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Using a macro setting, this shows small berries hanging on a bright red stalk. The contrast between the blue and red contributes to the picture to make a bright picture.
Prickett Fort Cemetery
Marion County, West Virginia
Contributed by Mary L. Henke, May 2000 [mlhenke@teleport.com]. Total records = 137.
Prickett Fort Cemetery is a private burial ground adjacent to Prickett's Fort State Park. It was established in 1774 and has been in continous use.
Many of the old stones have crumbled and there are 31 unmarked graves. When the Fort was rebuilt the Park Dept. put wooden frames around many of the old stones to protect them.
A memorial stone is there for the founder Capt. Jacob Prickett, also for his son Isaiah who was killed by Indians and the wife of his son Josiah, Charity (Taylor) Prickett. However her name at the time of death was actually Jolliffe.
- Mary L. Henke
Blubaugh, Hester M., b. 7 Jul 1904, d. 26 Jul 1969
Brown, W.P., b. 25 Oct 1830, d. 9 Aug 1909, age 78-9-13
Costello, Millie J., b. 3 Aug 1885, d. 9 Feb 1955
Cumpton, Sarah, No dates
Curry, Albert G, b. 1891, d. 1920
Curry, Clara V., b. 19 Jan 1913, d. 1 Aug 1913
Curry, Elsie R., b. 1896, d. 1920, w/o Albert
Curry, Infant Girl, b. 8 Jan 1920, d. 8 Jan 1920
Curry, Infant, b. 19 May 1914, d. 20 May 1914
Curry, Lieuwary, b. 1859, d. 1943
Davis, Frank.H, b. 1890, d. 15 Sep 1975, age 85-7-1
Davis, Ulysses, b. 1868, d. 1891
Farmer, Joel, b. 1760, d. 1819
Fimple, Isaac M, b. 4 Nov 1830, d. 2 Oct 1899
Fimple, J.T., No dates
Fimple, James D., b. 2 May 1858, d. 22 Feb 1883, age 24-9-20
Fimple, Job, b. 3 Aug 1798, d. 5 Jan 1851
Fimple, Rachel (Hill), b. 13 Apr 1797, d. 20 Jan 1877, w/o Job
Fimple, Sarah E., b. no date, d. 31 Jul 1854, age 1/6/27, D/o J & M
Gabbert, Dorine E., b. 8 Jul 1925, d. 16 Jan 1926
Gutherie, Katherine, b. 1833, d. 1872, w/o Benj
Guthrie, Benjamin F., b. 1825, d. 1907
Hall, Baby Boy, b. no date, d. 18 Dec 1948
Hall, Laura, b. 5 Oct 1904, d. 20 Dec 1948
Hall, Nettie P., b. 19 Oct 1918, d. 14 Mar 1958
Harris, John, b. 23 Dec 1829, d. 18 May 1911
Harris, Vilinder, b. 29 May 1841, d. 2 Jul 1909, w/o John
Hartley Ulysses, ", b. no date, d. 8 Mar 1796, Age 0-4-5
Hartley, Ann, b. 29 Dec 1806, d. 30 Jul 1887
Hartley, Eleanor Ann, b. no date, d. 24 Aug 1862, age 76-2-5, w/o Horatio
Hartley, Elijah, b. no date, d. 31 Mar 1838, age 32-11-5
Hartley, Elizabeth, b. 1 Apr 18??, d. 25 Aug 1793
Hartley, G.W., b. no date, d. 17 Nov 1882, Age 68
Hartley, Harriet Jane, b. no date, d. 15 Aug 1896, age 20-3-25
Hartley, Horatio G., b. 6 Dec 1777, d. 1 Feb 1854, age 76-1-25
Hartley, Joseph (Sr.), b. 18 Oct 1742, d. 9 Jun 1824, age 81-7-21
Hartley, Joseph, b. 10 Feb 1773, d. 29 Jun 1868, Age 95-4-15
Hartley, Mahalia, b. no date, d. 26 Sep 1880, age 76-4-2
Hartley, Ralph, b. no date, d. 21 May 1805, age 6/6/17
Hartley, Sarah A., b. no date, d. 26 Jun1885, Age 59-4-10
Hartley, Ulysses, b. no date, d. 25 Aug 1793, age 22-10-4
Hill, Amos, b. no date, d. 21 Jun 1844 , age 2/3/11
Hill, Infant Son, b. no date, d. 2 Jul 1831
Hill, Infant son, b. no date, d. 24 Jan 1843
Hill, Joseph A., b. no date, d. 13 Mar 1832, age 14 days
Hill, Martha, b. no date, d. 2 Jan 1863, age 52-0-21, w/o Samuel
Hill, Peter, b. no date, d. 15 Jul 1851, age 5/9/12
Hill, Rachel, b. no date, d. 23 Feb 1848, age 77-10-10, w/o Samuel
Hill, Samuel Jr., b. no date, d. 28 Dec 1858, age 1/2/12
Hill, Samuel, b. no date, d. 17 Feb 1853, age 80-6-21
Holmes Margaret (Davis), b. 1863, d. 1930
Holmes, Joanna .M, b. no date, d. 8 Nov 1890, 31-4-27
Holmes, Joseph M., b. 1856, d. 1922
Holmes, Maudie, b. no date, d. 19 May 1892, age 6/5/21
Holmes, Trevor L, b. no date, d. 3 Aug 1892, age 4/6/05
Holt, Ann (Hartley), b. 15 Aug 1775, d. 12 Oct 1853, w/o Joseph
Holt, Howard Orden, b. 27 Jul 1890, d. 5 May 1894
Hull, Mary (Prickett), b. 1872, d. 1964
Johnson, Hannah (West), b. 1863, d. 4 Aug 1898
Jolliffe, Barret McLain, b. no date, d. 13 May 1828
Jolliffe, Jacob, b. no date, d. 12 May 1853, age 10/6/11, S/o H & M
Jolliffe, Mary, b. no date, d. 27 Aug 1850, age 69-7-26
Jones, Bernice L., b. 12 May 1891, d. 30 Oct 1959
Jones, William A., b. 15 Nov 1888, d. 7 Mar 1966
Kinight, Mary (Love), No dates
Knight, Ann Hanon, b. no date, d. 1822
Knight, Richard G., b. 7 Jun 1908, d. 8 Jul 1908
Knight, Thomas, b. no date, d. 1830
Layman, Alberta E., b. 1925, d. 1926
Merrill, Cyrus A., b. no date, d. 1855
Merrill, David H., b. no date, d. 2 Oct 1869, age Infant
Merrill, Elizabeth, b. no date, d. 1 Mar 1865, Age 47-11-14
Merrill, Ella, b. no date, d. 1864, w/o Cyrus
Merrill, Harrison, b. no date, d. 3 May 1875, Age 47-11-14
Merrill, Josiah W., b. no date, d. 24 Feb 1881, age 23-4-2
Morgan, Albert H., b. no date, d. 13 Jun 1867, age 0-11-5, S/o A & M
Morgan, Albert, b. no date, d. 24 Aug 1870, age 56-6-24
Morgan, Col. Zackwell, b. 1735, d. 1 Jan 1795
Morgan, Drusilla (Springer), no Dates
Morgan, George F, b. no date, d. 16 May 1873, age 26-4-1, S/o A& M
Morgan, Margaret J., b. no date, d. 21 Mar 1873, age 19-10-8, D/o A & M
Morgan, Mary, b. no date, d. 29 Apr 1866, age 42-8-7, w/o Albert
Morgan, Richard E., b. no date, d. 28 Sep 1871, age 22-11-18, S/o A & M
Morgan, Sarah E., b. no date, d. 20 Feb 1874, age 19-11-2, D/o A& M
Morris, Elizabeth Ann, b. 1855, d. 1939
Morris, James J., b. 29 Sep 1880, d. 15 Jun 1889
Morris. Bertha L., b. 5 Jul 1875, d. 22 Sep 1892
Parker, Carrie E., b. 1865, d. 1953, w/o Frank
Parker, Frank W., b. 1871, d. 1939
Pitcher, Elias A, b. 1854, d. 1934
Pitcher, Eva Ruth, b. 20 Aug 1898, d. 14 May 1922
Pitcher, Infant son, b. no date, d. 26 Jan 1897
Pitcher, Martha J., b. 1857, d. 1928, w/o Elias
Pitcher, Seldon B., b. 20 Feb 1894, d. 6 Dec 1897
Prickett, Alice L., b. 1871, d. 19??
Prickett, Capt. Jacob, b. 1722, d. 1797, Memorial
Prickett, Charity (Taylor), b. 19 Apr 1739, d. 3 Nov 1833, age 95, Memorial
Prickett, Dorothy (Springer), b. 1726, d. 1785, Wf, Jacob"
Prickett, Eleanor M., b. 16 Mar 1835, d. 8 Feb 1921, D/o J.& H.
Prickett, Elizabeth, b. no date, d. 24 Apr 1867, age 26-2-3, w/o Richard
Prickett, Hannah, b. 20 Sep 1811, d. 27 Oct 1879, w/o John J.
Prickett, Isaiah, b. no date, d. 11 Jul 1854, age 75-9-27
Prickett, Isaiah, b. no date, d. 1774, Memorial
Prickett, J.Wesley, b. 1860, d. 1945
Prickett, Jacob (Jr.), b. 25 Apr 1758, d. 14 Apr 1826, S/o J & D
Prickett, Jacob (Jr.), b. 25 Apr 1758, d. 14 Apr 1826
Prickett, Jacob, b. 2 Jan 1814, d. 8 Jul 1895, 81-6-6
Prickett, Jacob, b. no date, d. 3 Nov 1906
Prickett, John J., b. 18 May 1811, d. 21 Nov 1905
Prickett, John Newton, b. 12 Jan 1847, d. 1 Jun 1931
Prickett, Josiah, b. 1746, d. 1807, H/o Charity
Prickett, Mahala Jane, b. 22 Jan 1837, d. 27 Apr 1915
Prickett, Mary (McBee), b. 1829, d. 1910, w/o Richard
Prickett, Raphael S., b. no date, d. 17 May 1851, Age 4/10/22
Prickett, Richard W., b. 1833, d. 1915
Prickett, Richard, b. no date, d. 13 Feb 1867, 84-1-16
Prickett, Sarah O., b. 10 May 1814, d. 10 Apr 1902
Prickett, Sarah, b. no date, d. 21 Jun 1856, age 71-10-12, w/o Isaiah
Rider, Glendala Maxine, b. 13 Aug 1939, d. 30 Aug 1939
Rider, Merle Denver, b. 17 Mar 1936, d. 3 Sep 1940
Rider, Tommy, b. 9 Feb 1946, d. 11 Feb 1946
Riggs, Mary Alice, b. 1900, d. 29 Oct 1939, Age 39
Robe, Rebecca A., b. 28 Feb 1839, d. 30 Mar 1933
Rogers, Mary An, b. no date, d. 4 Jan 1870, Age 46, w/o Robert
Sargent, Edward S., b. 30 Jun 1908, d. 2 Aug 1908
Sergent, Alcenda, b. 17 Aug 1850, d. 18 Jan 1893, w/o S.R
Sergent, Ella D., b. 1861, d. 1945, Mother
Sergent, Robert Newton, b. no date, d. 5 Jun 1933, Age 11
Sergent, S.R., b. 1851, d. 1945
Smith, Ann E, b. no date, d. 14 Mar 1860, age 15-3-8
Smith, Virginia, b. no date, d. 13 Sep 1860, age 9/5/00
Stills, Hugh F., b. 11 Aug 1912, d. 17 Apr 1975
Walter, Sarah J., b. no date, d. 10 Sep 1860, age 27-3-15
Watson, Horatio, b. no date, d. 22 Nov 1855, age 9/11/16
West, Willie G., b. 23 Jul 1888, d. 19 Aug 1888
Wildman, Gerald, b. no date, d. 21 Jan 1965, Age 3
Wildman, Terry Allen, b. 27 May 1962, d. 28 May 1962, "Our Baby"
Built amid workers' cottages and terrace houses of shopkeepers, St. Mark the Evangelist Church of England sits atop an undulating rise in the inner Melbourne suburb of Fitzroy. Nestled behind a thick bank of agapanthus beyond its original cast-iron palisade fence, it would not look out of place in an English country village with its neat buttresses, bluestone masonry and simple, unadorned belfry.
