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Depicted in black and white...
(a few cellphone photos earlier today, actually taken in black and white.)
Mercado De Peixe, Mindelo, Ilha de São Vicente, Cape Verde.
Beaufiful tiles, depicting sea scenery in this market, and yes, one can also buy beautiful fish.
These colourful swirls depict an unprecedented storm that played out in the northern hemisphere of the gas giant Saturn from December 2010 until June 2011.
The scene is shown in false colour and is created from 84 near-infrared images captured by the international Cassini spacecraft on 26 February 2011.
The image is processed such that blue colours indicate high, thin clouds, while yellow and white are relatively thick clouds also at high altitudes. Red and brown depict clouds at low altitude that are unobscured by the high clouds, and the deep blue is a thin haze with no clouds below. Green represents intermediate clouds.
The bright ‘head’ of the storm is towards the left; much lightning activity was recorded here. The roiling storm clouds raged through the atmosphere in a westward direction, eventually wrapping themselves around the entire planet.
At the tail-end (right) a vast swirling oval-shaped vortex is seen which is some 12 000 km wide, comparable to the diameter of Earth.
After many months, the head had caught up with the tail, and the storm began to subside.
Saturn’s storms are quite different from Earth’s, where stormy weather is rather frequent. On Saturn the atmosphere appears to be quite calm for 20–30 years at a time, and then erupts somewhat violently in months-long persistent storms like this one. Since it takes Saturn about 30 years to orbit the Sun, the repetitive nature of the giant storms may be linked, in part, to seasonal changes in the planet’s atmosphere.
The Cassini–Huygens mission is a cooperative project of NASA, ESA and ASI, the Italian space agency. More image details available in the original NASA image release.
Credit: NASA/JPL-Caltech/Space Science Institute
This famous fresco depicting the ladies of the court from the Palace of Knossos can be found at the Heraklion Archaeological Museum, a museum located in Heraklion on Crete. It is one of the greatest museums in Greece and the best in the world for Minoan art, as it contains the most notable and complete collection of artifacts of the Minoan civilization of Crete. Crete is Greece's largest island and the fifth largest island in the Mediterranean.
The highly sophisticated Minoans which were Europe's first great civilization built the Palace of Knossos, the legendary home of King Minos which is connected with thrilling legends, such as the myth of the Labyrinth, with the Minotaur and the story of Daidalos and Ikaros.
The museum began in 1883 as a simple collection of antiquities. A dedicated building was constructed from 1904 to 1912 at the instigation of two Cretan archaeologists, Iosif Hatzidakis and Stefanos Xanthoudidis. After three destructive earthquakes in 1926, 1930, and 1935, the museum nearly collapsed. The director of the Heraklion Museum was then Spyridon Marinatos, who made great efforts to find funds and persuade the locals and the central government alike that a new solid building was needed. In 1935, Marinatos succeeded in engaging Patroklos Karantinos to build a sturdy structure that has withstood both natural disasters and the bombing that accompanied the German invasion in 1941. Although the museum was damaged during World War II, the collection survived intact and again became accessible to the public in 1952. A new wing was added in 1964.
The Herakleion Archaeological Museum is one of the largest and most important museums in Greece, and among the most important museums in Europe. It houses representative artifacts from all the periods of Cretan prehistory and history, covering a chronological span of over 5,500 years from the Neolithic period to Roman times. The singularly important Minoan collection contains unique examples of Minoan art, many of them true masterpieces.
The Herakleion Museum is rightly considered as the museum of Minoan culture par excellence worldwide. The museum, located in the town centre, was built between 1937 and 1940 by architect Patroklos Karantinos on a site previously occupied by the Roman Catholic monastery of Saint-Francis which was destroyed by earthquake in 1856. The museum's antiseismic building is an important example of modernist architecture and was awarded a Bauhaus commendation. Karantinos applied the principles of modern architecture to the specific needs of a museum by providing good lighting from the skylights above and along the top of the walls, and facilitating the easy flow of large groups of people. He also anticipated future extensions to the museum. The colours and construction materials, such as the veined polychrome marbles, recall certain Minoan wall-paintings which imitate marble revetment. The two-storeyed building has large exhibition spaces, laboratories, a drawing room, a library, offices and a special department, the so-called Scientific Collection, where numerous finds are stored and studied. The museum shop, run by the Archaeological Receipts Fund, sells museum copies, books, postcards and slides. There is also a cafe.
The Herakleion Archaeological Museum is a Special Regional Service of the Ministry of Culture and its purpose is to acquire, safeguard, conserve, record, study, publish, display and promote Cretan artefacts from the Prehistoric to the Late Roman periods. The museum organizes temporary exhibitions in Greece and abroad, collaborates with scientific and scholarly institutions, and houses a variety of cultural events.
For more information please visit en.wikipedia.org/wiki/Heraklion_Archaeological_Museum
Crete (Greek: Κρήτη, Kríti ['kriti]; Ancient Greek: Κρήτη, Krḗtē) is the largest and most populous of the Greek islands, the fifth-largest island in the Mediterranean Sea, and one of the thirteen administrative regions of Greece.The capital and the largest city of Crete is Heraklion. It forms a significant part of the economy and cultural heritage of Greece while retaining its own local cultural traits (such as its own poetry, and music). Crete was once the center of the Minoan civilization (c. 2700–1420 BC), which is currently regarded as the earliest recorded civilization in Europe.
The island is first referred to as Kaptara in texts from the Syrian city of Mari dating from the 18th century BC, repeated later in Neo-Assyrian records and the Bible (Caphtor). It was also known in ancient Egyptian as Keftiu, strongly suggesting some form similar to both was the Minoan name for the island.
The current name of Crete is thought to be first attested in Mycenaean Greek texts written in Linear B, through the words ke-re-te (*Krētes; later Greek: Κρῆτες, plural of Κρής),[4] and ke-re-si-jo (*Krēsijos; later Greek: Κρήσιος), "Cretan". In Ancient Greek, the name Crete (Κρήτη) first appears in Homer's Odyssey.[8] Its etymology is unknown. One speculative proposal derives it from a hypothetical Luvian word *kursatta (cf. kursawar "island", kursattar "cutting, sliver").[9] In Latin, it became Creta.
The original Arabic name of Crete was Iqrīṭiš (Arabic: اقريطش < (της) Κρήτης), but after the Emirate of Crete's establishment of its new capital at ربض الخندقRabḍ al-Ḫandaq (modern Iraklion), both the city and the island became known as Χάνδαξ (Khandhax) or Χάνδακας (Khandhakas), which gave Latin and Venetian Candia, from which French Candie and English Candy or Candia. Under Ottoman rule, in Ottoman Turkish, Crete was called Girit (كريت).
For more information please visit en.wikipedia.org/wiki/Crete
Main pic. This scene depicts the Mannerhiem Line, the main defensive line erected by the Finns.
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Nov 30, 1939 - March 13 1940 saw some of the fiercest fighting of WW2 in the most brutal of climates, yet it is mostly forgotten.
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The Soviets outnumbered their Finnish opponents 3:1 in men, 30:1 in aircraft, and 100:1 in tanks. Despite the overwhelming odds, the Finns held off the Russian onslought for months utilizing sub-par defenses and guerilla tactics. The Soviets lacked experienced officers because of Stalin's Great Purge, and this coupled with adhering to nineteenth century military tactics resulted in huge Russian losses and Finnish victories. It wasn't until the Soviets re-examined their strategies that they captured the desired territory. The Finns held off the attacks despite incredible odds, and the war was a major embarrassment for the Soviet Union.
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More info:
Going walk about.
A trip by bicycle in Australia.
Depicted by David Gulpilil in an Australian classic movie Walkabout, was, a “walkabout”, if you don’t know what it is, that is fine, it is a not so unfamiliar tail despite what the trailer might have you believe. Here is a link to the official trailer, www.bing.com/videos/search?q=walk+about&docid=6034988... please note that the trailer has dated much more than the movie, and that the trailer does not do the movie credit. It is about the test of a young man, that is regardless of origin or race, a story that is universal. In general, it is as some Europeans call it, a bildungsroman. The formative years of an individual’s life that are spiritual in nature. And like a monk’s pilgrimage it works best when you do it alone. Well, at least for a period anyway.
While riding my bicycle around exploring the city I once lived in Melbourne, I met a pair of Austrians or Swedes at the Carlton bar, in Bourke Street, (here is a link to the map, of where to find it www.bing.com/search?pc=W145&q=carlton+bar&form=BW... ). It was somewhere in the nineties. The Carlton, l was informed before l went there, was meant to be a bit of a dive. But despite that, it was a Melbourne institution, as, when everywhere else was closed, you could always go to the Carton. It was an institution that had run down a little around the edges. Financially as drugs took over the neuro stimulus trade, it reduced the ability for a proprietor to sell a beer at a profit. Despite this, the two Austrians, or Swedes, were enjoying their beer in moderation. They were not impressed with me so much; as, and to be specific, with my process of self-destruction, one that l was applying at the time, well, it was the nineties and grunge was a lifestyle, not a genre of music. Despite a few differences they had imparted their tales of their own walk abouts on me.
One was a carpenter; a highly skilled trade, and I would latter go onto find out via a documentary on another European carpenter, about how hard it is to become a carpenter, of actual standing, and, or gain the qualification. He told me that he produced houses with no nails, it seemed like a foreign concept to me. No nails in a roof? He was talking about the frame, and he informed me that the buildings were incredibly strong. I presume that they, the houses he built had to be incredibly strong, to withstand the winds and snow that occur in the mountains of Europe, and his indigenous country.
While broaching the subject of carpenters, it should be said, that, I apologize to European carpenters especially Swedish ones. I am apologizing, for saying in an essay, (an essay that become a part of my bildungsroman), an essay that I failed at university, one that, I stated and to quote, “that although the Swedish flag carried the cross of a carpenter”, as in the cross of Christ, “they had superseded carpenters with Ikea”. I said, and to paraphrase, that, “yes, the Swedes, the Swedes had made carpenters redundant”. It seemed highly ironic on many levels, and the inference was that Christ was, and his people were, no longer required. I was not trying to be crass; l was not trying to be obtuse, it was a real observation, one that l had aligned with an abandonment as far as l could see for some Austrians and Swedish of their heritage. I may be wrong, and to be sincere, l hope l am.
The documentary I watched, talked about carpenters from the region having to leave their homes or areas and work in foreign parts. The travels where no less than as practiced by males of other countries, as would have been exhibited, and or experienced by people like Gulpilil before and after colonization. Like Gulpilil in Walk About, they had to survive, and, or earn a living by themselves. At the beginning of their journey, they would take only rudimentary money, and possessions. Relying on their trade to supply them with all they would need to survive. It seemed no less than a walk about, one that l had heard of, and or learned of through Gulpilil as a child. It showed, and displayed respect, for both teachers, the trade being taught, and the student. It was a measured risk, by those that set the young men on their journeys, and for the young men.
On my journey aided by my bicycle, I met these two young men, they were respectful young gentlemen. One a carpenter, and the second a younger man, informed me was the descendant of a European scientist. A scientist of such standing, that he was on his nations bank notes. I can’t remember what he did for a living, but he seemed to be of money, in a way that the carpenter was not. Despite having studied science, and its history, both in an academic setting, and on my own time, for the life of me, I cannot remember his last name, or if he was Swedish or Austrian exactly. It is something that vexes me to this day. Because where I excel in memory, l have a savant like ability to forget names. I make up for my deficiency in the detail, or an ability to remember, what l am interested in, and to recall what I speak, or spoke about. This type or level of memory recall has its issues. I have joked before that I will not remember your name, but every detail of your life’s history you impart upon me. It has had me labelled weird, not normal, and after having my IQ tested, it is not, nor would l hope, be ever normal.
We spoke about his trip, and his Australian rendezvous, with a young woman, who he knew from Austria, or Sweden. They were to, and did meet, on Australian soil. Like him, she was also on a rite of passage. We spoke about his grandfather the scientist. We spoke of his love for a young woman he hoped to marry, and we spoke of his deep appreciation of her. He described in detail his night with her on a New Year’s Eve, gazing into the southern sky of Australia, a visual not seen in the northern hemisphere. He spoke of his total trust, in the fidelity of their friendship, as they walked different paths, and experienced various times in Australia. He was very decent, and the conversation imparted on me, a respect by a young man for a woman that no other man young or old ever has, it wasn’t despite his innocence, it was because of it. Despite his polite nature, he felt at liberty to correct me on my observations of women. Right or wrong the conversation went stale, I thanked the men for their conversation, and wished them well. I wished them well, for both for their trip around Australia, and on their trip through life.
My observations are that a walkabout for the man who has the talent, i.e., talent enough to be a man, can, and is, a mutual exchange between the areas or countries involved. Like the carpenter l had left home with little money, and while getting an allowance of 25 dollars a week for food and tram tickets, I soon realised early on, after doing some rudimentary accounting, that my mode of transport, would be a poor man’s alternative, that of the bicycle. I bought it, my Japanese Lotus chrome molly Mountain bike, from a man who used to race the Sun tour. I scrounged up the money for it. It was a bike that would last me approximately ten years, before an accident with a car, where l was nearly killed and maimed. My bicycle had given me a freedom from trams, and cars, and although it came with the potential of death, l could at least afford to eat, and have a roof over my head.
It has been said that the area I come from, (Shepparton, Victoria, Australia), that it has produced more than its fair share of world champion level cyclists, of which, I would never be included even closely in the ranks of, due to lack of talent. This was despite passing two young men, a state champion and a future world champion who rode several tour de Frances. I passed them with no hands on the bars, during a race, or during their attack to be more precise. It was a bold move, and it still makes me laugh, it was utterly shameless. The small city and the area had, an amazing history when it comes to cycling. One local even went on to open a hotel in Flanders, Belgium, here is a link for its page flandrienhotel.com/ A hotel dedicated to cycling, and cyclists. He became a masters world champ while at it, he was a bit of an over achiever, to say the least, and it made me wonder why this area had been so productive, in the production of cyclists. I can only really speculate on it, as I looked from the not so distant outside at these brilliant athletes, that changed, or altered the world of cycling forever. Their names etched into cycling immortality, I speculated that like Flanders it was the persistent winds we get here, the great people, the long straight roads, and the close rolling hills. The roads make you into an accustomed sufferer, like all men, as even the hard men of Flanders should be, or outright must be. A right of suffering minus the cobbles, one that enables them to ply their trade, and be considered men. You learned to work, because every corner is 5 to 10 kilometres away, you learned to work as no one gives any quarter as to how good you are, or cares what your reputation is. You learn to work, because being dropped from the peloton, or pack, makes the ride home a sobering process, one of personal introspection, about your abilities, and your capacities as a man, when compared to others. And just like Geppetto, an elderly wood worker who carved himself a boy, a cycling community with many kind and gentle old men produced champions from unlikely wood stock. Imparting on them not just about riding bicycles, but how to do it like a man.
Despite not being such a great cyclist, one area, that I never had much issue with was memory. It has both been a boon, and a mysterious problem for those that have never met me before. It taught me the frailty and fear that some people have, when it comes to others. I recall while speaking to a bar maid at the Carlton hotel, (yes, that was the historical name for her profession), she was an Islander woman from the pacific, and somehow l had managed to distress her. She thought l was stalking her, when I recalled a conversation. A conversation we had had a couple of weeks earlier. I understand now why she felt that way. I, as part of a research program, with one of Australia’s elite universities, had my IQ measured. It was found, that in some respects, of the IQ equivalency test, l could nearly not be accurately measured. One of these areas was memory. In our earlier discussion she spoke to me about her and her partner’s band. I raised it in the conversation we had weeks later, and she asked security to have me removed from the pub saying l was a stalker. It was a disturbing accusation, and I never went back to the pub for years after it. As it turned out, it would not be the last time this scenario would play out. It also happened, when at another pub in Malvern, I spoke to a librarian from a university, we spoke about her dog, and her job, it was quite a cordial conversation. But several weeks later, I spoke to her again, and she could not remember me at all, she did not seem that drunk when I first met her, but she freaked. I had recalled the breed of dog she had; a Labrador cross, I still can. I tried to speak to her about her job as a librarian, because she had seemed quite interesting the first time we had met, but she weirded out. I did not think she was interesting anymore. I realised she was probably a bullet dodged, to use a euphemism. She had become part of my walk about. Part of my walk about, was to be confronted by males and females protecting women with no memories of the conversations they held. It dawned on me that they may have never had a male listen to anything they had ever said. That they had never genuinely, met a man interested in what a woman had to say, let alone recall it weeks later. And like Gulpilil in his iconic movie, I just moved on.
