Antarctica—the continent at the southernmost reach of the planet—is fringed by cold, often frozen waters of the Southern Ocean. The extent of sea ice around the continent typically reaches a peak in September and a minimum in February. The photograph above shows Antarctic sea ice on November 5, 2014, during the annual cycle of melt.

The image was acquired by the Digital Mapping System (DMS), a digital camera installed in the belly of research aircraft to capture images of terrain below. In this case, the system flew on the DC-8 during a flight as part of NASA’s Operation IceBridge.

Most of the view shows first-year sea ice in the Bellingshausen Sea, as it appeared from an altitude of 328 meters (1,076 feet). The block of ice on the right side of the image is older, thicker, and was once attached to the Antarctic Ice Sheet. By the time this image was acquired, however, the ice had broken away to form an iceberg. Given its close proximity to the ice sheet, this could have been a relatively new berg.

Read more: earthobservatory.nasa.gov/IOTD/view.php?id=86721

Credit: NASA/Goddard/IceBridge DMS L0 Raw Imagery courtesy of the Digital Mapping System (DMS) team and the NASA DAAC at the National Snow and Ice Data Center

Credit: NASA Earth Observatory

NASA image use policy.

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

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NASA Earth Observatory

Eaton Fire Leaves California Landscape Charred

Overhead view of Altadena, Pasadena, Arcadia, and Sierra Madre in Los Angeles County, taken by an instrument on board a NASA aircraft. Charred vegetation shows up as brown in northern parts of the residential areas. Burned landscape on the San Gabriel mountains appears orange and surrounding vegetation is green.

January 11, 2025JPEG

On the afternoon of January 11, 2025, NASA’s AVIRIS-3 (Airborne Visible/Infrared Imaging Spectrometer-3) flew aboard a B200 aircraft over Los Angeles County, where it captured images of several areas affected by wildland fires.

These false-color images show areas burned by the Eaton fire in Altadena and parts of Pasadena, Arcadia, and Sierra Madre. Charred trees and buildings in developed areas appear dark brown, whereas the burned wildland areas, particularly in Angeles National Forest, are shades of orange.

The Eaton fire ignited in the hills of Eaton Canyon, near Altadena, on the evening of January 7. By 10:30 a.m. the next day, the fire had quickly grown to cover more than 10,000 acres (40 square kilometers), according to Cal Fire. Around the time of this image on January 11, it had expanded to 14,117 acres (57 square kilometers), and the Los Angeles County Fire Department reported it was about 15 percent contained.

Airborne view of Altadena and Pasadena, taken by an instrument on board a NASA aircraft. Charred vegetation shows up as brown in northern parts of Altadena. Burned landscape of the San Gabriel mountains appears orange and surrounding vegetation is green.

January 11, 2025JPEG

The AVIRIS-3 optical sensor collects data in 286 bands in the electromagnetic spectrum, ranging from visible violet light at a wavelength of 380 nanometers to shortwave infrared at 2,500 nanometers. In the past, AVIRIS images have been useful for investigating fire behavior and the effects of fire emissions. They are also used for post-fire analyses, such as fire severity, area burned, soil erosion, and other environmental change.

“In addition to assisting with damage assessments, these data may help us understand the chemical composition and toxic nature of ash in the post-fire environment and how it redistributes over time via wind and water flows, with subsequent data acquisitions,” said Michael Falkowski, manager of NASA’s wildland fire program.

As of the morning of January 15, the Eaton fire had stopped expanding, and it was 45 percent contained. Preliminary estimates indicate that thousands of structures were destroyed, according to Cal Fire.

NASA’s Disasters Response Coordination System has been activated to support agencies responding to the fires, including the California Governor’s Office of Emergency Services. Response activities are centered on two primary requests from the local emergency managers: damage assessment information on built infrastructure, and impacts of air quality and human health risks. The team will be posting maps and data products on its open-access mapping portal as new information becomes available.

Explore interactive maps of these images on the AVIRIS data portal.

NASA Earth Observatory images annotated by Lauren Dauphin using data from Airborne Visible / Infrared Imaging Spectrometer-3 (AVIRIS-3) instrument, via NASA Earthdata Search. The AVIRIS-3 LA Fire datasets were archived to Earthdata Search through the ORNL DAAC’s AVIRIS Facility Instrument collections. Story by Emily Cassidy.

In May 2014, two new studies concluded that a section of the land-based West Antarctic ice sheet had reached a point of inevitable collapse. Meanwhile, fresh observations from September 2014 showed sea ice around Antarctica had reached its greatest extent since the late 1970s.

