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Notions of a “public sphere” have always incited skepticism and qualification, in particular the recognition of “counterpublics” that operate inside and at the margins of consensus discourse. Counterpublics can be spaces of political opposition – sites of resistance, civil disobedience, disruption – or spaces of play and self-fashioning, enabling the emergence of alt-, sub-, and fan cultures and alternative forms of community and identity. How is digital technology – and social media in particular – generating categories of identity and belonging that define themselves in opposition to established norms of personhood or community? How do the counterpublics of the digital age differ from those of the past?
Speakers: Cristobal Garcia, Eric Gordon, Henry Jenkins, Maria San Filippo
Moderator: Noel Jackson
Notions of a “public sphere” have always incited skepticism and qualification, in particular the recognition of “counterpublics” that operate inside and at the margins of consensus discourse. Counterpublics can be spaces of political opposition – sites of resistance, civil disobedience, disruption – or spaces of play and self-fashioning, enabling the emergence of alt-, sub-, and fan cultures and alternative forms of community and identity. How is digital technology – and social media in particular – generating categories of identity and belonging that define themselves in opposition to established norms of personhood or community? How do the counterpublics of the digital age differ from those of the past?
Speakers: Cristobal Garcia, Eric Gordon, Henry Jenkins, Maria San Filippo
Moderator: Noel Jackson
Notions of a “public sphere” have always incited skepticism and qualification, in particular the recognition of “counterpublics” that operate inside and at the margins of consensus discourse. Counterpublics can be spaces of political opposition – sites of resistance, civil disobedience, disruption – or spaces of play and self-fashioning, enabling the emergence of alt-, sub-, and fan cultures and alternative forms of community and identity. How is digital technology – and social media in particular – generating categories of identity and belonging that define themselves in opposition to established norms of personhood or community? How do the counterpublics of the digital age differ from those of the past?
Speakers: Cristobal Garcia, Eric Gordon, Henry Jenkins, Maria San Filippo
Moderator: Noel Jackson
Notions of a “public sphere” have always incited skepticism and qualification, in particular the recognition of “counterpublics” that operate inside and at the margins of consensus discourse. Counterpublics can be spaces of political opposition – sites of resistance, civil disobedience, disruption – or spaces of play and self-fashioning, enabling the emergence of alt-, sub-, and fan cultures and alternative forms of community and identity. How is digital technology – and social media in particular – generating categories of identity and belonging that define themselves in opposition to established norms of personhood or community? How do the counterpublics of the digital age differ from those of the past?
Speakers: Cristobal Garcia, Eric Gordon, Henry Jenkins, Maria San Filippo
Moderator: Noel Jackson
“This project will only be funded if at least $10,000 is pledged by Tuesday Jun 1.” Amount pledged to date? $173,180. Facebook’s disaffected creating a new counterpublic…
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Exhibition Review - John Miller:'Counterpublics' Campoli Presti, London till Oct 5th 2015.
John the pedestrian
shoots pedestrians
shooting him, questions,
is art more valuable than ever
and is it worth anything? - Drenched Co
Comment: "Mr Miller shows how the meaningless eludes representation! Riveting! ." - Raj
See www.campolipresti.com/john-miller-@/exhibitions.html?arti...
See also www.woundsthatbind.com/2015/09/exhibition-review-john.html
Supplied Caption:John Miller Counterpublics Installation view 4 Sept – 5 October 2015 Campoli Presti, London
Image Courtesy of the artist and Campoli Presti, London.
We take great care not to harm the image in any way. And these views, they are ours only and not those of the gallery or artist.
#cutsoverart #cutsovers #drenchedco #soakedspace #JohnMiller #CampoliPresti #Counterpublics #themeaningless #artexhibition #art #artist #artinlondon #londonart #artlondon #reviewart #artreview #artexhibition #artphotography #installation #painting #paintings #sculptures
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about
Sugar Loaf Counterpublic Osage art "Puleo recruited Anita Fields, a member of the Osage Nation, to build 40 ceremonial platforms around Sugarloaf Mound, the last remaining Native mound in St. Louis. Her work will be accompanied by a sound installation created by her son, Nokosee Fields, that recognizes the ancient history of human activity at the site."https://www.counterpublic.org/about