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EtsyUK were present at the Create Cafe at the Thames Festival, London, joined by School for Creative Startups who offered free mentoring sessions with Doug Richard (of Dragon's Den) and other industry experts!
We were tempted throughout the weekend by The Tea's Knees tea & cake stall who were also part of Create Cafe!
I created this little tag (it's just 2" x 2") for a special cause my friend Tamar is putting together. You can read about it here: tarisota.typepad.com/hope/ She is putting together about 100 tags created by mixed media artists from all over the world and placing them all onto a fabulous one of a kind dress form.
For your chance to own this one of a kind art piece please go to
www.everydayhero.com.au/creating_hope and donate $5Au dollars. All money raised goes directly to the Australian Cancer Research Foundation. Each $5 donation you make will give you another chance to win.
Here is my contribution.
Created using Hero Arts CL270 - Sky's the limit, pearls, button and flower.
Thanks for looking!
The most beautiful women in TV and Movie History now become Barbie Collector Dolls created by acclaimed re-paint Artist Donna Brinkley.
Jennifer O'Neill was the face of beauty in the 70's and 80's with her glamorous Cover-Girl ads. O'Neill (born February 20, 1948) is an American actress, model, author and speaker, known for her role in the 1971 film Summer of '42 and as the face of Cover-Girl cosmetics starting in the 1970s til the mid 1990's. Jennifer was born in Rio de Janeiro, Brazil, the grand-daughter of a Brazilian bank president, and the daughter of a famous Spanish-Irish medical and dental supply import/export businessman, Oscar D' O'Neill and his English wife, Irene ("Rene") Freda, a homemaker. O'Neill and her older brother Michael were raised in New Rochelle, New York, and Wilton, Connecticut.
When she was 14, the family moved to New York City. On Easter Sunday, 1962, O'Neill attempted suicide because the move would separate her from her dog Mandy and horse Monty -- "her whole world". That same year, she was discovered by the Ford modeling agency and put under contract. By age 15, she was gracing the cover of Vogue, Cosmopolitan, Seventeen and other magazines, earning $80,000 a year in 1962 working as a fashion model in New York City and also working in Paris, France, and dating older men.
An accomplished rider, O'Neill won upwards of 200 ribbons at horse show competitions in her teens. She saved up her modeling fees and bought a horse, Alezon, who balked before a wall at a horse show, breaking O'Neill's neck and back in three places, and giving her a long period of recovery. She attended New York City's Professional Children's School and the prestigious Dalton School in Manhattan. Later, she moved on to films and worked in a number of television movies and series.
[edit] Career
In 1968 O'Neill landed a small role in For Love of Ivy. In 1970 she played one of the lead female roles in Rio Lobo starring opposite John Wayne.
She is most remembered for her role in the 1971 film Summer of '42, where she played Dorothy Walker, the young widow of a pilot shot down and killed in World War II. Her agent allegedly had to fight to even get a reading for the part, since the role had been cast for an "older woman" to a coming of age 15 year old boy, and the director was only considering actresses over the age of thirty, Barbra Streisand being at the top of the list.
O'Neill continued acting for the next two decades. She appeared in The Carey Treatment (1972), Lady Ice (1973), The Reincarnation of Peter Proud (1975), Caravans (1978), A Force of One (1979), Scanners (1981), and The Cover Girl Murders (1993 made-for-television film). She went to Europe in 1976 and worked with Italian director Luchino Visconti, appearing in his last film L'innocente (1976), where she played the part of the mistress, Teresa Raffo.
In 1982, O'Neill starred in the short-lived NBC prime time soap opera Bare Essence. Her credits include singing in the Chrysler Corporation commercial Change in Charger that represented the end of the Dodge Charger in 1975. In 1984, she played the lead female role on the CBS television series Cover Up; the lead male actor, Jon-Erik Hexum, was accidentally killed on the studio set after placing a blank-loaded prop gun to his temple and pulling the trigger—the wadding from the blank cartridge drove a bone fragment from Hexum's skull into his brain.
O'Neill is also listed in the Smithsonian Institute's National Museum of American History's Center for Advertising History for her long standing contract with Cover Girl cosmetics as its model and spokesperson in ads and television commercials.