To better understand such dynamic and dramatic differences in the region's land and sea ice, researchers are travelling south to Antarctica this month for the sixth campaign of NASA’s Operation IceBridge. The airborne campaign, which also flies each year over Greenland, makes annual surveys of the ice with instrumented research aircraft.

Instruments range from lasers that map the elevation of the ice surface, radars that "see" below it, and downward looking cameras to provide a natural-color perspective. The Digital Mapping System (DMS) camera acquired the above photo during the mission’s first science flight on October 16, 2009. At the time of the image, the DC-8 aircraft was flying at an altitude of 515 meters (1,700 feet) over heavily compacted first-year sea ice along the edge of the Amundsen Sea.

Since that first flight, much has been gleaned from IceBridge data. For example, images from an IceBridge flight in October 2011 revealed a massive crack running about 29 kilometers (18 miles) across the floating tongue of Antarctica's Pine Island Glacier. The crack ultimately led to a 725-square-kilometer (280-square-mile) iceberg.

In 2012, IceBridge data was a key part of a new map of Antarctica called Bedmap2. By combining surface elevation, ice thickness, and bedrock topography, Bedmap2 gives a clearer picture of Antarctica from the ice surface down to the land surface. Discoveries have been made in Greenland, too, including the identification of a 740-kilometer-long (460-mile-long) mega canyon below the ice sheet.

Repeated measurements of land and sea ice from aircraft extend the record of observations once made by NASA’s Ice, Cloud, and Land Elevation Satellite, or ICESat, which stopped functioning in 2009. In addition to extending the ICESat record, IceBridge also sets the stage for ICESat-2, which is scheduled for launch in 2017.

Credit: IceBridge DMS L0 Raw Imagery courtesy of the Digital Mapping System (DMS) team/NASA DAAC at the National Snow and Ice Data Center

More info: earthobservatory.nasa.gov/IOTD/view.php?id=84549

earthobservatory.nasa.gov/IOTD/view.php?id=84549

Time lapsed rug making!

with photo help from John Hanson.

Editing help from Pearl Beerhorst.

G-DAAC : CL-604 Challenger : c/n 5424

L'église est construite entre de 1959 à 1962 sur les plans de l'architecte local Jean Redréau associé à l'ingénieur Stéphane du Château, concepteur de la coupole.

Rotonde surmontée d'une coupole, elle est éclairée par des vitraux de Max Ingrand, sur toute la circonférence.

L'église est inscrite au titre des Monuments historiques depuis 2002.

En 1963, l'église accueille la sépulture de l'abbé Franz Stock, (1904-1948), aumônier allemand de prisons en France de 1940 à 1944 puis supérieur du « séminaire des barbelés » près de Chartres dont la chapelle, qu'il a décorée, est inscrite au titre des monuments historiques.

Dossier complet : www.ac-orleans-tours.fr/fileadmin/user_upload/daac/docume...

This map shows SMAP observations of global soil moisture from May 28 through June 4, 2019. Areas with the lowest moisture are yellow-orange, and areas with the highest soil moisture are blue-purple. Credit: NASA

www.nzz.ch/feuilleton/niklaus-manuel-im-bernischen-histor... Der Tod ist ein schmieriger Charmeur

Das Werk des Malers Niklaus Manuel kreist um den Tod. Auch da, wo er die Schönheit und das Leben feiert.

Thomas Ribi

21.12.2016, 17:38 Uhr

(Bild: P. B. Martin / Kunstmuseum Basel)

(Bild: P. B. Martin / Kunstmuseum Basel)

Einem wie Niklaus Manuel macht keiner etwas vor, nicht einmal der Tod. Er kannte den Tod. Und er kannte ihn gut. Dass ihm niemand entkommt, ob arm oder reich, fromm oder gottlos, das hatte er im Alltag erlebt. Wie bitter er ist, lernte er auf dem Schlachtfeld. Und er wusste sogar, woher er kommt: aus der giftigen Zunge des Teufels. So zeigt es der Totentanz, den er um 1520 malte. Aber Niklaus Manuel wusste noch mehr als das. Es ist, als ob er mit dem Tod auf besondere Weise vertraut gewesen wäre. Er kannte seine Finten und Schliche. Er wusste, wie er zu schmeicheln versteht, und erkannte ihn in allen Gestalten, in denen er sich zu verstecken pflegt.

