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In the interviews for my research on Flickr, (see The CyberPsychology of Flickr ), some people mentioned shots that were “eye candy” – those crowd-pleasers that are colorful and pretty to look at, that may even skillfully employ the rules of eye-catching composition, but don’t contain any artistic depth. These people seemed frustrated by the fact that such images often receive more attention in flickr than other images that are more subtle, unconventional, or provocative in ways that seem socially unacceptable.
As a cyberpsychologist, I'm beginning to wonder whether the hype about social media has gone too far, whether all that online multitasking and all the time and energy we put into managing our online presences are really that productive or healthy.
Someone shows you a photo. They must like it, even be proud of having taken it, otherwise why would they show it to you…. So what do you say?
Of course, here in online photo-sharing communities like flickr, we deal with this situation all the time. It’s what flickr is all about. And it’s interesting to see all the different ways that people comment on a shot.
In flickr and other situations as well, people may offer very terse, usually complimentary comments, like “Nice capture,” “Great colors,” or “Beautiful shot.” These kinds of remarks are nice to hear, although they’re a bit generic and sometimes unsatisfying, especially if you put a lot of work into an image and are hoping someone will notice your efforts. People may give such comments because it’s hard for them to verbalize exactly why they like the shot. They may not want to let too many words smother their appreciation of the shot. In photo-sharing communities, they may be browsing lots of images and only have time to offer terse encouragement. Short and positive comments may be the norm of the community. It’s what most people do, so others follow suit. People’s status and sense of worth may revolve around how many comments appear under their images, so the terse, complimentary comment may be an efficient form of social barter: I give you one, you give me one. Lots of these kinds of comments tell you that the shot must be good, although you may not be exactly sure why it’s good.
If you want to offer more than a brief compliment, what do you say? I find that if I take my time in looking at and thinking about a shot, something always comes to me. I might comment on the composition or some technical aspect of the shot, because I’m interested in that sort of thing. People usually appreciate it and perhaps even see something in their shot that they didn’t realize before.
But it’s not necessary to get into technical stuff. Often I’ll just comment on what I like about the shot. It might be something in particular about the colors, shapes, or textures, the people or subjects in the shot, or the idea, feeling, or sensation that the image creates. It may sound overly simple, but I just comment on what I see and what it means to me. The nice thing about this is that there is no right or wrong in it. You simply describe your impression of the image. What does it remind you? What does the image say to you? How might it relate to your life? People usually like that kind of feedback about their photography. They like to hear about the different ways people see their image, the various ways people interpret and find meaning in it. That’s what makes photography interesting. That’s what makes it art.
Rather than a comment that’s a statement, you can also ask a question. What did the photographer like about the shot? How did he shoot it? What does it mean to her? What was it like being at that scene? People are usually happy to reply to these kinds of questions. To them it shows that you’re interested in the shot and want to know more about it. It opens the door to their talking about what went into the creation of that image. Photographers often are as excited about the process of taking the shot as they are about the shot itself.
What if there’s something you don’t like about a photo? Should you say so? It’s very possible people might feel offended, hurt, or react defensively. Their photo is like their child. On the other hand, they might also appreciate your honesty, especially if it helps them improve their skills, or, at the very least, gain a better understanding of how people vary in their photography tastes. It’s also a good idea not to express your criticisms or suggestions for improving a shot as if they are some objective truth. After all, it is just your opinion, your personal taste. Others could very well disagree. Rather than presenting a critical statement, you might describe how you might have done the shot differently. You might suggest “alternatives.”
What if you don’t like the shot at all, if you really hate it? It’s probably best not to say that. I find that if I look at shot for a while, I always find something about it that I like. I also try to keep in mind the fact that the person decided to take this shot because something about this situation, person, animal, or scene was worthwhile, important, or interesting to that person. That’s what makes it interesting to me too.
How do you like to comment on shots? What kinds of comments do you like or dislike to get on your photography?
* This image and essay are part of my research project The CyberPsychology of Flickr . I’m using these kinds of images and essays to stimulate discussions about life in flickr. So feel free to offer your comments. I appreciate your input!
