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Shadow puppetry is an old tradition and it has a long history in Southeast Asia; especially in Indonesia. Shadow puppetry uses flat articulated figures (shadow puppets) to create cut-out figures which are held between a source of light and a translucent screen. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
I went to a Kwanza celebration at the Weeksville Heritage Center in Brooklyn
The celebration is early--Kwanza begins Dec. 26th--but I had a fantastic time
A Igreja de Nossa Senhora da Pena, localizada no Castelo de Leiria, é um exemplar representativo da arquitetura gótica portuguesa dos séculos XIV e XV, associada ao reinado de D. João I. A sua construção original remonta ao século XII, mas foi posteriormente reedificada, apresentando elementos característicos como arcos ogivais e janelas altas que permitem a entrada de luz, além de uma capela-mor com abóbada nervurada. Este espaço religioso, que já serviu como Sé Catedral, sofreu várias alterações ao longo do tempo e, após a extinção das ordens religiosas, passou a ser adaptado para funções culturais, como concertos e conferências. A estrutura mantém-se em pedra calcária, contrastando com o chão em madeira introduzido em intervenções de restauro que visaram preservar a sua integridade arquitetónica enquanto se promove a sua utilização contemporânea. Assim, a igreja não só reafirma a herança histórica da dinastia de Avis, mas também se adapta aos novos tempos, refletindo um equilíbrio entre o passado e a modernidade.
The Church of Nossa Senhora da Pena, located in the Castle of Leiria, is a representative example of the Portuguese Gothic architecture of the 14th and 15th centuries, associated with the reign of King João I. Its original construction dates back to the 12th century, but it was later rebuilt, featuring characteristic elements such as ogival arches and high windows that allow light to enter, as well as a chancel with a ribbed vault. This religious space, which once served as a Cathedral, has undergone several changes over time and, after the extinction of the religious orders, has been adapted for cultural functions, such as concerts and conferences. The structure remains in limestone, contrasting with the wooden floor introduced in restoration interventions that aimed to preserve its architectural integrity while promoting its contemporary use. Thus, the church not only reaffirms the historical heritage of the Avis dynasty, but also adapts to the new times, reflecting a balance between the past and modernity.
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Thursday night nearest the autumnal Equinox, the electric lighting is replaced, along the Aker River with 4000 torches. The public is invited to an evocative walk along the river where one experiences various cultural events underway in the form of light, dance and song, both professionals and amateurs.
Pushkar Cattle Fair
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this was palma during semana santa. not the polished view from postcards, but the moments in between – when the procession pauses, when a glance escapes the robe, when the mask slips just a bit. behind every tradition are people, gestures, breath. i wandered, asked, waited. sometimes they noticed, sometimes they didn’t. but i felt the weight of ritual brushing against the mundane.
Vista parcial da Ribeira, na cidade do Porto, em Portugal.
Partial view of Ribeira, in the city of Porto, Portugal.
A casa de cultura Jaime Lobo e Silva, na Ericeira, é um espaço dedicado à promoção e divulgação da arte e da cultura local. Inaugurada em 2001, a casa de cultura ocupa o antigo edifício dos Paços do Concelho, que foi remodelado e adaptado para acolher diversas atividades culturais. A casa de cultura dispõe de uma sala de exposições, uma biblioteca, um auditório, uma sala polivalente e um café-concerto.
The Jaime Lobo e Silva House of Culture, in Ericeira, is a space dedicated to the promotion and dissemination of local art and culture. Inaugurated in 2001, the house of culture occupies the old Paços do Concelho building, which was remodeled and adapted to host various cultural activities. The house of culture has an exhibition room, a library, an auditorium, a multipurpose room and a café-concert.
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Peoples are going to protect the dam and save their home from water flood ,
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Discover the iconic Kaminarimon Gate, the grand entrance to Tokyo's oldest temple, Senso-ji, located in the vibrant district of Asakusa. This majestic gate, officially known as "Thunder Gate," stands as a testament to Japan's rich cultural heritage and architectural prowess. The Kaminarimon Gate, originally constructed in 941 AD, has undergone several reconstructions, with the current structure dating back to 1960. Its imposing presence is marked by a massive red lantern, weighing approximately 700 kilograms, which hangs prominently in the center. Flanked by statues of Fujin, the god of wind, and Raijin, the god of thunder, the gate symbolizes protection and prosperity. The intricate wooden carvings and traditional tiled roof reflect the exquisite craftsmanship of the Edo period.