Manuel hatte gesehen, wie Menschen vom Tod überrascht wurden, und wusste, dass man ihm oft gerade dann am nächsten ist, wenn man am wenigsten an ihn denkt. Da starben junge Männer, die glaubten, gegen die Kraft ihres Körpers könne der Tod nichts ausrichten. Frauen wurden im Kindbett dahingerafft, bevor sie den Neugeborenen die Brust geben konnten. Der, der alle gleich macht, entwand Kinder den Armen der Eltern und Geschwister, erbarmungslos. Er trennte Liebende, die gerade erst zueinandergefunden hatten. Und dann die Toten auf den Schlachtfeldern vor Mailand: junge Burschen, denen gerade der erste Flaum auf den Wangen wuchs. Auf der Suche nach Abenteuer, einem rechten Lohn und ein bisschen Ruhm waren sie in die Fremde gezogen. Sie liessen ihr Leben im Stoss einer Lanze, im Streich eines Schwerts oder unter den Hufen eines Pferdes. Im Schlamm, weit weg von zu Hause, elend und namenlos.

Als Soldat und brav

Niklaus Manuel war Künstler, Politiker, kämpferischer Protestant – und es fällt nicht immer leicht, ihn hinter den verschiedenen Gesichtern zu erkennen. Auch Krieger war er. Zweimal war er dabei, als vor Mailand gekämpft wurde. 1516 verdingte er sich als Feldschreiber in französischen Diensten. Auf einem Feldzug, den die Berner Obrigkeit nicht bewilligt hatte. Die Schweizer Truppen waren begehrt, und sie brachten Geld. Städte wie Zürich, Luzern und Bern zogen über die Hälfte aller Staatseinnahmen aus Zahlungen, mit denen sich Frankreich, die italienischen Staaten, Österreich und Savoyen den Zugang zu Schweizer Truppen sicherten.

Doch der Unmut gegen die Reisläuferei wuchs, schon bevor Zwingli dagegen predigte. Mehrmals wurden Gesetze gegen das Anwerben von Söldnern erlassen. Doch das half wenig, und einen wie Manuel schreckte es ohnehin nicht ab. Ihn, der sich nicht einmal vom Schicksal seines Schwagers davon abbringen liess, in den Krieg zu ziehen. Der Bruder seiner Frau war ein Jahr vor Manuels erstem Solddienst bei Marignano gefallen – gerade einmal vierzehn Jahre alt war er gewesen.

Niklaus Manuel wusste, was er wollte. Und er war ein Kind seiner Zeit, in einem ganz besonderen Sinn. Der Überblick über sein Werk, den das Bernische Historische Museum gibt, zeigt eindringlich, wie sich in seinem Leben eine ganze Epoche spiegelt. Manuels Grossvater war um 1460 nach Bern gekommen. Aus Piemont, wo er als Gewürzhändler ein einträgliches Geschäft betrieben hatte. In Bern führte er eine Apotheke und erhielt schon nach wenigen Jahren das Bürgerrecht. Manuels Vater führte die Geschäfte weiter und brachte es zu einem ansehnlichen Vermögen. Wo sein Sohn das Malerhandwerk lernte, weiss man nicht. 1509, als 25-Jähriger, heiratete er jedenfalls eine Frau aus einer mächtigen Berner Familie und besiegelte damit den sozialen Aufstieg. Ein Jahr nach der Hochzeit war er Mitglied des Grossen Rats. In dieser Zeit wird er erstmals als Maler erwähnt, der von der Stadt Aufträge erhielt. Seine Bilder signierte er stolz mit einem Schweizerdolch und den Initialen «NMD» für «Niklaus Manuel Deutsch», was offenbar auf den deutschen Ursprung der Familie verweisen sollte.

Er war Maler, Dichter, Politiker, Diplomat, Unternehmer, Landvogt und Söldner: Niklaus Manuel (1484-1530) gehörte zu den prägenden Figuren der Berner Reformation und hinterliess ein vielseitiges Werk. Das Bernische Historische Museum widmet ihm eine grosse Ausstellung. Alle Bilder anzeigen

Der Erfolg blieb ihm treu. Manuel führte eine Malerwerkstatt und schuf Bilder für die Altäre der Berner Kirchen – Joachim und Anna vor der goldenen Pforte, den heiligen Eligius in der Werkstatt oder den heiligen Thomas. Aber auch Schreckensvisionen wie das Martyrium der zehntausend Ritter, die am Berg Ararat ein qualvolles Ende fanden, aufgespiesst in einem Wald von Dornen. Daneben schuf er ein reiches zeichnerisches Werk, in das die Berner Ausstellung einen exzellenten Einblick gibt.