A bicycle is a gift. Using my bike to go on my walk about, enabled me to cover more ground than actual walking. And just like a trade, to do it well, takes skill. As a child, or a new teen going to high school, I would ride 20-kilometre round trips on a new type of bicycle, a mountain bike, to visit friends. People laughed at my bike. A bike that was neither a road bike nor a BMX, yep, l am that old! Some people joke about being older than Google, but as far as mountain bikes go, l am older than them. I now have grey hairs in my beard to prove it, and at around the same time as Google had come about, l had stopped programming. I stopped as my programming career was as successful as my cycling racing. I would, with good reason, never go on to be a professional. But in my bildungsroman of a walk about, my bicycle enabled me to be free. And like all freedom it comes from suffering or work, it is a lesson learnt, and l found it was applicable to all my endeavours, or enterprises in life. I explored and went places that l could never afford to go, because I road there. And although not being in the league of Indian artist PK Mahanandia who when he met Charlotte Von Schedvin, road from India to Europe to find her on a second-hand bicycle, I would go onto find love, and use a bicycle like him to facilitate that love. I would use the education of discipline in life, that l had gained while riding it. I would suffer both physically, and from the broken heart it helped give me. As a result, I seem to be a lot more introspective as l get older, and looking back in hindsight, it was the thing that chiselled a boy into a man.
The skylight depicted here slopes at a fairly gentle angle. The snow that had collected on the skylight became dense with moisture and slumped down the slope. In the process of slumping the slush took on patterns that looked like a face of sorts. Thus, the "face in the window."
JA406938
Dinamarca - Copenhague - Castillo de Rosenborg
www.visitcopenhagen.com/copenhagen/rosenborg-castle-gdk41...
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ENGLISH
Rosenborg Castle (Danish: Rosenborg Slot) is a renaissance castle located in Copenhagen, Denmark. The castle was originally built as a country summerhouse in 1606 and is an example of Christian IV's many architectural projects. It was built in the Dutch Renaissance style, typical of Danish buildings during this period, and has been expanded several times, finally evolving into its present condition by the year 1624. Architects Bertel Lange and Hans van Steenwinckel the Younger are associated with the structural planning of the castle.
The castle was used by Danish regents as a royal residence until around 1710. After the reign of Frederik IV, Rosenborg was used as a royal residence only twice, and both these times were during emergencies. The first time was after Christiansborg Palace burned down in 1794, and the second time was during the British attack on Copenhagen in 1801.
Located on the third floor, the Long Hall was completed in 1624. It was originally intended as a ballroom. Around 1700 it was used as Royal Reception Room and for banquets. It was not until the second half of the 19th century that it became known as the "Knight's Hall".
Christian V had the hall partly modernised with twelve tapestries depicting the King's victories in the Scanian War (1675–1679). The stucco ceiling seen today is from the beginning of the 18th century. It shows the Danish Coat of Arms surrounded by the Orders of the Elephant and of Dannebrog. Side reliefs depict historical events from the first years of the reign of Frederik IV, including the liberation of the serfs, the founding of the dragoons and of the land militia among them. The frescos in the ceiling by Hendrick Krock, represent the Regalia.
Among the main attractions of Rosenborg are the coronation chair of the absolutist kings and the throne of the queens with the three silver lions standing in front. The Long Hall also contains a large collection of silver furniture, of which most is from the 17th century.
The castle is open to the public for tours and houses a museum exhibiting the Royal Collections, artifacts spanning a breadth of royal Danish culture, from the late 16th century of Christian IV to the 19th century. Some of these articles once belonged to the nobility and the aristocracy. The castle, now state property, was opened to the public in 1838.
Of special interest to tourists is a Schatzkammer displaying the Crown Jewels and the Danish Crown Regalia located in the castle. A Coronation Carpet is also stored there. The Throne Chair of Denmark is located in the castle. In the summer time, flowers bloom in front of the castle in the castle garden.
The castle is situated in Kongens Have ("The King's Garden"), also known as "Rosenborg Castle Garden". The Rosenborg Castle Garden is the country's oldest royal garden and was embellished in the Renaissance style by Christian IV shortly before the construction of the main castle. Today, the gardens are a popular retreat for the people of Copenhagen, and attract an estimated 2.5 million visitors every year. Next to the castle are barracks where the Royal Life Guards is garrisoned. The Life Guard guards the castle.
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ESPAÑOL
El castillo de Rosenborg (Rosenborg slot en danés) es un castillo-palacio que se encuentra situado en la capital danesa, la ciudad de Copenhague. Fue construido originalmente en el año 1606 como una casa de campo para uso veraniego del monarca, y supone un ejemplo de los múltiples proyectos arquitectónicos puestos en marcha por el rey de Dinamarca Cristián IV. Fue construido en estilo renacentista neerlandés, el estilo típico en que se realizaban los edificios daneses de la época, habiendo sufrido diversas reconstrucciones, hasta culminar en la forma actualmente existente, que data de 1624 (aunque posteriormente Federico VI llevó a cabo algunas reformas de menor calado en 1833). Los arquitectos Bertel Lange y Hans van Steenwinckel fueron los diseñadores del castillo.
El palacio fue utilizado por los regentes de Dinamarca como residencia real hasta 1710. Con posterioridad al reinado de Federico IV de Dinamarca, el Palacio de Rosenborg únicamente fue utilizado como residencia real en dos ocasiones, tratándose en ambos casos de situaciones de emergencia. La primera de ellas se produjo cuando el Palacio de Christiansborg fue víctima de un incendio en 1794, y la segunda fue durante el ataque que llevó a cabo la Royal Navy a la ciudad de Copenhague el 2 de abril de 1801 (Primera Batalla de Copenhague, ataque en el que participó el almirante Horatio Nelson).
El Palacio se mantiene abierto al público para las visitas turísticas, y alberga un Museo que contiene las colecciones reales de arte propiedad de la Corona danesa que se inició en el siglo XV con Federico II de Dinamarca y llega hasta el siglo XIX, así como las joyas de la corona danesa. Alguno de los artículos expuestos pertenecía a la nobleza y la aristocracia danesas. Actualmente Rosenborg es una propiedad estatal y fue abierta a la visita del público en general en el año 1838.
Junto al Castillo se encuentran los cuarteles en los que la Guardia Real de Dinamarca, la Den Kongelige Livgarde, realiza sus ejercicios.
La historia del castillo de Rosenborg se remonta al año 1606, cuando el rey Cristián IV de Dinamarca adquirió unos terrenos existentes ante los actuales muros del nordeste, e hizo construir en el lugar un jardín de recreo y esparcimiento (el Kongens Have, el jardín del rey, por lo que a veces se le denomina como el castillo de los jardines de Rosenborg). Posteriormente, se construyó en dicho jardín una residencia veraniega dotada de dos pisos de altura, que quedó finalizada en 1607. Dicho primer edificio puede ser contemplado hoy en día en la parte sur del dominio de Rosenborg.
Entre 1613 y 1615 se construyó el ala norte del palacio-castillo, y entre 1616 y 1624 se añadió al edificio un tercer piso, así como tres torres. A partir de ese momento fue cuando apareció el nombre del lugar, al que el rey Cristián IV denominaba como Rosenborg. Finalmente, el castillo alcanzó su aspecto actual con la construccón de una torre en su fachada oriental en 1634 por el arquitecto real Hans van Steenwinckel. Con sus ladrillos rojos, su decoración a base de gres de color gris y sus reducidas proporciones, el castillo de Rosenborg posee los rasgos característicos propios del estilo neerlandés de la Arquitectura del Renacimiento.
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. press L to enlarge;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi L per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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All the photos I present were taken in the town of Taormina;
I made photos related to "street photography";
I photographed people who, for the most part, I had never met before, I thank them for their sympathy and availability;
I came across a mural whose faces were erased with a spray can: it was deliberately defaced, outraged, whoever did this, for political purposes and for reasons of opportunism, then published this gesture on Facebook, as if it were a trophy, causing serious damage not only to the whole community of Taormina, but also to anyone who comes to Taormina, who must be able to enjoy its natural, cultural and artistic beauties: now this mural created by the street artist TVBOY entitled "Saint Carola protectress of refugees" has been horribly mutilated by her beauty, but, even so ... it cannot fail to arouse emotion, because that black spray that has erased the faces, (to me) seems to have given the work even more voice, the voice of suffering of those who travel to other worlds, knowing they are going to meet enormous risks and a future full of uncertainties: a future as black as that spray; so I wanted to know (and photograph) the other two murals by TVBOY, an artist of Sicilian origins, one depicts the pop singer Mahmood, a work entitled "San Mahmood", the other work is titled "Homage to the master Andrea Camilleri";
I photographed the spectacular eruption of the Etna volcano which took place on the evening of 01/18-2021, using a telephoto lens;
these are just a few minimal photographic stories, collected walking down the street ... in search of fleeting moments ...
For some photographs I used a particular photographic technique at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production.
Tutte le foto che presento sono state realizzate nella cittadina di Taormina;
ho realizzato foto riconducibili alla “street photography”;
ho fotografato persone che, per la maggior parte, non avevo mai incontrato prima, le ringrazio per la loro simpatia e disponibilità;
mi sono imbattuto in un murales i cui volti sono stati cancellati con una bomboletta spray: è stato volutamente deturpato, oltraggiato, chi ha fatto ciò, per scopi politici e per motivi di opportunismo, ha poi pubblicato tale gesto su Facebook, come se fosse un trofeo, arrecando un danno gravissimo non solo a tutta la comunità di Taormina, ma anche a chiunque venga a Taormina, che deve poter godere delle sue bellezze naturali, culturali ed artistiche: adesso questo murales realizzato ad opera dello street artist TVBOY intitolato “Santa Carola protettrice dei rifugiati” è stato orrendamente mutilato della sua bellezza, ma, anche così…non può non suscitare commozione, perché quello spray nero che ha cancellato i volti, (a me) sembra aver dato all’opera ancora più voce, la voce della sofferenza di chi si mette in viaggio verso altri mondi, sapendo di andare incontro a enormi rischi e ad un futuro colmo di incertezze: un futuro nero come quello spray; ho voluto così conoscere (e fotografare) gli altri due murales di TVBOY, artista di origini siciliane, uno raffigura il cantante pop Mahmood, opera intitolata “San Mahmood”, l’altra opera si intitola “Omaggio al maestro Andrea Camilleri”;
Ho fotografato la spettacolare eruzione del vulcano Etna avvenuta la sera del 18-01-2021, utilizzando un teleobiettivo;
sono queste solo alcune storie fotografiche minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.
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Depiction of St. Basils' Cathedral in Moscow, using gingerbread, candy and icing. This was a prize winner in a gingerbread contest held each Christmas at Peddler's Village in Pennsylvania.
A Westie poses in front of a painting that was created in a likeness of him.
Prompt: photography, realism, a West Highland Terrier dog sits in front of canvas oil painting, depicted exactly same west highland terrier dog on the canvas, 2d, in the style of watercolor painting, 35mm, f/1.8, cinematic --ar 5:4 --stylize 50
Depicted in his Rebirth Superman armor, I was pretty lucky to already have all of the figure I needed for this one!
The Orgosolo mural (Sardinian: murales) is the mural painted in Orgosolo Province of Nuoro, in Sardinia, Italy. It is being investigated based on its historical and sociological importance and is now a source of pride for the local people. The murales are a form of public art, often used to express political views, and have been painted since the late 1960s. The murals depict stories from the local tradition as well as more contemporary themes, including political and social issues. The murals are mainly located around the main square and are painted on the façades of houses, churches, and public buildings. They are usually brightly coloured and can range in size from small to large.
'Bird Strike - Land Away' diorama being judged at the IPMS (UK) Scale ModelWorld show at Telford, winning a Silver Medal.
54 Sqn SEPECAT Jaguar 'GK' XX731 from RAF Coltishall, having landed at another airfield after suffering a bird strike to the port engine, which has just been replaced.
Alright! Let's go!
Oh, it's Buffaloman AGAIN. *
Or, 'Terri-Bull'...
Nyuk! Nyuk!
What's he gonna do this-
Origin time!
Wait, what?
No!
We're sorry!
Now??
Buffaloman (バッファローマン) is a Devil Chojin with allegiances to Akuma Shogun and Satan, but works alongside the Justice Chojin for a good portion of the original series, before retiring to teach the New Generation.
About
Buffaloman is a charging bull-themed Chojin and one of the Seven Devil Chojin who were said to be too strong and brutal and banished to the ends of the universe.
His techniques and fighting style usually rely on his immense strength and power, but in tight situations he can lower his power in order to become faster. Additionally, he specialises in brutal fighting. He is quite clever and will often lure his opponents into wasting stamina.
He is depicted as a formidable opponent and far more powerful than any other chojin; the concept of Chojin Power was introduced specifically to illustrate this point. Buffaloman's Chojin Power is 10,000,000 Power, which is 10 times that of Warsman, previously Kinnikuman's greatest opponent. By the end of the series many chojin who surpass 10,000,000 Power have appeared, but Buffaloman still boasts of his power and is the only one where it is treated as an advantage.
Personality
Despite being a Devil Chojin, he normally fights honourably and shows his opponents respect, even when using brutal methods in battle. During his fight with Kinnikuman his good heart is awakened, and he is revived as a Justice Chojin after his first death. He also has a great sense of companionship, showing great respect for his fallen comrades. He returns to his evil ways in Kinnikuman (2011), but he maintains his honorable side and does not hate his former allies.
Appearance
He is very large in both height and frame, and has two curved horns called Long Horns (ロングホーン) on both sides of his head, and has a spike on each knee. He has curly brown hair, with a darker shade of skin and pure white eyes. He wears protective gear around both his legs and arms, and tends to have some sort of chest protection in the first few scenes before being destroyed.
He also has red shoes and gloves. When Buffaloman was possesed, he had purple skin and a fire symbol across his face with a smile on it.
Relationships
Kinnikuman
Kinnikuman is the one that showed him that, even if he was a devil, he could become a hero, making Buffaloman to sacrify his last horn and power for the sake of Meat and the dead Justice Chojin. After his resurrection, he become an ally and friend to Kinnikuman, and he even let Doctor Bombe to use his horns as replacement for Kinnikuman's arm bones.
Springman
Buffaloman has a good relation with all his fellow Devil Chojins, but his closet friend seems to be Springman, and the both of them end up fighting in tag matches. They are also the last two Devil Chojin in been defeated in their debut arc. In Kinnikuman Nisei, is shown that Springman visited Buffaloman in hospital, and both travel to see the final match between Mantaro and Ashuraman.
Mongolman
He and Mongolman end up making a tag team to enter the Universal Chojin Tag Tournament, and they come up with some destructive techniques.
Abilities
Buffaloman primary use his horns to do all kinds of techniques and attacks, as well as his powerful body to destroy his opponents.
History
Prehistory
Buffaloman came from the Buffalo Clan. The clan was growing in power and fought over who would become king, and it descended into many years of fighting until the entire clan was wiped out, which left Buffaloman as the sole survivor. He originally had a Chojin Power of 1,000,000 units, and was continually beaten because he lacked skill. At an unknown point, he was training alone and crossed through a hurricane in his travels. The wind blew away a cross on a church, and it headed straight towards Buffaloman, who was forced to use his own power to stop the cross, which taught him the Chojin Cross Drop.
He eventually met and struck a deal with Satan, who granted him more Chojin Power each time he killed another chojin. Eventually he killed so many that his power had climbed to 10,000,000.
He and his comrades, all known as the Seven Devil Chojin (Springman, Atlantis, Stereo Cassette King, Black Hole, Mister Khamen, and The Mountain), were eventually captured by a grouping of 100,000 Justice Chojin and Space Police and trapped in a Chojin Roach Motel and sent into space.