As you pass through the Kaminarimon Gate, you are greeted by Nakamise-dori, a bustling shopping street leading to the main temple. This vibrant thoroughfare is lined with stalls offering traditional snacks, souvenirs, and crafts, providing a sensory feast for visitors. The Kaminarimon Gate is not just an architectural marvel but also a cultural hub, hosting various festivals and events throughout the year. Its strategic location in Asakusa makes it easily accessible and a must-visit for anyone exploring Tokyo. Whether you are a history enthusiast, architecture aficionado, or simply a curious traveler, the Kaminarimon Gate offers a captivating glimpse into Japan's storied past and vibrant present. Experience the blend of tradition and modernity as you step through this iconic gateway and immerse yourself in the timeless charm of Senso-ji Temple.
Vista do palco do teatro romano de Mérida, destacando as suas colunas imponentes e detalhes arquitetónicos do período clássico. Construído no século I a.C., este teatro é uma das mais notáveis heranças da antiga Emerita Augusta, um dos principais centros romanos na Península Ibérica. Património Mundial da UNESCO, continua a ser palco de eventos culturais e históricos.
A Rua de Donães é uma rua localizada no centro histórico de Guimarães, Portugal. É uma das ruas que melhor preserva a sua autenticidade no centro histórico. O Largo de Donães é um largo situado no coração do centro histórico, entre a Rua Rainha Dona Maria II e a Rua Egas Moniz. O largo foi recentemente requalificado e devolvido ao uso público, sendo atualmente uma zona pedonal com pavimento em granito e calçada portuguesa.
Rua de Donães is a street located in the historic center of Guimarães, Portugal. It is one of the streets that best preserves its authenticity in the historic center. The Largo de Donães is a square located in the heart of the historic center, between Rua Rainha Dona Maria II and Rua Egas Moniz. The square was recently redeveloped and returned to public use, and it is now a pedestrian area with granite paving and Portuguese pavement.
O Largo da Oliveira é uma praça histórica na cidade de Guimarães, no norte de Portugal. O seu nome vem de uma antiga oliveira que foi plantada no local. A praça é cercada por casas típicas da região e tem vários monumentos de interesse, como um alpendre gótico (Padrão do Salado), uma igreja do século XIV e um museu de arte sacra.
Largo da Oliveira is a historic square in the city of Guimarães, in northern Portugal. Its name comes from an old olive tree that was planted there. The square is surrounded by houses typical of the region and has several monuments of interest, such as a Gothic porch (Padrão do Salado), a 14th century church and a museum of sacred art.
Thursday night nearest the autumnal Equinox, the electric lighting is replaced, along the Aker River with 4000 torches. The public is invited to an evocative walk along the river where one experiences various cultural events underway in the form of light, dance and song, both professionals and amateurs.
A Igreja de Nossa Senhora da Pena, localizada no interior do Castelo de Leiria, é um exemplar significativo da arquitetura gótica portuguesa, com construção iniciada por D. Dinis no século XIV. Este templo, originalmente uma capela palatina, serviu como espaço de culto tanto para a corte real como para a comunidade local. A ábside poligonal, com abóbada de nervuras e esbeltas janelas ogivais, permite a entrada de luz natural, criando um ambiente de serenidade. Após períodos de abandono, especialmente após o terramoto de 1755, o edifício passou por várias intervenções de restauro no século XX, recuperando a sua dignidade e adaptando-se a novos usos culturais. As características góticas, incluindo a cantaria exposta e a estrutura em pedra calcária, refletem a importância histórica do monumento. Atualmente, a igreja é valorizada como património, servindo como palco para eventos culturais e visitas, preservando a memória histórica do castelo.
