View allAll Photos Tagged DEADKENNEDYS

Protest on the evening of Inauguration - 1-20-17

Original song and a french sexy cover

 

** Credit **

 

Un grand merci to Snapaholics friends, MaryKeng, Polly Reina, Jala, Ines and Busta, for pizzas and burgers ;)

I'm posting two photos today and none tomorrow...because it's Jello Biafra's birthday and I feel bad enough missing his recent Chicago set but I was at Low...

 

Jello's a legend and still has a great stage presence complete with fake blood and a ton of political rants that I always happen to agree with.

 

vimeo.com/66730852

 

www.deadkennedys.com/

 

**All photos are copyrighted. Please don't use without permission**

It's just a dead man's party, leave your body at the door.

#nulldaten

 

The crowded future stings my eyes

I still find time to exercise

In uniform with two white stripes

 

Unlock my section of the sand

It's fenced off to the water's edge

I clamp a gas mask on my head

 

On my beach at night

Bathe in my moonlight

 

Another tanker's hit the rocks

Abandoned to spill out its guts

The sand is laced with sticky glops

 

Oh, shimmering moonlight sheen upon

The waves and water clogged with oil

White gases steam up from the soil

 

On my beach at night

Bathe in my moonlight

 

I squish dead fish between my toes

Try not to step on any bones

I turn around and I go home

 

I slip back through my basement door

Switch off all that I own below

Dive in my scalding wooden tub

 

My own beach at night

Bathe in my moonlight

 

'Ight

'Ight

 

There will always be a moon over Marin

 

There, wasn't that a nice visit?

Don't forget, a psychiatrist is on duty twenty-four hours a day in the blue room

Just up from the parking garage

Drink plenty of water when you take these

Now you can relax

And return to your job!

 

Written by Jello Biafra

A classic flyer. A great one for The Anthrax. What a great line-up.

some of my favourite badges

LIVE BY THE RIVER

 

"Findley was always a killer on the axe." - Flea, Red Hot Chili Peppers

 

"I'll never forget the first time I saw Findley KILLIN' It~ I've been in therapy ever since!!!" - BaBa Booey

Daniel Silva ( Salsicha) | Fotógrafo Zona Punk

 

Contatos:

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MSN: salsicha_hc5@hotmail.com

TEL: (11) 6460-3481 / (11) 8135-1945

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FOTOLOG: www.fotolog.com.br/danielsalsicha

BLOG ZONA PUNK: www.zp.blog.br

 

Ao utilizar as fotos, por gentileza, manter assinatura e seguir os créditos.

 

Veja mais fotos e a resenha desse show no Blog www.zp.blog.br

Miss Zombie Punk tried to get me but she didn't succeed!

Dead Kennedys: D. H. Peligro (drums) performing live at the Crash Fest, Zitadelle Spandau, Berlin, 14.06.19, Schlagzeuger, drummer

 

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Dead Kennedys: Klaus Flouride (bass) performing live at the Crash Fest, Zitadelle Spandau, Berlin, 14.06.19, Bassist, bass player

 

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At GoGo's Concert, Emerald City Night Club, Cherry Hill, NJ. c.1981.

 

website: www.stevenkarp.net

Not a fan of little kids or weirs little dudes or a cross between the two. On flyers. The line-up on this flyer is insane.

Spazz deserves mroe flyers in my collection, that is for sure.

How the hell did Outcrowd get onthis bill? Weird!

ARTURO drums

 

OLIVIER vocal guitar

  

Logo Moony Mice Ariane KOVALEVSKY

a-kovalevsky.blogspot.com/

 

Contact Booking presse, Syd : 06 25 80 16 98

 

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www.noomiz.com/moonymice

 

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Dead Kennedys: D.H. Peligro (drums) performing live at the Crash Fest, Zitadelle Spandau, Berlin, 14.06.19, Schlagzeuger, drummer

 

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Dead Kennedys: Ron "Skip" Greer (vocals) and Ray Pepperell (aka East Bay Ray, guitar) performing live at the Crash Fest, Zitadelle Spandau, Berlin, 14.06.19, singer, Sänger, guitar player, Gitarrist

 

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"Rioting, the unbeatable high

Adrenalin shoots your nerves to the sky

Everyone knows this town is gonna blow

And it's all

Gonna blow right now

 

Now you can smash all the windows that you want

All you really need are some friends and a rock

Throwing a brick never felt so damn good

Smash more glass

Scream with a laugh

And wallow with the crowds, watch them kicking peoples' ass

 

But you get to the place

Where the real slave-drivers live

It's walled off by the riot squad aiming guns right at your head

So you turn right around

And play right into their hands

And set your own neighborhood

Burning to the ground instead "

 

Dead Kennedys

Zach is forced to punish Ashley by chaining her in the backyard. Poor Ashley :(

Conference on World Affairs - Boulder, Colorado

Dead Kennedys: Ron "Skip" Greer (vocals) performing live at the Crash Fest, Zitadelle Spandau, Berlin, 14.06.19, singer, Sänger

 

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American postcard by Post Comtemporary Post Cards, San Francisco, CA. Photo: f Stop Fitzgerald, 1980. Caption: the DEAD KENNEDYS San Francisco's Premiere Punk Band from X-CAPEES, a punk rock documentary.

 

The American punk rock band Dead Kennedys was formed in San Francisco, in 1978. The band was one of the defining hardcore punk bands during its initial eight-year run.

