UK Model Photography
View allAll Photos Tagged D-lite
Taken in Nikon D200 , 50mm 1.8 , with one strobe light (elinchrome D-lite 200) on right and one table lamp for red tint on back ground
ON EXPLORE
I tried to do justice to this absolutely stunning captive Eastern Tiger Snake when taking his portrait recently.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Bellows Rail System with a third party adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens from the 1970's.
Tripod, manual focus and settings. Lit with an Elinchrom D Lite 4 IT studio lighting kit.
Portrait of a stunning sub-adult female Kangaroo Island Tiger Snake (Notechis scutatus) from American River settlement, South Australia.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a Laowa APO Macro Dreamer 100/2.8 lens.
Tripod, manual focus and settings. Full Elinchrom D Lite 4 IT studio lighting utilized.
An adult male Strophurus williamsi from a compacting, red-soil sandplain vegetated with brigalow scrub near the town of Charleville, inland Queensland.
Image taken with a Canon EOS 5D Mark 3 DSLR coupled to a vintage Leica R series Bellows Unit and Leica 100/4 Macro Elmar short lens with an adapter from Leitax. Full Elinchrom Dlite IT4 studio lighting kit used. Tripod, manual focus & settings. Lens fully stopped-down.
Portrait of a stunning adult female Yellow-bellied Water Skink (Eulamprus heatwolei) from a gravel bar on the upper Delatite River in the high country of central Victoria, Australia.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Leitz Wetzlar 100mm/4 3 Cam Macro Elmar Lens from the seventies with a 12mm EF extension tube attached.
Manual focus and settings. Lit with an Elinchrom D Lite 4 IT studio lighting kit.
Portrait of a stunning neonate male Rough-scaled Death Adder (Acanthophis rugosus) from the Gulf of Carpentaria in the north-east of the Northern Territory, Australia.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens.
Tripod, manual focus and settings. Full Elinchrom D Lite 4 IT studio lighting utilized.
I really love this Leitz macro elmar.
Portrait of a stunning Spotted Marsh Frog from a farm on the northern outskirts of Melbourne, Australia.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens.
Tripod, manual focus and settings. Lit with an Elinchrom D Lite 4 IT studio lighting kit.
I really love my Leitz.
Showing the intricate pattern, texture and complex colouration of a diminutive adult female Common Froglet (18mm in length) from the basalt plains to the north of Melbourne, Australia.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens. Combo from the late 1970's.
Tripod, manual focus and settings. Full Elinchrom D Lite 4 IT studio lighting utilized.
Another recently discovered tulip photo. I was bought a lovely selection box of tulips for my birthday last year, and this was one of the many wonderfully coloured selections that came up in the spring. Unfortunately I can’t remember the names of the varieties. Tulips are probably the most photogenic of flowers, such beautiful shapes and colours. I have some dried and frozen specimens to shoot over the winter, to keep me going until next spring. 🌷
Lit with my homemade ringflash adapter on an Elinchrom octabox, with a backlit pink background. Pixel shift image to bring out the details of the veins.
Portrait of a stunning female Yellow-bellied Water Skink (Eulamprus heatwolei) from a gravel bar on the Delatite River in the high country of central Victoria, Australia.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Leitz Wetzlar 100mm/4 3 Cam Macro Elmar Lens from the seventies with a 12mm EF extension tube attached.
Tripod, manual focus and settings. Lit with an Elinchrom D Lite 4 IT studio lighting kit.
I bought this years ago at an antiques place, but never could think of a good arrangement, because I always had it face down. It looks much better like this, and I added steam from a steam cleaner. I've done this technique before with digital, where you can keep retaking until you nail it. On film I allowed myself only one frame, and amazingly it worked! A grid lights the iron from the side, and a snoot from behind to backlight the steam.
Mamiya C330, Mamiya Sekor 105mm f3.5 DS @f/11, Ilford Pan F Plus @ISO25, 40 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
I love daffodils, and I think that their texture is still beautiful when they dry out.
Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
Shot using my homemade ring flash, an ocotobox with a black card circle in the middle! I think it does a reasonable impression of a ring flash. Also, I wished the camera had a flip screen, instead had to place a large mirror behind so that I could position properly. And boy the AF on that lens is truly awful; I knew there was a reason I normally only use it for manually focused flat lays…
Für diese Aufnahme habe ich 7 Einzelbilder mit Focus Stacking zusammengefügt. Der Hintergrund wurde mit einer LED-Taschenlampe angestrahlt.
Für die Macro-Challenge wurde die Aufnahme entsprechend gecroppt.
For this shot I have merged 7 single images with Focus Stacking. The background was illuminated with a LED flashlight.
For the Macro-Challenge the recording was cropped accordingly.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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@matthiasbauernschmidtfotograf
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Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
A stunning red phase King Brown Snake (Pseudechis australis) from the brigalow habitat in inland south-eastern Queensland.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R series Leitz Wetzlar 60/2.8 Macro Elmarit lens with a Leitax adapter.
Full Elinchrom D Lite 4 IT lighting kit used. Manual focus, tripod, 1/200th and ISO of 125.
Mamiya C330, Mamiya Sekor 105mm f/3.5 DS, Kentmere 100 @ISO 50, 38 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
#1 DUM VIVO | solange ich lebe
Fotoausstellung 2022 - Thema: Nichtigkeit
Vom Mittelalter bis heute verknüpfen Vanitas-Stillleben "Eitelkeit" und "Vergänglichkeit" mit unserem Leben. Dabei spielen die arrangierten Gegenstände eine gravierende sinnbildliche Rolle.
Mit meiner modernen Interpretation der Vanitas-Stillleben möchte ich den Betrachter zu einer aktiven gedanklichen Teilnahme auffordern und zu einer Selbstreflexion des heutigen Überflusses anregen.
Das verbindende Element der Serie ist je ein modernes Objekt sowie das Stilmittel der Levitation-Fotografie (schwebende Gegenstände).
From the Middle Ages to the present day, vanitas still lifes link vanity and transience with our lives. In this context, the arranged objects play a grave symbolic role.
With my modern interpretation of the vanitas still life, I would like to invite the viewer to an active mental participation and to stimulate a self-reflection on today's abundance.
The unifying element of the series is one modern object each as well as the stylistic device of levitation photography (floating objects).
schaut euch alle Fotos dieser Serie an | check out all the photos in this series:
www.flickr.com/gp/mias-fotografie/61p3g333a2
in explore - highest position: #464 on Wednesday, July 26, 2022
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Stumbled across a folder of tulip shots I took earlier in the year, not very seasonal now, of course!
Lit with my homemade ringflash adapter on an Elinchrom octabox.
Explored !
Finally bought the D-lite 4 lights today :) was really in a
dilemma whether to buy it or not. but today made up my mind
and finally bought it. so this is my very frst experience with
the studio lights. i know there would be a lotta technical
errors in this shot. but tried my best, this was shot using
only one strobe. any comments and critics are much appreciated.
And i am really sorry as i haven been able to visit ur streams. was suffering from a very bad viral fever, now slowly recovering and ll soon visit ur streams :)
thanks a lot for all ur comments and support.
Das Lichtset war ein Striplight direkt von Oben mit einem zusätzlichen Diffusor, um eine möglichste weiche Ausleuchtung des Kronkorkens zu erhalten. Der Kornkorken liegt auf 3 verschieden farbigen Tonpapierblättern.
The light set was a striplight directly from above with an additional diffuser to get the softest possible illumination of the bottle cap. The bottle cap lies on 3 different colored sheets of clay paper.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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HDR aus 8 Bildern
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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@matthiasbauernschmidtfotograf
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Bored, bored, bored, bored. Horrible weather today, rain, rain, rain. Not even stormy rain, boring grey rain!
Only one real option for me and that was to try a bit of still life and practice some lighting skillz! Went to Pocklington to find some inspiration and the veg shop had some superb looking cherries, taste good as well, apparently. Also picked up a poinsettia for good measure. As I was setting up the shot I noticed reflection of the plant was accidentally being picked up by the black gloss tile, it works really well with the cherry.