In den Zeichnungen befreite sich Manuel von der Konvention der sakralen Malerei. Sie zeigen, wie er in der Auseinandersetzung mit Dürer und der italienischen Malerei zu einer eigenen Ausdrucksweise fand. Sie zeigen seinen Humor und Sarkasmus. Und sie machen deutlich, wie er unentwegt experimentierte, ungewohnte Bildthemen suchte und Techniken erprobte. Den Silberstift oder die Mischtechnik mit weiss gehöhten Linien auf dunklem Grund, die die Bilder in mystisches Dunkel tauchen. Manuel entwickelte die Körperdarstellung weiter, perfektionierte das Spiel mit Körperhaltung und Gesichtsausdruck und befasste sich gegen moralische Widerstände auch mit Sujets, die um 1500 nördlich der Alpen nicht zum Kanon gehörten: etwa der Darstellung des nackten Frauenkörpers.

Doch immer wieder kreist Manuels Werk um den Tod. In den Zeichnungen variiert er das Motiv vom Tod und dem Mädchen. Bald zeigt er es als schauerliches Memento, bald als Groteske, in der sich ein lüsterner Tod einer üppigen Schönheit in eindeutiger Weise nähert. Auch bei den Auftragsarbeiten hielt ihn das Thema gefangen. Nach seinem ersten Feldzug als Söldner erhielt er den Auftrag für einen grossangelegten Totentanz an der Friedhofsmauer des Berner Dominikanerklosters. Ein Zyklus mit 24 lebensgrossen Bildern, die sich über eine Länge von achtzig Metern zu einem Panoptikum des Todes fügten. Vierzig Figuren aus allen Schichten der Gesellschaft treten auf, vom Papst über den Kaiser, den Arzt, den Bauer und den Narren bis zum Maler selber, der an der Arbeit ist und noch gar nicht bemerkt, wie ihm der Tod das Werkzeug aus der Hand nimmt. Alle Figuren werden von einem verwesenden Leichnam zum Tanz aufgefordert. Zugehörige Verse geben den Dialog der beiden wieder. Da klagt eine elegante junge Frau: «O tod, wie grüwlich griffst mich an», während ihr der mit Hochzeitsschmuck ausgestattete Sensenmann ins Décolleté fasst und ungerührt sagt, was Sache ist: «Dyn Lÿb, din angsicht, din Har / vnnd Brüst mus alles werden / Ein fuler Mist».

Der Berner Totentanz war eines von Manuels bekanntesten Werken. Erhalten hat er sich allerdings nicht. Im 17. Jahrhundert musste er der Erweiterung einer Strasse weichen. Bekannt ist er nur in verkleinerten Kopien, die kurz vor der Zerstörung gemacht wurden.

Lüsterne Schönheit

Der Tod hat Manuel beschäftigt. Am grossen Totentanz arbeitete er mehrere Jahre. Und auch wo er Schönheit, Leben und Liebe feiert, ist der Tod präsent. Neben aufgeputzten Frauen und schneidigen Offizieren lauern Symbole der Vergänglichkeit. Der Liebhaber, der ein Mädchen küsst, ist kein normaler Soldat, sondern der Tod, der ein weiteres Opfer gefunden hat. Und die Frau, die sich ihm hingibt, ist eine Dirne, die dem Liebreiz seiner Werbung erliegt. Niklaus Manuel inszeniert den Tod als letzten Herrscher. Er zeigt ihn mit oft trotziger Komik als zynischen, widerlichen Lumpen, vor dem die Hoffnung auf ein jenseitiges Leben verblasst. Aber auch als raffinierten Charmeur, als ebenso sanften wie schmierigen Verführer und zwielichtigen Apostel lüsterner Schönheit.

Der Tod hat viele Gesichter. Dass er nicht nur Betrüger, sondern auch Tröster sein kann, spielt in Manuels Werk allerdings kaum eine Rolle. Der Tod als Landsknecht, das war mehr nach seinem Geschmack. Seine erste Erfahrung als Söldner hielt Manuel nicht davon ab, als fast Vierzigjähriger noch einmal ins Feld zu ziehen. Bei Bicocca erlebte er 1522 die Niederlage des französischen Königs gegen die Truppen Kaiser Karls V. Als Maler hatte er bereits damals kein Auskommen mehr. In Bern hatte sich die Reformation durchgesetzt, Altarbilder waren nicht mehr gefragt. Doch Manuel sträubte sich nicht gegen die Entwicklung, im Gegenteil. Als Ratsherr und Landvogt von Erlach engagierte er sich für die Reformation und war mehrmals in diplomatischer Mission unterwegs, um für den neuen Glauben zu werben.