Kinnikuman
Buffaloman initially appears as a villain, as one of the Seven Devil Chojin. He steals parts of Meat's body and forces Kinnikuman to fight in a tournament to retrieve them, culminating in a tag-match between Kinnikuman and Mongolman against Buffaloman and Springman. He joins the Justice Chojin side, after renouncing Satan and freeing Meat. He will later participate in various tournaments alongside the Justice Chojin, before fighting alongside Ataru Kinniku in the Survivor Match for the Kinniku Throne Arc.
Seven Devil Chojin Arc
Harabote reveals that seven chojin were banned from the Olympics, due to their ruthless nature, and these seven Devil Chojin were placed into a floating space prison named a "Roach Motel". The "Roach Motel" is accidentally opened, when Kinnikuman is thrown straight onto the release mechanism during celebrations of his most recent victory. Buffaloman and the other Devil Chojin arrive at a fan-appreciation day, where Kinnikuman and his friends are celebrating the conclusion of the 21st Chojin Olympics.
Buffaloman initially attacks Warsman, who attacks him in defence of the children present. He announces that they cannot allow Kinnikuman to call himself "champion", until he had defeated each of the Seven Devil Chojin. Buffaloman splits Alexandria Meat's body into seven pieces; this forces Kinnikuman to beat them all within 10 days, if he wants to save his friend. When Kinnikuman is too injured to keep fighting the Seven Devils (after he defeated SteCassette King and Black Hole), his friends step in to take on the remaining Devil Chojin in his place. Buffaloman is pitted against Warsman.
In the match, we see Warsman dodging a series of Hurricane Mixers. On the eleventh try, Buffaloman pierces Warsman's hip, and proceeds to take out a chunk of Warsman's helmet. Warsman tries an arm hold, but Buffaloman breaks free and attempts a knee drop, which is countered by a Jet Liner. Buffaloman is unaffected again, and uses a Long Horn Boomerang. Warsman follows with a Palo Special, but is thrown off by Buffaloman and damages his legs. Warsman then destroys his Bear Claws on Buffaloman's horn, when attempting a Screw Driver attack.
Buffaloman pierces a hole through Warsman's chest, which inspires Warsman to use his own version of the Fire of Inner Strength. After an exchange of blows, Warsman begins to smoke from his body, and he grows too exhausted to properly continue the match. Warsman attacks with his Bear Claws one last time, and he manages to break off one of Buffaloman's longhorns. Buffaloman uses a series of Hurricane Mixers to kill Warsman. He then walks away and leaves Warsman deceased in the ring.
The final match takes places in the Denen Colosseum.
Buffaloman faces Kinnikuman in a double match with Springman. There is only one hour left of the deadline, so Kinnikuman only has one hour to save Meat. The stadium is designed as a giant countdown, with bars around the edges that move for each second, and that will destroy pieces of Meat's body at the 30 minutes and 60 minute marks. Just as Kinnikuman is about to fight alone, Mongolman appears to make it a true tag-team match and join Kinnikuman in his fight against Springman and Buffaloman.
Despite it being called a tag-team match, Buffaloman's attention is focused exclusively on Kinnikuman, while Springman fights against Mongolman. Mongolman defeats Springman and saves Meat's limb. Buffaloman is an extremely tough opponent, and - changing colour, as he uses the full force of his 10 million Chojin Power - uses his power to reverse Kinnikuman's techniques, including his trademark finishing move: the Kinniku Buster. During an exchange of blows, Harabote uncovers information on Buffaloman.
After Buffaloman helps fix Kinnikuman's mask, he becomes fully possessed by Satan. When Buffaloman goes beneath the ring, shredding the canvas with his horn, Kinnikuman uses his arm to stop the horn, and tosses him back onto the ring. Buffaloman loses control of his power when he absorbs Kinnikuman's Burning Inner Strength. Buffaloman pierces Kinnikuman's body with his horn, before - overwhelmed by The Fire - the power returns to Kinnikuman and allows him survive.
Due to the respect Kinnikuman showed him, even though they were mortal enemies, Buffaloman changes sides at the end of the match. He cries out the key that will free Meat's head, which allows Meat to be saved just before the final countdown. Buffaloman vows to join the Justice Chojin, if he survives Satan's punishment for defeat. He s fatally injured by Satan, but - before he dies - he gives up his Chojin Power, bought with the blood of other heroes, to bring back to life Warsman, Robin Mask and Wolfman, who had died fighting his teammates.
Golden Mask Arc
Kinnikuman struggles to make it through a door to the final match, and - at the last moment - Buffaloman uses his high chojin power to keep the door open for him. When Kinnikuman offers him a seat at the ring-side, on the side of the justice chojin, Buffaloman refuses and joins the devil chojin in the corner of Ashuraman. Ashuraman appears to gain the upper-hand, but - in a dispute with Meat - Buffaloman inadvertently gives Kinnikuman inspiration needed to counter-attack.
After Akuma Shogun murders Ashuraman, Buffaloman is inspired to rejoin the justice chojin.
He then confronts the Devil Knights leader, Akuma Shogun, in order to give Kinnikuman more time to perfect the Kinniku Driver. He is eventually defeated by Devil Shogun's Hell's Guillotine technique. During the fight between Akuma Shogun and Kinnikuman, Akuma Shogun begins to revive the Devil Knights and absorb them to become more powerful, but Buffaloman puts on Akuma Shogun's mask and fights them off, which gives Kinnikuman the chance he needed to defeat Akuma Shogun with the Kinniku Driver.
Dream Chojin Tag Arc
A second Mount Fuji appears in Japan.
On top of this mountain, the Universal Chojin Tag Team trophy appears. Underneath, there appears a series of rings that allow for eight tag-teams to compete. Buffaloman - along with the other justice chojin - goes to Kourakuen Hall to discuss the situation. Buffaloman refuses to team up with Kinnikuman and leaves. He sends a letter to Mongolman, asking him to join him as a new tag-team.
Buffaloman and Mongolman forms the 20 Million Powers. The name of their combo comes from Buffaloman's 10,000,000 power and Mongolman's 10,000,000 techniques (10 Million + 10 Million). In the first-round match-ups, the teams are required to navigate a labyrinth to be matched against their opponents, and the 20 Million Powers are matched against the Most Dangerous Combo. Just as the 20 Million Powers and Most Dangerous Combo are about to begin their fight, during the Dream Chojin Tag Arc, the Killer Game Combo arrive. This leads to the Killer Game Combo defeating the Most Dangerous Combo.
Brocken Jr. does not want his loss to count for nothing, so - to allow the 20 Million Powers to win - he challenges Buffaloman and allows himself to be pinned; this allows 20 Million Powers to officially win the match. This technical win allows the 20 Million Powers to advance to the next round, but the 20 Million Powers attack the Killer Game Combo for their intrusion. Buffaloman uses a feint against Screw Kid, but Mongolman - using the distraction to attack - injures his leg in the process.
Buffaloman is then struck by Kendaman, and the Killer Game Combo ask for formal permission to enter the tournament in the place of the Most Dangerous Combo. The 20 Million Powers declare that they will earn their place in the next round by first defeating the Killer Game Combo. The match began with a fierce one-on-one battle between Buffaloman and Kendaman, but Buffaloman tries a Hurricane Mixer on Kendaman, but it fails. Buffaloman is then caught in a Scorpion Defence by Kendaman.
He proceeds to break off his Long Horn and breaks the glass of the War-Cube, but is then attacked by a Hell's Screwdriver, which is only stopped by the thrown hair of Mongolman. Buffaloman counters with a powered-up Hurricane Mixer. Fearing the punishment that comes from failing their superiors, Screw Kid and Kendaman begin to use dirty tactics. At this point Neptuneman and Big the Budo reveal themselves, and Kendaman and Screw Kid abandon the match to attack them, and the 20 Million Powers win by default, as the Killer Game Combo are killed by the Hell Missionaries outside of the ring.
During the match-up lottery for the semi-final placements, the 20 Million Powers are matched with the Hell Missionaries. The first match is between the Muscle Brothers and the Stray Devil Chojin Combo, and the 20 Million Powers stay at the edge of the ring to act as spotters. At the end of the match, after the defeat of the Stray Devil Chojin Combo, the Hell Missionaries attack Sunshine, only to be stopped by the 20 Million Powers. They then allow the Hell Missionaries to attack, as the dolls - created by the Stray Devil Chojin to steal the justice chojin Friendship Power scatter, and thus creates animosity between the justice chojin.
The semi-final match against the Hell Missionaries is a simple barbed-wire cage match, but also a mask-removal death-match in which Mongolman must bet his mask. Buffaloman is thrown into the barbed wire by Neptuneman, who then switches with Mongolman, who is at a disadvantage from being unable to use the rope for his techniques. After being thrown into the screen cage, Mongolman rebounds with a kick.
After a series of blows, the 20 Million Powers seem to have the upper hand. Mongolman begins to suffer flashbacks within the ring, as the cage reminds him of his match against Warsman, and Buffaloman is unable to tag in, as both of the Hell Missionaries attack him. The spirit of Warsman helps Mongolman. Buffaloman is tagged in and uses a Buffalo Avalanche Drop. He proceeds to attach his Long Horn, and uses a Hurricane Heat. Mongolman is tagged into the match, but subject to a Cross Bomber.
Neptuneman uses his Magnet Power in retaliation. This heals the wounds of the Hell's Missionaries, and they try continuously to attack with Cross Bombers attacks, only to fail. Due to the Iron Sweat on Mongolman and Buffaloman, they are dragged towards the Hell Missionaries by their magnet power, and they almost defeat the 20 Million Powers with a Magnetic Storm Driver. The 20 Million Powers are then further attacked by a magnetic suplex. They are soon entangled in the magnetic barbed wires, as they regain their Friendship Power, and the Justice Chojin regain their power of friendship overall.
The iron sweat breaks from Mongoman and Buffaloman, and Buffaloman uses his Longhorn Train. This increases the power of the Hell's Missionaries, who use a Silhouette Body Press, and - after a series of blows - are thrown from the war-cube. The Hell's Missionaries summon thunder to increase their electrical power. Their Lightning Sabre attack renders Buffaloman and Ramenman immobile, and Buffaloman uses a fragment of Iron Sweat to draw Neptuneman away from Mongolman.
Buffaloman collapses against the mat, defeated by the Light Sabres.
Mongolman carries Buffaloman on his back, as they try again for a Longhorn Train, but they are defeated by a Magnetic Storm Crash. Once Ramenman is defeated, Buffaloman is rushed to hospital alongside Kinnikuman and Ramenman. At hospital, Doctor Bombe removes Buffaloman's horn in order to save Kinnikuman's arm, even knowing it would result in Buffaloman's death, but the tears in Buffaloman's eyes mark his consent to the procedure.
Blood Oath Brigade Formation!
This story covered the formation of Kinnikuman Soldier's team in detail. Brocken Jr. and Buffaloman want to join Soldier's team, but Asuraman and The Ninja aren't on board with that idea. According to Asuraman, Buffaloman is too easily swayed by his emotions, which is why he never became a Devil Knight despite having exceptional talent.
Kinnikuman Soldier shows up and interrupted Asuraman and The Ninja's departure. In response, The Ninja attempted to read Kinnikuman Soldier's mind with his Expose the Heart jutsu, but there's nothing to read. Unlike the other Fated Princes, Soldier has no ambition to destroy his opponents and take over the throne.
Asuraman gets into a fight against Soldier, but Soldier easily fends him off. Soldier even escaped the Asura Buster in a similar fashion to Kinnikuman and counters with a Dragon Cube Suplex. Buffaloman deduces why Soldier would pick those four. Pride is their main characteristic. According to Asuraman, "all four chojin are bull headed guys who won't listen to anyone".
Asuraman asks if Soldier is a fake Soldier and Soldier confirms this theory. He ambushed the real Soldier's team while they were training near Mt. Fuji and stole the real Soldier's mask. The fake Soldier explains that he joined the tournament because the Friendship Power the Justice Chojin use is a sham and that the pride that they share can bring out their true strength.
Asuraman wants Soldier to prove why this team of outcasts would make an excellent team. Soldier tells him to be silent. A real man would never talk so much. Instead, he'd silently watch the result with his own eyes. Asuraman follows up with his Tornado Hell, but Soldier dodges, causing the building already worn down by the Rolling Cube Suplex to collapse on top of them. Soldier heals them all with a Face Flash. With this act, Soldier convinced them to join his team for the upcoming tournament.
Survivor Match Arc
When Kinnikuman's right to the Kinniku Throne was challenged by five pretenders to the throne, Ataru Kinniku forms a team of five people to fight in a tournament to determine who shall be king of Planet Kinniku. [50] Buffaloman - sans his horns - arrives at the house of Brocken Jr., along with Asuraman and The Ninja. Ataru asks them to join his team, as well as to meet him at Nagoya Castle in three days time, and - during that time - they watch him from a distance to ascertain his character.
After Ataru defeats Bockman and saves a boy, Buffaloman and the others decide to join his team. They proceed to enter Nagoya Castle and face against Team Phoenix, as they announce they have formed The Chojin Blood Oath Brigade. After the defeat of The Ninja and Asuraman, Nagoya and Himeji Castles fly away from their locations and join as one structure.
In the final match during the semi-finals battle against Team Super Phoenix and Team Soldier (Soldier, Buffaloman, and Brocken) competed in a 6-Man Tag Match against Super Phoenix (Mammothman, and Prisman). The match takes place in a floating multi-sided ring. Buffaloman, for the most part, fought against Mammothman. Tremendously weaker without his Long Horns, he found himself losing against the nearly unstoppable Mammothman. He was finally able to gain and advantage when Kinnikuman returned the Long Horns used to fix his arm before the Tag match finals. Soon after, Brocken took out Prisman, but then fell into the canyon below and died. Seeing how much Soldier and Buffaloman cared for their fallen comrade convinced Super Phoenix that Soldier wasn't the real Soldier.
As Soldier begins to have his true identity figured out by his own father Mayumi as his long-lost elder son Ataru, the Evil Gods choose to sabotage him to eliminate him and help Phoenix win the tournament. The God of Brutality steals a page from the Muscle Prophecy, a book owned by Kinniku Clan royalty which contains past, present, and even future information on every Chojin ever, as a means to reveal who Soldier is to Super Phoenix. As the God of Brutality attempts to give the page to Super Phoenix via Mammothman, Buffaloman sees a vision of Mayumi in his head, forcing him to take the page to protect it. As the mammoth Chojin prepares to hand it to Phoenix, the bull Chojin performs the Chojin Cross Drop on him, jumping out of the ring and forcing Buffaloman to hold the page in his mouth. As they fall, Mammothman hits Buffaloman with his Nose Fencing technique and retains the page. At the last second, Buffaloman hits Mammothman with a Buffalo Bomb on the roof of the Himeji/Nagoya castle and saves the page again.
The Evil Gods then arrived and began attacking the floating ring in an attempt to take out Ataru. As the ring fell, Buffaloman caught it and held it up. Weakened from the battle with Mammothman, he put on a red headband given to him by the other Justice Chojins and found enough strength to not only hold the ring up longer but also remove his arm guards and toss them up to Ataru. He then pushed it into the air and as it fell again, he jumped up and hit it with a Hurricane Mixer, successfully putting it back in mid-air. Unfortunately, Buffaloman had no more strength and fell into the canyon below. He is revived (along with his teammates) after the tournament by Kinnikuman's Face Flash.
Kinnikuman 2011
Perfect Origin Arc
Prehistory
Like all the other Idol Chojin, Buffaloman was sent off to his home of Spain by Harabote so he could be placed in Medical Suspension, to help him recover from his many injuries from matches past.
However, when he finished his Medical Suspension and made his return while the Seven Devil Chojin invaded the full-scale tournament going on, he declared he was a Devil Chojin again, renegading on his Idol Chojin friends out of nowhere.
The Seven Devil Chojin reconvene in their base. Buffaloman returns, where they all decide which of the Perfect Large Numbers they shall do battle against, and Buffaloman decides to fight against Strong the Budo, due to the fact that whomever fights him will likely lose and he will not sacrifice his teammates. The Mountain refuses to allow this to happen, and offers to sacrifice himself instead, due to the team needing Buffaloman to serve as their leader. He asks only that Buffaloman not avert his gaze during his match.
After Black Hole's match with Dalmatiman, Buffaloman announces that the Devil Chojin are going to purge all Perfect Chojin for their master, Devil Shogun. During the first stage, he mostly oversees how the Devil Chojin fight the Perfect Chojin.