The Church of Nossa Senhora da Pena, located inside Leiria Castle, is a significant example of Portuguese Gothic architecture, with construction begun by King Dinis in the 14th century. This temple, originally a palatine chapel, served as a place of worship for both the royal court and the local community. The polygonal apse, with its ribbed vault and slender ogival windows, allows natural light to enter, creating an atmosphere of serenity. After periods of neglect, especially after the 1755 earthquake, the building underwent several restoration interventions in the 20th century, regaining its dignity and adapting to new cultural uses. The Gothic features, including exposed stonework and limestone structure, reflect the historical importance of the monument. Today, the church is valued as heritage, serving as a venue for cultural events and visits, preserving the historical memory of the castle.
A humorous street encounter at the Sibiu International Theatre Festival — a giant costumed bird performer surprises a local man enjoying a quiet moment. A study in timing, expression, and surreal comedy from FITS, Romania.
Winter Lights Festival at Canary Wharf, an annual event held to brighten the long winter nights. The images reflect the interactive and immersive nature of the festival, with its array of light installations that invite participation and evoke a sense of wonder. The festival, known for transforming the business district into an enchanting landscape of luminosity and creativity, becomes a playground for visitors of all ages. The vibrant atmosphere is palpable even through these stills, as spectators become an integral part of the exhibition, interacting with the light art and capturing memories. The event draws photographers and enthusiasts alike, all eager to witness and document the magical interplay between light, art, and the urban environment.
A beautiful Japanese Furin (wind chime) with a detailed tanzaku, featuring a golden dragon and Japanese text, hanging at the Nikko Wind Chime Festival, likely at Futarasan Shrine in Nikko, Japan.
Dubai Opera, a stunning landmark in Downtown Dubai, is a hub for cultural events, live performances, and opera shows, celebrated for its modern architecture, iconic design, and breathtaking views of the Dubai skyline, making it a favorite spot for travel photography, night photography, and capturing city lights, reflections, and symmetry in architecture.
Après l'assassinat du duc de Berry, son épouse Marie-Caroline Duchesse de Berry fait édifier un hospice pour soigner des malades et élever des enfants pauvres, ainsi qu'une chapelle funéraire pour y déposer le cœur du défunt duc. L’hospice est constitué d’un grand bâtiment encadré de deux pavillons rectangulaires. Au milieu une chapelle portant le nom de Saint Charles, Patron du duc de Berry. Celle-ci est surmontée d'un dôme à charpente couvert de plomb.
Architectes : Joseph-Antoine Froelicher
La communauté d'agglomération de Mantes-en-Yvelines reconnaissant la magie du lieu, décide en 1983 de le sauver de l'abandon. Elle en fait alors l'acquisition pour le restaurer et le transformer en un lieu culturel ouvert à tous.
Aujourd'hui, ce ieu historique prestigieux mais aussi l'un des exemples les plus réussis du style néo-classique, accueille de multiples manifestations culturelles comme des expositions de peintures, de sculptures ou autres œuvres d'art, concert de musique, rencontres artistiques ... L’objectif est de favoriser l'accès à la culture au plus grand nombre c’est pourquoi l'entrée de l'Hospice Saint-Charles est toujours gratuite.
Vista da Piazza di Santa Croce, em Florença, Itália, um espaço histórico central à vida cultural e social da cidade. A praça é ladeada por edifícios notáveis, incluindo o Palazzo dell'Antella, de arquitetura renascentista. Este local é conhecido pela sua proximidade à Basílica de Santa Croce, onde estão sepultadas figuras como Michelangelo e Galileu, e pela sua relevância como ponto de encontro para eventos e manifestações culturais.
A Sala do Senado da Assembleia da República, localizada na antiga ala do mosteiro beneditino de São Bento em Lisboa, foi reformulada em 1867 pelo arquiteto Jean-François Colson para acolher a Câmara dos Pares durante a Monarquia Constitucional. Este espaço destaca-se pela sua planta semicircular, tribunas laterais, galerias com colunas de mármore e um teto decorado em estuque pintado a grisaille. No centro, encontra-se um retrato de D. Luís I, rei de Portugal entre 1861 e 1889, pintado por José Rodrigues em 1866, que evoca a antiga tipologia de retrato régio com cenografia palaciana. Conhecido pelo seu interesse pela ciência e pelo desenvolvimento da Marinha, D. Luís I simboliza a época da sala, que atualmente é utilizada para reuniões parlamentares, sessões solenes, eventos culturais e para as sessões do Parlamento dos Jovens, consolidando-se como um dos principais espaços institucionais do Parlamento português.