Und er begann zu schreiben: Gedichte und Fasnachtsspiele, die in ihrem beissenden Spott und dem antikatholischem Ton an Drastik nichts zu wünschen übrig lassen. Maler, Landsknecht, Ratsherr, Dichter, Diplomat, Landvogt und einer der wichtigen Köpfe der Reformation: Wollte man die Umbruchszeit um 1500 in einer Person anschaulich machen, sie müsste Manuels Züge tragen. 1530 starb er. Über seinen Tod ist nichts bekannt. Überrascht war er kaum, als er zum Tanz gebeten wurde. Die ersten Schritte hatte er geübt.

Bern, Bernisches Historisches Museum, bis 17. April 2017. – Katalog: Susan Marti (Hg.): Söldner, Bilderstürmer, Totentänzer – Mit Niklaus Manuel durch die Zeit der Reformation. Verlag Neue Zürcher Zeitung, Zürich 2016. 160 S. mit zahlreichen Farbabb., Fr. 39.–.

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This image gives a side-by-side view of snow and sea ice in both polar regions on January 1, 2019. The observations come from NASA’s Ice, Cloud and land Elevation Satellite-2 (ICESat-2) satellite. This image shows not just opposite poles but also opposite seasons: winter in the Arctic and summer in the Antarctic. This is a still image from an animation by NASA’s Scientific Visualization Studio. Credit: Trent L. Schindler/NASA SVS

www.radiatorhospital.bandcamp.com

Oceanographer Sean Bailey analyzes chlorophyll concentrations in his office at the OB.DAAC, the Ocean Biology Distributed Active Archive Center, within the Ocean Ecology Lab at NASA Goddard Space Flight Center. Sean’s research involves improving the quality of ocean color data products such as chlorophyll in order to better track the impacts of climate change, while serving as a liaison between the science community and end data users. oceancolor.gsfc.nasa.gov

Image credit: NASA GSFC/Rebecca Roth

This image shows Arctic sea ice as observed by NASA’s Ice, Cloud and land Elevation Satellite-2 (ICESat-2) at the time of the 2022 winter maximum, on February 25, 2022. Estimated sea ice extent on this date was 14.88 million square kilometers. Credit: Trent L. Schindler/NASA SVS.

The Airborne Snow Observatory studied multiple basins in California. Outlined in this map are the Tuolumne Basin (red), Merced Basin (blue), Lake Basin (orange), and Kings Basin (green). Credit: NASA/JPL Airborne Snow Observatory

This map shows changes in Antarctic land ice thickness as measured by the ICESat (2003-2009) and ICESat-2 (2018-) satellites. Thickness is inferred from rising and falling ice-surface height. Areas of decreasing height appear red or orange, and areas of increasing height appear blue. This is a still image from an animation by NASA’s Scientific Visualization Studio. Credit: Kel Elkins/NASA SVS

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L'église est construite entre de 1959 à 1962 sur les plans de l'architecte local Jean Redréau associé à l'ingénieur Stéphane du Château, concepteur de la coupole.

Rotonde surmontée d'une coupole, elle est éclairée par des vitraux de Max Ingrand, sur toute la circonférence.

L'église est inscrite au titre des Monuments historiques depuis 2002.

En 1963, l'église accueille la sépulture de l'abbé Franz Stock, (1904-1948), aumônier allemand de prisons en France de 1940 à 1944 puis supérieur du « séminaire des barbelés » près de Chartres dont la chapelle, qu'il a décorée, est inscrite au titre des monuments historiques.

Dossier complet : www.ac-orleans-tours.fr/fileadmin/user_upload/daac/docume...

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This image shows variability in water storage in Earth’s hydrological basins observed by NASA’s Ice, Cloud and land Elevation Satellite-2 (ICESat-2). Variability in surface water level is highest in tropical basins and lowest in northern and Arctic areas. This is a still image from an animation by NASA’s Scientific Visualization Studio. Credit: Trent L. Schindler/NASA SVS

The KOM League

Flash Report

For

January 25, 2019

Well, my luck ran out. No longer can I post photos on Flickr, for free. Thus, any photo I wish to share in these reports will have a link to them within the body of the missive. Readers should be able to pull up two in this issue. If you have a problem let me know and there probably isn’t much I can do about it but will give it a shot. While Flickr has blocked my photo posting they haven’t figured out or don’t care that I can still access the file and add narrative below the posted photos. So, I believe if you click on this link you will be able to see yet another KOM league Flash Report. www.flickr.com/photos/60428361@N07/32627657078/

This week’s edition reports on a “current event” that transpired 60 years ago between a former KOM leaguer and one of the most well-known dictator’s of the 20th century. Tune in to the report and learn who those two characters were.