In a flashback, it's revealed that Buffaloman made the choice to return to the Devil Chojin and fight alongside them, which the Seven Devil Chojin welcomed greatly. But they wouldn't let him join them to fight the Perfect Large Numbers because he was their "ace", their leader and without them, the Seven Devil Chojin couldn't perform at their best.
Diablos vs. John Does
Grim Reaper and Turboman enter with the New Large Numbers.
Grim Reaper reveals the next location - of the second-stage of the tournament - will be the Saqqara Pyramid, which has been relocated to Japan's Tottori Dunes. The Grim Reaper lands on the third step, while Turboman takes the fourth step. The Justice Chojin follow them to the mountain, and Buffaloman is assigned against Turboman, who attacks him with a drop-kick before he can enter the ring.
He then drags Buffaloman into the ring with a Turboman Stunner. Turboman punches Buffaloman while he's down, until Buffaloman counters with a headbutt and proceeds to use a back-drop. [60] It is then that Springman arrives on the fourth step to fight the Grim Reaper. [61] Grim Reaper begin the match with a Buzzsaw Hat, which cuts Springman's leg as he enters the ring with a jump.
Grim Reaper throws Springman against the corner-post, but the post goes through Springman's hollow body and allows him to remain unharmed, and a Spring-Body Breaking-Squeeze breaks the corner-post. A Spring Transfer allows him to distract Grim Reaper, whereby he land a drop-kick to the face. While Turboman and Grim Reaper, struggle in their matches and appear to be losing, Jak Tea fights against Black Hole and creates a strong geyser before he dies. This creates a crack along the pyramid.
Turboman frees himself from Buffaloman with a Somersault Kick. He tries a body-press, but Buffaloman catches him and counters with a back-flip. The fifth step finally collapses from the cracks and descends into the fourth step, where the two single matches combine into one tag-match. Turboman gets Buffaloman into a tombstone pile-driver, but - as he prepares for another attack - Springman and Buffaloman combine to use a Chojin Dodgeball. Springman is chastised for attacking Turboman, who was not his original opponent, as the match rules must abide by those of a single-match (due to the unusual circumstances).
The two teams agree to form a tag-team match with tag-team rules.
Springman lunges at Turboman, who uses a lariat and a Starter Revolver, but gets his arm caught inside Springma, who retaliates with a Spring Cyclone. Springman proceeds to use a Killer-Coil Head Attack. A second attempt at the attack is deflected by Turboman's a back-kick. It nearly knocks Springman out of the ring, until Buffaloman catches him. Turboman charges with a flying-cross, but the Diabolos counter again with a Devil Expander. Buffaloman then bounces off Springman to kick Turboman, who proceeds with a series of blows. Turboman uses a Glove Revolver and a Turbine Chop.
Buffaloman and Turboman return to their corners, and Turboman tags in Grim Reaper, who spins around on Turboman's head and delivers an Ignition Dress to Buffaloman. They proceed to use a John Does Arrow. The Diabolos try another Devil Expander, but Turboman dives through Springman and knocks Buffaloman out of the ring, before hitting him again with another John Does Arrows. A High-Capacity John Does Arrow sends Turboman towards Buffaloman, who manages to catch him and slams him against the wall, which causes the wall to crumble into the shape of a flight of stairs.
This allows Springman to use a Devil Slinky. He uses a Spring Body-Breaking Squeeze, which causes Turboman's body to start to glow, as Turboman stores the energy of his opponents. Turboman uses a High-Speed Turbo-Crash, as their two attacks seem to create a stalemate, but soon the release of Turboman's energy causes Springman to harden. He proceeds to stab Springman in his face with Revolver Spikes, and a Revolver Fin causes Springman's body to crash into Buffaloman.
Springman finds strength to lift Buffaloman, despite his weakened state. The Diabolos attempt a Long Horn Train, but - when it only glances off Turboman - follow with a Most Super Express. They follow with a third attack, which against glances off Turboman, but Turboman finds strength to use a Revolver Stud while Springman starts to crumble away. Springman uses all his strength to throw Buffaloman into a Hurricane Mixer, and Buffaloman's horns break through Turboman's Revolver attack and pierce his chest. This leads to Turboman's death, followed by Springman dying within Buffaloman's arms.
The Grim Reaper proceeds to Turboman's corpse, where he opens Turboman's back and steals his Earth Unit (which allows him to store energy to use against an opponent), and then kicks Turboman's body out of the ring. The Grim Reaper removes his robe, which he uses to taunt Buffaloman like a matador, and uses a Skeleton Body to avoid being struck with a Hurricane Mixer. The Grim Reaper states that people fall victim to Buffaloman's attack due to fear and fidgety movements, but - knowing no fear - he cannot be hurt.
The Grim Reaper grabs Buffaloman by his horns, before grabbing at his skin and flipping him over, and - in the process - tears chunks of skin from Buffaloman. The Grim Reaper proceeds to tear off more skin from Buffaloman, and attacks with a Dress Spear, which reveals all the scars on Buffaloman's body from previous matches. He is eventually countered by Buffaloman's Buffalo Hammer. The Grim Reaper proceeds to capture Buffaloman's legs, as he sets up for a John Does Arrows, before revealing it can double as a solo-technique called the Phantom Canon. This causes Buffaloman's scars to reopen in a bloody manner.
Buffaloman summons his blood back into his body by force of will. The scars move to Buffaloman's horn and turn it into a Long Horn, before he speeds around the Grim Reaper and lands a series of blows. The Grim Reaper uses an Ignition Dress, followed by a Thunder Sabre, which pins Buffaloman to the canvas, and the Grim Reaper uses the Earth Unit to absorb power from Buffaloman. The sheer power from Buffaloman causes the Earth Unit to break, and Buffaloman uses a Hurricane Mixer.
This is followed with a Chojin Cross Slam. The Diabolos are declared the winners of the match, and Psychoman exposes his chest with the offer that Buffaloman kills him as he sees fit, due to the Perfect Chojin suicide rule and out of respect to Buffaloman as the victor. The Grim Reaper taunts Buffaloman until Buffaloman stabs him through the chest with his horn, and this cements Buffaloman's return to a Devil Chojin, preventing him from going back to his Justice Chojin allies. Psychoman then vanishes.
Buffaloman takes a piece of Springman's body and leaves.
After the Perfect Origin hit the scene, and Grim Reaper reveals himself to be Psychoman, Buffaloman decides to make up for letting him escape alive, but Devil Knight Planetman beats Buffaloman to fighting Psychoman. Buffaloman mostly observes while the Devil Knights take on the Perfect Origin.
Buffaloman vs. Ganman
The fight takes place on the first ring of Yggdrasil.
They begin by clashing horns in a rapid succession, before Ganman slams Buffaloman's head onto the corner-post with a bulldog headlock. Ganman attempts to ram into Buffaloman, but Buffaloman counters with a preemptive kick, and attempts a body-press, which is caught by Ganman in turn. He throws Buffaloman down, before they lock hands centre of the ring, and Ganman attempts a double over-hook suplex; which prompts Buffaloman to state that he cannot lose, as he must avenge Sneagator.
Buffaloman extends one horn, and uses it to pierce into Ganman's right shoulder. This is followed by a Hurricane Devil Sword, as well as a Buffalo Hammer, until Ganman throws Buffaloman out of the ring and forces him to prevent his fall by drilling into the stone ring. Buffaloman drills a tunnel under the ring, which allows him to pierce his horn through the surface for a Devil Shark manoeuvre. It is impossible for Ganman to "read" Buffaloman's moves while he is underground, and Buffaloman knocks him down by targeting his legs.
Ganman begins to dodge the horn by sensing Buffaloman's breathing, and catches the horn in his hands, which he uses to drag Buffaloman out of the ring, before using Elk Horn Scissors. He slams Buffaloman onto the ring, which reduces the size of his horn, and Ganman shines a light down on Buffaloman with his cyclops eye. Buffaloman attempts a Hurricane Mixer, but Ganman catches him by his horns and proceeds to use a brain-buster. It is revealed Buffaloman is holding back his power, and Kinnikuman and Akuma Shogun convince him to use his full power once more. Buffaloman breaks out of a Canadian Back-Breaker.
He uses a Reverse Suplex, before struggling evenly with Ganman in the middle of the ring. The two engage in a series of even blows, but the scars on Buffaloman start to reopen as he gains back the Friendship Power of the Justice Chojin, and - after an equal battle - Ganman breaks off one of Buffaloman's horns. Ganman gains the upper-hand, after a series of carefully aimed blows, until Buffaloman punches his own eye so that he is left with one working eye (just like Ganman) in order to create a 'fair' fight.
They lock together evenly again in the ring, until Buffaloman dares Ganman to use his eye power on Chojin Enma. This provokes Ganman to use an Elk Horn Compressor, as he states he will not use his eye power on Chojin Enma due to having faith in him as a person. He follows with an Elk Horn Tempest, but - as the throws Buffaloman - Buffaloman uses his one remaining horn to swing on the corner-post. Buffaloman builds up speed by moving post to post, and uses a new finishing move: Hurricane Giga Blaster.
This completely destroys Ganman's horns. Ganman reveals he has remembered Buffaloman's name, which proves he considers Buffaloman a worthy adversary due to how he forgets all other opponents' names, and hands him his dumbbell. This kills Ganman, who dies upon the canvas.
Omega Centauri's Six Spear Arc
He was hanging out with the remaining of the Devil Chojin, when suddenly, a magic barrier seal them inside their HQ, making them unable to face off against the Omega invaders.
Unnamed Arc
As Brocken Jr. and Ataru console Ashuraman's loss after he saw Satan Cross die to The Natural, Buffaloman and The Ninja arrive. Buffaloman notes the coincidence of the five in the same location. The Chojin Blood Oath Brigade has formed again. Ataru believes it is up to the Chojin Blood Oath Brigade to unite as one and put an end to the dangers of the Choushin. Ashuraman is the one who will step up to the plate first.
During the fight between Caucasusman and Mammothman, the Chojin Blood Oath Brigade talk about Mammothman's poor showing in his fight against Caucasusman. Buffaloman talks about how tough Mammothman was during their fight and that Mammothman's calmness unnerved him. The Choushin are crafty enough to place their opponents into tricky situations and Mammothman is not used to that. All they can do is wait for something within Mammothman to break.
After the declaration of the God of Harmony about the opening of the Tower of Babel, Buffaloman decides to be one of the chojins to enter the tower. Once they arrive and enter, they are challenged by the first god, who introduced himself as the God of Evolution, now known as The Executioner. He didn't feel confortable leaving the first rival to Geronimo, knowing that if the young chojin fail, they will be all doomed. But surprinsigly, Geronimo wins, and three new doors are opened.
He decides to travel with Kinnikuman and Warsman, arriving to the next level where they are greet by the choushin of said level. Kinnikuman tries to hide behind Buffaloman, but he take him and tries to throw him into the ring, annoyed by his cowardice, but Warman is the one that jumps into the ring to face against the choushin, who introduce himself as Onyxman.
Kinnikuman Nisei
Buffaloman acts as a teacher within the Hercules Factory. He is matched against Terry the Kid in the graduation matches, which he loses and allows for Terry the Kid to graduate. He will later participate in an exhibition match during the Chojin Olympics, which he fights with Ramenman against The Machineguns. In the Ultimate Chojin Tag Tournament, he again teams up with Ramenman, but will ultimately lose against the Muscle Brothers Nouveau.
Hercules Factory Arc
He became one of the many instructors at the Hercules Factory, training the future generation of chojin to fight evil. He is then assigned to the last test for the First Year Graduation: fight one of the new generation chojin, to see if he is worthy or needs more training.
He end up fighting Terry the Kid, the son of the famous Terryman. After a quick fight, Terry the Kid manage to defeat him with his Texas Clover Hold, congratulating him for his win shortly after.
HF First Year Replacement Matches Arc
He is shown to have been defeated by one of the new First Years: Jade. He then return to see the final match of the tournament, alongside the other teachers that were defeated by the Generation EX.
Demon Seed Arc
Buffaloman meets with Meat and goes with him to check a disturbance. He collapses when Alexandria Meat is taken by six tendrils, much like what happened to him 36 years ago, and the six people reveal themselves to be the ultimate Devil Chojin: the Demon Seeds. Buffaloman cries to see that the new generation cannot enter the General Palast.
Jade begs Buffaloman to help, but Buffaloman - weeping and in a rage - strikes Jade over and over, as he expresses guilt over his actions 36 years ago that set current events into action.
He stabs himself in the chest with a jagged piece of rock, and tears open the wound to accept the General Stone and reaffirms his pact with Satan. [85] He uses his newfound powers to open a hole in the barrier, but only one chojin can pass through as his strength is not enough for more. The barrier closes just after Mantaro Kinniku enters, trapping them both inside, but also cutting off Buffaloman's horn in the process.
Buffaloman tosses away the General stone, only to be carried - in his weak state - by Mantaro. Mantaro is forced to choose an opponent, but The Constellation attacks before the match, and Buffaloman blocks an arrow aimed at Mantaro with his body in defence of his ex-pupil. The Constellation pushes the arrow further into the wound and then proceeds to break his arm, but Buffaloman counters with his Hurricane Mixer. The Constellation uses a Suplex, which smashes Buffaloman's head against the concrete floor and cracks open his skull, incapacitating him.
Mantaro struggles to gain an advantage, but Buffaloman's advice helps him to counter. The Constellation uses a broken post of the ring to attack Buffaloman, so as to stop his invaluable advice, and it strikes Buffaloman on the forehead and knocks him unconscious. He regains consciousness just long enough to offer Mantaro further encouragement, before he faints once more. Mantaro tries to carry Buffaloman to safety, but - due to his injuries - passes out in the central chamber and collapses next to Buffaloman, at which point the B-Evolutions arrive.
Ultimate Chojin Tag Tournament Arc
Prehistory
Buffaloman appears late into this arc, as he participates in the tournament at Kourakuen Stadium. He is featured alongside Mongolman (Ramenman) as part of the 20 Million Powers; despite his missing horns, from the match three days ago in his timeline, Buffaloman seeks to distract the New Generation (to which he sees as the villains). Buffaloman chastises Robin Mask for helping Chaos Avenir, as he believes they are responsible for Alisa Mackintosh's accident.
Battle Royale
He fights against The Gaon and Emperor Death, in a battle royale for the opening match, and their opponents start with the upper hand.
History
Prehistory
Buffaloman came from the Buffalo Clan. The clan was growing in power and fought over who would become king, and it descended into many years of fighting until the entire clan was wiped out, which left Buffaloman as the sole survivor. He originally had a Chojin Power of 1,000,000 units, and was continually beaten because he lacked skill. At an unknown point, he was training alone and crossed through a hurricane in his travels. The wind blew away a cross on a church, and it headed straight towards Buffaloman, who was forced to use his own power to stop the cross, which taught him the Chojin Cross Drop.
He eventually met and struck a deal with Satan, who granted him more Chojin Power each time he killed another chojin. Eventually he killed so many that his power had climbed to 10,000,000.
He and his comrades, all known as the Seven Devil Chojin (Springman, Atlantis, Stereo Cassette King, Black Hole, Mister Khamen, and The Mountain), were eventually captured by a grouping of 100,000 Justice Chojin and Space Police and trapped in a Chojin Roach Motel and sent into space.
Kinnikuman
Buffaloman initially appears as a villain, as one of the Seven Devil Chojin. He steals parts of Meat's body and forces Kinnikuman to fight in a tournament to retrieve them, culminating in a tag-match between Kinnikuman and Mongolman against Buffaloman and Springman. He joins the Justice Chojin side, after renouncing Satan and freeing Meat. He will later participate in various tournaments alongside the Justice Chojin, before fighting alongside Ataru Kinniku in the Survivor Match for the Kinniku Throne Arc.
Seven Devil Chojin Arc
Harabote reveals that seven chojin were banned from the Olympics, due to their ruthless nature, and these seven Devil Chojin were placed into a floating space prison named a "Roach Motel". The "Roach Motel" is accidentally opened, when Kinnikuman is thrown straight onto the release mechanism during celebrations of his most recent victory. Buffaloman and the other Devil Chojin arrive at a fan-appreciation day, where Kinnikuman and his friends are celebrating the conclusion of the 21st Chojin Olympics.
