Lohar Arooj Aftab Arsh Asad Khan Ashar Asim Raza Atif Aslam Attaullah Essakhailvi Awaz Azaish Basit Bilawal Black Warrant Brian & Asim Bunny Call Danish Rahi Dehek Devotion Dhanak Dilara Dr Aur Billa Dramas Entity Paradigm Evolution Faisal Ali Khan Faisal Latif Fakhir Mehmood Fakhr e Alam Falak Farah Hassan Farida Khanum Fariha Pervaiz Fringe Benefits Fuzon Ghulam Ali Goonj Hadiqa Kiani Haroon Humera Arshad Imik Inteha Irtaash Jal Jawad Ahmed Jawad Kahlown Jazba Jimmy Attre Junaid Jamshed Kaavish Karavan Khadija Haider Khawar & Faiza Lagan Live Wires Malkoo Mauj Mazhar Rahi Mehdi Hassan Mekaal Hasan Band Mir Mizmaar Movies Musarrat Nazir Nadeem Jafri Nadeem Shahid Najam Shiraz Naseebo Lal Naweed Nayyara Noor Nazia & Zohaib Nijat Nizar Ali Noor Jehan Noori Nusrat Fateh Ali Khan Offroad Omer Inayat Opre
Overdrive Raasta Rabi Pirzada Rage Rahim Shah Raza Rizvi Razam Riqa Riznom Rizwan ul Haq Roxen Rubber Band Rungg Saima Khan Saira Arshad Saira Naseem Sajjad Ali Saleem Javed Salman Pirzada Saraab Shah Zaman Shahida Minni Shahzad Mughal Shahzad Roy Shah Zaman Sharique Roomi Shazia Manzoor Shiraz Uppal Shuja Haider Streben Strings Sur Surrayya Multanikar Taimur Tanveer Afridi Tarzz Tayyaba Tina Sani Uzma Shah Various Visaal Vital Signs Waqar Ali Waris Baig Yasir Akhtar Zavia Zoak Zohaib Hassan Aamir Khan Abhishek Bachchan Aftab Shivdasani Ajay Devgan Akshay Kumar Akshaye Khanna Amitabh Bachchan Anil Kapoor Arjun Rampal Arshad Warsi Ashmit Patel Bobby Deol Dino Morea Emraan Hashmi Fardeen Khan Govinda Himanshu Malik Hrithik Roshan Imran Khan Jackie Shroff Jimmy Shergill John Abraham Manoj Bajpai Priyanshu Chatterji Rahul Khanna Rahuldev Ranbir Kapoor Ritesh Deshmukh Sahil Khan Saif Ali Khan Salman Khan Sanjay Dutt Shahid Kapoor Shahrukh Khan Sunil Shetty Sunny Deol Tushar Kapoor Upen Patel Vivek Oberoi Zayed Khan Aarti Chabria Aishwarya Rai Amisha Patel Amrita Arora Amrita Rao Antra Mali Asin Thottumkal Ayesha Takia Bhumika Chawla Bipasha Basu Celina Jaitley Cleo Issac Deepa Chari Deepika Padukone Diana Hayden Diya Mirza Esha Deol Freida Pinto Genelia D Souza Gracy Singh Gul Panag Hrishitaa Bhatt Isha Koppikar Jiah Khan Juhi Chawla Kajol Kangana Ranaut Kareena Kapoor Karishma Kapoor Kashmira Shah Katrina Kaif Kim Sharma Kirti Reddy Koena Mitra Konkona Sen Sharma Lara Dutta Lisa Ray Madhuri Dixit Mahima Chaudhary Malaika Arora Mallika Sherawat Mandira Bedi Manisha Koirala Meghna Naidu Minissha Lamba Monikangana Dutta Mughda Godse Nagma Naina Dhariwal Namrata Shirodkar Nandita Das Natasha Nauheed Cyrusi Negar Khan Neha Dhupia Payal Rohatgi Perizaad Zorabian Pia Trivedi Pooja Batra Prachi Desai Preeti Jhingiani Preity Zinta Priya Gill Priyanka Chopra Raima Sen Rani Mukherjee Raveena Tandon Reema Sen Rekha Rimi Sen Rinki Khanna Riya Sen Sameera Reddy Shamita Shetty Sheetal Mallar Sherlyn Chopra Shilpa Reddy Shilpa Shetty Shriya Saran Soha Ali Khan Sonal Chauhan Sonali Bendre Sonam Kapoor Sridevi Suman Rangnathan Sushmita Sen Tabu Tanisha Mukherjee