 

The Dead Kennedys was formed in June 1978 in San Francisco, California, when East Bay Ray (Raymond Pepperell) advertised for bandmates in the newspaper The Recycler, after seeing a ska-punk show at Mabuhay Gardens in San Francisco. The original band lineup consisted of Jello Biafra (Eric Reed Boucher) on vocals, East Bay Ray on guitar, Klaus Flouride (Geoffrey Lyall) on bass, 6025 (Carlos Cadona) on rhythm guitar and Ted (Bruce Slesinger) on drums and percussion. This lineup recorded their first demos. Their first live show was on 19 July 1978 at Mabuhay Gardens. Dead Kennedys' lyrics were usually political in nature, satirising establishment political figures (liberal and conservative) and authority in general, as well as popular culture and even the punk movement itself. The band's name generated controversy. Despite popular belief, the name was not meant to insult the Kennedy family, but according to Biafra, "to bring attention to the end of the American Dream". 6025 left the band in March 1979 under somewhat unclear circumstances, generally considered to be musical differences. In June, the band released their first single, "California Über Alles", on Biafra and East Bay Ray's independent label, Alternative Tentacles. In early 1980, they recorded and released the single 'Holiday in Cambodia'. In June, the band recorded their debut album, 'Fresh Fruit for Rotting Vegetables', released in September of that year on the UK label Cherry Red. The album reached number 33 on the UK Albums Chart. In March 1980, Dead Kennedys were invited to perform at the Bay Area Music Awards in an effort to give the event some "new wave credibility", in the words of the organisers. The day of the performance was spent practicing the song they were asked to play, the underground hit "". The band became the talking point of the ceremony when after about 15 seconds into the song 'California Über Alles', Biafra stopped the band—in a manner reminiscent of Elvis Costello's Saturday Night Live appearance—and said, "Hold it! We've gotta prove that we're adults now. We're not a punk rock band, we're a new wave band." The band, all wearing white shirts with a big, black S painted on the front, pulled black ties from around the backs of their necks to form a dollar sign, then started playing a new song titled 'Pull My Strings', a barbed, satirical attack on the ethics of the mainstream music industry, which contained the lyrics, "Is my cock big enough, is my brain small enough, for you to make me a star?".

 

During its initial incarnation between 1978 and 1986, The Dead Kennedys attracted considerable controversy for their provocative lyrics and artwork. Several stores refused to stock their recordings, provoking debate about censorship in rock music. In January 1981, Ted announced that he wanted to leave the band to pursue a career in architecture. He played his last concert in February 1981. His replacement was D.H. Peligro (Darren Henley). Around the same time, East Bay Ray had tried to pressure the rest of the band to sign to the major record label Polydor Records. Biafra stated that he was prepared to leave the group if the rest of the band wanted to sign to the label. Polydor decided not to sign the band after they learned that Dead Kennedys' next single was to be entitled 'Too Drunk to Fuck'. After Peligro joined the band, the extended play In God We Trust, Inc. (1981) saw them move toward a more aggressive hardcore/thrash sound. In addition to the EP's controversial artwork depicting a gold Christ figure on a cross of dollar bills, the lyrics contained Biafra's most biting social and political commentary yet, and songs such as 'Moral Majority', 'Nazi Punks Fuck Off!' and 'We've Got a Bigger Problem Now' placed Dead Kennedys as the spokesmen of social protest, while 'Dog Bite', a cover version of 'Rawhide' and various joke introductions showed a more whimsical side. In 1982, they released their second studio album, 'Plastic Surgery Disasters'. The album's cover features a withered starving African child's hand being held and dwarfed by a white man's hand, a picture that had won the World Press Photo award in 1980, taken in Karamoja district in Uganda by Mike Wells. The band's music had evolved considerably in a short time, moving away from hardcore formulae toward a more innovative jazz-informed style, featuring musicianship and dynamics far beyond other bands in the genre (thus effectively removing the music from that genre). The release of the album Frankenchrist in 1985 showed the band had grown in musical proficiency and lyrical maturity. While there were still a number of loud/fast songs, much of the music featured an eclectic mix of instruments including trumpets and synthesizers. In the mid-1980s, vocalist and primary lyricist Jello Biafra became an active campaigner against the Parents Music Resource Center. This culminated in an obscenity trial between 1985 and 1986, which resulted in a hung jury. In addition to the obscenity lawsuit, the band became increasingly disillusioned with the underground scene as well. The hardcore scene, which had been a haven for free-thinking intellectuals and downtrodden nonconformists, was attracting a more violent audience that imposed an increasing level of brutality on other concertgoers and began to alienate many of the bands and individuals who had helped pioneer the movement in the early 1980s. Dead Kennedys released their final album, Bedtime for Democracy, in November 1986. The band had released a total of four studio albums and one EP before disbanding in December 986. Following the band's dissolution, Biafra continued to collaborate and record with other artists including D.O.A., NoMeansNo and his own bands Lard and the Guantanamo School of Medicine, as well as releasing several spoken word performances. In 2000 (upheld on appeal in 2003), Biafra lost an acrimonious legal case initiated by his former Dead Kennedys band mates over songwriting credits and unpaid royalties. In 2001, the band reformed without Biafra. Various singers have since been recruited for vocal duties.

 

Source: Wikipedia.

 

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EXPLORED! My favorite one ( besides the Dead Kennedys one ) is the orange Circle Jerks flyer at the top. I went to see the Replacements and ended up hanging out with their extremely drunk guitarist Bob Stinson. As I was going to see the Circle Jerks the next week he signed a flyer for me AND one to give to Keith, which I forgot to do. I lost mine, Keith never got his, and Bob Stinson died 2 years later or so. All of these shows were in Detroit. I wasn't trying to play favorites, but there's TWO Black Flag one's here ( the top left and bottom right ). One of my pictures that has made it into Explore.

EastBayRay Day on the Dirt Nice place to work , but i must listen to www.beyondthebeatgeneration.com , if you like this, it's addictive, you're warned,

a vincent anton photo 2005 bigshot = photos3.flickr.com/4320915_362f53f793_o.jpg

 

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