Buffaloman initially attacks Warsman, who attacks him in defence of the children present. He announces that they cannot allow Kinnikuman to call himself "champion", until he had defeated each of the Seven Devil Chojin. Buffaloman splits Alexandria Meat's body into seven pieces; this forces Kinnikuman to beat them all within 10 days, if he wants to save his friend. When Kinnikuman is too injured to keep fighting the Seven Devils (after he defeated SteCassette King and Black Hole), his friends step in to take on the remaining Devil Chojin in his place. Buffaloman is pitted against Warsman.
In the match, we see Warsman dodging a series of Hurricane Mixers. On the eleventh try, Buffaloman pierces Warsman's hip, and proceeds to take out a chunk of Warsman's helmet. Warsman tries an arm hold, but Buffaloman breaks free and attempts a knee drop, which is countered by a Jet Liner. Buffaloman is unaffected again, and uses a Long Horn Boomerang. Warsman follows with a Palo Special, but is thrown off by Buffaloman and damages his legs. Warsman then destroys his Bear Claws on Buffaloman's horn, when attempting a Screw Driver attack.
Buffaloman pierces a hole through Warsman's chest, which inspires Warsman to use his own version of the Fire of Inner Strength. After an exchange of blows, Warsman begins to smoke from his body, and he grows too exhausted to properly continue the match. Warsman attacks with his Bear Claws one last time, and he manages to break off one of Buffaloman's longhorns. Buffaloman uses a series of Hurricane Mixers to kill Warsman. He then walks away and leaves Warsman deceased in the ring.
The final match takes places in the Denen Colosseum.
Buffaloman faces Kinnikuman in a double match with Springman. There is only one hour left of the deadline, so Kinnikuman only has one hour to save Meat. The stadium is designed as a giant countdown, with bars around the edges that move for each second, and that will destroy pieces of Meat's body at the 30 minutes and 60 minute marks. Just as Kinnikuman is about to fight alone, Mongolman appears to make it a true tag-team match and join Kinnikuman in his fight against Springman and Buffaloman.
Despite it being called a tag-team match, Buffaloman's attention is focused exclusively on Kinnikuman, while Springman fights against Mongolman. Mongolman defeats Springman and saves Meat's limb. Buffaloman is an extremely tough opponent, and - changing color, as he uses the full force of his 10 million Chojin Power - uses his power to reverse Kinnikuman's techniques, including his trademark finishing move: the Kinniku Buster. During an exchange of blows, Harabote uncovers information on Buffaloman.
After Buffaloman helps fix Kinnikuman's mask, he becomes fully possessed by Satan. When Buffaloman goes beneath the ring, shredding the canvas with his horn, Kinnikuman uses his arm to stop the horn, and tosses him back onto the ring. Buffaloman loses control of his power when he absorbs Kinnikuman's Burning Inner Strength. Buffaloman pierces Kinnikuman's body with his horn, before - overwhelmed by The Fire - the power returns to Kinnikuman and allows him survive.
Due to the respect Kinnikuman showed him, even though they were mortal enemies, Buffaloman changes sides at the end of the match. He cries out the key that will free Meat's head, which allows Meat to be saved just before the final countdown. Buffaloman vows to join the Justice Chojin, if he survives Satan's punishment for defeat. He s fatally injured by Satan, but - before he dies - he gives up his Chojin Power, bought with the blood of other heroes, to bring back to life Warsman, Robin Mask and Wolfman, who had died fighting his teammates.
Golden Mask Arc
Kinnikuman struggles to make it through a door to the final match, and - at the last moment - Buffaloman uses his high chojin power to keep the door open for him. When Kinnikuman offers him a seat at the ring-side, on the side of the justice chojin, Buffaloman refuses and joins the devil chojin in the corner of Ashuraman. Ashuraman appears to gain the upper-hand, but - in a dispute with Meat - Buffaloman inadvertently gives Kinnikuman inspiration needed to counter-attack.
After Akuma Shogun murders Ashuraman, Buffaloman is inspired to rejoin the justice chojin.
He then confronts the Devil Knights leader, Akuma Shogun, in order to give Kinnikuman more time to perfect the Kinniku Driver. He is eventually defeated by Devil Shogun's Hell's Guillotine technique. During the fight between Akuma Shogun and Kinnikuman, Akuma Shogun begins to revive the Devil Knights and absorb them to become more powerful, but Buffaloman puts on Akuma Shogun's mask and fights them off, which gives Kinnikuman the chance he needed to defeat Akuma Shogun with the Kinniku Driver.
Dream Chojin Tag Arc
A second Mount Fuji appears in Japan.
On top of this mountain, the Universal Chojin Tag Team trophy appears. Underneath, there appears a series of rings that allow for eight tag-teams to compete. Buffaloman - along with the other justice chojin - goes to Kourakuen Hall to discuss the situation. Buffaloman refuses to team up with Kinnikuman and leaves. He sends a letter to Mongolman, asking him to join him as a new tag-team.
Buffaloman and Mongolman forms the 20 Million Powers. The name of their combo comes from Buffaloman's 10,000,000 power and Mongolman's 10,000,000 techniques (10 Million + 10 Million). In the first-round match-ups, the teams are required to navigate a labyrinth to be matched against their opponents, and the 20 Million Powers are matched against the Most Dangerous Combo. Just as the 20 Million Powers and Most Dangerous Combo are about to begin their fight, during the Dream Chojin Tag Arc, the Killer Game Combo arrive. This leads to the Killer Game Combo defeating the Most Dangerous Combo.
Brocken Jr. does not want his loss to count for nothing, so - to allow the 20 Million Powers to win - he challenges Buffaloman and allows himself to be pinned; this allows 20 Million Powers to officially win the match. This technical win allows the 20 Million Powers to advance to the next round, but the 20 Million Powers attack the Killer Game Combo for their intrusion. Buffaloman uses a feint against Screw Kid, but Mongolman - using the distraction to attack - injures his leg in the process.
Buffaloman is then struck by Kendaman, and the Killer Game Combo ask for formal permission to enter the tournament in the place of the Most Dangerous Combo. The 20 Million Powers declare that they will earn their place in the next round by first defeating the Killer Game Combo. The match began with a fierce one-on-one battle between Buffaloman and Kendaman, but Buffaloman tries a Hurricane Mixer on Kendaman, but it fails. Buffaloman is then caught in a Scorpion Defence by Kendaman.
He proceeds to break off his Long Horn and breaks the glass of the War-Cube, but is then attacked by a Hell's Screwdriver, which is only stopped by the thrown hair of Mongolman. Buffaloman counters with a powered-up Hurricane Mixer. Fearing the punishment that comes from failing their superiors, Screw Kid and Kendaman begin to use dirty tactics. At this point Neptuneman and Big the Budo reveal themselves, and Kendaman and Screw Kid abandon the match to attack them, and the 20 Million Powers win by default, as the Killer Game Combo are killed by the Hell Missionaries outside of the ring.
During the match-up lottery for the semi-final placements, the 20 Million Powers are matched with the Hell Missionaries. The first match is between the Muscle Brothers and the Stray Devil Chojin Combo, and the 20 Million Powers stay at the edge of the ring to act as spotters. At the end of the match, after the defeat of the Stray Devil Chojin Combo, the Hell Missionaries attack Sunshine, only to be stopped by the 20 Million Powers. They then allow the Hell Missionaries to attack, as the dolls - created by the Stray Devil Chojin to steal the justice chojin Friendship Power scatter, and thus creates animosity between the justice chojin.
The semi-final match against the Hell Missionaries is a simple barbed-wire cage match, but also a mask-removal death-match in which Mongolman must bet his mask. Buffaloman is thrown into the barbed wire by Neptuneman, who then switches with Mongolman, who is at a disadvantage from being unable to use the rope for his techniques. After being thrown into the screen cage, Mongolman rebounds with a kick.
After a series of blows, the 20 Million Powers seem to have the upper hand. Mongolman begins to suffer flashbacks within the ring, as the cage reminds him of his match against Warsman, and Buffaloman is unable to tag in, as both of the Hell Missionaries attack him. The spirit of Warsman helps Mongolman. Buffaloman is tagged in and uses a Buffalo Avalanche Drop. He proceeds to attach his Long Horn, and uses a Hurricane Heat. Mongolman is tagged into the match, but subject to a Cross Bomber.
Neptuneman uses his Magnet Power in retaliation. This heals the wounds of the Hell's Missionaries, and they try continuously to attack with Cross Bombers attacks, only to fail. Due to the Iron Sweat on Mongolman and Buffaloman, they are dragged towards the Hell Missionaries by their magnet power, and they almost defeat the 20 Million Powers with a Magnetic Storm Driver. The 20 Million Powers are then further attacked by a magnetic suplex. They are soon entangled in the magnetic barbed wires, as they regain their Friendship Power, and the Justice Chojin regain their power of friendship overall.
The iron sweat breaks from Mongoman and Buffaloman, and Buffaloman uses his Longhorn Train. This increases the power of the Hell's Missionaries, who use a Silhouette Body Press, and - after a series of blows - are thrown from the war-cube. The Hell's Missionaries summon thunder to increase their electrical power. Their Lightning Sabre attack renders Buffaloman and Ramenman immobile, and Buffaloman uses a fragment of Iron Sweat to draw Neptuneman away from Mongolman.
Buffaloman collapses against the mat, defeated by the Light Sabres.
Mongolman carries Buffaloman on his back, as they try again for a Longhorn Train, but they are defeated by a Magnetic Storm Crash. Once Ramenman is defeated, Buffaloman is rushed to hospital alongside Kinnikuman and Ramenman. At hospital, Doctor Bombe removes Buffaloman's horn in order to save Kinnikuman's arm, even knowing it would result in Buffaloman's death, but the tears in Buffaloman's eyes mark his consent to the procedure.
Blood Oath Brigade Formation!
This story covered the formation of Kinnikuman Soldier's team in detail. Brocken Jr. and Buffaloman want to join Soldier's team, but Asuraman and The Ninja aren't on board with that idea. According to Asuraman, Buffaloman is too easily swayed by his emotions, which is why he never became a Devil Knight despite having exceptional talent.
Kinnikuman Soldier shows up and interrupted Asuraman and The Ninja's departure. In response, The Ninja attempted to read Kinnikuman Soldier's mind with his Expose the Heart jutsu, but there's nothing to read. Unlike the other Fated Princes, Soldier has no ambition to destroy his opponents and take over the throne.
Asuraman gets into a fight against Soldier, but Soldier easily fends him off. Soldier even escaped the Asura Buster in a similar fashion to Kinnikuman and counters with a Dragon Cube Suplex. Buffaloman deduces why Soldier would pick those four. Pride is their main characteristic. According to Asuraman, "all four chojin are bull headed guys who won't listen to anyone".
Asuraman asks if Soldier is a fake Soldier and Soldier confirms this theory. He ambushed the real Soldier's team while they were training near Mt. Fuji and stole the real Soldier's mask. The fake Soldier explains that he joined the tournament because the Friendship Power the Justice Chojin use is a sham and that the pride that they share can bring out their true strength.
Asuraman wants Soldier to prove why this team of outcasts would make an excellent team. Soldier tells him to be silent. A real man would never talk so much. Instead, he'd silently watch the result with his own eyes. Asuraman follows up with his Tornado Hell, but Soldier dodges, causing the building already worn down by the Rolling Cube Suplex to collapse on top of them. Soldier heals them all with a Face Flash. With this act, Soldier convinced them to join his team for the upcoming tournament.
Survivor Match Arc
When Kinnikuman's right to the Kinniku Throne was challenged by five pretenders to the throne, Ataru Kinniku forms a team of five people to fight in a tournament to determine who shall be king of Planet Kinniku. Buffaloman - sans his horns - arrives at the house of Brocken Jr., along with Asuraman and The Ninja. Ataru asks them to join his team, as well as to meet him at Nagoya Castle in three days time, and - during that time - they watch him from a distance to ascertain his character.
After Ataru defeats Bockman and saves a boy, Buffaloman and the others decide to join his team. They proceed to enter Nagoya Castle and face against Team Phoenix, as they announce they have formed The Chojin Blood Oath Brigade. After the defeat of The Ninja and Asuraman, Nagoya and Himeji Castles fly away from their locations and join as one structure.
In the final match during the semi-finals battle against Team Super Phoenix and Team Soldier (Soldier, Buffaloman, and Brocken) competed in a 6-Man Tag Match against Super Phoenix (Mammothman, and Prisman). The match takes place in a floating multi-sided ring. Buffaloman, for the most part, fought against Mammothman. Tremendously weaker without his Long Horns, he found himself losing against the nearly unstoppable Mammothman. He was finally able to gain and advantage when Kinnikuman returned the Long Horns used to fix his arm before the Tag match finals. Soon after, Brocken took out Prisman, but then fell into the canyon below and died. Seeing how much Soldier and Buffaloman cared for their fallen comrade convinced Super Phoenix that Soldier wasn't the real Soldier.
As Soldier begins to have his true identity figured out by his own father Mayumi as his long-lost elder son Ataru, the Evil Gods choose to sabotage him to eliminate him and help Phoenix win the tournament. The God of Brutality steals a page from the Muscle Prophecy, a book owned by Kinniku Clan royalty which contains past, present, and even future information on every Chojin ever, as a means to reveal who Soldier is to Super Phoenix. As the God of Brutality attempts to give the page to Super Phoenix via Mammothman, Buffaloman sees a vision of Mayumi in his head, forcing him to take the page to protect it. As the mammoth Chojin prepares to hand it to Phoenix, the bull Chojin performs the Chojin Cross Drop on him, jumping out of the ring and forcing Buffaloman to hold the page in his mouth. As they fall, Mammothman hits Buffaloman with his Nose Fencing technique and retains the page. At the last second, Buffaloman hits Mammothman with a Buffalo Bomb on the roof of the Himeji/Nagoya castle and saves the page again.
The Evil Gods then arrived and began attacking the floating ring in an attempt to take out Ataru. As the ring fell, Buffaloman caught it and held it up. Weakened from the battle with Mammothman, he put on a red headband given to him by the other Justice Chojins and found enough strength to not only hold the ring up longer but also remove his arm guards and toss them up to Ataru. He then pushed it into the air and as it fell again, he jumped up and hit it with a Hurricane Mixer, successfully putting it back in mid-air. Unfortunately, Buffaloman had no more strength and fell into the canyon below. He is revived (along with his teammates) after the tournament by Kinnikuman's Face Flash.
Kinnikuman 2011
Perfect Origin Arc
Prehistory
Like all the other Idol Chojin, Buffaloman was sent off to his home of Spain by Harabote so he could be placed in Medical Suspension, to help him recover from his many injuries from matches past.
However, when he finished his Medical Suspension and made his return while the Seven Devil Chojin invaded the full-scale tournament going on, he declared he was a Devil Chojin again, renegading on his Idol Chojin friends out of nowhere.
The Seven Devil Chojin reconvene in their base. Buffaloman returns, where they all decide which of the Perfect Large Numbers they shall do battle against, and Buffaloman decides to fight against Strong the Budo, due to the fact that whomever fights him will likely lose and he will not sacrifice his teammates. The Mountain refuses to allow this to happen, and offers to sacrifice himself instead, due to the team needing Buffaloman to serve as their leader. He asks only that Buffaloman not avert his gaze during his match.
After Black Hole's match with Dalmatiman, Buffaloman announces that the Devil Chojin are going to purge all Perfect Chojin for their master, Devil Shogun. During the first stage, he mostly oversees how the Devil Chojin fight the Perfect Chojin.
In a flashback, it's revealed that Buffaloman made the choice to return to the Devil Chojin and fight alongside them, which the Seven Devil Chojin welcomed greatly. But they wouldn't let him join them to fight the Perfect Large Numbers because he was their "ace", their leader and without them, the Seven Devil Chojin couldn't perform at their best.
Diablos vs. John Does
Grim Reaper and Turboman enter with the New Large Numbers.
Grim Reaper reveals the next location - of the second-stage of the tournament - will be the Saqqara Pyramid, which has been relocated to Japan's Tottori Dunes. The Grim Reaper lands on the third step, while Turboman takes the fourth step. The Justice Chojin follow them to the mountain, and Buffaloman is assigned against Turboman, who attacks him with a drop-kick before he can enter the ring.
