“Language [as] Meta-Technology” [#2] by Disinformation

White Box Gallery

5 Hare & Billet Road

Blackheath

London SE3 0RB

Accessible every day – 10am to 6pm

Fri 23 July to Sun 1 Aug 2021

The book “Rorschach Audio – Art & Illusion for Sound” argues that “the earliest form of sound recording technology was not a machine but was written language”. “Language [as] Meta-Technology” is an installation, exhibited by the artist project Disinformation, which, extrapolating that concept, uses a commercially available high-end speech synthesiser to articulate (among other statements) the assertions that “the ultimate form of communications technology is language itself”, and that “all literature and poetry are forms of sonic art”. “Language [as] Meta-Technology” is a fully automated, medically sterile and autonomous kinetic audio installation, which will be fully accessible online and from outside White Box gallery.

Artwork: “Language [as] Meta-Technology” montage © Joe Banks 2021

See also – rorschachaudio.com/2018/11/12/language-as-meta-technology/

Exhibition Review - Elpida Hadzi-Vasileva: 'An Intimate Gaze', Danielle Arnaud, London till 11th Feb 2017.

“Elpida is reaching in, searching,

takes apart landscapes,

lifts open lush horizons,

upends a purse, a stomach, a body,

watching it flame into momentary blossoms,

a memory of breath and life burning flesh into a broken silence,

a silence of the body used confounded by its use,

washed in odors and secrets of

a river that swallows all things."- Drenched Co.

Comment:

" Elpida's silky gauzes of silence, in their quivering erruptions peels back my gaze. Brilliant!" - JayZee

See daniellearnaud.com/exhibitions/exhibition-elpida-an-intim...

See also www.soaked.space/2017/02/exhibition-review-elpida-hadzi-v...

See also www.woundsthatbind.com/2017/02/exhibition-review-elpida-h...

Caption: Image above: Installation view Elpida Hadzi-Vasileva© Danielle Arnaud, London 2017.

Image courtesy of Danielle Arnaud, London. Photo: Oskar Proctor

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #ElpidaHadziVasileva #DanielleArnaud #DanielleArnaudgallery #AnIntimateGaze #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #makingbeauty #insideout #unity #sitespecific #fragility #decay #skin #scientific #macedonianart #artinmacedonia

Exhibition Review - Robert Cervera, Katarina Hruskova and Alix Marie:'Ichor' Danielle Arnaud, London till 10th Apr 2016.

Sluiced against the world, we offer it in perfect resolution. - Drenched Co.

Comment: "To me Cervera, Hruskova and Marie go beyond boundaries that gives us divergence and difference and entangle themselves with the dark spaces, the void in things. And here lurk shadowy presences that give off a fetid discharge of ambiguity, appropriation and bastardisation as well as the godly gold of connectedness, equality and harmony. I loved loved Alix Marie's 'Hanged, hung, numb'." - FaSa

See www.daniellearnaud.com/exhibitions/exhibition-ichor.html

See also www.woundsthatbind.com/2016/04/exhibition-review-robert-c...

See also www.soaked.space/2016/04/exhibition-review-robert-cervera...

Caption: Image above: Installation view 'Ichor' Danielle Arnaud, London 2016 Photo: Oskar Proctor

Image courtesy of the artists and Danielle Arnaud, London.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #RobertCervera #KatarinaHruskova #AlixMarie #DanielleArnaud #DanielleArnaudgallery #artinlondon #londonart #artlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #sculpture #PostMinimalism #ArtePovera #vampirism #cannibalism #performanceart #videoart #artvideo #artphotography #RCA #materiality #frenchart #swedishart #VictoriaAlbertMuseum #spanishart

Exhibition Review - Adam Hogarth, Clare Mitten, Gabriela Schutz, Martin Ward: 'The Machine Stops' at Danielle Arnaud, London till 24 March 2018.

“At Danielle Arnaud, we tilt into the incoming tide of slow electricity."- Drenched Co.

Notes: " At Danielle Arnaud, I am awash with the thaw in the impatience of light. Meanings and uncanny predictions fall into sequence and overlap. Here forests are gorgeous windmills of mechanical silence. There is sound like thunder, the sound of electricity, tripping into a melodious stand still. Walls of electricity turn into rendered communal drawings and flowers bloom in the seams of a slow current. Four artists, like clots in the simultaneous, have tweaked the knobs and aligned with a 100 year old prediction to insist on a quiet contemplation with things that make meaning. Clare Mitten is awesome!" - JayZee

See www.daniellearnaud.com/exhibitions/exhibition-the-machine...

See also www.soaked.space/2018/03/exhibition-review-adam-hogarth-c...

See also www.woundsthatbind.com/2018/03/exhibition-review-adam-hog...

Caption: Image above: Installation view 'The Machine Stops' Danielle Arnaud, London 2018.

Courtesy of the artists and Danielle Arnaud, London. Photograph by Oskar Proctor.

We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.

#cutsoverart #drenchedco #soakedspace #DanielleArnaudGallery #DanielleArnaud #AdamHogarth #ClareMitten #GabrielaSchutz #MartinWard #TheMachineStops #londonart #artlondon #artinlondon #artberlin #berlinart #artinberlin #artnewyork #newyorkart #artinnewyork #artreview #exhibitionreview #reviewart #emforster #dystopia #religion #electricity #prediction #windmill #machine #noideashere