Placed an Elinchrom D-Lite 400 with softbox to the left hand side, shooting though a translucent umbrella and another translucent screen to diffuse the light further. I placed a piece of card to the right hand side to light the cherry on this side a little. Finally I masked off the tile with kitchen role and sprayed a mixture of glycerin and water onto the cherry to create the 'condensation'
This final image is 3 shot focussed stack.
Breeding male Limnodynastes tasmaniensis from a farm paddock just north of Melbourne, Victoria.
Taken on a Canon EOS 5D Mark 3 DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax and in concerto with a 100/4 Leitz Wetzlar Macro Elmar short lens.
Tripod, manual focus and settings. Full Elinchrom DLite 4 IT studio lighting utilized.
I really love my Leitz..
I’m not actually happy with this arrangement, I feel it would be better without the silver cup on the right, as it makes an even number of objects, would be better balanced with an odd number. Also, I think the objects should be closer together, and I should have cropped in closer. Let me know what you think.
Mamiya C330, Mamiya Sekor 105mm f3.5 DS @f/3.5, Ilford Pan F Plus @ISO25, 40 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
Ausgleuchtet wurde dieses Set mit zwei Blitzköpfen. Ein Blitzkopf mit Reflektor und Wabenaufsatz - etwas erhöht - links neben dem Objekt, welcher den Hintergrund entfernte. Ein weiterer Blitzkopf mit Snoot stand rechts hinter dem Objekt und hellte indirekt über eine Styroporplatte, welche rechts neben dem Objekt angebracht war, das Objekt aus.
Um den High Key Effekt zu erzeugen, wurde die Aufnahme mit +3 EV belichtet.
This set was illuminated with two flash heads. One flash head with reflector and honeycomb attachment - slightly elevated - to the left of the object, which removed the background. Another flash head with snoot was behind the object on the right and indirectly illuminated the object via a Styrofoam plate, which was attached to the right of the object.
To create the high key effect, the shot was exposed at +3 EV.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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@matthiasbauernschmidtfotograf
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Es handelt sich um eine einzige Aufnahme. Eine Langzeitbelichtung verbunden mit einem Lightpainting und einer Blitzauslösung auf den zweiten Verschlussvorhang.
Im ersten Schritt habe ich mit einem Glasfaserwedel das Lightpainting erstellt und dann am Ende der Belichtungszeit den Blitz mit einer Softbox ausgelöst.
It's a single shot. A long-time exposure combined with a lightpainting and a flash release on the second shutter curtain.
In the first step I created the lightpainting with a glass fiber wedel and then triggered the flash with a softbox at the end of the exposure time.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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@matthiasbauernschmidtfotograf
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The days of the Karcher Man are gonna be limited this summer with the hose pipe ban kicking in on 1st April for London. So I got roped into cleaning my mum & dad's patio with the pressure washer before the deadline. And man does it clean quick. And get jeans, socks and trainers soaking wet! Still, it's great fun to use. Would love to get my hands on a proper fire hose and see what that baby can do! :D
With the sun shining today, it was also a great opportunity to test out the d-lites in the mid day sun! All that's needed now is a power pack and a Maxilite - should be fun!
Info: -
-- Elinchrom D-lite 4 IT high cam left
-- Triggered by Elinchrom Skyports
-- Canon 5D
-- Canon 24-70L
Die Aufnahme wurde mit zwei Systemblitzköpfen ausgeleuchtet. Ein Blitzkopft mit einem Reflektor und Wabenaufsatz von links vorne neben der Kamera. Ein weiterer Blickkopf mit Snoot und Wabenaufsatz hinter der Acrylrückwand, der einen leichten Schein um den Buntstift zaubert.
Der Stift hing an einem schwarzen Bindfaden, der in Photoshop entfernt wurde.
Für die Monday-Macro-Challenge wurde das Bild entsprechend der Vorgaben gecroppt.
The picture was illuminated with two system flash heads. A flash head with a reflector and honeycomb attachment from the left front next to the camera. Another viewing head with snoot and honeycomb attachment behind the acrylic back wall, which conjures a light glow around the crayon.
The pen was attached to a black string, which was removed in Photoshop.