He then drags Buffaloman into the ring with a Turboman Stunner. Turboman punches Buffaloman while he's down, until Buffaloman counters with a headbutt and proceeds to use a back-drop. It is then that Springman arrives on the fourth step to fight the Grim Reaper. Grim Reaper begin the match with a Buzzsaw Hat, which cuts Springman's leg as he enters the ring with a jump.
Grim Reaper throws Springman against the corner-post, but the post goes through Springman's hollow body and allows him to remain unharmed, and a Spring-Body Breaking-Squeeze breaks the corner-post. A Spring Transfer allows him to distract Grim Reaper, whereby he land a drop-kick to the face. While Turboman and Grim Reaper, struggle in their matches and appear to be losing, Jak Tea fights against Black Hole and creates a strong geyser before he dies. This creates a crack along the pyramid.
Turboman frees himself from Buffaloman with a Somersault Kick. He tries a body-press, but Buffaloman catches him and counters with a back-flip. The fifth step finally collapses from the cracks and descends into the fourth step, where the two single matches combine into one tag-match. Turboman gets Buffaloman into a tombstone pile-driver, but - as he prepares for another attack - Springman and Buffaloman combine to use a Chojin Dodgeball. Springman is chastised for attacking Turboman, who was not his original opponent, as the match rules must abide by those of a single-match (due to the unusual circumstances).
The two teams agree to form a tag-team match with tag-team rules.
Springman lunges at Turboman, who uses a lariat and a Starter Revolver, but gets his arm caught inside Springma, who retaliates with a Spring Cyclone. Springman proceeds to use a Killer-Coil Head Attack. A second attempt at the attack is deflected by Turboman's a back-kick. It nearly knocks Springman out of the ring, until Buffaloman catches him. Turboman charges with a flying-cross, but the Diabolos counter again with a Devil Expander. Buffaloman then bounces off Springman to kick Turboman, who proceeds with a series of blows. Turboman uses a Glove Revolver and a Turbine Chop.
Buffaloman and Turboman return to their corners, and Turboman tags in Grim Reaper, who spins around on Turboman's head and delivers an Ignition Dress to Buffaloman. They proceed to use a John Does Arrow. The Diabolos try another Devil Expander, but Turboman dives through Springman and knocks Buffaloman out of the ring, before hitting him again with another John Does Arrows. A High-Capacity John Does Arrow sends Turboman towards Buffaloman, who manages to catch him and slams him against the wall, which causes the wall to crumble into the shape of a flight of stairs.
This allows Springman to use a Devil Slinky. He uses a Spring Body-Breaking Squeeze, which causes Turboman's body to start to glow, as Turboman stores the energy of his opponents. Turboman uses a High-Speed Turbo-Crash, as their two attacks seem to create a stalemate, but soon the release of Turboman's energy causes Springman to harden. He proceeds to stab Springman in his face with Revolver Spikes, and a Revolver Fin causes Springman's body to crash into Buffaloman.
Springman finds strength to lift Buffaloman, despite his weakened state. The Diabolos attempt a Long Horn Train, but - when it only glances off Turboman - follow with a Most Super Express. They follow with a third attack, which against glances off Turboman, but Turboman finds strength to use a Revolver Stud while Springman starts to crumble away. Springman uses all his strength to throw Buffaloman into a Hurricane Mixer, and Buffaloman's horns break through Turboman's Revolver attack and pierce his chest. This leads to Turboman's death, followed by Springman dying within Buffaloman's arms.
The Grim Reaper proceeds to Turboman's corpse, where he opens Turboman's back and steals his Earth Unit (which allows him to store energy to use against an opponent), and then kicks Turboman's body out of the ring. The Grim Reaper removes his robe, which he uses to taunt Buffaloman like a matador, and uses a Skeleton Body to avoid being struck with a Hurricane Mixer. The Grim Reaper states that people fall victim to Buffaloman's attack due to fear and fidgety movements, but - knowing no fear - he cannot be hurt.
The Grim Reaper grabs Buffaloman by his horns, before grabbing at his skin and flipping him over, and - in the process - tears chunks of skin from Buffaloman. The Grim Reaper proceeds to tear off more skin from Buffaloman, and attacks with a Dress Spear, which reveals all the scars on Buffaloman's body from previous matches. He is eventually countered by Buffaloman's Buffalo Hammer. The Grim Reaper proceeds to capture Buffaloman's legs, as he sets up for a John Does Arrows, before revealing it can double as a solo-technique called the Phantom Canon.
💪M💪U💪S💪C💪L💪E💪
A year of the shows and performers of the Bijou Planks Theater.
M.U.S.C.L.E. No. 105, "Buffaloman D"
Painted by Paprika, thus losing all collectible value forever.
Buffaloman has been seen in BP 2019 Day 302!
www.flickr.com/photos/paprihaven/48980587088/
BP 2020 Day 133!
www.flickr.com/photos/paprihaven/49852162532/
BP 2020 Day 315!
www.flickr.com/photos/paprihaven/50587994286/
BP 2023 Day 80!
R.B.K. is a landscape-oriented oil painting with a wooden support and frame that depicts a seated figure on the right facing towards a rectangular framed area in the centre of the painting. The scene is represented in bright colours in a loose style that appears fully abstract in places. Eight bands, each comprising three stripes in blue, pale green and dark green paint, run diagonally in roughly parallel bands across the painting’s foreground, as if the scene were viewed through a series of slats. The figure is depicted with a curvaceous body in various tones of blue, and its face, which appears as if silhouetted against a bright yellow shape, is partly obscured by one of the diagonal bands. The area on the left towards which the figure turns is framed with a dark blue outline and has a green and yellow rhomboid on its far side, suggesting that it represents an open door or a window shutter. Within this rectangular window or door area sits a largely abstract composition, although one of the shapes it contains resembles a flat red heart shape. The work’s pine frame is painted red along its top, while the rest is coloured light green.
This work was painted by the British artist Howard Hodgkin during 1969 and 1970, while he was living and working in London. Its support comprises a single sheet of plywood that has been pinned and glued to four outer battens. This is fitted into a rebated groove on the inside of the pine frame, with a metal plate securing it in each corner. The plywood was initially primed with a very dry, thin white layer possibly comprising chalk and animal glue, after which paint was loosely applied across the work in multiple layers. The diagonal stripes were painted last, over the top of the existing forms underneath, and the paint is generally opaque in colour and matt in finish throughout the work.
R.B.K. is a portrait of the well-known American painter R.B. Kitaj (Ronald Brooks Kitaj), a friend of Hodgkin’s who was also based in London during the 1960s and 1970s. Many of Hodgkin’s works from the this time are portraits of figures from the British art world, including artists, critics and dealers, yet many of these show their sitters in ambiguous environments and with a colourful abstraction that makes them difficult to identify, as is seen in R.B.K. as well as Mrs Nicholas Monro 1966–9 (Tate T01117) and Mr and Mrs E.J.P. 1969–73 (Tate T07111).
Since the early 1970s Hodgkin’s paintings have almost exclusively been executed on wooden supports (see, for instance, Come into the Garden, Maud 2000–3, Tate T12322). The critic Michael Auping has suggested that R.B.K. may have been the first work to be produced in this way, Hodgkin’s paintings until that point having generally been executed on canvas (Michael Auping, ‘A Long View’, in Metropolitan Museum of Art 1996, p.17). In 1984 Hodgkin explained that one reason for his starting to paint on wood was that unlike canvas it ‘has such a character of its own. In a piece of wood with grain ... you get these beautiful wave patterns ... there is already something to work with – either with or against. It has an identity already. Whereas a white canvas is just a piece of white canvas, it hasn’t any identity or will of its own at all’ (Howard Hodgkin and Patrick Caulfield, ‘Howard Hodgkin and Patrick Caulfield in Conversation’, Art Monthly, no.78, July/August 1984, p.5). This statement seems particularly relevant to R.B.K. given that when viewed in person, the grain of its frame is visible through the paint.
R.B.K. was also among the first of many works in which Hodgkin painted his frames in colours that featured in the main composition of the painting. As the director of Tate Nicholas Serota has observed, this has the effect that in Hodgkin’s works ‘the frame is not something to be added as protection or separation once the painting has been completed’ but is an integral component of the work (Nicholas Serota, ‘Introduction’, in Irish Museum of Modern Art 2006, p.13). The critic James Meyer has argued that Hodgkin’s emphasis on the frame has allowed him simultaneously to emphasise the physical ‘thingness’ of his works and the ‘transparency’ evoked through their pictorial depth (James Meyer, ‘Hodgkin’s Body’, in Irish Museum of Modern Art 2006, p.49). Discussing R.B.K. in particular, Meyer has claimed that the painting highlights this combination through a complicated play of surface and recession: ‘the literal frame functions as a window revealing the sitter ... through a screen of diagonal bars. In the distance, a window frames yet another scene’ (Meyer 2006, p.49).
Depicted here is the the Brookdale Lodge's Mermaid Room, a bar with underwater views of the swimming pool with murals of former guests, including Humphrey Bogart and comedian W.C. Fields. A mural of James Dean, also a former guest, adorns the exterior. Brookdale became world-renowned as California's second most popular resort, playing host to Hollywood stars, including Mae West, Marilyn Monroe, Rita Hayworth, and President Herbert Hoover. The recently reopened Clifton's Cafeteria in Los Angeles was inspired by the Brookdale Lodge's Brookroom.
Opened in 1890 on the site of the Grover Lumber Mill, the Brookdale Lodge was founded by James Harvey Logan, a botanist and Judge (also responsible for the cultivation of the Logan berry).The stunning Brookroom, through which a natural stream flows, was built in the 1920s by the lodge's subsequent owner, Dr. F.K. Camp, a Seventh-day Adventist and outspoken prohibitionist.
After a 2009 fire, the Lodge was abandoned and remained in a state of neglect. Hotelier Pravin Patel purchased the Lodge in 2014 and began restoration of the property in 2016. Brookdale Lodge should open this year.
This scene depicts the Incredibles family and their friend Frozone battling various super villains in front of the bright lights of the city. I was inspired by the exciting simple art style that is featured in the end credits of the Incredibles movies and some of the promotional posters for Incredibles 2 which is an art style that was popular in the 1960's, the time that The Incredibles is set in. This entry was built in a similar fashion to a collage where you stack different cut-out shapes of paper, except I used Lego plates and other elements instead of paper to create the final art piece. Because Lego is much thicker than paper, the picture is best viewed straight from the front, although I have provided some 3/4 views so that you can see how I built it. I hope the LDD screenshots are high enough resolution to see all of the details. It was quite a challenge to capture all of these dynamic shapes and poses with Lego parts, but I'm happy with how it turned out.
This is an entry for the Incredibles contest on Lego Ideas.
Mural by Disem aka @disem305 depicting Emilio Estefan and Gloria Estefan, seen at 1349 Calle Ocho (8th Street SW) in the Little Havana area of Miami, Florida.
The artist states: "When @kcullshop owner Walter first contacted me about painting a mural of @gloriaestefan I told him I had been wanting to paint one but it had to be with @emilioestefanjr to which he excitedly responded "yes!!!" which I was really happy to hear. Recently I was remembering being about 4 years old & the first tape I have recollection of seeing and hearing was Miami Sound Machine. My father was playing it as he washed his car and I remember asking "what is that ?" and him telling me "Miami Sound Machine" as a kid I was clueless to what that meant so I continued asking "but what is Miami Sound Machine?" till he pulled out the tape and showed me the cover at that point I understood what it was . Even about 12 years ago Made a vision board that had a logo I had created for a creative art space called the "Miami art machine" inspired by the logo of Miami Sound Machine so to be able to create this piece has been very special to me And you can't get any more Miami than Gloria and Emilio in the 80's."
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
A sculpture depicting (sublime) music being tied down by (profane) words. Music should be set free to soar and delight the soul, not weighed down by one person's mundane grunts and squeaks, voicing their innane dribble. Here's to instrumental music!
(Been working on this piece of crap for over a week and BY GOLLY it nearly pushed me over the edge...so many tantrums...and I'm still nowhere near happy with it...)
This photo depicts a serene beach scene at sunset. A woman is seated on the sandy beach, her legs crossed in a relaxed manner. She is dressed in a blue dress that contrasts beautifully with the warm hues of the sunset. Her hair is styled in loose waves, adding a touch of elegance to her overall appearance.
The woman is positioned on the right side of the image, her gaze directed towards the horizon where the sun is setting. The sun's descent casts a warm glow over the entire scene, highlighting the silhouettes of palm trees and mountains in the background.
The sky above is a clear blue, with a few clouds scattered across it. The water of the sea mirrors the sky's color, its surface calm and undisturbed. The woman, the beach, the sea, and the sky all come together to create a harmonious composition that is pleasing to the eye.
Please note that this description is based on the visible elements in the image and does not include any speculative or imaginary content.
Departing out of RAF Fairford, 14th July 2008. A real treat for the aviation enthusiast to photograph such a rare aircraft in Europe, and certainly a well deserved bonus for the disappointed crowd following the cancellation of the RIAT Airshow due to inclement weather this year.
The tail has been beatifully decorated depicting "Pakistan - A civilization 5000 years old", and carries extra titles near the forward section claining to be the Worlds youngest P3 Orion.
Odd name for a street in Burnham-on-Sea in Somerset. The street art depicting a train may give a clue as to the origins of the name.
Depicting the archetypal English seaside scene. The beach hut contains Typhoo Tea, HP Sauce and Marmite. :-)
Sheringham, North Norfolk, England.
The Temple was a monumental structure; it measured 120 m in length and 50 m across. The sixty massive columns surrounding the cella were well over 2 m in diameter and more than 21 m high. The Temple was topped with the largest Corinthian capitals ever sculpted, one of which, 2.5 metres in height, 1.9 metres in diameter and 20 tons in weight, was unearthed in 2013.
In AD 124, the city of Cyzicus was granted the role of neokoros, temple warden of the imperial cult. The people of Cyzicus declared Hadrian the 13th Olympian god.
The Byzantine chronicler John Malalas called the Temple of Hadrian at Cyzicus “a very large temple, one of the wonders" with a very large bust of Hadrian on the roof and a marble stele inscribed "of Divine Hadrian". (Malalas, Chronography Bks 1-7, 10-18)
Cassius Dio called it “the largest and most beautiful of all temples, writing that “its columns were four cubits in thickness and fifty cubits in height" writing that "in general, the details were more to be wondered at than praised.” (epit. 70.4.1–2).
Saint Francis Receiving the Stigmata is a panel painting in tempera by the Italian artist Giotto, painted around 1295–1300 for the Church of Saint Francis in Pisa and it is now in the Musée du Louvre in Paris. It shows an episode from the life of Saint Francis of Assisi, and is 314 cm high (to the top of the triangule) by 162 cm wide. It is signed OPUS IOCTI FLORENTINI ("Work of Florentine Giotto").
In his Le Vite, Giorgio Vasari mentions the work in a transept chapel of the church of San Francesco in Pisa. Despite having been disputed, the work is now generally recognized to be by Giotto, being also signed; it has been dated from shortly before or after the Stories of St. Francis in Assisi, around 1295–1300.
In 1813 it became property of the Louvre (inv. 309), as part of the Napoleonic looting of art in Italy, together with Cimabue's Maestà, also from San Francesco. Jean Baptise Henraux took it, due to the interest of Dominique Vivant Denon, who was particularly passionate about "primitive" Italian paintings. It was put on display in the Louvre in 1814. After the restitution of artworks seized at the time, the great panel was one of the paintings that remained in France.
The work has a rectangular shape in the lower part, ending with a triangular cusp, and has a gold ground. It depicts St. Francis receiving the stigmata during his prayer on Mount Alverno from a flying Christ who appears to him as a seraph. The latter's wounds emit light rays which strike Francis' body. The background is a mix of newer and old elements, the latter including the very generic mountains and the lack of proportions in the landscape elements. The chapels in the mount show the attempt to draw them according to geometrical perspective. Francis' face is characterized by a strong use of chiaroscuro.
The scene was innovative as it abandoned the Italo-Byzantine tradition of inexpressive figures as the center of paintings in favor of a moment of action as the principal subject (compare the works of Bonaventura Berlinghieri and the Master of San Francesco Bardi, or Giotto's own Badia Polyptych).
At the left and right corners, the heraldry of the Ughi or Cinquini family is visible.
