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Not for the idiot box, for those fun badass battery-eating cars from my childhood. This build was on the simple side, fun and nostalgic, but I'd forgotten why I hate building with black...old camera is old.
Built for my Iron Builder competition with Bruce Lowell using the dark red fez piece.
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Got my order with the four remaining bricks I needed for this creation. I shortened it by one stud so it's just a little bit less over sized. Also the start and select buttons aren't centered on the actual controller. I will take a photo of this next to my Lego SNES later. Enjoy.
Previously I had always liked the more fat rounded shape of the Xbox Controller so I'm really happy with the new PS5 controllers!
You can find me at the locations below:
Some new controllers to add to the growing collection.
I personally have fond memories of the Nintendo Advantage Joystick controller. It was huge, had a bunch of buttons and a built in "cheat" slow motion activator. I can't tell you how many times I used that slow motion function while playing Captain Skyhawk.
Tiles are machine printed (digital)
Model-View-Controller (MVC) is a software design pattern. It separates objects into one of three categories:
Models for maintaining data,
Views for displaying models into form of UI,
Controllers for process to events and user actions
Model - Masha Gumenyuk
View - Portable TV
Controller - Glock 17
Wondering what to do with the packaging that your wiimote and nunchuck controller came in? Why not fill them with chocolate! We did.
They're both stuffed with sponge fingers to fill them out a little, otherwise we'd have used a lot more chocolate. Not a bad thing in itself, but we didn't have that much chocolate.
Live at Vinyl, Atlanta, GA.
© 2016 Theodore Lee
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It may look a little wonky, but I've completed the Nintendo label for the outside of my giant LEGO NES Controller. In the first edition of this controller from 2013, I printed out stickers for the A and B buttons, START, SELECT, and Nintendo -- and as a result, received a lot of flak from the nerd community for cutting corners. This time around, I've rebuilt the outside of the controller to use LEGO pieces for building letters. The hard part for this line of text? The O: I spent a few hours trying to work on that specific letter alone. I'm also currently rebuilding the internal circuits of this controller to be Arduino-based!
My MIDIBox64 based controller. ( www.ucapps.de )
12"x12" Faux Walnut Case
16 Knobs
5 Faders
16 Arcade Buttons
32 MIDI controlled LED buttons
I'm quite sad I can't get a gray border around the D-pad. Revamp of an old MOC, and I think it's quite a bit better. Video
I'm quite sad I can't get a gray border around the D-pad. Revamp of an old MOC, and I think it's quite a bit better. Video
The engine controller unit allows communication between the vehicle and the engine, relaying commands to the engine and transmitting data back to the vehicle. Engineering model controllers are being tested at the Marshall Center and Stennis Space Center.
Read more:
www.nasa.gov/sls/brain-for-rs-25-engine.html
Image credit: NASA/MSFC
More about SLS:
More SLS graphics and concepts:
www.nasa.gov/exploration/systems/sls/multimedia/gallery/S...
Space Launch System Flickr album
www.flickr.com/photos/28634332@N05/sets/72157627559536895/
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These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials,
advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...
Simple controller for 4 flash units. Each flash has a knob to control power output from full to 1/128 in 1/2 stop increments and 2 LEDs; green LED indicates flash ready to fire, red LED indicates low battery or radio link failure.
The central LED bar normally indicates the charge level of the flash at the highest power setting. When changing the power setting of any flash the central display changes to confirm the set power.
Lovers of old stones know from experience that even though it is always a pleasure, as a matter of principle, to see an old church saved and restored, there is also often a form of disappointment at beholding a squeaky-clean, spanking-new, freshly painted church with walls, arches and columns one could eat off of. It simply looks too clean, unnatural, not “lived in” nor “prayed in”, like a movie set or a Disneyland attraction.
There are cases where restoration has been carried out in such a tasteful, careful and light-handed manner that even the pickiest of buffs can find nothing wrong about it. Alas! those cases are very rare, and I am saddened to say that, in the case of the parochial church in the Burgundy village of Varenne-L’Arconce, which was terribly in need of inside repairs, I was really not enthused by the options chosen by the civil servants of the Historic Landmarks administration and implemented by the restorers.
Not only have they not trodden lightly at all in this 12th century church, but they have made ugly choices, such as this horrible faux marble which, one would have thought, would remain forever one of the most glaring errors of 19th century restorers...
I am a pro bono photographer for the Fondation du Patrimoine, the most prominent non-government player in heritage preservation and restoration in France. For the Saint Peter church in Varenne-L’Arconce, the Fondation has collected and donated almost 200,000 euros. So, as I happened to be driving by in March 2025, I stopped to take some photos of the work site in progress and nearing completion. I did not photograph this church in its “before” state but I saw archive pictures, and indeed there was an urgent need for repairs and waterproofing. Structurally speaking, the church is saved and that is the most important thing. I just wish less glaring and more tasteful options had been selected...!
Technical note : this photograph was taken using the so-called “flambient” technique, essentially used in real estate photography. This method mixes ambient light and flash photography to preserve color correctness. In this instance, for my dominant light source I used a Godox AD200 Pro II monolight equipped with a round H200R head and a half-spherical diffuser, set and triggered via radio transmitter mounted on the camera.
The additional information below is required by the so-called “strobist” groups (practitioners of off-camera flash techniques) to which this photo will be posted, which is why I need to include it. By all means, please disregard if you are not interested.
Strobist and technical info: this photograph is a composite of several exposures lit by a Godox AD200 Pro II monolight with H200R head firing at full power through a hemispherical dome diffuser, handheld by me and bounced on the walls or ceiling.
The strobe was set and triggered via a Godox X Pro II radio controller on the camera’s hot shoe, manual mode. Gitzo GT2530 tripod with a K&F Concept GD–3W geared head.
Nikon Z7 II camera body. Lenses: Nikkor PC tilt-shift lenses 19mm, ƒ/4; 45 mm, ƒ/2.8; and 85mm, ƒ/2.8. Camera triggered remotely via Pixel Oppilas RW–221 radio transmitter and receiver.
A restorer at work on the main altar.