St. Mark the Evangelist was the first church to be built outside of the original Melbourne grid as Fitzroy developed into the city's first suburb. A working-class suburb, the majority of its residents were Church of England and from 1849 a Mission Church and school served as a centre for religious, educational and recreational facilities. The school was one of a number of denominational schools established by the Church of England and was partly funded by the Denominational School Board.
St. Mark the Evangelist Church of England was designed by architect James Blackburn and built in Early English Gothic style. Richard Grice, Victorian pastoralist and philanthropist, generously contributed almost all the cost of its construction. Work commenced in 1853 to accommodate the growing Church of England congregation of Fitzroy. On July 1st, 1853, the first stone of St. Mark the Evangelist was laid by the first Bishop of Melbourne, The Right Rev. Charles Perry.
Unfortunately, Blackburn did not live to see its completion, dying the following year in 1854 of typhoid. This left St. Mark the Evangelist without an architect to oversee the project, and a series of other notable Melbourne architects helped finish the church including Lloyd Tayler, Leonard Terry and Charles Webb. Even then when St. Mark the Evangelist opened its doors on Sunday, January 21st, 1855, the church was never fully completed with an east tower and spire never realised. The exterior of the church is very plain, constructed of largely unadorned bluestone, with simple buttresses marking structural bays and tall lancet windows. The church's belfry is similarly unadorned, yet features beautiful masonry work. It has a square tower and broach spire.
Inside St. Mark the Evangelist Church of England it is peaceful and serves as a quiet sanctuary from the noisy world outside. I visited it on a hot day, and its enveloping coolness was a welcome relief. Walking across the old, highly polished hardwood floors you cannot help but note the gentle scent of the incense used during mass. The church has an ornately carved timber Gothic narthex screen which you walk through to enter the nave. Once there you can see the unusual two storey arcaded gallery designed by Leonard Terry that runs the entire length of the east side of building. Often spoken of as “The Architect’s Folly” Terry's gallery was a divisive point in the Fritzroy congregation. Some thought it added much beauty to the interior with its massive square pillars and seven arches supporting the principals of the roof. Yet it was generally agreed that the gallery was of little effective use, and came with a costly price tag of £3,000.00! To this day, it has never been fully utlised by the church. St. Mark the Evangelist has been fortunate to have a series of organs installed over its history; in 1854 a modest organ of unknown origin: in 1855 an 1853 Foster and Andrews, Hull, organ which was taken from the Athenaeum Theatre in Melbourne's Collins Street: in 1877 an organ built by Melbourne organ maker William Anderson: and finally in 1999 as part of major renovation works a 1938 Harrison and Harrison, Durham, organ taken from St. Luke's Church of England in Cowley, Oxfordshire. The church has gone through many renovations over the ensuing years, yet the original marble font and pews have survived these changes and remain in situ to this day. Blackwood reredos in the chancel, dating from 1939, feature a mosaic of the last supper by stained glass and church outfitters Brooks, Robinson and Company. A similar one can be found at St. Matthew's Church of England in High Street in Prahran. The fine lancet stained glass windows on the west side of St. Mark the Evangelist feature the work of the stained glass firms Brooks, Robinson and Company. and William Montgomery. Many of the windows were installed in the late Nineteenth Century.
The St. Mark the Evangelist Parish Hall and verger's cottage were added in 1889 to designs by architects Hyndman and Bates. The hall is arranged as a nave with clerestorey windows and side aisles with buttresses. In 1891 the same architects designed the Choir Vestry and Infants Sunday School on Hodgson Street, to replace the earlier school of 1849 which had been located in the forecourt of the church.
The present St. Mark the Evangelist's vicarage, a two-storey brick structure with cast-iron lacework verandahs, was erected in 1910.
I am very grateful to the staff of Anglicare who run the busy adjoining St. Mark's Community Centre for allowing me to have free range of the inside of St. Mark the Evangelist for a few hours to photograph it so extensively.
James Blackburn (1803 - 1854) was an English civil engineer, surveyor and architect. Born in Upton, West Ham, Essex, James was the third of four sons and one daughter born to his parents. His father was a scalemaker, a trade all his brothers took. At the age of 23, James was employed by the Commissioners of Sewers for Holborn and Finsbury and later became an inspector of sewers. However, his life took a dramatic turn in 1833, when suffering economic hardship, he forged a cheque. He was caught and his penalty was transportation to Van Diemen’s Land (modern day Tasmania). As a convicted prisoner, yet also listed as a civil engineer, James was assigned to the Roads Department under the management of Roderic O’Connor, a wealthy Irishman who was the Inspector of Roads and Bridges at the time. On 3 May 1841 James was pardoned, whereupon he entered private practice with James Thomson, another a former convict. In April 1849, James sailed from Tasmania aboard the "Shamrock" with his wife and ten children to start a new life in Melbourne. Once there he formed a company to sell filtered and purified water to the public, and carried out some minor architectural commissions including St. Mark the Evangelist in Fitzroy. On 24 October he was appointed city surveyor, and between 1850 and 1851 he produced his greatest non-architectural work, the basic design and fundamental conception of the Melbourne water supply from the Yan Yean reservoir via the Plenty River. He was injured in a fall from a horse in January 1852 and died on 3 March 1854 at Brunswick Street, Collingwood, of typhoid. He was buried as a member of St. Mark The Evangelist Church of England. James is best known in Tasmania for his ecclesiastical architectural work including; St Mark's Church of England, Pontville, Tasmania (1839-1841), Holy Trinity Church, Hobart, Tasmania (1841-1848): St. George's Church of England, Battery Point, Tasmania, (1841-1847).
Leonard Terry (1825 - 1884) was an architect born at Scarborough, Yorkshire, England. Son of Leonard Terry, a timber merchant, and his wife Margaret, he arrived in Melbourne in 1853 and after six months was employed by architect C. Laing. By the end of 1856 he had his own practice in Collins Street West (Terry and Oakden). After Mr. Laing's death next year Leonard succeeded him as the principal designer of banks in Victoria and of buildings for the Anglican Church, of which he was appointed diocesan architect in 1860. In addition to the many banks and churches that he designed, Leonard is also known for his design of The Melbourne Club on Collins Street (1858 - 1859) "Braemar" in East Melbourne (1865), "Greenwich House" Toorak (1869) and the Campbell residence on the corner of Collins and Spring Streets (1877). Leonard was first married, at 30, on 26 June 1855 to Theodosia Mary Welch (d.1861), by whom he had six children including Marmaduke, who trained as a surveyor and entered his father's firm in 1880. Terry's second marriage, at 41, on 29 December 1866 was to Esther Hardwick Aspinall, who bore him three children and survived him when on 23 June 1884, at the age of 59, he died of a thoracic tumor in his last home, Campbellfield Lodge, Alexandra Parade, in Collingwood.
Lloyd Tayler (1830 - 1900) was an architect born on 26 October 1830 in London, youngest son of tailor William Tayler, and his wife Priscilla. Educated at Mill Hill Grammar School, Hendon, and King's College, London, he is said to have been a student at the Sorbonne. In June 1851 he left England to join his brother on the land near Albury, New South Wales. He ended up on the Mount Alexander goldfields before setting up an architectural practice with Lewis Vieusseux, a civil engineer in 1854. By 1856 he had his own architectural practice where he designed premises for the Colonial Bank of Australasia. In the 1860s and 1870s he was lauded for his designs for the National Bank of Australasia, including those in the Melbourne suburbs of Richmond and North Fitzroy, and further afield in country Victoria at Warrnambool and Coleraine. His major design for the bank was the Melbourne head office in 1867. With Edmund Wright in 1874 William won the competition for the design of the South Australian Houses of Parliament, which began construction in 1881. The pair also designed the Bank of Australia in Adelaide in 1875. He also designed the Australian Club in Melbourne's William Street and the Melbourne Exchange in Collins Street in 1878. Lloyd's examples of domestic architecture include the mansion "Kamesburgh", Brighton, commissioned by W. K. Thomson in 1872. Other houses include: "Thyra", Brighton (1883): "Leighswood", Toorak, for C. E. Bright: "Roxcraddock", Caulfield: "Cherry Chase", Brighton: and "Blair Athol", Brighton. In addition to his work on St. Mark the Evangelist in Fitzroy, Lloyd also designed St. Mary's Church of England, Hotham (1860); St Philip's, Collingwood, and the Presbyterian Church, Punt Road, South Yarra (1865); and Trinity Church, Bacchus Marsh (1869). The high point of Lloyd's career was the design for the Melbourne head office of the Commercial Bank of Australia. His last important design was the Metropolitan Fire Brigade Headquarters Station, Eastern Hill in 1892. Lloyd was also a judge in 1900 of the competition plans for the new Flinders Street railway station. Lloyd was married to Sarah Toller, daughter of a Congregational minister. They established a comfortable residence, Pen-y-Bryn, in Brighton, and it was from here that he died of cancer of the liver on the 17th of August 1900 survived by his wife, four daughters and a son.
Charles Webb (1821 - 1898) was an architect. Born on 26 November 1821 at Sudbury, Suffolk, England, he was the youngest of nine children of builder William Webb and his wife Elizabeth. He attended Sudbury Academy and was later apprenticed to a London architect. His brother James had migrated to Van Diemen's Land in 1830, married in 1833, gone to Melbourne in 1839 where he set up as a builder in and in 1848 he bought Brighton Park, Brighton. Charles decided to join James and lived with James at Brighton. They went into partnership as architects and surveyors. The commission that established them was in 1850 for St Paul's Church, Swanston Street. It was here that Charles married Emma Bridges, daughter of the chief cashier at the Bank of England. Charles and James built many warehouses, shops and private homes and even a synagogue in the city. After his borther's return to England, Charles designed St. Andrew's Church, Brighton, and receiving an important commission for Melbourne Church of England Grammar School in 1855. In 1857 he added a tower and a slender spire to Scots Church, which James had built in 1841. He designed Wesley College in 1864, the Alfred Hospital and the Royal Arcade in 1869, the South Melbourne Town Hall and the Melbourne Orphan Asylum in 1878 and the Grand Hotel (now the Windsor) in 1884. In 1865 he had designed his own home, "Farleigh", in Park Street, Brighton, where he died on 23 January 1898 of heat exhaustion. Predeceased by Emma in 1893 and survived by five sons and three daughters, he was buried in Brighton cemetery.
If you have any questions or would like to contribute to this archive, please visit www.underjams.art and contact me on Twitter DM or Telegram ♥
This is a photograph from the first running of the Trim AC Bewley's 10 Mile Road Race which was held on Sunday 1st February 2015 at 12:00 in Trim, Co. Meath, Ireland. This race also incorporated the 2015 Meath 10 Mile Road Championships. For the first staging of this event this was an incredible success with almost 800 runners, joggers and walkers talking to the start line. The weather was perfect for running despite the bitter cold temperatures with air temperature of 4C recorded at the start. Some beautiful Spring sunshine helped brighten the day and the roads were clear and dry for racing.
Want to use this photograph or share it? Please read/scroll down a little further to find out how - it's very easy!