A former dictator in New York --1959 with a former KOM leaguer

Prior to 1951 I can’t recall ever meeting or speaking with someone from outside the United States. That changed one hot June afternoon when the Miami Eagles rolled into Carthage in their even hotter non-air-conditioned bus. Just outside the Carthage clubhouse I was approached by two members of the visiting team. They uttered words to me that I didn’t quite understand. After a few minutes of being introduced to a new language I figured out they wanted to know if I knew of any girls they could meet.

Back in that era the only girls who came to Carthage baseball games were basically the girlfriends of the Carthage players and I wasn’t about to break up those relationships. I could still name the girls who dated the 1951 Carthage Cubs but for obvious reasons I think that part will be left out of this article.

Now, I shall reveal who the two Miami players were who introduced me to Spanish with the phrase “Batboy, know girls.” They were Gaspar del Toro and Antonio Pedro “Tony” Serpa, both natives of Havana, Cuba. Gaspar was a guy who looked like he could have been a blocking back in football and a bouncer the rest of the time. Remember the “bouncer” phrase; it will be important as this story unfolds.

Serpa was about the size of Stu Miller who pitched for the Cardinals and Giants at about that same time. www.google.com/search?q=stu+miller+baseball&oq=Stu+mi...

Over the years I only recalled three members of that Miami club in a vivid way as having had some time of contact with them. The other was Thomas Gentry Warren who was a former deputy sheriff, major leaguer, used car salesman and felon.

Warren has been mentioned many times in these reports so I’ll cut out any further references to him for this edition will be too long as it is. Warren is the man, who on that hot June afternoon of 1951, involved me in heist. It was a twi-light doubleheader and he came to me and asked a favor. He pointed to a large bat that had white tape wrapped around it about six inches from the knob. He told me the bat was mine if I kept Gaspar from using it in both games. I managed to drag the bat, which was a 44-ounce Rogers Hornsby model Louisville Slugger, from the Miami to the Carthage bat rack.

On that evening Miami didn’t bring along a batboy and no other Carthage kid came out that night to be the visiting team bat hauler so I took on double duty. The first trip to the plate Gaspar asked “Batboy, see bat?” And, the same answer I provided him and Serpa earlier about knowing girls was the same negative one. However, when Gaspar asked about seeing his bat I had to turn my head in order not to lie. For, I could see the barrel end of his bat protruding from the Carthage bat rack from my vantage point near the Miami on deck circle. That scenario was repeated every time he went to bat in the seven inning opening game and the nine inning nightcap.

Well, that is about the extent of dealing with the Gaspar. The next season he moved on to the Iola Indians where he played for Floyd Temple and Woody Fair managed teams. There Larry Flottman had the same job I had in 1951 at Carthage only Flottman got to deal with Gaspar on a daily basis.

At Iola, in 1952, Gaspar was again one of the league’s top hitters with a .325 mark. However, he under-achieved when it came to fielding. The balls he caught were by accident. He used his body to knock down ground balls and then had a good arm to throw runners out at first base. By the time he got to Iola both managers, Temple and Fair played third base and kept Gaspar in the outfield where he was near the bottom in fielding average. In other words his contribution to the game was offense.

Gaspar’s professional baseball began in 1946 when he played 73 games for Welch, West Virginia.. He was on two other rosters before arriving at Welch. Most of his appearances that year were at shortstop where he averaged an error every 1.5 games but he managed to hit .305 and that ensured his place on a minor league roster. In 1947 he was a member of the Big Spring, Texas Broncos. This is a quote from the April 13, 1947 edition of the Abilene Reporter. “Abilene Reporter 4/13/1947—“The Washington Senators' toe-hold on Cuban baseball material has given the roster of the Big Spring entry in the Longhorn loop an international flavor. The Broncos have a. working pact with .the Sens and through Scout Joe Cambria came up with good set of Cuban ball players who should help form the backbone for one of the strongest, if not the best, clubs in the West Texas Class D circuit. Big Spring already has seven Cubans on the roster and at least one more is en route (Gaspar was the one en route) to the local club. Manager Pat Stasey is well pleased with his foreign talent and with the addition of a first class second baseman and another outfielder or so the Broncos will rate as perhaps the club to beat in the new loop.”