O'Neill has been married nine times to eight husbands (she married, divorced, and remarried husband number six); at one point, she was married to four different men in four years. At age 44, she married husband number seven sooner than any other actress, sooner than Zsa Zsa Gabor (who was 63), Liza Minnelli (59) and Lana Turner (49), making her the youngest "most married" Hollywood celebrity. The August 23, 1993, issue of People magazine reports that a friend of O'Neill's says that the actress obtained the (Texas) annulment of marriage number seven (Neil L. Bonin - after less than five months) ... because she felt stifled.
O'Neill has three children from as many fathers, a daughter (Aimee) by her first husband whom she married at age 17, and a son (Reis Michael) from her fifth marriage and another son (Cooper Alan) from her sixth marriage.
At age 34, O'Neill suffered a gunshot wound. Police officers in the Westchester County town of Bedford, New York, who interviewed the actress, said that on October 23, 1982, she shot herself accidentally in the abdomen with a .38 caliber revolver at her Bedford mansion while she was trying to determine if it was loaded.
She describes many of her life experiences, including her marriages and career, to her move to her Tennessee farm in the late 1990s in her 1999 autobiography Surviving Myself. O'Neill says that she wrote this autobiography (her first book) … at the prompting of her children.
In 2004, O'Neill wrote and published From Fallen To Forgiven, a book of biographical notes and philosophical thoughts about life and existence. The actress, who had an abortion after the divorce from her first husband while dating a Wall Street socialite, became a pro-life activist and a born-again Christian in 1986 at age 38, counseling abstinence to teens. Concerning her abortion, she writes:
I was told a lie from the pit of hell: that my baby was just a blob of tissue. The aftermath of abortion can be equally deadly for both mother and unborn child. A woman who has an abortion is sentenced to bear that for the rest of her life.
O'Neill continues to be active as a writer, inspirational speaker, fundraiser for the benefit of crisis pregnancy centers across the United States. She has also served as the spokesperson for the Silent No More Awareness Campaign, a non-denominational, non-political, non-profit organization dedicated to post-abortion healing and recovery.
O'Neill works for several other charitable causes as well, such as Retinitis Pigmentosa International and the Arthritis Foundation. As a breast cancer survivor she has also been a former spokesperson for the American Cancer Society. She has also hosted a one hour television special for World Vision shot in Africa concerning the HIV epidemic. In addition, she remains actively involved with her childhood love of animals and horses, sponsoring the Jennifer O'Neill Tennis Tournament to benefit the ASPCA, and fund-raiser for Guiding Eyes for the blind.
O'Neill purchased a horse farm in Tennessee called Hillenglade Farm where she runs a non-profit organization as a ministry and retreat for girls and young women.
Created with ChatGPT
Prompt - Create a 16:9 Ethereal ghostly woman floating above cracked stone steps of an ancient gothic mansion, long wet white hair partially obscuring a sorrowful face, hollow luminous eyes and pale translucent skin, wearing a tattered flowing gown of shredded gauze and silk that billows like mist and threads into the fog, delicate outstretched hands with elongated fingers, ravens circling in a stormy sky, drifting embers and ash, dense volumetric fog curling around ruined columns and ornate decaying stone architecture with climbing ivy, dramatic cinematic backlight and rim light creating high contrast chiaroscuro, desaturated cold tones with warm ember highlights, ultra‑detailed textures on fabric, skin and weathered stone, intricate floating fabric strands, motion blur at gown edges, razor‑sharp facial and microdetail, deep atmospheric depth, low angle symmetrical composition, subtle film grain, photorealistic fantasy mood, haunting, majestic, cinematic atmosphere... 64k quality
Pic and prompt by Adrian
How methane is created and destroyed on Mars is an important question in understanding the various detections and non-detections of methane at Mars, with differences in both time and location. Although making up a very small amount of the overall atmospheric inventory, methane in particular holds key clues to the planet’s current state of activity.
This graphic depicts some of the possible ways methane might be added or removed from the atmosphere.
One exciting possibility is that methane is generated by microbes. If buried underground, this gas could be stored in lattice-structured ice formations known as clathrates, and released to the atmosphere at a much later time.
Methane can also be generated by reactions between carbon dioxide and hydrogen (which, in turn, can be produced by reaction of water and olivine-rich rocks), by deep magmatic degassing or by thermal degradation of ancient organic matter. Again, this could be stored underground and outgassed through cracks in the surface. Methane can also become trapped in pockets of shallow ice, such as seasonal permafrost.