The race started on the Trim Athboy Road (the R154) and headed towards the town before making a left turn onto the Trim Dunderry road. The one mile mark comes just after a Y-junction which the race joins back to before the final 600 meters to the finish. Heading north to Dunderry the route takes a left in the middle of the village and heads west for 2 miles on the Dunderry Athboy road. At the next major junction the race takes another left turning south towards Trim town again. One of the only significant hills/drags of the course happens at around the 6.5 mile marker. Miles 7 - 9 are ran on winding roads with nice hedgerows and shelter from any breeze. During these miles you will begin to see the spire of Trim church in the distance. At the Y-Junction from mile one you have 600 meters to go with a final right turn into the industrial estate and the finish line.
The success of today's race is not an accident. Trim AC, and their army of volunteers and help from other Meath athletic clubs, put in huge work to make this race a success.
Today's race adds significantly to Trim AC's reputation for top quality organisation of race events. The 10 mile road race today follows on from the Braveheart 5KM Trail Race which is held annually in June around the beautiful and historical fields of Porchfields and Trim Castle. Today's race could be the begining of one of the region's largest and most popular 10 mile road races.
Are there more photographs from this race? This photograph is part of a larger set of photographs from the Trim AC 10 Mile Road Race 2015. They are available on our Flickr photostream in the album set here www.flickr.com/photos/peterm7/sets/72157650166189770
Trim 10 Mile 2015 Event Page on Facebook: www.facebook.com/events/1519629891656513/?fref=ts (may require Facebook logon)
Trim Athletic Club on Twitter twitter.com/trimathletic
Trim Athletic Club Internet Homepage www.trimac.ie/
GPS Trace of the 10 Mile Route 2015 www.mapmyrun.com/routes/fullscreen/590734250/
Boards.ie Athletics Forum Discussion Thread: www.boards.ie/vbulletin/showthread.php?t=2057321634
Precision Timing Results from the Trim 10 Mile 2015: www.precisiontiming.net/result.aspx?v=2381
Sponsors: Bewley's 1840: bewleys.com/
Read about Bewley's company on Wikipedia: en.wikipedia.org/wiki/Bewley%27s
Trim Athletic Club on Facebook: www.facebook.com/trimathleticclub?fref=ts (may require Facebook logon)
Google Streetview - St. Loman's Hall Registration and Refreshments www.google.ie/maps/place/St+Loman%27s+St,+Trim,+Co.+Meath...
Our photographs from the Trim AC Braveheart 5KM 2014 www.flickr.com/photos/peterm7/sets/72157645195984413/
USING OUR PHOTOGRAPHS - A QUICK GUIDE
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Knowsley Safari Park is a zoological park and tourist attraction in the Knowsley area of Merseyside, England. Knowsley Safari Park is a member of the British and Irish Association of Zoos and Aquariums (BIAZA) and the European Association of Zoos and Aquaria (EAZA). The safari park contributes to conservation and research through links with conservation projects and its links with universities in Liverpool, Chester and Manchester.
History
The park was opened in July 1971 by Edward Stanley, 18th Earl of Derby and Jimmy Chipperfield[9] using the expertise of general manager Laurence Tennant MBE, formerly the Chief Game Warden of Parks in Uganda and Botswana. Initially the road through the park was 3.5 miles (5.6 km), with visitors driving past lions, cheetahs, monkeys, giraffes, zebra, elephants and various antelope. Due to the popularity of this route, an additional 1.5 miles (2.4 km) of road was added in 1973, and camels, buffalo, white rhino, and tigers were added to the park. Over the years, a few modifications have been made. For instance, tigers are now displayed in enclosures within the reserve, and a bypass around the baboons was built for visitors who are worried about damage to their cars.
The park was also home to a former RAF airfield which closed at the end of World War II. The RAF airbase situated at the safari park was also known as No 49 SLG or RAF Knowsley Park and was in use between 13 May 1942 – November 1944.
The park has hosted several sporting events including the Olympic torch relay, watched by 6,000 children and families in June 2012. The park hosted the finish of Stage Two of the 2012 Tour of Britain cycling event and is scheduled to host Stage Three of the 2013 Tour on Tuesday 17 September.
Most recently it hosted the final leg of Big Learner Relay 2017 which has raised over £300,000 for the BBC Children in Need appeal since 2014. Louise Walsh the inspiration behind the BLR has been awarded the prime minister's points of light award which recognises outstanding individual volunteers.
In 1995 Mr William Middleton, a warden at the park, was crushed and paralysed due to a faulty elephant enclosure. Mr Middleton died 12 years later due to complications caused by his injuries.
Zoological collection
Situated around Knowsley Hall on the ancestral estate of the Earl of Derby, the reserve is home to many different animals including elephants, giraffes, lions, bongos, tigers and baboons. The Derby Estate have a tradition of keeping animals, ever since the famous artist and nonsense-poet Edward Lear was employed there in the 19th century to paint pictures of the Earl's collection.
The park is open to the public and customers drive around the park in their own vehicles. There is a bypass route past the baboons for those who wish to avoid the risk of the baboons damaging their cars. In 2009 the baboons made the news all over the world when a video was released showing how they were intelligent and curious enough to open car roofboxes.
Tiger Trail
Amur Tiger Trail opened 25 May 2018, home to the Amur Tiger otherwise known as the Siberian Tiger. The area is 10,000m2 and includes forested areas, natural streams and ponds.
The Equatorial Trail
This exhibit focuses on animals who thrive in habitats around the Earth's Equator. The exhibit also houses the 'Equatorial Express', a small train which visitors can ride to gain a unique viewpoint of the animals. 4 completely different species of animals are housed in this exhibit, the South American tapir, Sitatunga, Rhea and the Capybara.
African Elephant
Until 2017 the park housed a herd of 4 adult cows named Tana, Ashanti, Nala and Juba. They were transported to Zoo Parc d'Beauval, France to enter the European Breeding Programme and allow for transformations on Knowsley Safari's Foot Safari. Knowsley previously housed a bull named Nissim, who collapsed in June 2014. Knowsley also recently lost their cow named Shaba due to a long battle with elephant arthritis.
Southern White Rhinoceros
Knowsley's crash of 11 adult rhinos is one of the most successful and genetically diverse breeding groups in Europe. The latest calf (as at 4 June 2016), Nomvula (Mother of Rain – a reference to the recent wet weather), born to mum Meru and is the 19th to be born at the facility in the last 40 years. Nomvula is Meru's 6th calf and was born on 2 January 2016.
Safari Drive
The Safari Drive is the park's main attraction and contains over 29 species of animals in 7 zones.
Zone 1+11
This zone contains: Père David's deer, Yak, Kiang and Bactrian camel.
Zone 2+8
This zone contains: Blackbuck, Nilgai, Eld's deer, Chital (Axis Deer) and Barasingha.
Zone 3+4+6
Zone 6 is over 100 acres and contains over a mile of road. It is one of Knowsley's two white rhino paddocks and is one of the largest in the UK. This zone contains: Southern White Rhino, Roan antelope, Eland, Lechwe, Wildebeest, Plains Zebra, African Forest Buffalo, Ostritch and Waterbuck.
Zone 5
This zone contains: Blesbok and Bongo
Zone 7
This zone contains exclusively the Olive baboon, which are famous for removing windscreen wipers and other appendages off vehicles. There is a car-friendly route which totally removes this zone however is still visible from outside the perimeter. This leads directly to zone 6.
Zone 9
This zone contains: European Bison, Fallow Deer and European Moose
Zone 10
This zone contains: Lion, and the Somali wild ass. This zone previously housed African wild dog, Iberian Wolf and Siberian Tiger.
All information correct and sourced from the Knowsley Safari Guide Book 2018 and edited by an editor who loves animals.
Railway and other attractions
The park features a 15 in (381 mm) gauge railway, 'The Lakeside Railway', on which visitors may tour parts of the site. There is also a collection of amusements and fairground rides on site plus paintballing, off-road driving challenges, and aerial extreme ropewalks.
A baboon house was added in 2006, along with African wild dogs that same year, a lion and tiger house in 2007. Red river hogs and marmosets were also added to the walkaround section, as well as an outdoor pool.
Animal care
In January 2011, local animal rights activists held a peaceful demonstration after an inspection by government vets found one instance of a breach of regulations on the disposal of animal ‘by-products’. Pictures in the Daily Mail showed animals lying dead on the ground and in binbags, although the park's directors claim the pictures were staged by the photographer, whose husband the paper claimed had recently lost his job at the park. The park has since installed an enclosure for the storage of animal carcasses before disposal. The British and Irish Association of Zoos and Aquariums (BIAZA) later said it had ‘full confidence’ in Knowsley and praised its ‘excellent standards of animal husbandry and welfare’.
Knowsley Safari Park is a zoological park and tourist attraction in the Knowsley area of Merseyside, England. Knowsley Safari Park is a member of the British and Irish Association of Zoos and Aquariums (BIAZA) and the European Association of Zoos and Aquaria (EAZA). The safari park contributes to conservation and research through links with conservation projects and its links with universities in Liverpool, Chester and Manchester.
History
The park was opened in July 1971 by Edward Stanley, 18th Earl of Derby and Jimmy Chipperfield[9] using the expertise of general manager Laurence Tennant MBE, formerly the Chief Game Warden of Parks in Uganda and Botswana. Initially the road through the park was 3.5 miles (5.6 km), with visitors driving past lions, cheetahs, monkeys, giraffes, zebra, elephants and various antelope. Due to the popularity of this route, an additional 1.5 miles (2.4 km) of road was added in 1973, and camels, buffalo, white rhino, and tigers were added to the park. Over the years, a few modifications have been made. For instance, tigers are now displayed in enclosures within the reserve, and a bypass around the baboons was built for visitors who are worried about damage to their cars.
The park was also home to a former RAF airfield which closed at the end of World War II. The RAF airbase situated at the safari park was also known as No 49 SLG or RAF Knowsley Park and was in use between 13 May 1942 – November 1944.
The park has hosted several sporting events including the Olympic torch relay, watched by 6,000 children and families in June 2012. The park hosted the finish of Stage Two of the 2012 Tour of Britain cycling event and is scheduled to host Stage Three of the 2013 Tour on Tuesday 17 September.
Most recently it hosted the final leg of Big Learner Relay 2017 which has raised over £300,000 for the BBC Children in Need appeal since 2014. Louise Walsh the inspiration behind the BLR has been awarded the prime minister's points of light award which recognises outstanding individual volunteers.
In 1995 Mr William Middleton, a warden at the park, was crushed and paralysed due to a faulty elephant enclosure. Mr Middleton died 12 years later due to complications caused by his injuries.
Zoological collection
Situated around Knowsley Hall on the ancestral estate of the Earl of Derby, the reserve is home to many different animals including elephants, giraffes, lions, bongos, tigers and baboons. The Derby Estate have a tradition of keeping animals, ever since the famous artist and nonsense-poet Edward Lear was employed there in the 19th century to paint pictures of the Earl's collection.
The park is open to the public and customers drive around the park in their own vehicles. There is a bypass route past the baboons for those who wish to avoid the risk of the baboons damaging their cars. In 2009 the baboons made the news all over the world when a video was released showing how they were intelligent and curious enough to open car roofboxes.
Tiger Trail
Amur Tiger Trail opened 25 May 2018, home to the Amur Tiger otherwise known as the Siberian Tiger. The area is 10,000m2 and includes forested areas, natural streams and ponds.
The Equatorial Trail
This exhibit focuses on animals who thrive in habitats around the Earth's Equator. The exhibit also houses the 'Equatorial Express', a small train which visitors can ride to gain a unique viewpoint of the animals. 4 completely different species of animals are housed in this exhibit, the South American tapir, Sitatunga, Rhea and the Capybara.
African Elephant
Until 2017 the park housed a herd of 4 adult cows named Tana, Ashanti, Nala and Juba. They were transported to Zoo Parc d'Beauval, France to enter the European Breeding Programme and allow for transformations on Knowsley Safari's Foot Safari. Knowsley previously housed a bull named Nissim, who collapsed in June 2014. Knowsley also recently lost their cow named Shaba due to a long battle with elephant arthritis.