In 1948 Gaspar was off to Abbeville, Louisiana where he spent two seasons. From there he moved to Del Rio, Texas of the Rio Grande Valley league in 1950 and then to the KOM league with Miami and Iola in 1951-52. He would have been one of the guys manager Pat Stasey referred to in an article from the Associated Press on August 4, 1949. This version appeared in the Klamath Falls, Oregon Herald News. “Pat Stasey, manager of the Big Spring club in the Longhorn league, is convinced that Cuban rookie baseball players are more advanced performers than their United States counterparts. Stasey ought to know. The Big Spring club is front-running the Longhorn League tor the third straight season. And aa usual, every player on his club except himself is a young Cuban. Big Springs players come from Joe Cambria veteran scout of the Washington Senators. Cambria is the co-owner of the Havana club in the Florida International league, but he sends a few players here on option. He signs must of the rookies he finds on the island to contract forms of other clubs---Big Spring. for instance. At the end of the season he may claim any of the players he wishes. This unique arrangement enables clubs like Big Spring to get a complete set of players at small expense And Cambria, in turn has the benefit of having his rookies trained for him.

Should Big Spring get a chance to sell a player, it may do so, Stasey always consults with Cambria and it always has been all right with him If Cambria needs a pitcher or a third baseman at Havana, Stasey ships him on right sway.

Fans of other Longhorn league clubs are certain that the supply of Cuban baseballers is inexhaustible When one Big Spring star leaves, another Cuban takes his place and the team rarely slows up.

Stasey has no language problem. Most of the rookie speak a little English and they catch on to it quickly under the tutelage of the other players.

One of the latest newcomers to the club is Ernesto Mayorquian, a right-handed pitcher about the size of a watch charm. He arrived in town without a cent. He didn't even own a pair of baseball shoes or a glove. "You’re too little to pitch." Stasey said, but Mayorquian's papers said he waa a pitcher and that turned out to be quite right. After feeding him for five days Stasey sent Mayorquian to the hill in a tight relief role against San Angelo. The youngster did an amazing job, pitching 10 scoreless innings. In a duel Big Spring won 8-7 in the thirteenth.

He declares the average Cuban rookie la fast, has a good arm and lots of hustle. They are easy to, manage and are popular both with fans at home-- and on the road.”

In the passage of about four decades (1951-1995) about the only tangible memory I had from my KOM league days was the bat I hid from Gaspar. When initially writing about the KOM league a visit was set up with Bob Newbill when he visited the Veteran’s Hospital in Columbia, Mo. A gentleman overheard our conversation and approached us by saying he managed Iola. Newbill who had just received a cochlear implant and didn’t have the desire to be interrupted told the “stranger” to go away.

After finishing my conversation with Newbill, I found the “stranger” who informed me his name was Ralph Kennedy. Not, many people ever knew of his time in baseball but many people knew of his brother, Vernon Kennedy who threw a no-hitter for the Chicago White Sox in 1935. www.google.com/search?q=Vernon+Kennedy+baseball&oq=Ve... I recall Ralph Kennedy talked about his brother being killed a couple of years earlier when he was razing a barn that fell on him. Vernon was 86 years of age when he made the mistake of not hiring someone to get rid of that structure.

Another thing Kennedy spoke fondly about was managing the Iola Indians of the Western Association in the last half of 1954. He took over from former big league knuckleballer Willard Ramsdell who lived near Iola. Kennedy got the job when he promised to come to the ball park sober which his predecessor had a difficult time doing.

In discussing the members of the Iola club the conversation, of course, got around to Gaspar.

During a mid-summer series at Muskogee, Okla. Gaspar took a stroll downtown. Late in the afternoon Kennedy received a call at the hotel and it was the local police chief. He informed Kennedy that Gaspar had been arrested for removing a pistol from the front seat of a car. The chief advised Kennedy that he would release him on a $200 bond. Kennedy informed the chief he didn’t have that kind of money but he would check with the rest of the team, when they got to the ballpark to determine if they wanted to chip in to get Gaspar released so that he could return to Iola with them after the game. When Kennedy got the guys together they neither had the money or the inclination to get their teammate out of jail and there he stayed for an undetermined amount of time. Kennedy said that Gaspar never appeared back in Iola after that Muskogee trip.

After the KOM league folded Gaspar contacted the owner of the Iola Indians a number of times offering his services if Iola ever went back into professional baseball. One such offer was written about, quite humorously, by Frank Gilmartin in the Iola Register in 1953. The gist of the article was that Gaspar called Earl Sifers who owned the Iola franchise from New York. There was a two hour time differential between those two places and Sifers wasn’t particularly jubilant to be aroused from a “log sawing” episode to speak with a former ball player at six in the morning.

