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Mohamed Ali, DDS where beautiful and healthy smiles are created.
The most modern dentistry with the highest level of care.
Visit our website www.malidds.com or www.malidds.com/san-francisco-dentist.html
Mohamed Ali, DDS where beautiful and healthy smiles are created.
The most modern dentistry with the highest level of care.
Visit our website www.malidds.com or www.malidds.com/san-francisco-dentist.html
Pain, Cosmetic, La Collinetta di Jack - Mi Ami, 5 giugno 2010
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Nikkormat FT N + Samigon 135mm f 1:2.8
Kodak Portra 400 ISO
No Flash
At IMC Medical Center Dubai, we are dedicated to providing the best quality service in Cosmetic Surgery. Our Clinic provides Invasive and Non-Invasive Elective Cosmetic and Reconstructive procedures that can address most patient needs. We know that a healthy appearance is imperative to your overall confidence, social image and sense of well-being. www.imcmedical.ae/cosmetic-surgery-clinic/
Uploading before flickr locks off my account😂😭I'm too poor to upgrade to pro, so these may be my last photos on here. If you like my work you can follow me on Instagram Happy Holidays Everyone
// MERCREDI 9 JUIN 2010 - 20H00 / CINEMA LE STAR
Le cinéma Star est l’espace scénique du festival Contre-Temps pour une nuit. Une nuit de folie où le spectateur butine de salle en salle les images et les sons qui accompagnent les Cinémix, vjing, courts-métrages, films blaxploitation, documentaires musicaux et autres petites pépites “découvertes” ou "hommages"... Et toujours pour finir en beauté, l’année dernière vous vous êtes faits “mousser”, cette année on vous balance un dance floor dont l’avis météo annonce “tempête de neige”.
AU CINEMA LE STAR
27 RUE DU JEU DES ENFANTS
STRASBOURG
20H00 : MISE EN BOUCHE
MAESTRO VIDEO
DE JOSELL RAMOS / USA / 2003 / 89’ / VOST
Maestro est une plongée dans le New York du milieu des années 70, autour des deux lieux mythiques qui ont donné naissance à la culture club : Le Loft et le Paradise Garage. Naissance du mix, invention du 12 inch, progrès des sound systems. .. les avancées techniques ont été parallèles à un changement de mentalité : ce sont la musique et le DJ qui occupent désormais le devant de la scène. Blancs, Blacks, Latinos, Gays, Hétéros, riches, pauvres. .. c'est ce mélange de cultures et de musiques qui donnera naissance à la House Music
22H00 : DEAMBULATION
LEFDUP CARTE BLANCHE
L’ŒIL DU CYCLONE
Si le nom de Lefdup ne vous dit pas grand chose, pourtant les images et les sons produits par les Lefdup ont nourri l'imaginaire de beaucoup de par le travail télévisuel qu'ils ont fourni par exemple dans le cadre de « L'oeil du cyclone », l'émission d'art alternatif consacrée aux nouvelles images sur Canal + dans les années 90. Leur univers déjanté, aussi bien au sens musical que visuel, leur a valu d'être qualifiés comme des précurseurs de la cyberculture. Jérôme Lefdup, des frères, Lefdup s'accapare une salle pour ses facéties lefdupiennes, ses performances vj, ses créations personnelles ou autres documents précieux de l'oeil du cyclone.
www.youtube.com/watch?v=7q6HBFPUJ6k
PANIMIX & EMMANUELLE : LIAISON DANGEREUSE CINE MIX VIDEO
DE JOSELL RAMOS / USA / 2003 / 89’ / VOST
Une salle obscure. Un fauteuil en rotin. La lascive Emmanuelle et le sensuel collectif en short. Un cinémix brûlant concocté par les DJ’s et vidéastes de Panimix sur Emmanuelle IV. Des lunettes 3D. Le milieu des années 80, une virée brésilienne. Des aventures érotiques, de la chirurgie plastique, des vinyles éclectiques. Un moment musical et cinématique en trois dimensions. Un instant coquin interdit aux moins de 16 ans. Mélodie d'amour chante le cœur de Panimix.
