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Taken with a Yashica Electro 35 GSN rangefinder camera in week 117 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Kodak ColorPlus ISO200 film from Poundland, processed in Tetenal C41 chemistry.
Taken with a Yashica Electro 35 GSN rangefinder camera in week 117 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Kodak ColorPlus ISO200 film from Poundland, processed in Tetenal C41 chemistry.
Produced from 1975 until 1980 it seems the internet either hates or loves the Rollei XF35. I'm seeing some ridiculous prices for this problem-prone camera. It's got to be that Sonnar lens!
I think I can get this one fixed in order to shoot a roll through it.
Around 200.000 of these were produced and the Voigtländer VF135 (copy) was made in the same factory. It's Color-Skoparex lens had exactly the same 5-elements, 4 groups design as this Carl-Zeiss licensed Sonnar.
Designed by Kurt Bode.
Taken with a Yashica Electro 35 GSN rangefinder camera in week 117 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Kodak ColorPlus ISO200 film from Poundland, processed in Tetenal C41 chemistry.
Taken with a Yashica Electro 35 GSN rangefinder camera in week 117 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Kodak ColorPlus ISO200 film from Poundland, processed in Tetenal C41 chemistry.
I will be using this camera in week 117 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
Copal shutter of a Mamiya-6 from 1950's working perfectly after ultrasonic cleaning and silicone lubrication.
Taken at the Sharrow Lantern Carnival using the Yashica Electro 35 GSN rangefinder camera that I used in week 117 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
I left the camera on the automatic setting, but also used a Sunpak Auto 300 flashgun with coloured gels taped over it. The aperture was set to f11, so as the daylight faded, the shutter speed got slower and slower, running up to several seconds by the time it was dark. The result is that there is a well defined sharp image caught by the flash, with a blurred long-exposure image superimposed.
The film is Kodak ColorPlus ISO200 film from Poundland, processed in the Tetenal C41 kit.
Experimental Photography Studio Stilllife was taken under canvas. using natural daylight, Nikon digital camera f22 @ 2-second exposure
Large Format 5' x 4" Photography, Stretford Manchester one morning. Behind the houses. Overcast but bright, ev8. f64 for 50 seconds