This picture depicts the moated castle "Haus Dellwig" in Lütgendortmund, a borough of Dortmund. The castele is rebuild in 1696 after the destroying of the Thirty Years' War.
Today is the castle in the ownership of the city of Dortmund, since 1978, you can find in other buildings by the castle, the museum of local history of Lütgendortmund.
The castle is a place of favorite excursions.
The theatre was built by taking advantage of the natural slope of the land and using local limestone blocks in the Hellenistic period. In addition to the seating of the theater, the orchestra and stage buildings were also unearthed.
This photo depicts a lively restaurant scene with a large dining area featuring a variety of tables and chairs. The restaurant has a unique and colorful atmosphere, with neon lights illuminating the space. There are several dining tables and chairs scattered throughout the room, with some tables placed closer to the foreground and others further back.
A few people can be seen in the restaurant, likely enjoying their meals or conversations. There are also multiple potted plants placed around the room, adding a touch of greenery to the space. In addition to the dining area, there is a TV mounted on the wall, providing entertainment for the guests.
The restaurant is adorned with a variety of decorative elements, including a bird statue and a vase, which contribute to the overall aesthetic of the establishment.
The size of a 40.000 year old tooth from the Denisova cave indicates a very tall individual, and artefacts found tell about
an unbelievable modern technology - including high speed drilling. The first kings of Egypt were called Gods, but they lived with the people and helped them to develop their civilisation. Many of the granite and basalt artefacts found in Egypt can only have been done by high speed drilling. Were these divine kings in fact Denisova hominins? Did they underestimate how fragile the eco-balance of our environment is, did they trigger a worldwide catastrophe that "capsized" the Earth and wiped them out?
Remnants of a previously unknown hominin, distinct from both early modern humans and Neanderthals,
were a few years ago found in the Denisova cave of southern Siberia: Denisova hominins. The bones and also artefacts excavated at the same level were carbon dated to around 40.000 BP. The scientists say these Denisovans had "modern technology and ornaments, including a very beautiful bracelet". Our archaic cousins the Denisova Hominins
A catastrophe in form of a flood that, according to the legends wiped out the Egyptian civilization that was developed by divine kings (Gods), shall have taken place more than 30.000 years ago. The finger bone, the large tooth and the artefacts found in the Denisova cave in the north-east Altai Mountains region are also dated to be more than 30.000 years old. The small bone belonged to a very young girl. A small bracelet of polished stone was also found, and since it was found in the same layer and dated to the same age; it might have belonged to her.
We can only speculate why the young girl was in the cave. Could it be that she was seeking shelter from a coming catastrophe, might be brought there by her mother or father? Or that she was washed into the cave by the raging wave of a tsunami - even if the cave today is 600 meters above sea level?
It seems that the first rulers of Egypt had a technology that was even more advanced than we have today; we are in fact unable to replicate many of the artefacts found. And it still is an open question how they managed to construct the Great Pyramid with its incredible precision and up to 70 ton's stones.
The archaeologists say that the ancient Egyptians used simple tools like bronze chisels and stone hammers but many of the items found, like basalt jars and also the so called sarcophagus in the Great Pyramid, cannot be made without high speed drilling with drill-bits harder than basalt and granite. The artefacts found in the Denisova cave, the bracelet with pendant, the eyed needles and other ornaments, also witness of a superior technology - and believe it or not: They had used hight speed drilling!
Not us homo sapien sapien
We do not know how the Denisova hominines looked but as mentioned: A tooth found in the cave was very large, so they might have been very tall. We know that people in the area surrounding the Altai Mountains in the 6th to 3rd centuries BC had a very advanced technology; a race of white skinned, blond, blue eyed and very tall people with Caucasian features and long skulls.
The divine kings, the "Gods", of Egypt were often depicted as white skinned, blond, blue eyed and very tall people with Caucasian features and a long skull. Were the "Gods" of the ancient Egyptian king-lists in fact Denisovans? Not us homo sapien sapien but our archaic cousins the Denisova Hominins?
We do not yet know what the Denisova hominins looked like but a Denisovan tooth found in the cave is the largest archaic homo species tooth found. Were the Denisovans the giants of the legends all over the world? Where they the first kings of Egypt - the divine Pharaohs? Did they have an advanced technology that later got lost, might be together with the Denisovans themselves, in a world wide catastrophe?
Global warming
Professor Gregory Ryskin at Northwestern University in Illinois, USA, has found that the long-term changes in the Earth's main magnetic field are possibly induced by our oceans' circulation. We know that global warming already has raised the temperatures of the oceans of the world and some scientists have proposed that this could disrupt thermohaline circulation (THC), which is a massive, worldwide system of ocean currents. We have already seen a change in some ocean currents, so a change in our Earth's magnetic field might already be happening! Might be this is why our magnetic poles are moving much more rapid than before! Scary stuff - because this could also mean a change in the Earth's gravity - and changes in gravitational forces will certainly affect the tectonic plates and with the continents on them. Might be this is the reason why we also experience more earthquakes than before?! Might be we should take Hapgood's conclusions and Heyerdahl's warning serious?
Did the Egyptian "capsize" the world - did they have technologies that could contribute to a sudden and rapid polar change? Might be because of and a change in the Earths gravity and/or magnetic field? Well, some say that the ancient Egyptians used the pyramids to create a unique form of energy. That they by paying special attention to celestial events, they could have used natural forces like static electricity, the Earth's magnetic field, and lightning.
Electric phenomenon
Sir William Seimens, a famous German born English inventor, travelled to Egypt and visited the Great Pyramid. While they were standing on the top, the guide remarked that when he raised his hand with his fingers spread, it caused an intense ringing noise in his ears. Sir William ventured a few tests, one by raising his arm with his index finger pointing, which he claimed caused a prickling sensation. He then drank some wine from a metallic cup which gave him a distinct shock. He was convinced he was witnessing some sort of electric phenomenon and instantly put this to the test by assembling a makeshift Leyden Jar, an apparatus for the storage of static electricity, by wrapping moistened newspaper around the wine bottle. The static charge at the peak of the pyramid was so high that sparks began to stream from the bottle. The guide was so shocked that he accused Sir William of witchcraft and tried to grab the bottle, but an electrical jolt knocked him unconscious.
A power plant?
Master craftsman and engineer Christopher Dunn argues that based on his measurements of Egyptian monuments, ancient stonecutting achieved a high-precision accuracy surpassing modern accuracy standards in building. He asked himself what was the power source that fuelled such a civilization and after twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a electrical power plant. Based on the technology of harmonic resonance, he claims that the pyramid was a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. He shows in his books and articles how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities.
Inventor Michael F. Praamsma partly agrees but he says that the Great Pyramid at Giza was "a sophisticated acoustical sound chamber that was used as a technique to generate natural sounds to create an elevated frequency environment confined to a single resonant physical cavity". He claims that the Great Pyramid was systematically and competently sealed, and that this was "a sign it was decommissioned and intended to be of use again at a future day, when the awakened humanity would restore it competently to its rightful function, unfortunately history went another way."
A California researcher, Peter Grandics, has shown how an antenna, modeled on the Great Pyramid of Giza, can transfer the power of atmospheric electrostatic discharge impulses into a resonant circuit that converts the random impulses into an alternating current as a potential source of renewable electric power. Thousands of terawatts of power are generated in the troposphere by thunderstorms and a pyramidal structure, with its optimal geometry and construction, can act as a suitable charge sink, capturing this electric.
A biological engineer named John Burke argues that the movement of underground water in limestone aquifers below monuments produces an electric current via friction and the rich magnetic dolomite content of the stone. Burke measured positive ground current at Silbury hill in England, an ancient pyramidal mound composed of chalk and clay that lies on top of such limestone bedrock riddled with zig zagging aquifers filled with rainwater. Such tunnels and water caverns lie beneath the Giza plateau as well. Abd'El Hakim Awyan, a native Egyptian archaeologist, attests to swimming in such tunnels during his youth on the Giza plateau.
Electric torches?
Another alternative theory is that the pyramids were wireless power plants used to generate electricity and for wireless communication. On the internet you will find a video where it is speculated that the Great Pyramid may have been powered by the Ark of the Covenant. The person behind the video is saying that murals inside tombs and temples show that the ancient Egyptians were using handheld electric torches powered by cable free power sources. It is believed that the so called sarcophagus inside the Great Pyramid has the exact dimensions, according to the Christian bible, to house the Ark of Covenant: That the pyramid with a capstone of gold and the covenant in place was a kind of super capacitor the could produce and store electric energy. It is also theorized that Moses stole the Ark of Covenant from the pyramid and took it with him out of Egypt. This should be the main reason for the downfall of the Egyptian pharaohs; without the electrics power their own power dwindled. This should have happened at the time of the pharaoh Ramses II.
Three engineers; Erica Miller, Sean Sloan and Gregg Wilson all agree on one theory: That the Great Pyramid acted as a huge nuclear breeder reactor, which produced Plutonium fuel by mediating uranium isotopes in water. Supposedly, the King's Chamber was flooded with a water pump, and the sarcophagus was packed with uranium ore.
Frenchman Antoine Bovis stumbled upon dead cats and mice that had been disposed of in the trash cans inside the Great Pyramid, and they were perfectly mummified - apparently automatically, without putrefying or giving off a stench. When Bovis returned to France he built a scale model of Khufu's monument, deposited a dead cat inside - and the Giza phenomenon repeated itself, the cat mummified without rotting. Karl Drbal of Czechoslovakia researched this further and said that this was due to the pyramid's special cavity that resonated with cosmic microwaves concentrated in the earth's magnetic field. He also hypothesized that the same concept would work for rusted shavers, and claimed the sharpness of the tools returned after lacing them in a scale model of the pyramid. Stanford Research Institute, however, carrying out experiments in the Great Pyramid, and found that biological samples deteriorated at normal rates within the structure.
Energy grid
Some researchers say that it not by chance that the Great Pyramid was built where it was. They propose that the Earth has a planetary energetic grid that operates through geometric patterns called Sacred Geometry. Grids meet at various intersecting points forming a grid or matrix. These grid points shall be found at some of the strongest power places on the planet. A planetary grid map outlined by the Russian team of Goncharov, Morozov and Makarov has an overall organization anchored to the north and south axial poles and the Great Pyramid at Giza.
It is said that the ancient people, including the Egyptians, knew that wherever the earth's energy gathered into a vortex was a sacred place. Very simular is the theory that the Earth has as net of electromagnetic lines, and that the intersecting points of the network, the knots, are influenced by underground veins of water as well as magnetic forces emanating naturally from the Earth. The ancient Egyptians are said to have been able to move and/or anchor the energy lines by pushing metal rods into the ground before they built a temple or pyramid - they shall have called it "piercing the snake".
Also what is called lay lines seems to be connected to an ancient grid of a form. According to Wikipedia; "Ley lines are hypothetical alignments of a number of places of geographical interest, such as ancient monuments and megaliths." Archaeologists have documented that the alignments are existing but it is not proved that the ley lines and their intersection points resonate a special psychic or magical energy or that they have electrical or magnetic forces as some writers claim.
Pyramid fortex using a Tesla coil
In addition to all this it is also said that we have high energy spots on the Earth called vortices - and they shall be linked ley lines. A Vortex (plural: vortices) is usually a spinning, often turbulent, flow of fluid but some also include a kind of spinning Earth energy due to its electromagnetic field. Such vortices can be volcanoes, high mountains, hot springs, mineral deposits, deep gorges, rock outcroppings and even in deserts like the Sinai. Ancient sites can also be vortices, like the pyramids of Egypt. Dr. Dee J. Nelson has taken a so called Kirlian photograph of energy spiralling out of the top of a pyramid using a Tesla Coil.
Nikola Tesla - Earthquake Machine
The Tesla Coil was invented by Serbian-American engineer Nikola Tesla (1856 - 1943), one of history's greatest scientists. His coil is an electrical resonant transformer circuit, used to produce high-voltage, low-current, and high frequency alternating-current electricity. Yes, he is best known for inventing the alternating electrical current (AC) used all over the world today, but his patents and theoretical work helped form the basis for radio comunication and many other inventions.
Nikola Tesla was an electrical genius, but he also was responsible for a number of mechanical devices. One of these was his "Earthquake Machine" also known as the Tesla Oscillator. The machine which Tesla tested was no larger than an alarm clock but it is said that when he started to twiddle the machine's frequency-controller in his lab: blocks around chaos reigned as objects fell off shelves, furniture moved across floors, windows shattered, and pipes broke. When the police arrived they found the inventor smashing the resonator to bits with a hammer: "Gentlemen, I am sorry. You are just a trifle too late to witness my experiment. I found it necessary to stop it suddenly and unexpectedly in an unusual way, he said calmly to the astonished officers.
Tesla was convinced that by finding the correct frequency, any structure can be destroyed (an obvious example is the wine glass shattered by an opera singer). He later told a friend that he could split the Earth with one of these devices: "I could set the earth's crust into such a state of vibration that it would rise and fall hundreds of feet, throwing rivers out of their beds, wrecking buildings, and practically destroying civilization".
Tesla and coils
Tesla claimed that the laws of electromagnetics were connected to gravity, and one of his patents was on a flying machine without wings or propellers but based on what he called electrogravitics. Tesla also was working on a generator that basically worked by harnessing the electricity from the air and the ground. He used the natural conductivity of limestone aquifers to generate electrical power. The power ran up the ground into the Tesla coil tower above, which in theory should channel wirelessly transmitted power over great distances. Since Telsa wanted the distribution of the energy to be free, the inventor's sponsor pulled out from funding the scientist's machine before it was completed. Tesla died a poor and disillusioned man.
His research station for transmitting power at Colorado Springs might have a link to the Great Pyramid - a notable harmonic association between the latitude positions of both sites. Coral Castle - 9-ton gate that moves with just a touch of the finger.
Edward Leedskalnin - Coral Castle
Another person that was interested in gravity and electromagnetism was Edward Leedskalnin (1887-1951) - an eccentric Latvian emigrant to the United States. He built the extraordinary monument known as Coral Castle in Florida. Leedskalnin single-handedly and secretly carved and displayed over 1,100 tons of coral rock, the heaviest stone weighing 35 tons. It is a mystery how the tiny man could move all the heavy stones. He claimed to have discovered the secrets of the pyramids, and had found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons! But he did not want to show
"I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!"
- Edward Leedskalninanybody how it was done and worked mostly at night-time. A group of young witnesses claimed to see coral blocks floating through the air "like hydrogen balloons" and another time one of Ed's neighbours found him singing to the stones with his hands placed on their surface as if he were somehow making them lighter.
Ed Leedskalnin disputed contemporary science and believed that "all matter consists of magnets which can produce measurable phenomena, and electricity." Ed would say he had "re-discovered the laws of weight, measurement, and leverage," and that these concepts "involved the relationship of the Earth to celestial alignments."
Researchers have speculated that Ed Leedskalnin learned the secret of levitation and one theory in particular caught the imagination of many. The planetary grid hypothesis postulates that the earth is covered by an invisible web of energy which is concentrated at points of telluric power, the convergence of which create unusual phenomena. Leedskalnin moved the complex from Florida City to Homestead and some suggest this was because Ed realized he had made a mathematical error in his original positioning and moved to an area with greater telluric force.
The famed American psychic Edgar Cayce (1877-1945) said during his readings that the Great Pyramid "was erected by the application of those universal laws and forces of nature which cause iron to float. By the same laws, gravity may be overcome, or neutralized, and stone made to float in air. The Pyramid was thus built by levitation, abetted by song and chanting". He also said that the Great Pyramid was built was built as a hall of initiation around 10,500BC by those who originally came from the civilization of Atlantis.
Levitation by sound
Metal rods that caused the stone to levitate
The current estimates of mainstream science contends that it took a workforce of 4,000 to 5,000 men 20 years to build the Great Pyramid using ropes, pulleys, ramps, ingenuity and brute force. But the 10th century Arab historian, Abul Hasan Ali Al-Masudi had written a 30-volume history of the world and he wrote about how the great stone blocks of the pyramid were transported. First, he said, a "magic papyrus" was placed under the stone to be moved. Then the stone was struck with a metal rod that caused the stone to levitate and move along a path paved with stones and fenced on either side by metal poles. The stone would travel along the path, wrote Al-Masudi, for a distance of about 50 meters and then settle to the ground. The process would then be repeated until the builders had the stone where they wanted it.