Southern White Rhinoceros
Knowsley's crash of 11 adult rhinos is one of the most successful and genetically diverse breeding groups in Europe. The latest calf (as at 4 June 2016), Nomvula (Mother of Rain – a reference to the recent wet weather), born to mum Meru and is the 19th to be born at the facility in the last 40 years. Nomvula is Meru's 6th calf and was born on 2 January 2016.
Safari Drive
The Safari Drive is the park's main attraction and contains over 29 species of animals in 7 zones.
Zone 1+11
This zone contains: Père David's deer, Yak, Kiang and Bactrian camel.
Zone 2+8
This zone contains: Blackbuck, Nilgai, Eld's deer, Chital (Axis Deer) and Barasingha.
Zone 3+4+6
Zone 6 is over 100 acres and contains over a mile of road. It is one of Knowsley's two white rhino paddocks and is one of the largest in the UK. This zone contains: Southern White Rhino, Roan antelope, Eland, Lechwe, Wildebeest, Plains Zebra, African Forest Buffalo, Ostritch and Waterbuck.
Zone 5
This zone contains: Blesbok and Bongo
Zone 7
This zone contains exclusively the Olive baboon, which are famous for removing windscreen wipers and other appendages off vehicles. There is a car-friendly route which totally removes this zone however is still visible from outside the perimeter. This leads directly to zone 6.
Zone 9
This zone contains: European Bison, Fallow Deer and European Moose
Zone 10
This zone contains: Lion, and the Somali wild ass. This zone previously housed African wild dog, Iberian Wolf and Siberian Tiger.
All information correct and sourced from the Knowsley Safari Guide Book 2018 and edited by an editor who loves animals.
Railway and other attractions
The park features a 15 in (381 mm) gauge railway, 'The Lakeside Railway', on which visitors may tour parts of the site. There is also a collection of amusements and fairground rides on site plus paintballing, off-road driving challenges, and aerial extreme ropewalks.
A baboon house was added in 2006, along with African wild dogs that same year, a lion and tiger house in 2007. Red river hogs and marmosets were also added to the walkaround section, as well as an outdoor pool.
Animal care
In January 2011, local animal rights activists held a peaceful demonstration after an inspection by government vets found one instance of a breach of regulations on the disposal of animal ‘by-products’. Pictures in the Daily Mail showed animals lying dead on the ground and in binbags, although the park's directors claim the pictures were staged by the photographer, whose husband the paper claimed had recently lost his job at the park. The park has since installed an enclosure for the storage of animal carcasses before disposal. The British and Irish Association of Zoos and Aquariums (BIAZA) later said it had ‘full confidence’ in Knowsley and praised its ‘excellent standards of animal husbandry and welfare’.
The is a photograph from the 13th running of the Fields of Athenry 10KM took place on St. Stephen's Day, December 26th 2014 at 11:00 in Athenry, Co. Galway, Ireland. Just under 1,200 participants finished the race today under the Medieval Arch in the town. The weather was certainly not for the faint hearted. With temperatures of about 3C and a biting wind mixed with rain participants had to endure a very very cold race day morning. Heavy rain during the previous night had seen some flooding on the road between 6KM and 9KM. Regardless of this, as always, The Fields of Athenry Road Race rose to the challenge.
This is one of the leading 10KM road races in Ireland. It is hard to believe that the race is "only" thirteen years old. It's superb organisation, atmosphere, and great race history gives it the characteristic of a race that is many years older. The credit for this goes to the wonderful athletics club in Athenry AC and the Race Director for 2014 Frank Burke and his team of volunteers. The attention to every detail in the race which this year attracted over 1,200 participants means that the race has earned it's stripes as one of the leading road races in Ireland. This year the race coupled with Athenry Tidy Towns Committee. A contribution from the proceeds from this year's race will be made to support the work of the Tidy Town Committee.
The race started at the Railway station and then took in a loop of the famous fields of Athenry where it turns left and begins it's return to the town, passing the soccer club, over the railway lines, and finishing under the medival arch in Athenry town for a fittingly atmospheric finish to the race. Race HQ is in the Presentation College in Athenry. Post race showers, prize giving ceremony, and refreshments were provided in the College after the race.
We have a very extensive set of photographs from this year's event. The link to the full set of photographs on this Flickr photostream is here: https://www.flickr.com/photos/peterm7/sets/72157649881213766. There are some photographs of the race start and photographs of the race finish from the 1st across the line until the 50 minutes finish time. It just got too cold to continue at this point.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some useful Internet links
The Athenry AC Website: www.athenryac.com/
The Athenry AC Facebook Page: www.facebook.com/athenryac?fref=ts (Requires Facebook Login)
The official website for the Fields of Athenry 10KM 2014 Website: www.athenry10k.com (This also provides access to the complete archive of results for the entire series of Fields of Athenry races)
The Finish of the 10km under the Medieval Arch on Google Streetview: goo.gl/maps/O2Sv1
Our Flickr set from the Fields of Athenry 2013: www.flickr.com/photos/peterm7/sets/72157639022727644/
Our Flickr set from the Fields of Athenry 2012: www.flickr.com/photos/peterm7/sets/72157632343684441/
Our Flickr set from the Fields of Athenry 2011: www.flickr.com/photos/peterm7/sets/72157628575384797/
Éirefoto.com will have professionally taken photographs of the 2013 Fields of Athenry and other race events in Galway and Connaught over the year: http://www.eirefoto.com/sports.htm
Edenhill77 also posts photographs from road race events in Galway to Flickr: www.flickr.com/photos/edenhill77/sets/
Garmin Connect GPS trace of the 10KM Race Route: connect.garmin.com/player/61755378
Wikipedia Page on 'The Field's of Athenry' en.wikipedia.org/wiki/The_Fields_of_Athenry
The defacto definitive version of the famous song as sung by Paddy Reilly: www.youtube.com/watch?v=v9InnXP64To
The fields of Athenry as sung by the fans of the Republic of Ireland soccer team at Euro 2012 against Spain: www.youtube.com/watch?v=cdZqpYX9eNk
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
The Elbe Sandstone Mountains,[1] also called the Elbe sandstone highlands[2] (Czech: Labské pískovce; German: Elbsandsteingebirge) is a mountain range straddling the border between the state of Saxony in southeastern Germany and the North Bohemian region of the Czech Republic, with about three-quarters of the area lying on the German side. The mountains are also referred to as Saxon Switzerland and Bohemian Switzerland in both German and Czech (Sächsische Schweiz and Böhmische Schweiz in German, Saské Švýcarsko and České Švýcarsko in Czech) or simply combined as Saxon-Bohemian Switzerland.[3] In both countries, the mountain range has been declared a national park. The name derives from the sandstone which was carved by erosion. The river Elbe breaks through the mountain range in a steep and narrow valley.The Elbe Sandstone Mountains extend on both sides of the Elbe from the Saxon town of Pirna in the northwest toward Bohemian Děčín in the southeast. Their highest peak with 723 m (2,372 ft) is the Děčínský Sněžník in Bohemian Switzerland on the left bank of the river in Bohemian Switzerland north of Děčín. The mountain range links the Ore Mountains in the west with the Lusatian Highlands range of the Sudetes in the east. Saxon Switzerland and the Zittau Mountains of the Lusatian Mountains form the Saxon-Bohemian Chalk Sandstone Region.
The Elbe valley in Bohemian Switzerland. The mountains on the horizon lie in Saxony
[edit] Terrain
The most striking characteristic of this deeply dissected rocky mountain range is the extraordinary variety of terrain within the smallest area. Unique amongst the Central European Uplands are the constant changes between plains, ravines, table mountains and rocky regions with undeveloped areas of forest. This diversity is ecologically significant. The variety of different locations, each with its own conditions in terms of soil and microclimate, has produced an enormous richness of species. The numbers of ferns and mosses alone is unmatched by any other of the German central uplands.
The occurrence of Elbe sandstones and hence the Elbe Sandstone Mountains themselves is related to widespread deposition by a former sea in the Upper Cretaceous epoch. On the Saxon side of the border the term "Elbe Valley Cretaceous" (Elbtalkreide) is used, referring to a region stretching from Meißen-Oberau in the northwest through Dresden and Pirna into Saxon Switzerland, and which is formed by sandstones, planers and other rocks as well as basal conglomerates (Grundschottern or Basalkonglomerate) of older origin. Several erosion relics from Reinhardtsgrimma through Dippoldiswalde and the Tharandt Forest to Siebenlehn form isolated examples south of Dresden. They are mainly characterised by sandstones.
On the Bohemian side the sandstone beds continue and form part of the North Bohemian Cretaceous (Nordböhmische Kreide). The chalk sediments of the Zittau Basin are counted as part of the latter due to their regional-geological relationships. The sedimentary sequences of the Cretaceous sea continue across a wide area of the Czech Republic to Moravia. Together these beds form the Saxon-Bohemian Cretaceous Zone. In Czech geological circles, the Elbe Valley Cretaceous is described as the foothills of the Bohemian Cretaceous Basin[3] (Böhmischen Kreidebecken).
[edit] Geology
Hercules pillars in the Biela valley
The eroded sandstone landscape of this region was formed from depositions that accumulated on the bottom of the sea millions of years ago. Large rivers carried sand and other eroded debris into the Cretaceous sea. Rough quartz sand, clay and fine marl sank and became lithified layer by layer. A compact sandstone sequence developed, about 20 x 30 kilometres wide and up to 600 metres thick dating to the lower Cenomanian to Santonian stages.[3] The tremendous variety of shapes in the sandstone landscape is a result of the subsequent chemical and physical erosion and biological processes acting on the rocks formed from those sands laid down during the Cretaceous Period.
The inlets of a Cretaceous sea, together with marine currents, carried away sand over a very long period of time into a shallow zone of the sea and then the diagenetic processes at differing pressure regimes resulted in the formation of sandstone beds. Its stratification is characterized by variations in the horizontal structure (deposits of clay minerals, grain sizes of quartz, differences in the grain-cement) as well as a typical but fairly small fossil presence and variably porous strata.
After the Cretaceous sea had retreated (marine regression), the surface of the land was shaped by weathering influences and watercourses, of which the Elbe made the deepest incision. Later the Lusatian granodiorite was uplifted over the 600 metre thick sandstone slab along the Lusatian Fault and pushed it downwards until it fractured. This northern boundary of the sandstone deposit lies roughly along the line Pillnitz–Hohnstein–Hinterhermsdorf–Krásná Lípa (Schönlinde).
Crags near Rathen
In the Tertiary period, the adjacent region of the Central Bohemian Uplands and the Lusatian Mountains was shaped and affected by intense volcanism; but individual intrusions of magma also forced their way through the sandstone platform of the Elbe Sandstone Mountains. The most striking evidence of this phase in the earth's history are the conical basaltic hills of Růžovský vrch (Rosenberg), Cottaer Spitzberg and Raumberg, but also Großer and Kleiner Winterberg.
At its southwestern edge the sandstone plate was uplifted by over 200 metres at the Karsdorf Fault, whereby the slab was tilted even more and increased the gradient of the Elbe River. The water masses cut valleys into the rock with their streambeds and contributed in places to the formation of the rock faces. Over time the gradients reduced, the streambed of the Elbe widened out and changed its course time and again, partly as a result of the climatic influences of the ice ages.
