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After 1935 Buescher started making what it called its "Gladstone" style instrument cases; it claimed they could easily be confused with the finest personal luggage. If you're the kind of traveler that notices that kind of thing.
They are in fact good looking cases; solid, wood-framed and decently padded for an instrument case of the time. Modern instrument cases are much uglier, but generally offer better overall protection.
The purple plush lining seems to have been the standard, but you could custom-order the materials used in the case, so you may run across cases with a green or other color linings and linings made of different fabric materials.
Carpe diem! Brand new standing clock with rust finish. The clock face features a small planet picture of a man basking in the sun holding a sun reflector under his face. Clock diameter ca. 9'', total height ca. 30''. Uses this image. See all other pictures possible in this model.
Built from reclaimed marble, recovered by reuse action (reuseaction.com) from a lavatory renovation in one of the Buffalo Public Schools. It was a stall partition, so a close inspection shows who loved who, and all sorts of school age nonsense scratched into the marble. We cut it down to size for the customer and left the markings in the marble as part of its charm. The legs, undercarriage and mounting brackets are all made of reclaimed house trim. The marble installed originally in the 1920s, most likely by Italian immigrant craftsmen. In this city the old wood work was done by Poles and Germans, while the stone work was done by the Italians. crafts they brought from their home countries. Without rescuing this material it (and its heritage) would be in the landfill.
Each piece we build is unique and imbued with history...and keeping materials out of landfills.
We met with our architect and builder today to review the first draft of our custom home. We are building 3 miles from my office and 20 minutes from Paulette's.
these are some very twisty, old beech beams from a WNY barn. They were cut in the late 1800s and may have been a few hundred years old when the trees were cut. these monsters are extremely heavy, very naily, twisty, covered in whitewash...but if one looks deeper there is beautiful wood.
Admittedly this can be a difficult task, especially with my shop equipment, which is at the edge of what it can do. But old barn woods can produce spectacular results. It's never clear wood, but knotty and spalted, with nail holes and checks and marks from its past use in agriculture. I personally like a cleaner look (as oppossed to the full on rustic look) but with hints of its reused nature in the imperfections and the dramatic grains.
I'm a champion of the imperfection in all areas of life and old wood is part of that. I love the fact that I'm reusing this national treasure....the primeval old-growth forests, hopefully in pieces that will be heirlooms. Each piece is unique. Each piece of wood has its own personality. Each piece behaves differently...sometimes difficultly....but in the end each person's carpentry project is a one-of-kind piece, just like all of us.
These will be a side table for a customer...after I wrestle them through cycles of joining, sawing and planing.
The Model 254 did not feature the bottom sprung "pin" valves Buescher used on earlier Custom Built horns. Instead it used pretty standard top-sprung star-guide valves.
The action on this horn was excellent, though - a really slick, solid short valve throw and very finger-friendly.
Note the octagonal valve caps and buttons. The valve cap bottoms were octagonal, too. They were made of very heavy brass.