Avec toute cette agitation autour de la 3D cette année, voici un petit clin d’oeil décalé à la 3D des année 80 avec comme héroïne de choix, Emmanuelle 4 (film de François Leroi sorti en 1984 en 3D anaglyphe) qui offre ses charmes à l’équipe Panimix.
COTTON COMES TO HARLEM 35 MM
DE OSSIE DAVIS / USA / 1970 / 97’ / VOST
Deux flics sont chargés de mener une enquête sur les activités douteuses du prêtre local Deke O’Malley dont le mouvement politique "back to Africa" semble être une arnaque pour extorquer de l’argent à la communauté noire de Harlem.
L'aventure est traitée en comédie policière, avec force péripéties caracolantes et burlesques. Réalisateur, acteur et producteur, Ossie Davis est considéré comme un emblème de la Blaxploitation.
BLACK DYNAMITE 35 MM
DE SCOTT SANDERS / USA / 2010 / 90’ / VOST
Black Dynamite est le type le plus redoutable et le plus cool de toute la ville. Cet ancien commando de la CIA règne sur les rues, un 44 Magnum dans une main et un nunchaku dans l'autre.
Avec sa photo old school, sa reconstitution des 70's au poil et son pseudo amateurisme assumé, Le Black Dynamite de Scott Sanders fait figure de très bel hommage fauché aux plus grands films de la blaxploitation, ce genre propre au cinéma américain des années 70.
50% COOL, 50% KUNK-FU, 100% DYNAMITE !
INTERSTELLA 5555 35 MM
DE LEIJI MATSUMOTO ?/ FR - JAP / 2003 / 77’ / VO
Quatre musiciens d'une autre galaxie sont kidnappés par un manager maléfique qui veut en faire le plus grand groupe sur Terre. Quand la musique des Daft Punk rencontre les dessins de Leiji Matsumuto.
DOWNTOWN 81 35 MM
DE EDO BERTOGLIO / USA / 1981 / 73’ / VOST
Un artiste expulsé de son appartement essaye de vendre une de ses toiles pour payer son loyer, parmi les rappeurs, stripteaseuses, mannequins et les characters du monde de l’art dans le « Lower East Side ». Downtown 81 met en scène le jeune peintre Jean-Michel Basquiat qui se cache encore sous le pseudo de SAMO (Same Old Shit) et s’exprime sur les murs et les portes en faisant des graffitis ou des tags, dans le New-York du début des années 80. Un instantané, non seulement de l’un des artistes les plus importants du 20eme siècle, au moment où la célébrité lui tend les bras, mais aussi de l’une des périodes vitales de la culture américaine : l’émergence d’une musique new wave, d’une peinture nouvelle, du hip-hop et du graffiti. Downtown 81 qui est une fiction romantique et magique de la réalité de l’époque.
10 X TROP COURTS ! COURTS METRAGES
UNE BOUCLE DE 10 COURTS-METRAGES SPECIALE SPLIT MIX QUI ENVOIE TECHNIQUE, REVE, ET RYTHME.
Logorama / de H5/ animation / fr / 2009 / 16’
City paradise / de Gaelle Denis / animation / uk / 2004 / 6’
00h17 / de Xavier de Choudens / fiction / fr / 2005 / 9’55’’
Jazzed / de Anton Setola / animation / be-ndl / 2008 / 8’
Billy the killy / de Luis Briceno / experimental / fr / 2005 / 4’
Big family / de Cyril Cohen / fiction / fr / 2006 / 3’
Giraglia / de Thierry Vincens / experimental / uk / 2004 / 5'30’
Optical Sound / de Mika Taanila / experimental / fin / 2005 / 7’
Cosmetic emergency / de Martha Colburn / experimental / de / 2005 / 8'45’
La leçon de danse / de Philippe Prouff / fiction / fr / 2006 / 5’
Optical Sound / de Mika Taanila / Expérimental / fin/ 2005 / 7’
LES + DE LA SOIREE
TEMPETE DE NEIGE ANIMATION
SUR UN MIX IN THE BOCAL DE CORRINE - CREATURE A TOUT FAIRE
CORRINE PERFORMANCE
RESIDENTE SPLITMIX / PARIS
Sa période d'essai concluante en 2009, notre créature nocturne hystéro-électrique est embauchée comme résidente ouvreuse des cinémas pour tous les Split Mix.