The Senate Chamber of the Portuguese Parliament, located in the former wing of the Benedictine monastery of São Bento in Lisbon, was redesigned in 1867 by the architect Jean-François Colson to accommodate the House of Peers during the Constitutional Monarchy. This space stands out for its semicircular plan, side galleries, galleries with marble columns and a ceiling decorated in stucco painted in grisaille. In the center, there is a portrait of D. Luís I, king of Portugal between 1861 and 1889, painted by José Rodrigues in 1866, which evokes the old typology of royal portrait with palatial scenography. Known for his interest in science and the development of the Navy, D. Luís I symbolizes the era of the room, which is currently used for parliamentary meetings, solemn sessions, cultural events and for the sessions of the Youth Parliament, consolidating itself as one of the main institutional spaces of the Portuguese Parliament.
A zona ribeirinha do Seixal é um lugar de grande importância histórica e cultural, com forte ligação ao rio Tejo, e é um local de lazer e entretenimento para os moradores e visitantes da região.
Seixal's riverside area is a place of great historical and cultural importance, with a strong connection to the River Tagus, and is a place of leisure and entertainment for the region's residents and visitors.
Shadow puppetry is an old tradition and it has a long history in Southeast Asia; especially in Indonesia. Shadow puppetry uses flat articulated figures (shadow puppets) to create cut-out figures which are held between a source of light and a translucent screen. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Shadow puppetry is an old tradition and it has a long history in Southeast Asia; especially in Indonesia. Shadow puppetry uses flat articulated figures (shadow puppets) to create cut-out figures which are held between a source of light and a translucent screen. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Shadow puppetry is an old tradition and it has a long history in Southeast Asia; especially in Indonesia. Shadow puppetry uses flat articulated figures (shadow puppets) to create cut-out figures which are held between a source of light and a translucent screen. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.
Teil der Installation von Sabine Hulvershorn am Bergpark auf der ehemaligen Zeche Lohberg in Dinslaken. Dort läuft noch bis zum 30.10. das Kulturfestival Transformationen.
This black-and-white photograph captures a lively street market scene, focusing on a bearded man, holding balloons while engaging with those around him. The candid nature of the image showcases the hustle and bustle of the market, where vendors and customers alike are immersed in the lively atmosphere. The crowd and various street items in the background add depth to the image, highlighting the vibrancy of urban life. The man’s expression, paired with his casual hand gesture, conveys a human connection amidst the chaos of everyday market activity.
This is a picture of Friday Market Square (Vrijdagmarkt) in Ghent during the 2024 Ghent Festivities (Gentse Feesten). The Vrijdagmarkt is one of the city’s oldest squares, known for its lively atmosphere and historical significance. It has been a central meeting point for markets and events for centuries. The 2024 Ghent Festivities attracted over 1.7 million visitors, making it one of the most successful editions to date. The festival featured a wide range of performances, street art, and cultural events. Taken from the Bond Moyson building, this photo offers a beautiful view of the towers of Saint James’ Church (Sint-Jacobs), which is at the heart of the Ghent Festivities and a central location for much of the festival’s excitement - Ghent, Belgium
in this portrait, patrick stands, caught in a moment of contemplation as the mallorcan sun casts his shadow against the rough texture of an old wall. this photograph, taken on the final day of his exhibition, captures the serene yet intense gaze of an artist whose work has just spoken to an audience. the warm light highlights the silver threads in his hair and the life lines etched into his face, each a testament to years of dedication and passion. the red of his shirt vibrates against the calm blue of the sky, mirroring the dynamic and vibrant spirit that he brings to his art. here, patrick is not just an artist; he is also a story, one that unfolds in every subtle detail of his thoughtful expression.