* This image and essay also are part of a book on Photographic Psychology that I’m writing within Flickr. Please see the set description.
Of all the many things I've written about cyberpsychology, the one from years ago about the "online disinhibition effect" has been the most frequently cited, by far. In this new blog post at the Cambridge University Press site, I take a 20 year retrospective look at the ODE.
CLICK TO READ THE ORIGINAL ARTICLE
No doubt there are many advantages to in-person photography groups, but let’s face it: the Internet has opened a whole new world for sharing and discussing photography. In many respects cyberspace is the perfect media for images. In fact, it was the evolution of the Internet from text-only communication to text PLUS images that catapulted it from a place inhabited mostly by academics and techy people to a world that encompasses the whole world.
The current success of one photo-sharing community in particular has proven that photographers from many countries, with all sorts of backgrounds, with all skill levels, love communicating via images. Let’s see, what’s the name of that community?…. Oh yeah, FLICKR.
Why do people love such photo sharing communities? Although there’s always a technical learning curve when entering a new online environment, the software infrastructure, when well designed, makes it easy to upload, label, organize, comment on, and search for images. Good technical design also includes many of the features that make any online community successful: the ability for group discussion as well as private communication, profile pages for presenting your background information and establishing your online identity, interesting places for people to gather, social networking features, and, most importantly, your own personal “space” within the community that you can shape to reflect your personality and interests.
People also love these communities because of the PEOPLE. Research in the new field known as psychology of cyberspace or “cyberpsychology” clearly shows that online relationships and groups can be very meaningful additions to a person’s life. I first discovered this years ago when I was a member of the Palace avatar community. This research taught me that an online lifestyle, in some ways, is very similar to your in-person lifestyle - and in some ways it is very different, especially in communities that emphasize images. Cyberpsychology has uncovered some fascinating questions that inhabitants of Flickr encounter every day:
- What do people’s photos and images say about them?
- Do they express their “real” identity in their images?
-What should I reveal and not reveal about myself in the images and comments I post?
- What are the ambiguities and miscommunications that tend to happen when people express themselves with images, and with typed comments?
- How do I react when people reply to me and my photos with positive or negative comments? What does it mean if I get no response at all?
- Why am I drawn to some people, photos, and groups, and not others?
- What does it take to feel like I BELONG to this community?
- Is it possible to get “addicted?”
Participating in a photo sharing communities can help you evaluate yourself as a photographer. As you observe a wide range of photographic styles, techniques, and skill levels, you’ll get a better sense of your own strengths and weaknesses. You’ll get a better sense of where you want to go with your work. When communities like Flickr provide features that enable people to comment on and rate images, you can gather tangible information about how “good” your photography might be – although it’s often wise to take view counts and rating systems with a big grain of salt. Online communities can be complex, confusing places, with many different subgroups and subcultures, and no simple way to predict how and why they react to each other the way they do. To benefit the most from photo sharing communities, take what makes sense, seems useful, and feels good - and leave the rest.
* This image and essay are part of a book on Photographic Psychology that I’m writing within Flickr. Please see the set description.
If you take enough shots, sooner or later you’ll have to start organizing them. Here in flickr we call them sets and collections. The question then is: what’s the best way to do it?
Of course, there isn’t any one or simple answer. Whether they are pro, novice, commercial, or artistic photographers, no two people will organize their collection the same way. Most people will employ at least some of the more universally accepted ways to group images: by date, event, person, or subject. They might use some of the traditional categories in photography: people and portraits; nature, landscapes, and flowers; travel, place and architecture; documentary and photojournalism; animals; still life; macros and abstracts… But no two people will use the exact same groupings, and the more specific arrangements within these very general categories will vary widely from person to person.
People will also differ significantly in their desire and the extent to which they organize their images. Meticulous photographers might create a very complex archive with all sorts of hierarchies and subgroups. Compulsive souls might even drive themselves crazy trying to construct the most efficient, comprehensive system. At the other extreme, free-wheeling people might barely organize their images at all, which may feel perfectly OK to them, although they might have a hard time finding things.