JUNGLE FEVER INSTALLATION
BERTRAND G. / STRASBOURG
Reading Terminal Famous indoor farmer's market offering diverse fare, housewares & area specialties since 1893.
$10 This fabulously useful cosmetic or jewelry bag has a water-resistant vinyl lining and a little zipped inner pocket . It is handmade in a fair trade workshop in Bali. 6" L x 3" H x 3" W.
This product is hand made in a fair trade workshop in Indonesia. The artisans who create it not only receive fair wages, but also have health insurance, a pension plan and organized Friday afternoon sports. The fair trade group working with the artisans utilizes, sustains, supports and promotes traditional, indigenous village handicrafts, so they can be enjoyed by this and future generations. The bag is made with the smallest carbon footprint possible.
Handbill for shows at Le Disque, Rock City, Club Foot, And Sound of Music. The Cosmetics are best known for the Dan White defense-related "Twinkie Madness" (KBD 8.5), released on their 1980 EP.
Young beautiful woman getting cosmetic fruit facial mask of strawberry, banana and kiwi at beauty salon - indoors
Mr Olivier Amar is one of the UK’s leading consultant plastic, reconstructive and aesthetic surgeons with more than 15 years’ experience. A master of refinement, Olivier is meticulous in approach and attitude. He specialises in bespoke facial rejuvenation, body contouring and breast enhancement – all performed under day surgery. Call at 207 205 4050 for more information about cosmetic surgeon London or visit our website.
My Official Website:- https://olivieramar.co.uk/
Address:- 120 Sloane St, Chelsea, London SW1X 9BW
Phone:- 207 205 4050
Looking for a great Cosmetic Dentist in Florida? With so many practices out there, it's always best to do some research before choosing the one to work with. There are many ways to go about getting information and gaining the best knowledge before getting the work you need. For some great tips, check out this awesome blog on tips to help you find the best Cosmetic Dentist in Florida near you!
Avon Cosmetics offices at Nunn Mills,Northampton now starting to be surrounded by the new buildings associated with the university project...June 13 2017.
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Mesdames et moinsieurs,
Eet haz been quite zee week. As you may have cleverly deduced, we are flying on Air France.
Well, we were flying on Air Framce when I wrote the above. Just after I started writing, we received our homework assignment (filling out lots of forms for China entry -- a medical questionaire etc.) Thus, I am now comfortably ensconced in the Gloria Plaza Hotel in Beijing. It took some effective family teamwork to make it though the long and turbulant journey from San Giovanni D'Asso to this spot. Civry wrote a time log to chronicle the trip and I'll borrow her concept here:
5am (GMT+1): Wake up. Another beautiful day is dawning in the Crete, south of Siena. We jump in our Fiat minivan (pre-packed the night before) and head into the sunrise. The drive goes smoothly and the scenery is beautiful.
8am, Rome Fiumiciano (Leonardo Da Vinci) aeroporto: We arrive in plenty of time to have a quick breakfast and get Arlyine on her flight (at least we think she got on her flight - we left her at the "ticket holders only" checkpoint.
9am: We leave Fiumiciano for Ciampino - Rome's other airport, where we will catch our easyJet flight to London-Gatwick. We think we get lost for a few minutes but we turn out to be on the right road after all. The first major annoyance of the day occurs. The Europcar check-in guy sees multiple cases of "damage" on our car. True, we've had the car for a week and it has been through some tight spots and rough roads, but no notable cases of inappropriate car-to-car or car-to-object contact that we can remember. One of the "damage" spots is simply a grease or rubber spot - easily cleaned off. The other two are minor cosmetic scratches on the bumper and door. I don't call this damage and don't think any average person would, so I ask the check-in guy to take me to his boss in the terminal. The boss says "you sign for car with no damage - see?" but he quickly relents and tells me to check more carefully next time. (Next time, I'll have to bring my magnifying glass.)