An ancient legend tells that The Great Pyramid was built from year 10,490 to 10,390 B.C. That the god Ra made studies of the terrain and took great care in figuring the geometrical location in relation to the Sphinx and the four cardinal points of the compass. The Pyramid was then built by levitation, abetted by song and chanting.
Well, we do not have any proof that the ancient Egyptians could make the huge stones fly through the air but levitation is no longer only a party-trick by magicians with quick fingers. We have high speed trains that levitate by the help of magnetic power and in an incredible move for modern medicine; scientists are using sound waves to help levitate droplets of drugs to make them with less side effects.
A kind of Swiss knife
The Great Pyramid is very different to other pyramids, in Giza or else. Most alternative researches conclude that it was some kind of machine; most possibly a power station. We have seen that it would be impossible to use the Great Pyramid as a tomb for a pharaoh and that dating of seashell tells that it much older than the other pyramids. The nearby sphinx has been re-dated to be at least 5000 years old because of the erosion from water, but it might be much older. The same will go for the Great Pyramid. Some speculate that the Great Pyramid was a kind of Swiss knife - a gigantic multipurpose tool. The world "pyramid" means "fire in the middle" - so if it was a kind of power station with the power source situated in what is called Khufu's sarcophagus the some researches in one way might be correct when that speculate that the pyramid also was built as a gigantic ram water pump - inside the base of the pyramid. Yes, it could have been a power-station with a water cooling system! We have seen that some say that the power source was the ark of covenant from the Christian bible and some say
The King's Chamber with the stones above
King's Chamber and large stones
that Moses was the person who stole it from the pyramid. That the pharaohs' rapid decline took place because with no more energy, in form of electric power, then their advanced civilisation could no longer exist!
A gigantic Tesla coil?
Or might be the Great Pyramid was a kind of a gigantic Tesla coil? That the huge granite stones, highly polished on the underside and placed above the so called Kings chamber, made it possible to harness electricity from the ionosphere - just like Nikola Tesla wanted to do it?
About 20 minutes drive from the Great Pyramid is the site of Abu Ghurab, the "Place of Osiris". The ruined stepped pyramid once had an alabaster platform on the top and on the platform it had been standing an obelisk ("sun stick"); most likely, the total height was between fifty and seventy meters. It had looked like a pyramid with a flat top, just like Great Pyramid! Is it possible that the Great Pyramid once had an obelisk standing on it's flat top - and not a capstone? The legends says that spirit of the sun god entered the obelisks at certain periods…
Could it have been like this - an obelisk on top of the Great Pyramid?
Can it have been like this?
Tesla viewed the Earth as a negative electric pole and the sun as a positive pole of an electrode; so an obelisk standing on top of a pyramid would to him be a solar-electric diode! If the under ground part of the pyramid was a pump that brought water up to the Kings Chamber then we would have a capacitor with a very good earth ground. Yes, the Great Pyramid could have been an extremely powerful kind of solar-panel!
Might be Tesla got the idea of harnessing the ionosphere from the Egyptians? Might be they had made the strongest power station ever but that something went terribly wrong; a technical fault or a construction-fault? Or might be extra strong solar activity? Stephen A. Reynods of New Zealand has done research showing that changes in the ionosphere caused by strong solar activity can cause changes in the Earth's internal magnetic field and through telluric current induced in the Earth's crust trigger earthquakes. So might be it happened that instead of harnessing high voltage that could be stored and used, the pyramid send the current into the ground and
The God Ptah with a Djed pillar
Ptah and pillar
triggered a gigantic earthquake that literally shook the whole Earth and caused geological catastrophes worldwide? Might be the changes to the internal magnetic field was so fast and so strong that the outer crust slipped - just like professor Charles H. Hapgood once suggested (but not due to imbalance of the polar ice)?
Interesting enough; one of the oldest and most important symbols to the ancient Egyptian was the "Djed Pillar". Take a look at the image to the right of the God Ptah holding a Djed pillar. The pillar looks very simular til the set-up of the stones above the Kings Chamber - and also a homemade Tesla coil! You might also have noticed a Djed pillar in picture of what could illustrate an electric lamp in an ancient Egyptian temple, higher up in the article!
Very advanced technology
In the Palermo, Turin and Manetho king lists, there are names of eight god kings that ruled Egypt in the beginning; Ptah, Ra, Geb, Osiris, Set, Horus, Thoth and the female god Ma'at. Even if they sometimes were represented in a variety of forms on murals, often with human body and animals/birds heads, these gods seemed to be something else than imaginary gods living in a theological heaven. They lived on earth, were married with children, and had duties they performed. They also helped the ordinary people to develop. We have seen that Ptah made the Nile-delta liveable after the great flood and Thoth is credited as the author of all works of science, religion, philosophy as well as magic and he is said to have been married with the female god and ruler Ma'at.
Pharaoh Can it be that the first kings of Egypt were called Gods because they came from a far away place and looked a bit different to the other humans in ancient Egypt? The word "God" comes from "shining/bright" and murals picturing the first pharaohs/gods show that they had so white skin that the must have looked very bright compared to other people! Were they also called devine because they had much better mental capabilities and a very advanced technology?
www.sydhav.no/giants/denisova_giants_egypt.htm
Dendera light
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The dendera light
The dendera light is a motif in the Hathor temple at Dendera in Egypt. A fringe theory interpretation of the reliefs is that they depict some form of ancient Egyptian lighting technology, similar to an arc lamp or cathode ray tube.
The temple contains several reliefs depicting Harsomtus, in the form of a snake, emerging from a lotus flower which is usually attached to the bow of a barge. The so-called dendera light is a variation of this motif, showing Harsomtus in an oval container called hn, which might represent the womb of Nut.[1][2][3] Sometimes a djed pillar supports the snake or the container. A closely related motif is "god resting on the lotus flower".
Contents
1Depictions and text
2Similar motifs
3Fringe interpretation
4See also
5References
6External links
Depictions and text
Each of the three objects consists of two reliefs. One half (a) of each pair is in south crypt 1-C (crypte 4), the other half (b) in room G (chambre V) of the temple.[3]
Object
(location)
TextRelief
Object 1(a)
(Crypt 1-C, south wall)
Speaking the words of Harsomtus, the great God, who dwells in Dendera, who is in the arms of the first in the night-barge, sublime snake, whos Chentj-statue carries Heh, whos crew carries in holiness his perfection, whos Ba caused Hathor to appear in the sky, whos figure is revered by his followers, who is unique, encircled by his forehead-snake, with countless names on the top of Chui-en-hesen, the symbol of power of Re in the land of Atum (Dendera), the father of the Gods, who created everything.
Gold his metal, height: four handbreadths
(left)
Object 2(a)
(Crypt 1-C,
south wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, the living Ba in the lotus flower of the day-barge, whos perfection is carried by the two arms of the djed-pillar as his Seschemu-image, while the Kas on their knees bend their arms.
Gold and all precious stones, height: three handbreadths
(right)
Object 3(a)
(Crypt 1-C,
north wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, who emerges out of the lotus flower as a living Ba, whos completeness is elevated by the Kematju-images of his Ka, whos Seschemu-image is revered by the crew of the day-barge, whos body is carried by the djed-pillar, underneath his Seschemu-image is the Primal and whos majesty is carried by the companions of his Ka.
Gold, height: one cubit
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548062) (lower).jpg
Object 1(b)
(Room G,
south wall)
Harsomtus in the hn-container of the night-barge that contains four figures. The figure of heh is in front of him, whereas this flower is behind him, the water beneath him.
Gold his metal, height: four handbreadths.
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (lower).jpg
Object 2(b)
(Room G,
north wall)
Harsomtus on his barge
Gold and all precious stones, height: three handbreadths
(left)
Object 3(b)
(Room G,
north wall)
Harsomtus of Upper- and Lower Egypt, the Sata-snake, that emerges from the flower, which contains the hn-container, who is flanked by four figures with human faces, under his head the figure of Heh on the Serech on the bow of his barge. The Juf-monkey with the face of a toad, armed with knives, is in front of him, as are the two figures that carry the front part of this flower.
(right)
Similar motifs
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (upper).jpg
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548061) (Harsomtus).jpg
Denderah. Grand temple. Chambre V (NYPL b16461786-1547978) (upper).jpg
Denderah. Grand temple. Crypte no. 1 (NYPL b16461786-1548026) (harsomtus).jpg
Denderah. Grand temple. Chambres de la terrasse. Osiris du sud. Chambre no. 3 (NYPL b16461786-1548166) (cropped).tiff
NaqaLionTempleApedemakSnake.jpg
Fringe interpretation
In contrast to the mainstream interpretation, a fringe theory proposes that the reliefs depict Ancient Egyptian technology, based on comparison to similar modern devices (such as a Cathode-ray tube, Geissler tubes, Crookes tubes, and arc lamps). J. N. Lockyer's passing reference to a colleague's humorous suggestion that electric lamps would explain the absence of lampblack deposits in the tombs has sometimes been forwarded as an argument supporting this particular interpretation (another argument being made is the use of a system of reflective mirrors).[4] Proponents of this interpretation have also used a text referring to "high poles covered with copper plates" to argue this,[5] but Bolko Stern has written in detail explaining why the copper-covered tops of poles (which were lower than the associated pylons) do not relate to electricity or lightning, pointing out that no evidence of anything used to manipulate electricity had been found in Egypt and that this was a magical and not a technical installation.[6]
Archaeologist and debunker Kenneth Feder argued that if ancient Egyptians really had such advanced technology, some light bulb remains (glass shards, metal sockets, filaments...) should have been discovered during archaeological excavations. By applying Occam's razor, he instead highlighted the feasibility of the aforementioned reflective mirrors system, and also that the notion of adding salt to torches to minimize lampblack was well known by ancient Egyptians.[7]
See also
Egyptian mythology
References
"Dendera Temple Crypt Archived 2010-04-25 at the Wayback Machine". iafrica.com.
Wolfgang Waitkus, Die Texte in den unteren Krypten des Hathortempels von Dendera: ihre Aussagen zur Funktion und Bedeutung dieser Räume, Mainz 1997 ISBN 3-8053-2322-0 (tr., The texts in the lower crypts of the Hathor temples of Dendera: their statements for the function and meaning of these areas)
Waitkus, Wolfgang (2002). "Die Geburt des Harsomtus aus der Blüte Zur Bedeutung und Funktion einiger Kultgegenstände des Tempels von Dendera". Studien zur Altägyptischen Kultur. 30: 373–394. JSTOR 25152877.
Press, The MIT (15 May 1973). The Dawn of Astronomy | The MIT Press. mitpress.mit.edu. MIT Press. ISBN 9780262120142. Retrieved 2020-10-06.
Bruno Kolbe, Francis ed Legge, Joseph Skellon, tr., "An Introduction to Electricity". Kegan Paul, Trench, Trübner, 1908. 429 pages. Page 391. (cf., "[...] high poles covered with copper plates and with gilded tops were erected 'to break the stones coming from on high'. J. Dümichen, Baugeschichte des Dendera-Tempels, Strassburg, 1877")
Stern, Bolko (1998) [1896]. Ägyptische Kulturgeschichte. Reprint-Verlag-Leipzig. pp. 106–108. ISBN 978-3826219085.
Feder, Kenneth H. (2014). Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology. New York: McGraw-Hill. ISBN 978-0-07-803507-4., pp.225–7
External links
Wikimedia Commons has media related to Dendera light.
The Dendera Reliefs, Catchpenny Mysteries.
Frank Dörnenburg, Electric lights in Egypt?. 2004.
Mariette, Auguste (1870) - Dendérah: description générale du grand temple de cette ville (II: 48, 49; III: 44, 45)
Coordinates: 26.141611°N 32.670139°E
Categories: EgyptologyOut-of-place artifactsPseudoarchaeology
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The ancient Egyptian Dendera Light "protective magical energy in liquid form" is the evaporative cooling fog. The fact that the Dendera Light is made of liquid water that transforms itself in a magical way, is exactly what are describing ancient Egyptians themselves : [About the snake inside the Dendera Light Bulb] "The field surrounding Ra’s snake form is referred to in ancient Egyptian literature as protective magical energy in liquid form that all gods and pharaohs possess (Faulkner 1970*)." ahotcupofjoe.net/2016/11/dendera-light-bulb-and-bagdad-ba...
*I'm not sure, but the excerpt might be from "The ancient Egyptian book of the dead / translated by Raymond O. Faulkne ; edited by Carol Andrews, 1972."
www.milleetunetasses.com/blog/the-great-pyramid-of-khufu-...
Evaporative cooling for the sodium carbonate manufacturing
My study is based on 2 key elements : the first one is the cold production inside the horizontal passage of the Great Pyramid ; and the second one is the production of sodium carbonate (pure natron), as suggested by the Red Pyramid.
The ammonia still present inside the Red Pyramid, indicates that they were using a sodium carbonate process identical or very close to the ammonia-soda process known as the Solvay process, developed into its modern form in the 1860s in Europe.
In the Solvay process, the ammonia only has a minor role ; but inside the Red Pyramid, my guess is that they didn't control the temperature of the different chemical reactions inside the Solvay towers. They couldn't cool down the towers.
That is the reason why they engineered the visible part of the Great Pyramid : to produce cold inside the horizontal passage, store it inside the Queen's chamber, and transfer it to the sodium carbonate production towers, passing through the Queen's chamber shafts.
Stained glass depicting the Flight into Egypt. During the construction of the Notre-Dame de l'Assomption cathedral, stained glass windows from the old Romanesque cathedral of Etienne 2 were recovered. They are today grouped together in two stained glass windows of the Sainte Anne chapel.
The oldest, from the beginning of the 12th century, represent the theme of Christ's childhood, an iconography very present at the time, as in Saint Denis and Chartres.
-
Vitrail représentant la fuite en Egypte. Lors de la construction de la cathédrale Notre-Dame de l'Assomption, des vitraux provenant de l'ancienne cathédrale romane d'Etienne 2 ont été récupérés. Il sont aujourd'hui regroupés dans deux verrières de la chapelle Sainte Anne.
Les plus anciens datent du début du 12e siècle et représentent le thème de l'enfance du Christ, une iconographie très présente à l'époque, comme à Saint Denis et à Chartres.
An interesting Work of Art depicting the removal of the 5th Head of Brahma.Here we find the Lord holding the 5th Head of Brahma in one hand and having the Tharjani mudra in another reprimanding Brahma .
The kanchi Kailasanathar temple is the oldest structure in Kanchipuram. Located in Tamil Nadu, India, it is a Hindu temple in the Dravidian architectural style. It is dedicated to the Lord Shiva, and is known for its historical importance. The temple was built from 685-705AD by a Rajasimha ruler of the Pallava Dynasty. The low-slung sandstone compound contains a large number of carvings, including many half-animal deities which were popular during the early Dravidian architectural period. The structure contains 58 small shrines which are dedicated to various forms of Shiva. These are built into niches on the inner face of the high compound wall of the circumambulatory passage.
The temple is located on the banks of the Vedavathi River at the western limits of the Kanchipuram. It faces east. Its location, demarcated according to the religious faiths, is in one of three "Kanchis", the Shiva Kanchi; the other two Kanchis are, Vishnu Kanchi and Jain Kanchi. It is 75 kilometres (47 mi) from the Chennai, the capital city of Tamil Nadu.Kailasanathar is one of several notable temples in Kanchipuram, the others being Ekambaranatha, Kachapeshwarar, Kamakshi Amman, Kumarakottam Temple, and Varadaraja Perumal
Temple construction is credited to the Pallava dynasty, who had established their kingdom with Kanchipuram (also known as "Kanchi" or "Shiva Vishnu Kanchi") as the capital city, considered one of the seven sacred cities under Hinduism.
The only temple of this period which is extant is the Kailsahanathar Temple.
The temple was built during 685-705AD. It is the first structural temple built in South India by Narasimhavarman II (Rajasimha), and who is also known as Rajasimha Pallaveswaram.
The temple has retained the Pallava architecture in its original stylized form with influence of the later styles developed by the Chola Dynasty and Vijayanagara Emperors. It is of stone built architecture unlike the rock cut architecture built into hallowed caves or carved into rock outcrops as in Mahabalipuram.