As in all classification systems or “taxonomies,” the more things you have, the more categories you’ll probably need. The process can get quite complex. There are many ways to slice a pie. The categories you start off with may not work well later on. And the way you organize images for your own personal archive may be different than the collections you create for showing your images to others, as in flickr. The former usually revolves around the necessity to keep images organized so you can find them. The latter is more about how you want to present your concept and vision of photography to others.
In either case, though, your taxonomy can reveal a lot about your work. What types of shots do you specialize in? Why types do you tend to ignore, or maybe even avoid? If you compare your classification system to those of others, you’ll quickly notice the differences. Your taxonomy reveals how you think, how you like to remember things, your personality style and life. What kind of a person focuses on travel, people, or texture shots? What kind of a person dislikes those types of shots? What does it mean if you are broadening or narrowing down the range of images you create?
The world is a very intricate place. Although we find it reassuring and useful to organize all that complexity into categories, everything out there rarely fits into neat little boxes. Things often fall into the cracks between the boxes. We are forced to create catch-all categories. Despite our best efforts, we eventually realize that everything slides along a complex network of overlapping continuums. When it comes right down to it, our system for ordering the shots we take of this intricate world say more about us than about some objective truth about photography or the world.
Some would even claim that creativity happens when we step out of those boxes that restrict the way we think about photography and the world we try to “capture” with it.
* This image and essay are part of my research project The CyberPsychology of Flickr . I’m using these kinds of images and essays to stimulate discussions about life in flickr. Feel free to offer your comments. I appreciate your input!
* This image and essay also are part of a book on Photographic Psychology that I’m writing within Flickr.
This has to be by far the most interesting set i've gained something from. I had to share it with everyone. Find the time to read through all the articles/analysis under each image. It's all brilliance! :
By: John Suller
I joined flickr over a year ago because I’ve always enjoyed photography and thought being here might be fun as well as educational. Fortunately, I was right about that. I’ve learned a lot here and have really enjoyed meeting people and making friends.
As a psychologist who specializes in studying how people interact with each other in cyberspace (aka “cyberpsychology”), I’ve also found the flickr community itself fascinating. So recently I asked myself, why not do some cyberpsychology research in flickr? During the winter break between semesters I wrote and submitted a grant proposal for such a project. Lo and behold, it was accepted!
Imagistic communication in cyberspace. That’s the fancy title for the project. Basically, it’s about how people in flickr use photographs and images to express themselves, converse with each other, and form relationships as well as groups.
I hate using terms like “analyze” when I do online research. It’s a bit of a cold, even aggressive term, and it’s not how I think about this kind of work. Instead, when I do research in online groups and communities, I offer people observations and reflections on what I see happening, sort of like holding up a mirror. I encourage people to discuss and debate those reflections, and to offer observations of their own. Those discussions lead to more powerful insights than I alone could come up with.
Over the next few months, I’ll be posting images to my stream to encourage those kinds of discussions. In fact, I’ve been doing that sort of thing all along with various ideas related to psychology and photography, haven’t I?
So I welcome my flickr friends and all visitors to participate in those discussions in my photostream. At some point I may also invite people to participate in a private email interviews with me, and in a focus group. If you think you might be interested in that, please let me know!
Some theories in psychology claim that images can be a very therapeutic form of thinking and communicating. They may express ideas and feelings that cannot be captured easily by words. They may contain symbols that point to things unseen, to deeper layers of the mind. Like dreams, they may be highly imaginative, creative constructions that convey emotions, needs, and wishes. Because a picture is worth a thousand words, many ideas can be condensed into a single image, making it a powerful form of expression.
Digital forms of photography make the creation of images easy and efficient. Online photo-sharing and social networking communities like flickr make the sharing of images easy and efficient. Do these activities provide us with a compelling new form of personal growth? Is creating and sharing images therapeutic for you?
* This image and essay are part of my research project The CyberPsychology of Flickr . I’m using these kinds of images and essays to stimulate discussions about life in flickr. So feel free to offer your comments. I appreciate your input!
* This image and essay also are part of a book on Photographic Psychology that I’m writing within Flickr. Please see the set description.