The mineral composition of the sandstone beds has a direct effect on the morphology of the terrain. The fine-grained form with clayey-silty cement between the quartz grains causes banks and slopes with terracing. The beds of sandstone with siliceous cement are typically the basis of the formation of rock faces and crags. Small variations in the cement composition of the rock can have a visible impact on the landscape.[4]
Elbe Sandstone gets its characteristic cuboid appearance from its thick horizontal strata (massive bedding) and its vertical fissures. In 1839 Bernhard Cotta wrote about this in his comments on the geognostic map: "Vertical fissures and cracks cut through, often virtually at right angles, the horizontal layers and, as a result, parallelepiped bodies are formed, that have given rise to the description Quader Sandstone."[5]. Quader is German for an ashlar or block of stone, hence the name "Square Sandstone" is also used in English.[6]
The term quader sandstone mountains or square sandstone mountains (Quadersandsteingebirge), introduced by Hanns Bruno Geinitz in 1849, is an historic, geological term for similar sandstone deposits, but was also used in connexion with the Elbe Sandstone Mountains.[7][8].
Honeycomb weathering
The fissures were formed as a result of long-term tectonic stresses on the entire sandstone platform of the mountain range. This network of clefts runs through the sandstone beds in a relatively regular way, but in different directions in two regions of the range.[9] Subsequent weathering processes of very different forms and simultaneous complex deposition (leaching, frost and salt wedging, wind, solution weathering with sintering as well as biogenic and microbial effects) have further changed the nature of the rock surface. For example, collapse caves, small hole-like cavities (honeycomb weathering) with hourglass-shaped pillars (Sanduhr), chimneys, crevices and mighty, rugged rock faces.
Many morphological formations in the rocky landscape of the Elbe Sandstone Mountains are suspected to have been formed as a consequence of karstification. Important indicators of such processes in the polygenetic and polymorphic erosion landscape of the Elbe Sandstone Mountains are the furrows with parallel ridges between them (grykes and clints) that look like cart ruts and which are particularly common, as well as extensive cave systems. They are occasionally described by the term pseudokarst. The application of the concept to several erosion formations in the sandstone of this mountain range is however contentious.[10][11][12][13][14] Czech geologists have identified in quarzite-cemented sandstone areas in the northern part of the Bohemian Cretaceous Basin, karst features in the shape of spherical caverns and cave formations. According to them, these emerged as a result of solution processes by water in complex interactions with iron compounds from neighbouring or intrusive magmatic-volcanic rocks. The variation in relief in these sandstone regions is explained on the basis of these processes.[15][16] The Elbe Sandstone Mountains are the greatest cretaceous sandstone erosion complex in Europe.[17]
Human-induced changes caused by nearly 1,000 years of continual sandstone quarrying have also contributed in parts of the sandstone highlands to the appearance of the landscape today. The fissures (called Loose by the quarrymen) played an important role here, because they provided in effect natural divisions in the rock that were helpful when demolishing a rock face or when dressing the rough blocks of stone.[18]
The sandstone of this region is a sought-after building material used for example, for imposing city edifices such as the Church of Our Lady in Dresden.
Das Elbsandsteingebirge (tschechisch Labské pískovce bzw. Labské pískovcové pohoří) ist ein vorwiegend aus Sandstein aufgebautes Mittelgebirge am Oberlauf der Elbe in Sachsen (Deutschland) und Nordböhmen (Tschechien). Es ist etwa 700 km² groß und erreicht Höhen bis 723 Meter über dem Meeresspiegel. Der deutsche Teil wird im allgemeinen als Sächsische Schweiz, der tschechische als Böhmische Schweiz (České Švýcarsko) bezeichnet. Der heute häufiger gebrauchte Begriff „Sächsisch-Böhmische Schweiz“ (Českosaské Švýcarsko) ist davon abgeleitet.
Das Elbsandsteingebirge erstreckt sich beiderseits der Elbe zwischen der tschechischen Stadt Děčín (Tetschen-Bodenbach) und dem sächsischen Pirna. Die östliche Grenze befindet sich etwa entlang einer Linie zwischen Pirna, Hohnstein, Sebnitz, Chřibská, Česká Kamenice nach Děčín. Die westliche Begrenzung folgt von Pirna etwa dem Tal der Gottleuba zum Erzgebirgskamm und dann entlang des Jílovský potok (Eulaubach) nach Děčín. Der höchste Berg des Gebirges ist mit 723 Metern der Děčínský Sněžník (Hoher Schneeberg) im tschechischen Teil des Gebirges, die höchste deutsche Erhebung ist der Große Zschirnstein (561 m).
Im Elbsandsteingebirge befinden sich die Nationalparke Sächsische Schweiz und Böhmische Schweiz.
Allgemeines [Bearbeiten]
Basteibrücke bei Rathen
Das Charakteristische dieses stark zerklüfteten Felsengebirges ist sein außerordentlicher Formenreichtum auf engstem Raum. Einmalig unter den mitteleuropäischen Mittelgebirgen ist der ökologisch bedeutsame ständige Wechsel von Ebenen, Schluchten, Tafelbergen und Felsrevieren mit erhalten gebliebenen geschlossenen Waldbereichen. Die Vielfalt der unterschiedlichen Standorte mit jeweils eigenen Verhältnissen in Bezug auf Boden und Mikroklima haben eine enorme Artenvielfalt hervorgebracht. Allein die Vielfalt der vorkommenden Farne und Moose wird von keiner anderen deutschen Mittelgebirgslandschaft erreicht.
Das Auftreten des Elbsandsteins und damit des Elbsandsteingebirges steht im Zusammenhang mit den großräumigen Ablagerungen eines ehemaligen Meeres in der Oberkreide. Auf sächsischer Seite spricht man von der Elbtalkreide, die sich auf einem Gebiet zwischen Meißen-Oberau im Nordwesten über Dresden und Pirna bis in die Sächsische Schweiz erstreckt und in Form von Sandsteinen, Plänern und weiteren Gesteinen sowie an ihrer Basis mit Grundschottern (Basalkonglomerate) älterer Herkunft auftritt. Einige Erosionsrelikte zwischen Reinhardtsgrimma über Dippoldiswalde und Tharandter Wald bis Siebenlehn bilden südlich von Dresden isolierte Vorkommen. Sie sind hauptsächlich durch Sandsteine gekennzeichnet.
Auf böhmischer Seite setzten sich die Sandsteinablagerungen fort und stellen ein Teil der Nordböhmische Kreide dar. Die Kreidesedimente des Zittauer Beckens werden auf Grund ihrer regionalgeologischen Zusammenhänge der Nordböhmischen Kreide zugeordnet. Die Sedimentabfolgen aus dem Kreidemeer lassen sich in weiteren Landschaftsräumen Tschechiens bis nach Mähren verfolgen. Zusammen bilden diese Ablagerungen die Sächsisch-Böhmische Kreidezone. In der tschechischen Geologie wird die Elbtalkreide als ein Ausläufer des Böhmischen Kreidebeckens beschrieben.
Geologie [Bearbeiten]
Herkulessäulen im Bielatal
Der mannigfaltige Formenreichtum der Sandsteinlandschaft ist eine Folge chemisch-physikalischer Erosion und biologischer Prozesse von Gesteinen, die aus den in der Kreidezeit abgelagerten Sanden gebildet wurden.
Die Zuflüsse eines kreidezeitlichen Meeres und marine Strömungen transportierten über große Zeiträume hinweg in eine Flachmeerzone Sand, welcher über diagenetische Prozesse bei verschiedenen Druckregimen zur Ausbildung von Sandsteinschichten führte. Seine Schichtung ist durch wechselnde horizontale Strukturunterschiede (Einlagerungen von Tonmineralen, Korngrößen des Quarzes, Unterschiede in der Kornbindung) sowie eine typische aber überwiegend geringe Fossilführung sowie mehr oder weniger wasserführende Schichten charakterisiert.
Nachdem sich das kreidezeitliche Meer zurückgezogen (Regression) hatte, formten Verwitterungseinflüsse und Wasserläufe die Oberfläche, von denen die Elbe den stärksten Einschnitt erzeugte. Entlang der Lausitzer Verwerfung schob sich später im Norden der Lausitzer Granodiorit auf die etwa 600 Meter mächtige Sandsteinplatte und drückte diese nach unten, bis sie brach. Dieser Nordrand des Sandsteinvorkommens liegt ungefähr auf der Linie Pillnitz–Hohnstein–Hinterhermsdorf–Krásná Lípa (Schönlinde).
Wabenverwitterung
Im Tertiär wurde vor allem das angrenzende Gebiet des Böhmischen Mittelgebirges und des Lausitzer Gebirges durch einen intensiven Vulkanismus geformt und beeinflusst, einzelne Magmaintrusionen durchstießen aber auch die Sandsteintafel des Elbsandsteingebirges. Die markantesten Zeugnisse dieser erdgeschichtlichen Phase sind vor allem die basaltischen Kegelberge Růžovský vrch (Rosenberg), Cottaer Spitzberg und Raumberg, aber auch Großer und Kleiner Winterberg.
Am Südwestrand wurde die Sandsteinplatte an der Karsdorfer Störung um über 200 Meter angehoben, wodurch die Platte noch stärker kippte und sich das Gefälle des Elbestroms verstärkte. Die Wassermassen gruben mit ihrem Flussbett Täler in das Gestein und trugen stellenweise zur Bildung der Felswände bei. Mit der Zeit verminderte sich das Gefälle; das Flussbett des Elbestroms verbreiterte sich und wechselte immer wieder, auch durch eiszeitliche Klimaeinflüsse bedingt, seinen Verlauf.
Die mineralische Zusammensetzung der Sandsteinablagerungen hat unmittelbare Auswirkungen auf die Morphologie des Geländes. Der feinkörnige Typus mit tonig-schluffiger Bindung zwischen den Quarzkörnen verursacht Böschungen und Hänge mit Terrassierung. Die kieselig gebundenen Sandsteinbänke sind für die Ausbildung von Wänden und Klippen typisch. Geringe Schwankungen bei der Bindemittelzusammensetzung im Gestein können sich im Landschaftsbild sichtbar auswirken.[1]
Seine charakteristische Quader-Erscheinungsweise verdankt der Elbsandstein einer weitständigen horizontalen Schichtung (Bankung) und der vertikalen Zerklüftung. Bernhard Cotta schreibt 1839 in seinen Erläuterungen zur geognostischen Karte hierzu: „Verticale Klüfte und Spalten durchschneiden, unter sich ziemlich rechtwinkelig, die wagerechten Schichten, und dadurch entsteht jene Absonderung in parallelepipedische Körper, die zu dem Namen Quadersandstein Veranlassung gegeben hat.“[2]
Der Begriff Quadersandsteingebirge, von Hanns Bruno Geinitz 1849 eingeführt, ist ein historischer geologischer Terminus für vergleichbare Sandsteinablagerungen, wurde jedoch auch im Zusammenhang mit dem Elbsandsteingebirge verwendet.[3][4].
Die Klüfte bildeten sich durch lang anhaltende tektonische Beanspruchungen der gesamten Sandsteinplatte des Gebirges. Dieses Kluftnetz durchzieht, in zwei Bereichen des Gebirges mit unterschiedlichen Richtungen, in relativ regelmäßiger Form diese Sandsteinablagerungen.[5] Nachfolgend einsetzende Verwitterungsvorgänge sehr unterschiedlicher Art und gegenseitiger komplexer Überlagerung (Auswaschungen, Frost- und Salzsprengungen, Wind, Lösungsvorgänge mit Versinterungen sowie biogene und mikrobielle Einwirkungen) haben die Felsoberflächen weiter geprägt. Es entstanden beispielsweise Einsturzhöhlen, kleine lochähnliche Vertiefungen (Alveolen) mit Sanduhren, Kamine, Spalten und schroffe mächtige Wände.