It was necessary to mention that last paragraph for the last I ever heard about Gaspar was that he lived in New York and was active in amateur baseball in the Cuban community.

A new lead from an old story

With the acquisition of a half year’s subscription to some old newspaper files a story was found that surprised even an old guy who is almost immune such things. The Lafayette, Indiana Courier and Journal from April 21, 1959 carried a story about Fidel Castro’s visit to the United Nations. For those readers too young to recall that incident this is a link to what was transpiring at the time. www.history.com/news/fidel-castros-wild-new-york-visit-55...

Upon reading the story carried in the Lafayette, Indiana newspaper I knew it was time to contact one of the most ardent readers of these reports, Ernesto Wallerstein. He is the expert on Cuban baseball for he was one of the guys signed by Joe Cambria and sent to Big Spring, Texas in 1948. Here is his team photo that year. mail.google.com/mail/u/0/#inbox?projector=1/ He anglicized his name to Ernie Klein when he played in the United States. What I wanted to know from Ernesto was if he ever heard of Gaspar being a bodyguard.

In alluding to Castro’s visit to the United Nations the Lafayette paper stated Castro had hired Cuban’s living in American as his body guards and some had professional baseball experience in this county. One of those mentioned was Gaspar del Toro who, it stated, was in the Washington Senators farm system from 1946-52. The other body guard identified was Enrique Cabre and he and Gaspar told reporters that Castro used to play baseball at the university in Havana and wanted to see a Yankee game before going home

Castro’s bodyguards were not allowed to carry weapons. It was stated that fellows like Gaspar and Cabre only had their fists for protecting Castro but their basic role was the giving of the high sign if they spotted any known enemy of the Cuban dictator or saw sharpshooters or any other indication of trouble.

That had to be the experience of Gaspar del Toro’s lifetime only possibly surpassed when his manager, Tommy Warren and the Carthage batboy hid his baseball bat.

For sure this article doesn’t mean much to anyone who didn’t encounter Gaspar during his playing days. But, for those who played with and against him and for the batboy’s who did or didn’t hide his bat, he was a memorable character. He was a man ahead of his time. When he was playing for Miami his teammates, other than Pedro Serpa, inquired about the kind of tobacco he was smoking. Gaspar always claimed it was fine Cuban tobacco. By the time he got to Iola some of those guys figured out the fine tobacco was fine marijuana. Some of the Iola players said you could almost get high from the smoke on the team bus.

This photo, from 1951 includes Gaspar del Toro, Gordon Meeres, Jim McHugh and Jack Cheatham. If you have difficulty retrieving this photo, let me know.

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About a year late

Charles Augustus Matzen of the 1952 Bartlesville/Pittsburg Pirates passed away August 16, 2018 in Anthem, Arizona. His obituary was mentioned in a Flash Report shortly thereafter. A condolence was placed on the funeral home site and I didn’t see the following message until this week.

Message from Mark Matzen, “Mr. Hall- Thanks so much for keeping in touch with my Dad - he has great memories and stories from the KOM league I too was able to play minor league ball for the Reds so I was able to enjoy and admire his stories even more. He really enjoyed his time with Pittsburg.”

This site carries his baseball card for his time in the Cincinnati Reds organization. www.comc.com/Players/Baseball/Mark_Matzen/c162283/Cards/B... To see what he has done since his baseball days click on this site. www.insidernj.com/prieto-taps-veteran-operative-mark-matz...

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By the numbers: 100- 90-70.

Coming up shortly former Pittsburg Brownie, Shannon Deniston will celebrate his 100th birthday, former Independence Yankee, Jim Bellotti--aka Jim Bello will celebrate his 90th biriday and former Ponca City Dodger, Dick McCoy and wife Molly will celebrate their 70th wedding anniversary. I have had contact with all those folks in recent days. If any one like to remember them in any manner contact information is available from the old guy writing this missive.

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Post Script:

Gaspar del Toro was born January 16, 1923 in Havana, Cuba and passed away July 1, 1968 in Miami, Florida.

Raytheon IT service team member Kevin Lee peeks through server racks of the Physical Oceanography Data Center (PO.DAAC) during routine hardware maintenance. He is replacing older server blades with new ones so there are no failures and data outages. The NASA Jet Propulsion Laboratory PO.DAAC is responsible for archiving and distributing data relevant to the physical state of the ocean. podaac.jpl.nasa.gov

Image credit: NASA/JPL-Caltech

www.radiatorhospital.bandcamp.com

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