This cyberpsychology concept doesn't apply as much to the photography groups here in Flickr as it does to other social media (like Facebook and Twitter), because people here mostly post their own photos. Whatever photo you take, edit, and share is your unique direct expression of who you are.
For this image in my cyberpsychology collection I again modified a free-to-use photo, this time adding someone (my daughter) into the background, as well as the text. I had a hard time deciding how to position the face behind the pinned note. In the end, I liked how it partially covers her face, symbolically representing how we both hide and reveal ourselves when we repost other people's content.
How many millions of images are there in flickr? And that’s just flickr, one of many online photosharing communities, not to mention the thousands of websites devoted to stock images and photo galleries.
With billions of images out there, and many of their creators striving to be artistic in their work, how does one develop a unique style? What makes your photography different from the rest? How do you find your artistic voice?
Two factors come into play. First is your subject matter. What themes, issues, ideas, and emotions do you portray in your images? Then there’s your technique. What camera, lens, filters, lighting, viewpoints, composition, and image editing manipulations do you use to shape your images?
Despite the complexity of just these two variables, some people would say that it’s almost impossible to be truly unique. There are just too many images and only a limited number of styles and subjects to go around. No matter what image you create, look around long enough and you’ll find many other images very similar to it. If you want to be truly different, you’ll have to work pretty hard at finding your unique voice. Maybe you have to be a genuine genius.
Some might say the exact opposite. You can’t help but be unique, even if you’re an amateur who has no desire to be an artist. Every human has a unique personality and life. One’s photography always reflects one’s personality and life. Therefore, one’s photography is always unique. It’s that simple. If you want to get concrete about it, everyone’s voice sounds different. So too everyone’s photography looks different.
Maybe the truth is somewhere in between these two viewpoints. For those striving to find their artistic voice in photography, the challenge isn’t so much trying to do something that no one else has done. The challenge is to figure out who you are, what’s important to you, and to master the techniques that help you express it.
Some people will like your style, because it’s similar to or different from theirs. Some people won’t like your style, because it’s similar to or different from theirs. Some people will and some people won’t like it when you do something different than your usual style. That’s just how human relationships work, not just in photography, but in life. Hopefully these sorts of things help rather than hinder you from finding your voice.
* This image and essay are part of my research project The CyberPsychology of Flickr . I’m using these kinds of images and essays to stimulate discussions about life in flickr.
Feel free to offer your comments. I appreciate your input!
* This image and essay also are part of a book on Photographic Psychology that I’m writing within Flickr.
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In my research project on the CyberPsychology of Flickr ., an interesting theme has emerged in the interviews I’ve been conducting with people. Most agree that the world of flickr can be quite overwhelming. Thousands of groups, millions of people, many millions of images. How do you establish your presence in that seemingly endless sea of people? How you do manage your time with so many possible relationships to create and photos to view? How do you find your niche?
Based on the great feedback people gave me in the interviews and in the comments below, here is the section of my paper devoted to this issue. Your feedback on it is welcome (please forgive the sometimes intense psychologese language… it’s for a professional journal)…..
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With several million members, many millions of images, and thousands of groups devoted to various photography and community topics, Flickr confronts each member with an overwhelming ocean of visual stimulation and possibilities for interpersonal encounters. Although members, at least at first, may find these limitless possibilities exciting, they must at some point develop specific strategies for establishing their presence and identity, and for managing their interpersonal relationships.
As in many large online communities, some members find themselves in an initial stage of progressive immersion, viewing more and more images, establishing more and more contacts, until they discover that they must cut back on the excessive time and energy they are devoting to Flickr. To maintain a rewarding participation in the community, members are challenged to a establish a cyberpsychological niche in which they consciously and unconsciously define themselves and their relationships, with that niche and the corresponding self-definition being expressed in the members’ behaviors regarding image, text, and action. That niche, in order to thrive and avoid stagnation, must reach a stage of ongoing dynamic synergy between experimentation and restraint – a cyberpsychological equilibrium in which new opportunities for image, text, and action are tested, assimilated if successful, and discarded if not.