Vielfältige morphologische Ausbildungen in der Felsenlandschaft des Elbsandsteingebirges werden hinsichtlich ihrer Entstehung als Folge einer Verkarstung diskutiert. Besonders häufig auftretende Furchen mit parallelen Kämmen, sie muten wie Karrenstrukturen an, sowie umfassende Höhlensysteme bieten in der polygenetischen und polymorphen Erosionslandschaft des Elbsandsteingebirges hierzu wichtige Anhaltspunkte. Sie werden gelegentlich mit dem Begriff Pseudokarst bezeichnet. Die Übertragung des Begriffs auf einige Erosionsformen im Sandstein des Elbsandsteingebirges und die daraus abgeleitete Erklärungsweise sind jedoch umstritten.[6][7][8][9][10] Tschechische Geologen konstatieren für quarzitisch gebundene Sandsteinbereiche im nördlichen Teil des Böhmischen Kreidebeckens Karsterscheinungen in Form von sphärischen Hohlräumen und Höhlenbildungen. Sie entstanden demnach durch Lösungsvorgänge von Wasser im komplexen Zusammenspiel mit Eisenverbindungen aus benachbarten bzw. intrudierten magmatisch-vulkanischen Gesteinen. Auf der Grundlage dieser Prozesse wird die Variantenvielfalt des Reliefs in jenen Sandsteingebieten erklärt.[11][12] Das Elbsandsteingebirge ist der größte Kreidesandsteinerosionskomplex in Europa.[13]
Die anthropogen verursachten Veränderungen durch den rund 1000 Jahre anhaltenden Sandsteinabbau trugen in Teilbereichen des Elbsandsteingebirges zusätzlich zur Formung des heute vorhandenen Landschaftsbildes bei. Dabei spielten die Klüfte (von den Steinbrechern Loose genannt) eine wichtige Rolle, da sie eine natürliche Begrenzung bei der Wandfällung und Rohblockzurichtung hilfreich vorgaben.[14]
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Hong Kong (香港; "Fragrant Harbour"), officially Hong Kong Special Administrative Region of the People's Republic of China, is an autonomous territory on the southern coast of China at the Pearl River Estuary and the South China Sea. Hong Kong is known for its skyline and deep natural harbour. It has an area of 1104 km2 and shares its northern border with the Guangdong Province of Mainland China. With around 7.2 million Hongkongers of various nationalities, Hong Kong is one of the world's most densely populated metropolises.
After the First Opium War (1839–42), Hong Kong became a British colony with the perpetual cession of Hong Kong Island, followed by Kowloon Peninsula in 1860 and a 99-year lease of the New Territories from 1898. Hong Kong remained under British control for about a century until the Second World War, when Japan occupied the colony from December 1941 to August 1945. After the Surrender of Japan, the British resumed control. In the 1980s, negotiations between the United Kingdom and the People's Republic of China resulted in the 1984 Sino-British Joint Declaration, which provided for the transfer of sovereignty of Hong Kong on 30 June 1997. The territory became a special administrative region of China with a high degree of autonomy on 1 July 1997 under the principle of one country, two systems. Disputes over the perceived misapplication of this principle have contributed to popular protests, including the 2014 Umbrella Revolution.
In the late 1970s, Hong Kong became a major entrepôt in Asia-Pacific. The territory has developed into a major global trade hub and financial centre. The 44th-largest economy in the world, Hong Kong ranks top 10 in GDP (PPP) per capita, but also has the most severe income inequality among advanced economies. Hong Kong is one of the three most important financial centres alongside New York and London, and the world's number one tourist destination city. The territory has been named the freest market economy. The service economy, characterised by free trade and low taxation, has been regarded as one of the world's most laissez-faire economic policies, and the currency, the Hong Kong dollar, is the 13th most traded currency in the world.
The Hong Kong Basic Law empowers the region to develop relations and make agreements directly with foreign states and regions, as well as international organizations, in a broad range of appropriate fields. It is an independent member of APEC, the IMF, WTO, FIFA and International Olympic Committee among others.
Limited land created a dense infrastructure and the territory became a centre of modern architecture, and one of the world's most vertical cities. Hong Kong has a highly developed public transportation network covering 90 per cent of the population, the highest in the world, and relies on mass transit by road or rail. Air pollution remains a serious problem. Loose emissions standards have resulted in a high level of atmospheric particulates. Nevertheless, Hongkongers enjoy the world's longest or second longest life expectancies.
NAME
It is not known who was responsible for the Romanisation of the name "Hong Kong" but it is generally believed to be an early imprecise phonetic rendering of the pronunciation of the spoken Cantonese or Hakka name 香港, meaning "Fragrant Harbour". Before 1842, the name referred to a small inlet—now Aberdeen Harbour (香港仔, Sidney Lau: heung1gong2 jai2, Jyutping: hoeng1gong2 zai2, or Hiong1gong3 zai3 in a form of Hakka, literally means "Little Hong Kong")—between Aberdeen Island and the south side of Hong Kong Island, which was one of the first points of contact between British sailors and local fishermen. As those early contacts are likely to have been with Hong Kong's early inhabitants, the Tankas (水上人), it is equally probable that the early Romanisation was a faithful execution of their speech, i.e. hong1, not heung1. Detailed and accurate Romanisation systems for Cantonese were available and in use at the time.
The reference to fragrance may refer to the sweet taste of the harbour's fresh water estuarine influx of the Pearl River, or to the incense from factories, lining the coast to the north of Kowloon, which was stored near Aberdeen Harbour for export before the development of the Victoria Harbour.
In 1842, the Treaty of Nanking was signed and the name, Hong Kong, was first recorded on official documents to encompass the entirety of the island.
The name had often been written as the single word Hongkong until the government adopted the current form in 1926. Nevertheless, a number of century-old institutions still retain the single-word form, such as the Hongkong Post, Hongkong Electric and the Hongkong and Shanghai Banking Corporation.
The full official name, after 1997, is "Hong Kong Special Administrative Region of the People's Republic of China". This is the official title as mentioned in the Hong Kong Basic Law and the Hong Kong Government's website; however, "Hong Kong Special Administrative Region" and "Hong Kong" are widely accepted.
Hong Kong has carried many nicknames: the most famous among those is the "Pearl of the Orient", which reflected the impressive night-view of the city's light decorations on the skyscrapers along both sides of the Victoria Harbour. The territory is also known as "Asia's World City".
HISTORY
PRE-BRITISH
Archaeological studies support human presence in the Chek Lap Kok area (now Hong Kong International Airport) from 35,000 to 39,000 years ago and on Sai Kung Peninsula from 6,000 years ago.
Wong Tei Tung and Three Fathoms Cove are the earliest sites of human habitation in Hong Kong during the Paleolithic Period. It is believed that the Three Fathom Cove was a river-valley settlement and Wong Tei Tung was a lithic manufacturing site. Excavated Neolithic artefacts suggested cultural differences from the Longshan culture of northern China and settlement by the Che people, prior to the migration of the Baiyue (Viets) to Hong Kong. Eight petroglyphs, which dated to the Shang dynasty in China, were discovered on the surrounding islands.
ANCIENT CHINA
In 214 BC, Qin Shi Huang, the first emperor of China, conquered the Baiyue tribes in Jiaozhi (modern Liangguang region and Vietnam) and incorporated the territory into imperial China for the first time. Modern Hong Kong was assigned to the Nanhai commandery (modern Nanhai District), near the commandery's capital city Panyu. In Qin dynasty, the territory was ruled by Panyu County(番禺縣) up till Jin Dynasty.
The area of Hong Kong was consolidated under the kingdom of Nanyue (Southern Viet), founded by general Zhao Tuo in 204 BC after the collapse of the short-lived Qin dynasty. When the kingdom of Nanyue was conquered by the Han Dynasty in 111 BC, Hong Kong was assigned to the Jiaozhi commandery. Archaeological evidence indicates that the population increased and early salt production flourished in this time period. Lei Cheng Uk Han Tomb on the Kowloon Peninsula is believed to have been built during the Han dynasty.
IMPERIAL CHINA
Started from Jin dynasty to early period of Tang dynasty, the territory that now comprises Hong Kong was governed by Bao'an County (寶安縣). In Tang dynasty, the Guangdong region flourished as an international trading center. The Tuen Mun region in what is now Hong Kong's New Territories served as a port, naval base, salt production centre and later, base for the exploitation of pearls. Lantau Island was also a salt production centre, where the salt smugglers riots broke out against the government.
Under the Tang dynasty, the Guangdong (Canton) region flourished as a regional trading centre. In 736 AD, the first Emperor of Tang established a military stronghold in Tuen Mun in western Hong Kong to defend the coastal area of the region. The first village school, Li Ying College, was established around 1075 AD in the modern-day New Territories under the Northern Song dynasty. After their defeat by the Mongols, the Southern Song court briefly moved to modern-day Kowloon City (the Sung Wong Toi site), before its final defeat at the Battle of Yamen.
From the mid-Tang dynasty to early Ming dynasty, the territory that now comprises Hong Kong was governed by Dongguan County (東莞縣/ 東官縣). In Ming dynasty, the area was governed by Xin'an County (新安縣) before it was colonized by the British government. The indigenous inhabitants of what is now Hong Kong are identified with several ethnicities, including Punti, Hakka, Tanka) and Hoklo.
The earliest European visitor on record was Jorge Álvares, a Portuguese explorer who arrived in 1513. Having founded an establishment in Macau by 1557, Portuguese merchants began trading in southern China. However, subsequent military clashes between China and Portugal led to the expulsion of all Portuguese merchants from the rest of China.
In the mid-16th century, the Haijin order (closed-door, isolation policy) was enforced and it strictly forbade all maritime activities in order to prevent contact from foreigners by sea. From 1661 to 1669, Hong Kong was directly affected by the Great Clearance of the Kangxi Emperor, who required the evacuation of coastal areas of Guangdong. About 16,000 people from Hong Kong and Bao'an County were forced to emigrate inland; 1,648 of those who evacuated were said to have returned after the evacuation was rescinded in 1669.
BRITSH CROWN COLONY 1842–1941
In 1839, the refusal of Qing authorities to support opium imports caused the outbreak of the First Opium War between the British Empire and the Qing Empire. Qing's defeat resulted in the occupation of Hong Kong Island by British forces on 20 January 1841. It was initially ceded under the Convention of Chuenpee, as part of a ceasefire agreement between Captain Charles Elliot and Governor Qishan. While a dispute between high-ranking officials of both countries led to the failure of the treaty's ratification, on 29 August 1842, Hong Kong Island was formally ceded in perpetuity to the United Kingdom of Great Britain and Ireland under the Treaty of Nanking. The British officially established a Crown colony and founded the City of Victoria in the following year.
The population of Hong Kong Island was 7,450 when the Union Flag raised over Possession Point on 26 January 1841. It mostly consisted of Tanka fishermen and Hakka charcoal burners, whose settlements scattered along several coastal hamlets. In the 1850s, a large number of Chinese immigrants crossed the then-free border to escape from the Taiping Rebellion. Other natural disasters, such as flooding, typhoons and famine in mainland China would play a role in establishing Hong Kong as a place for safe shelter.
Further conflicts over the opium trade between Britain and Qing quickly escalated into the Second Opium War. Following the Anglo-French victory, the Crown Colony was expanded to include Kowloon Peninsula (south of Boundary Street) and Stonecutter's Island, both of which were ceded to the British in perpetuity under the Convention of Beijing in 1860.
In 1898, Britain obtained a 99-year lease from Qing under the Convention for the Extension of Hong Kong Territory, in which Hong Kong obtained a 99-year lease of the Lantau Island, the area north of Boundary Street in Kowloon up to Shenzhen River and over 200 other outlying islands.
Hong Kong soon became a major entrepôt thanks to its free port status, attracting new immigrants to settle from both China and Europe alike. The society, however, remained racially segregated and polarised under British colonial policies. Despite the rise of a British-educated Chinese upper-class by the late-19th century, race laws such as the Peak Reservation Ordinance prevented ethnic Chinese in Hong Kong from acquiring houses in reserved areas, such as the Victoria Peak. At this time, the majority of the Chinese population in Hong Kong had no political representation in the British colonial government. There were, however, a small number of Chinese elites whom the British governors relied on, such as Sir Kai Ho and Robert Hotung, who served as communicators and mediators between the government and local population.