Ultraviolet radiation can both generate methane – through reactions with other molecules or organic material already on the surface, such as comet dust falling onto Mars – and break it down. Ultraviolet reactions in the upper atmosphere (above 60 km) and oxidation reactions in the lower atmosphere (below 60 km) acts to transform methane into carbon dioxide, hydrogen and water vapour, and leads to a lifetime of the molecule of about 300 years.
Methane can also be quickly distributed around the planet by atmospheric circulation, diluting its signal and making it challenging to identify individual sources. Because of the lifetime of the molecule when considering atmospheric processes, any detections today imply it has been released relatively recently.
But other generation and destruction methods have been proposed which explain more localized detections and also allow a faster removal of methane from the atmosphere, closer to the surface of the planet. Dust is abundant in the lower atmosphere below 10 km and may play a role, along with interactions directly with the surface. For example, one idea is that methane diffuses or ‘seeps’ through the surface in localized regions, and is adsorbed back into the surface regolith. Another idea is that strong winds eroding the planet’s surface allows methane to react quickly with dust grains, removing the signature of methane. Seasonal dust storms and dust devils could also accelerate this process.
Continued exploration at Mars – from orbit and the surface alike – along with laboratory experiments and simulations, will help scientists to better understand the different processes involved in generating and destroying methane.
Credits: ESA
left wrist
5-9-08
"create."
i'm a writer, i do mixed media art, i take photos, i make jewelry..
one of the most important things in my life is creating.
this is my daily reminder.
Ran the hood with Shai'la an amazing person. I hope to work more with her. You'll be seeing her mix up the tunes at a club near you soon.
Copyright © John G. Lidstone, all rights reserved.
I hope you enjoy my work and thanks for viewing.
NO use of this image is allowed without my express prior permission and subject to compensation/payment.
I do not want my images linked in Facebook groups.
It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.
If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.
The same applies to all of my images.
My ownership & copyright is also embedded in the image metadata.
The image above is a 2000 X 1250 pixel scan from an original slide. Anything that is not from an original Kodachrome™ is noted as such, including later digital images and a limited number of scanned prints. The vast majority of Kodachrome™ shots were scanned during the period 2007-2014. As of 2022, there remains thousands of scanned, and unscanned images yet to go.
Early uploads were done in a 1024 X 683 pixel size. Since then, technology and software has improved, so I am beginning to re-upload in the much larger 2000 X 1250 pixel size, with the eventual goal of having only that format.
The images in the various galleries come mostly from my slide collection, gathered over the past 40+ years. They are a combination of my own photographs and others acquired over those years through trading, purchasing, and attending conventions.
This photostream was created in 2017 for the sole purpose of holding my slide collection as an archive, and has had over 10 million image views (to 2022)
REG’N: C-FKCR
MFR/TYPE/SERIES: Airbus A320-211
MSN: 290
OPERATOR: Air Canada
LOCATION (if known): St. John's YYT
PHOTOGRAPHER (if known):
DATE (if known):
REMARKS:
Monster High
Create-A-Monster
Vampire
I thought he was a little dorky (the wig was a bit of a challenge so I'm hoping you hair stylistas out there who do manage to get him do something fun with it) but nonetheless he's cute. He'll be my 'Justin Biter' = cute, not too sexy, non-threatening and full of swag.
Creating the Future: Policy & Social Change
L-R:
Terri Austin — Global Head of Diversity, McGraw-Hill Financial
Patricia Lobaccaro — CEO, Brazil Foundation
Yasmine Ergas — Associate Director, Institute for the Study of Human Rights; Director, Gender and Public Policy Specialization, Columbia University
Michele Wucker — President, World Policy Institute
5th Annual Womensphere Emerging Leaders Global Summit 2014
THE NEXT GENERATION OF WOMEN LEADERS & INNOVATORS CREATING THE FUTURE
Main Summit Day - January 15,2014 @ Columbia University
Immersion & Exploration Days - January 14 and January 16 @ Multiple Venues in New York City
(Credit Suisse, BBDO, New York Stock Exchange, Diane von Furstenberg, Tutor.com/IAC, Yahoo, Paley Center for Media, CNN)
*** Join in & continue the conversation:
#WomensphereSummit and #EmergingLeaders and #CreateOurFuture
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Academic Delegations: @Columbia @CUSEAS @MIT @McMasterU @mountholyoke @citytechnews @nyuniversity @wakeforest1834 @yale
Summit Website:
womensphere.org/emergingleadersglobalsummit2014/
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