The niche one establishes is partly determined by the overarching purpose the member assigns to his or her participation in Flickr. People who join Flickr as a way to share, with family and friends, their life experiences via photographs have a predetermined niche. They may not progress any further into the Flickr community. However, if they find themselves becoming interested in the art and science of photography and visual design, they may be drawn into the wider culture of members who are photography and visual design students, aficionados, and professionals – members who are challenged to define the artistic, technical, and social dimensions of their niche. Some members establish and reinforce their niche by joining groups devoted to topics that match their interests and interpersonal preferences. In more rare cases, members use their pages within Flickr as an online art gallery, without interacting substantially with anyone, resulting in a lowered impact of the community on their niche and a less synergistic equilibrium.
For many members there exists a tension between two different concepts of Flickr. On the one hand, some people consider it a place to express themselves via images, to learn about photography, and socialize. On the other hand, some members approach Flickr as a competitive “game” in which the quality or popularity of an image is determined by how many times it is viewed, how many people indicate it as a “favorite” (fav), and its overall “interestingness” as determined by an undisclosed formula designed by the creators of Flickr. A member’s cyberpsychological niche and equilibrium -including how one manages images, text, and actions - can be drastically influenced by one’s commitment to the social and educational activities of the community, or to its gaming competition, or to a complex and sometimes awkward juggling of these two agendas.
#InternetTrolls #Psychology PSA by Michael Nuccitelli, Psy.D. #iPredator NYC #BeBest - Edu. #TrollTriad Concept (2014) Page & Free PDF Paper D/L - SSL Safe Link: www.ipredator.co/troll-triad
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Thank You Mr. Goldberg, host of “Insights with Dick Goldberg” for our educational podcast discussing #Loneliness, the #Internet #Cyberpsychology and #OnlineSafety. Respectfully, Dr. Nuccitelli #iPredator NYC
For this image in my cyberpsychology collection, I started off with an illustration that was free to use, modify, and share, even commercially, as indicated by Google (my thanks to the artist!) I added in the colors and text. I also added the device on the table, as these are now ubiquitous in the college classroom, even when the teaching itself is low tech.
One curious aspect of the original illustration was that the horizontal line across the sitting people (supposedly a table) was well BELOW their elbows, which gave the impression that their arms were amputated. I raised the line up to meet their elbows so that it looks more like their arms are resting on the table.
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#DigitalCitizenship #Netiquette & #Cyberpsychology Image – Free Public Domain Educational Graphic by #iPredator New York, USA
In the interviews I conducted for my research on Flickr ( The CyberPsychology of Flickr ), people often mentioned how much they appreciated their contacts and friendships in this photo-sharing community. However, people also mentioned their feelings of disappointment when the number of favs, comments, and views on their photos suddenly decline, or almost vanish completely – especially when they put effort into those images, were taking a risk with some new technique or subject, or when those photos were personally meaningful. If even their regular visitors were not commenting, that disappointment was particularly noticeable, like feeling ignored, rejected, or abandoned. This feedback in the interviews reminded me of how research suggests that people may experience online relationships as important and meaningful, but also as fragile and ephemeral.
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#CAIN (aka, Cyber Attack Investigation Network) is an online group of volunteers that investigates & reports #OnlineChildPredators #OnlineAssailants and predatory #InternetTrolls. We’ve been active since 2013 and once again welcoming new members to our 2 private G+ communities.
Interested parties must be 18+ years old, have a G+ account and be willing to dedicate a little time helping to target iPredators. Given we are regularly targeted by trolls and other online assailants, our volunteers investigate all interested members first.
To become a volunteer, write a comment in this post, send an email to drnucc@ipredatorinc.com or call 347-871-2416. This volunteer work can be included in resumes and on job/school applications. Letters of recommendation and volunteer verification available upon request. Respectfully, Dr. Nuccitelli #iPredator NYC - #InternetSafety #CyberSecurity #IoT #CyberPsychology
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We created this video for the opening symposium of the CyberPsychology Research Centre at the Royal College of Surgeon in Dublin, Ireland. Using my photographs and quotes from famous people, it highlights the wide variety of ideas and issues about life in cyberspace.... Many thanks to Kira Suler for her work in designing this video!
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