Hong Kong continued to experience modest growth during the first half of the 20th century. The University of Hong Kong was established in 1911 as the territory's oldest higher education institute. While there was an exodus of 60,000 residents for fear of a German attack on the British colony during the First World War, Hong Kong remained peaceful. Its population increased from 530,000 in 1916 to 725,000 in 1925 and reached 1.6 million by 1941.
In 1925, Cecil Clementi became the 17th Governor of Hong Kong. Fluent in Cantonese and without a need for translator, Clementi introduced the first ethnic Chinese, Shouson Chow, into the Executive Council as an unofficial member. Under his tenure, Kai Tak Airport entered operation as RAF Kai Tak and several aviation clubs. In 1937, the Second Sino-Japanese War broke out when the Japanese Empire expanded its territories from northeastern China into the mainland proper. To safeguard Hong Kong as a freeport, Governor Geoffry Northcote declared the Crown Colony as a neutral zone.
JAPANESE OCCUPATION 1941–45
As part of its military campaign in Southeast Asia during Second World War, the Japanese army moved south from Guangzhou of mainland China and attacked Hong Kong on 8 December 1941. The Battle of Hong Kong ended with the British and Canadian defenders surrendering control of Hong Kong to Japan on 25 December 1941 in what was regarded by locals as Black Christmas.
During the Japanese occupation of Hong Kong, the Japanese army committed atrocities against civilians and POWs, such as the St. Stephen's College massacre. Local residents also suffered widespread food shortages, limited rationing and hyper-inflation arising from the forced exchange of currency from Hong Kong Dollars to Japanese military banknotes. The initial ratio of 2:1 was gradually devalued to 4:1 and ownership of Hong Kong Dollars was declared illegal and punishable by harsh torture. Due to starvation and forced deportation for slave labour to mainland China, the population of Hong Kong had dwindled from 1.6 million in 1941 to 600,000 in 1945, when Britain resumed control of the colony on 30 August 1945.
ECONOMY
As one of the world's leading international financial centres, Hong Kong has a major capitalist service economy characterised by low taxation and free trade. The currency, Hong Kong dollar, is the eighth most traded currency in the world as of 2010. Hong Kong was once described by Milton Friedman as the world's greatest experiment in laissez-faire capitalism, but has since instituted a regime of regulations including a minimum wage. It maintains a highly developed capitalist economy, ranked the freest in the world by the Index of Economic Freedom every year since 1995. It is an important centre for international finance and trade, with one of the greatest concentrations of corporate headquarters in the Asia-Pacific region, and is known as one of the Four Asian Tigers for its high growth rates and rapid development from the 1960s to the 1990s. Between 1961 and 1997 Hong Kong's gross domestic product grew 180 times while per-capita GDP increased 87 times over.
The Hong Kong Stock Exchange is the seventh largest in the world and has a market capitalisation of US$2.3 trillion as of December 2009. In that year, Hong Kong raised 22 percent of worldwide initial public offering (IPO) capital, making it the largest centre of IPOs in the world and the easiest place to raise capital. The Hong Kong dollar has been pegged to the US dollar since 1983.
The Hong Kong Government has traditionally played a mostly passive role in the economy, with little by way of industrial policy and almost no import or export controls. Market forces and the private sector were allowed to determine practical development. Under the official policy of "positive non-interventionism", Hong Kong is often cited as an example of laissez-faire capitalism. Following the Second World War, Hong Kong industrialised rapidly as a manufacturing centre driven by exports, and then underwent a rapid transition to a service-based economy in the 1980s. Since then, it has grown to become a leading centre for management, financial, IT, business consultation and professional services.
Hong Kong matured to become a financial centre in the 1990s, but was greatly affected by the Asian financial crisis in 1998, and again in 2003 by the SARS outbreak. A revival of external and domestic demand has led to a strong recovery, as cost decreases strengthened the competitiveness of Hong Kong exports and a long deflationary period ended. Government intervention, initiated by the later colonial governments and continued since 1997, has steadily increased, with the introduction of export credit guarantees, a compulsory pension scheme, a minimum wage, anti-discrimination laws, and a state mortgage backer.
The territory has little arable land and few natural resources, so it imports most of its food and raw materials. Imports account for more than 90% of Hong Kong's food supply, including nearly all of the meat and rice available there. Agricultural activity - relatively unimportant to Hong Kong's economy and contributing just 0.1% of its GDP - primarily consists of growing premium food and flower varieties. Hong Kong is the world's eleventh largest trading entity, with the total value of imports and exports exceeding its gross domestic product. It is the world's largest re-export centre. Much of Hong Kong's exports consist of re-exports, which are products made outside of the territory, especially in mainland China, and distributed via Hong Kong. Its physical location has allowed the city to establish a transportation and logistics infrastructure that includes the world's second busiest container port and the world's busiest airport for international cargo. Even before the transfer of sovereignty, Hong Kong had established extensive trade and investment ties with the mainland, which now enable it to serve as a point of entry for investment flowing into the mainland. At the end of 2007, there were 3.46 million people employed full-time, with the unemployment rate averaging 4.1% for the fourth straight year of decline. Hong Kong's economy is dominated by the service sector, which accounts for over 90% of its GDP, while industry constitutes 9%. Inflation was at 2.5% in 2007. Hong Kong's largest export markets are mainland China, the United States, and Japan.
As of 2010 Hong Kong is the eighth most expensive city for expatriates, falling from fifth position in the previous year. Hong Kong is ranked fourth in terms of the highest percentage of millionaire households, behind Switzerland, Qatar, and Singapore with 8.5 percent of all households owning at least one million US dollars. Hong Kong is also ranked second in the world by the most billionaires per capita (one per 132,075 people), behind Monaco. In 2011, Hong Kong was ranked second in the Ease of Doing Business Index, behind Singapore.
Hong Kong is ranked No. 1 in the world in the Crony Capitalism Index by the Economist.
In 2014, Hong Kong was the eleventh most popular destination for international tourists among countries and territories worldwide, with a total of 27.8 million visitors contributing a total of US$38,376 million in international tourism receipts. Hong Kong is also the most popular city for tourists, nearly two times of its nearest competitor Macau.
DEMOGRAPHICS
The territory's population in mid-2015 is 7.30 million, with an average annual growth rate of 0.8% over the previous 5 years. The current population of Hong Kong comprises 91% ethnic Chinese. A major part of Hong Kong's Cantonese-speaking majority originated from the neighbouring Guangdong province, from where many fled during the Second Sino-Japanese War, the Chinese Civil War, and the communist rule in China.
Residents of the Mainland do not automatically receive the Right of Abode, and many may not enter the territory freely. Like other non-natives, they may apply for the Right of Abode after seven years of continuous residency. Some of the rights may also be acquired by marriage (e.g., the right to work), but these do not include the right to vote or stand for office. However, the influx of immigrants from mainland China, approximating 45,000 per year, is a significant contributor to its population growth – a daily quota of 150 Mainland Chinese with family ties in Hong Kong are granted a "one way permit". Life expectancy in Hong Kong is 81.2 years for males and 86.9 years for females as of 2014, making it the highest life expectancy in the world.
About 91% of the people of Hong Kong are of Chinese descent, the majority of whom are Taishanese, Chiu Chow, other Cantonese people, and Hakka. Hong Kong's Han majority originate mainly from the Guangzhou and Taishan regions in Guangdong province. The remaining 6.9% of the population is composed of non-ethnic Chinese. There is a South Asian population of Indians, Pakistanis and Nepalese; some Vietnamese refugees have become permanent residents of Hong Kong. There are also Britons, Americans, Canadians, Japanese, and Koreans working in the city's commercial and financial sector. In 2011, 133,377 foreign domestic helpers from Indonesia and 132,935 from the Philippines were working in Hong Kong.
Hong Kong's de facto official language is Cantonese, a variety of Chinese originating from Guangdong province to the north of Hong Kong. English is also an official language, and according to a 1996 by-census is spoken by 3.1 percent of the population as an everyday language and by 34.9 percent of the population as a second language. Signs displaying both Chinese and English are common throughout the territory. Since the 1997 Handover, an increase in immigrants from communist China and greater interaction with the mainland's economy have brought an increasing number of Mandarin speakers to Hong Kong.
RELIGION
A majority of residents of Hong Kong have no religious affiliation, professing a form of agnosticism or atheism. According to the US Department of State 43 percent of the population practices some form of religion. Some figures put it higher, according to a Gallup poll, 64% of Hong Kong residents do not believe in any religion, and possibly 80% of Hong Kong claim no religion. In Hong Kong teaching evolution won out in curriculum dispute about whether to teach other explanations, and that creationism and intelligent design will form no part of the senior secondary biology curriculum.
Hong Kong enjoys a high degree of religious freedom, guaranteed by the Basic Law. Hong Kong's main religions are Buddhism, Taoism and Confucianism; a local religious scholar in contact with major denominations estimates there are approximately 1.5 million Buddhists and Taoists. A Christian community of around 833,000 forms about 11.7% of the total population; Protestants forms a larger number than Roman Catholics at a rate of 4:3, although smaller Christian communities exist, including the Latter-day Saints and Jehovah's Witnesses. The Anglican and Roman Catholic churches each freely appoint their own bishops, unlike in mainland China. There are also Sikh, Muslim, Jewish, Hindu and Bahá'í communities. The practice of Falun Gong is tolerated.
PERSONAL INCOME
Statistically Hong Kong's income gap is the greatest in Asia Pacific. According to a report by the United Nations Human Settlements Programme in 2008, Hong Kong's Gini coefficient, at 0.53, was the highest in Asia and "relatively high by international standards". However, the government has stressed that income disparity does not equate to worsening of the poverty situation, and that the Gini coefficient is not strictly comparable between regions. The government has named economic restructuring, changes in household sizes, and the increase of high-income jobs as factors that have skewed the Gini coefficient.
WIKIPEDIA
History beyond Mill Lake:
What makes Mill Lake most special though is it’s rich history – one that has contributed to the economy, health and recreation of the Abbotsford community for over a century.
The first sawmill established on the lake was owned by Charles Hill-Tout, and produced 50,000 railway ties for the Canadian Pacific Railway. Yet, it wasn’t until the four Tretheway brothers, Joe, Richard Arthur, Sam and Bill, purchased the mill in 1903 and in 1912 established the Abbotsford Timber and Trading Company, that mill activity on the lake really took off.
By the 1920’s, their company was one of the biggest employers in British Columbia, producing 20 million feet of boards and 15 million shingles per year. The lake was central to the mill as it was used to sort logs as they arrived by rail from the surrounding area, before being sent to quickly-growing American markets.
The mill remained active until 1934 when the Tretheway brothers shut it down due to the Great Depression and a severe depletion of the forests in the area. Fortunately, in the 1940’s, the Abbotsford Lions Club purchased the site and with the help of the District of Matsqui, they removed the old mill equipment and brought in sand for beaches and grass for the play areas, launching the development of Mill Lake Park into what it is today.
7) Western Painted Turtles, an endangered species of turtle, are native to B.C. and can be found at Mill Lake.
boulevardgroup.ca/history-behind-mill-lake-park/
Image best viewed in Large screen. Thank-you for your visit! I really appreciate it! Sonja :)
Evil vs. Good
On exhibit: October 2 – November 14, 2015
We invited all South Florida artists to contribute a piece that showed some sort of dark and light conflict.
Support the South Florida local art scene!