For the Monday Macro Challenge the picture was cropped according to the specifications.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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@matthiasbauernschmidtfotograf
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A handsome Lowland Copperhead (Austrelaps superbus) from coastal swampland habitat in the Wonthaggi district of southern Victoria.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens.
Tripod, manual focus and settings. Full Elinchrom D Lite 4 IT studio lighting utilized.
I really love my Leitz.
Macro Challenge Surname 'B'
Das Bild zeigt ein Set, bestehend aus Messer, Gabel und Löffel - 'Besteck' auf deutsch.
Für diese Herausforderung habe ich 15 Fotos mittels Focus Stacking zusammengefügt.
The picture shows a set, consisting of knife, fork and spoon - 'Besteck' (cutlery) in german.
For this challenge I put together 15 photos using Focus Stacking.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
follow me on Instagram:
@matthiasbauernschmidtfotograf
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A spectacular adult male Growling Grass Frog (Litoria raniformis) from the upper Merri Creek to the north of Melbourne. Taken with a Canon EOS 5D Mark 3 DSLR coupled to a vintage Yashica ML 55/2.8 Macro lens with a third party adapter and a 21mm EOS Extension Tube attached. Hand-held with manual settings, manual focus and full Elinchrom studio lighting utilized.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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I had to go a little artsy with this one, it's so graceful and calm, yet distraught and eager.. I dig it.
Model : D'lilah D'Lite
Similar to a still life I shot digitally a few years ago, I like the texture better of this version, although I don't think the square format suits it, the digital version fits better.
Mamiya C330, Mamiya Sekor 105mm f3.5 DS @f/11, Ilford Pan F Plus @ISO25, 40 minutes in Caffenol CL-CS @15-20°C, Zone Imaging Eco Zonefix.
Portrait of an adult Eastern Tiger Snake from the treeless basalt plains of western metropolitan Melbourne.
Taken on a Canon EOS 5D Mark IV DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens.
Tripod, manual focus and settings. Full Elinchrom D Lite 4 IT studio lighting utilized.
I really love my Leitz.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
follow me on Instagram:
@matthiasbauernschmidtfotograf
check my website:
Focus Stacking aus 12 Einzelaufnahmen für mehr Tiefenschärfe.
Ausgeleuchtet wurde das Schneckengehäuse mit einem Blitzkopf von links (ca. 100° Winkel) und einem Styropor-Bouncer von rechts direkt neben dem Objekt, um den Schatten unter dem Gehäuse aufzuhellen.
Focus stacking from 12 individual shots for more depth of field.
The snail housing was illuminated with one flash head from the left (approx. 100° angle) and a styrofoam bouncer from the right directly beside the object to lighten the shadow under the housing.
This is a free work especially for the Macro Monday challenge | Dies ist eine freie Arbeit speziell für die Macro Monday Herausforderung.
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@matthiasbauernschmidtfotograf
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It's a while since I've done any still life, but these sunflowers looked so good, that I had to shoot them on a rainy day when I couldn't shoot outside.
Slight diffusion due to the K&F 1/8 black mist filter. Spot lit with a gridded snoot, above right.
Diesen Bitschraubendreher mit Bits hat die Maße die Maße im schärfebereich von ca 120x80mm. Fotografiert am Fototisch mit 3 Elinchrom D-Lite RX One Blitzen, einer unter der Platte mit Standartreflektor mit Farbfilter, einer hinter der Platte mit Standartreflektor mit farbfilter und einem Snoot mit zusätzlicher Waabe von schräg oben auf das Objekt. Aus 140 Einzelaufnahmen mit Helicon Focus zu einem Fotostack verrechnet.
Showing the intricate pattern, texture, complex colouration and personality of a diminutive adult male Eastern Sign-bearing Froglet (18mm in length) from the margins of the Lerderderg River to the west of Melbourne, Australia.
Taken on a Canon EOS 5D Mark 3 DSLR coupled to a vintage Leica R Series Bellows Rail System with an adapter from Leitax, and in concerto with a vintage Leitz Wetzlar 100mm/4 Macro Elmar short lens.
Tripod, manual focus and settings. Full Elinchrom D Lite 4 IT studio lighting utilized.
I really love my Leitz.