Tanushree Dutta Tara Sharma Tejaswini Kolhapure Twinkle Khanna Udita Goswami Urmila Matondkar Vidisha Pavate Vidya Balan Vidya Malvade Yana Gupta Yukta Mukhi Video videos music photo picture pictures images image movie movies film films news funny fun Channel tv slidshow show song songs audio singer Countries Country pk city village part . youtube album sindhi urdu englis pashto punjabi balochi vip best punjab nwfp blochistan fata azad jammu kashmir
The Elaphiti Islands or the Elaphites is a small archipelago consisting of several islands stretching northwest of Dubrovnik, in the Adriatic sea. The Elaphites have a total land area of around 30 square kilometers and a population of 850 inhabitants. The islands are covered with characteristic Mediterranean evergreen vegetation and attract large numbers of tourists during the summer tourist season due to their beaches and pristine scenery.
Daksa – The smallest of all the Elaphiti islands. It used to be home to a 13th century Franciscan monastey of Saint Sabina, which was abandoned at the time of Napoleon's conquest in the ealy 19th century. Later, it became infamous as the site of the Daksa massacre, in which the partisans had executed 48 prominent citizens of Dubrovnik in October 1944.
1995
©1994, Hanna-Barbera Cartoons, Inc.
Credits
from the box:
Special thanks to Fred Seibert, William Hanna, Joseph Barbera, and to all those people who made The Hanna-Barbera Adventure Cards possible!
DESIGN
Jill Jones
Ray Guzman
Bobbi Jankovich
WRITERS
David Burd
Marty Pekar
THE HANNA-BARBERA CREW
Models
Iwao Takamoto
Ric Estrada
Tony Sgroi
Ron Roesch
Barbara Krueger
Donna Zeller
Scott Awley
Xerox
Star Worth
Martin Crossley
Ink & Paint
Alison Darling
Suzette Darling
Joanne Plein
Chirstine Kingsland
Nelda Ridley
Lori Hanson
Lydia Swayne
Backgrounds
Bonnie Callahan
Jim Hickey
Ruben Chavez
Jerry Loveland
Craig Robertson
Richard Daskas
Art Services
Mary DeMarle
Shannon Dashiell
Liz Watson
Scott Miller
Betty Tropp
Creative Services
Sue Doc
Research
Jeff Eckert
Hillary Dunchak
Scott Awley
Tom Barreca
Lance Falk
Marketing
Sally Prendergast
Stephanie Sperber
1995
©1994, Hanna-Barbera Cartoons, Inc.
Credits
from the box:
Special thanks to Fred Seibert, William Hanna, Joseph Barbera, and to all those people who made The Hanna-Barbera Adventure Cards possible!
DESIGN
Jill Jones
Ray Guzman
Bobbi Jankovich
WRITERS
David Burd
Marty Pekar
THE HANNA-BARBERA CREW
Models
Iwao Takamoto
Ric Estrada
Tony Sgroi
Ron Roesch
Barbara Krueger
Donna Zeller
Scott Awley
Xerox
Star Worth
Martin Crossley
Ink & Paint
Alison Darling
Suzette Darling
Joanne Plein
Chirstine Kingsland
Nelda Ridley
Lori Hanson
Lydia Swayne
Backgrounds
Bonnie Callahan
Jim Hickey
Ruben Chavez
Jerry Loveland
Craig Robertson
Richard Daskas
Art Services
Mary DeMarle
Shannon Dashiell
Liz Watson
Scott Miller
Betty Tropp
Creative Services
Sue Doc
Research
Jeff Eckert
Hillary Dunchak
Scott Awley
Tom Barreca
Lance Falk
Marketing
Sally Prendergast
Stephanie Sperber