9:30 am: We enter the terminal. We find our way into long line #1 to check our bags.
10:25 am: We get through to the security checkpoint, which goes fairly quickly. We think we are home free.
10:30 am: We enter the world's longest and most disorganized line - the line for "passport control." It snakes around the entire departure lounge area. There are no officials to organize the line, nor any apparent system. The line continues to grow and people become more restless as their planes are called for boarding. Eventually, there is a rush of people on one side and the snaking line structure turns into a free-for-all stampede. Out of four booths, only two are manned and progress is slow. Our flight's "pre-board" phase is announced (we were supposed to pre-board, but now we'll have to get whatever seats are left, since easyJet does not have assigned seats).
11:15 am: Brilliant Italian passport control officers decide to open up another line and we finally get through the crush of people and join the next line, to get on the tram taking everyone to the plane. We finally get on the plane at about 11:30 - the time when the plane is supposed to leave.
I should explain here that I am nervous, because the four-hour connection I had carefully designed had shrunk to a 3-hour connection due to a schedule change by easyJet. The connection requires a transfer from London's Gatwick airport to Heathrow, a 1-1/4 hour journey. I figure if we get to Heathrow one hour early, we'll just make it through security. Since we are checking bags and must factor in time to get through the seemingly endless airport corridors and possible security checks, there is little if any room for error.
11:40 am: The flight leaves only 10 minutes late and we are told the landing will be on schedule.
1:00 pm (GMT): We are not, in fact, on schedule. We are 10 minutes late. As I leave the plane (via old-fashioned stairs) and climb into the terminal, I note the absence of any baggage handling equipment anywhere near the plane and make my first nervous comment.
1:25 pm: We finally clear the line for the passport check (etc) and get to the baggage claim. The TV monitors show which flight is at which baggage claim. Our flight says, simply "wait here." We wait.
2:15 pm: More than one hour after landing, our baggage finally makes an appearance on the carousel. We make a smart decisioin. Tommy and Julie have their bags, so we deicde they will go ahead and secure a cab for the transfer to Heathrow. My plan to use the less-expensive bus, for which I already bought our tickets - is dashed. There's no time to spare. Julie does a fantastic job of snaring the only available cab - pleading our case to the taxi dispatcher.
2:20 pm: We're on our way to Heathrow. If we are very, very lucky and there is no traffic to speak of, we might make it there by 3:10 and this might be good enough.
A funny thing happens as I get into the cab. The driver motions me to get into the cab so I start to do so - on the right side. The driver offers me the keys, which I think is weird. I didn't ask for a rental car. Then, it finally dawns on me. The steering wheel is on the right. Duh! Too many countries...
3:10 - 4:00 pm: We are lucky. We are about $160 poorer but we are at Heathrow and the lines move swiftly and we even have a few moments to breath before getting on the flight.
4:00 (GMT) - 7:00 (GMT+1): Air France treats us right. Good snack. Special buses waiting for us in Paris, so we can make our tight connection to Beijing, reasonably quick security checks. We are on our way to China!
9 hours, 45 minutes later: The flight was torturously long, especially for a person taller than, say, four feet. No way to get comfortable. Nontheless, Tommy proclaimed it the "best airplane ride ever." They had free video games - that might have influenced his opinion. They also had good food, good free wine and excellent, eclectic music to listen to, which I enjoyed.
Our first impressioni of Beijing was strange. There was a fog or murk everywhere and you could only see a few hundred yards. The murk eventually cleared a little bit after a thunderstorm. It seemed to lift just as the murk from the time change and lack of sleep was clearing in my brain. Now, at night, Beijing looks promisinig.