Featuring artwork by: Abby Jame; Adam Forero; Alex Gerstenkorn; Alex Merly; Alice Acedia; Allan Pierce; Amy Koenig; Ana Garcia; Ananda Yeshua; Andrea Jones; Andrew Lechuga; Andy Farinas; Angelica Busk; Aysha Marie Zouain; Barbarasaurus; Beyssa Buil; Bobby Neal Furedi; Bpresil; Brian Reedy; Carlos Garcia; Cassandra Gonzalez; Catherine Shapiro; Chantal Gabriel; Chibi Hippo; Christine Schongar; Chun Lo; Copper Sphinx; Cortez Valencia; Cristina Larcada; Cruz Valencia; Cynthia Goodman; Davey Graham; Debbie Rao; Diana E. Perez; Dibbie Jane; Diego Rua; Edurne Uribe; Emily Wenzel; Endian Escott; Erin Cavanaugh; Erin O’Dea; Ex McGruder Prescott Harrison III; Felicita Devin; Flor Brito; Frackoon; Genevra Collier; Gianna DiBartolomeo; Grace Chesnut; Hayley Angus; Heather Wood; I Heart NailArt; Ian M. Santos; IdeaStorm Media; Irene Contramaestre; JAB; JeffMadeIt; Jenna Beahn; John Paul Tanner; Jon Gonzalez Abellan; Jonathan C. Diaz; Jonathan Cocks; Jonathan Reid; Jorge Ballester; Julie Camino Photography; Karl Johnsen; Kat Manderfield; Kay Chimel; Kerry Sisselman; Kerry Tichenor; Kimberly Vaughan; Kreisten Suskey; Krysten Deidrick; Lailee Goodman; Laura Garcia; Letisia Cruz; Love Love Goose; Mad God Kaos; Manda Micro; Mandi Sorren; Maranesi; Melly Pereda; Michael Anthony Reiter; Michael Hernandez; Michael Slabaugh; Mikey Quesada; Miniver Patrice; MissMachineArt; Moxie Nox; Natasha Clark; Nigetsue; Nir Vinograd; No, this is David.; Olivia Escott; Patricia Glassman; PeeWee; pKeane; Purificación; Rachel Galvin; Randohf Vidaurreta; Rebecca Baranet; RemiJin; Rey Acevedo; Rikki Wright; Robert Korttonen; Rolando Guillama; Rosemary Jane; Salomon O. Carrasco; Sandra Diaz; Sarah Uriarte; Shane Weaver; Shawn Escott; Sommer Wood; Steven C. Imas; Steven Kurtz; Stibi Art; Summer December; T-Ray; Tanya Lopez; Tasha Milano; TattoosByTK; Tatyana Correa; Tiffany Binns; Tim Murphy; Ursalina Aguilar; Veronica Christiansen; Victoria Alvarez; Violeta Caloor; Wajima Alvarado; Walter Gee; Wen-Ju Chien; William Fushark Muniz; Willo Segersbol; Yessica Lepe; Zac Ensign; Zafy and more!
Hong Kong (香港; "Fragrant Harbour"), officially Hong Kong Special Administrative Region of the People's Republic of China, is an autonomous territory on the southern coast of China at the Pearl River Estuary and the South China Sea. Hong Kong is known for its skyline and deep natural harbour. It has an area of 1104 km2 and shares its northern border with the Guangdong Province of Mainland China. With around 7.2 million Hongkongers of various nationalities, Hong Kong is one of the world's most densely populated metropolises.
After the First Opium War (1839–42), Hong Kong became a British colony with the perpetual cession of Hong Kong Island, followed by Kowloon Peninsula in 1860 and a 99-year lease of the New Territories from 1898. Hong Kong remained under British control for about a century until the Second World War, when Japan occupied the colony from December 1941 to August 1945. After the Surrender of Japan, the British resumed control. In the 1980s, negotiations between the United Kingdom and the People's Republic of China resulted in the 1984 Sino-British Joint Declaration, which provided for the transfer of sovereignty of Hong Kong on 30 June 1997. The territory became a special administrative region of China with a high degree of autonomy on 1 July 1997 under the principle of one country, two systems. Disputes over the perceived misapplication of this principle have contributed to popular protests, including the 2014 Umbrella Revolution.
In the late 1970s, Hong Kong became a major entrepôt in Asia-Pacific. The territory has developed into a major global trade hub and financial centre. The 44th-largest economy in the world, Hong Kong ranks top 10 in GDP (PPP) per capita, but also has the most severe income inequality among advanced economies. Hong Kong is one of the three most important financial centres alongside New York and London, and the world's number one tourist destination city. The territory has been named the freest market economy. The service economy, characterised by free trade and low taxation, has been regarded as one of the world's most laissez-faire economic policies, and the currency, the Hong Kong dollar, is the 13th most traded currency in the world.
The Hong Kong Basic Law empowers the region to develop relations and make agreements directly with foreign states and regions, as well as international organizations, in a broad range of appropriate fields. It is an independent member of APEC, the IMF, WTO, FIFA and International Olympic Committee among others.
Limited land created a dense infrastructure and the territory became a centre of modern architecture, and one of the world's most vertical cities. Hong Kong has a highly developed public transportation network covering 90 per cent of the population, the highest in the world, and relies on mass transit by road or rail. Air pollution remains a serious problem. Loose emissions standards have resulted in a high level of atmospheric particulates. Nevertheless, Hongkongers enjoy the world's longest or second longest life expectancies.
NAME
It is not known who was responsible for the Romanisation of the name "Hong Kong" but it is generally believed to be an early imprecise phonetic rendering of the pronunciation of the spoken Cantonese or Hakka name 香港, meaning "Fragrant Harbour". Before 1842, the name referred to a small inlet—now Aberdeen Harbour (香港仔, Sidney Lau: heung1gong2 jai2, Jyutping: hoeng1gong2 zai2, or Hiong1gong3 zai3 in a form of Hakka, literally means "Little Hong Kong")—between Aberdeen Island and the south side of Hong Kong Island, which was one of the first points of contact between British sailors and local fishermen. As those early contacts are likely to have been with Hong Kong's early inhabitants, the Tankas (水上人), it is equally probable that the early Romanisation was a faithful execution of their speech, i.e. hong1, not heung1. Detailed and accurate Romanisation systems for Cantonese were available and in use at the time.
The reference to fragrance may refer to the sweet taste of the harbour's fresh water estuarine influx of the Pearl River, or to the incense from factories, lining the coast to the north of Kowloon, which was stored near Aberdeen Harbour for export before the development of the Victoria Harbour.
In 1842, the Treaty of Nanking was signed and the name, Hong Kong, was first recorded on official documents to encompass the entirety of the island.
The name had often been written as the single word Hongkong until the government adopted the current form in 1926. Nevertheless, a number of century-old institutions still retain the single-word form, such as the Hongkong Post, Hongkong Electric and the Hongkong and Shanghai Banking Corporation.
The full official name, after 1997, is "Hong Kong Special Administrative Region of the People's Republic of China". This is the official title as mentioned in the Hong Kong Basic Law and the Hong Kong Government's website; however, "Hong Kong Special Administrative Region" and "Hong Kong" are widely accepted.
Hong Kong has carried many nicknames: the most famous among those is the "Pearl of the Orient", which reflected the impressive night-view of the city's light decorations on the skyscrapers along both sides of the Victoria Harbour. The territory is also known as "Asia's World City".
HISTORY
PRE-BRITISH
Archaeological studies support human presence in the Chek Lap Kok area (now Hong Kong International Airport) from 35,000 to 39,000 years ago and on Sai Kung Peninsula from 6,000 years ago.
Wong Tei Tung and Three Fathoms Cove are the earliest sites of human habitation in Hong Kong during the Paleolithic Period. It is believed that the Three Fathom Cove was a river-valley settlement and Wong Tei Tung was a lithic manufacturing site. Excavated Neolithic artefacts suggested cultural differences from the Longshan culture of northern China and settlement by the Che people, prior to the migration of the Baiyue (Viets) to Hong Kong. Eight petroglyphs, which dated to the Shang dynasty in China, were discovered on the surrounding islands.
ANCIENT CHINA
In 214 BC, Qin Shi Huang, the first emperor of China, conquered the Baiyue tribes in Jiaozhi (modern Liangguang region and Vietnam) and incorporated the territory into imperial China for the first time. Modern Hong Kong was assigned to the Nanhai commandery (modern Nanhai District), near the commandery's capital city Panyu. In Qin dynasty, the territory was ruled by Panyu County(番禺縣) up till Jin Dynasty.
The area of Hong Kong was consolidated under the kingdom of Nanyue (Southern Viet), founded by general Zhao Tuo in 204 BC after the collapse of the short-lived Qin dynasty. When the kingdom of Nanyue was conquered by the Han Dynasty in 111 BC, Hong Kong was assigned to the Jiaozhi commandery. Archaeological evidence indicates that the population increased and early salt production flourished in this time period. Lei Cheng Uk Han Tomb on the Kowloon Peninsula is believed to have been built during the Han dynasty.
IMPERIAL CHINA
Started from Jin dynasty to early period of Tang dynasty, the territory that now comprises Hong Kong was governed by Bao'an County (寶安縣). In Tang dynasty, the Guangdong region flourished as an international trading center. The Tuen Mun region in what is now Hong Kong's New Territories served as a port, naval base, salt production centre and later, base for the exploitation of pearls. Lantau Island was also a salt production centre, where the salt smugglers riots broke out against the government.
Under the Tang dynasty, the Guangdong (Canton) region flourished as a regional trading centre. In 736 AD, the first Emperor of Tang established a military stronghold in Tuen Mun in western Hong Kong to defend the coastal area of the region. The first village school, Li Ying College, was established around 1075 AD in the modern-day New Territories under the Northern Song dynasty. After their defeat by the Mongols, the Southern Song court briefly moved to modern-day Kowloon City (the Sung Wong Toi site), before its final defeat at the Battle of Yamen.
From the mid-Tang dynasty to early Ming dynasty, the territory that now comprises Hong Kong was governed by Dongguan County (東莞縣/ 東官縣). In Ming dynasty, the area was governed by Xin'an County (新安縣) before it was colonized by the British government. The indigenous inhabitants of what is now Hong Kong are identified with several ethnicities, including Punti, Hakka, Tanka) and Hoklo.
The earliest European visitor on record was Jorge Álvares, a Portuguese explorer who arrived in 1513. Having founded an establishment in Macau by 1557, Portuguese merchants began trading in southern China. However, subsequent military clashes between China and Portugal led to the expulsion of all Portuguese merchants from the rest of China.
In the mid-16th century, the Haijin order (closed-door, isolation policy) was enforced and it strictly forbade all maritime activities in order to prevent contact from foreigners by sea. From 1661 to 1669, Hong Kong was directly affected by the Great Clearance of the Kangxi Emperor, who required the evacuation of coastal areas of Guangdong. About 16,000 people from Hong Kong and Bao'an County were forced to emigrate inland; 1,648 of those who evacuated were said to have returned after the evacuation was rescinded in 1669.
BRITSH CROWN COLONY 1842–1941
In 1839, the refusal of Qing authorities to support opium imports caused the outbreak of the First Opium War between the British Empire and the Qing Empire. Qing's defeat resulted in the occupation of Hong Kong Island by British forces on 20 January 1841. It was initially ceded under the Convention of Chuenpee, as part of a ceasefire agreement between Captain Charles Elliot and Governor Qishan. While a dispute between high-ranking officials of both countries led to the failure of the treaty's ratification, on 29 August 1842, Hong Kong Island was formally ceded in perpetuity to the United Kingdom of Great Britain and Ireland under the Treaty of Nanking. The British officially established a Crown colony and founded the City of Victoria in the following year.
The population of Hong Kong Island was 7,450 when the Union Flag raised over Possession Point on 26 January 1841. It mostly consisted of Tanka fishermen and Hakka charcoal burners, whose settlements scattered along several coastal hamlets. In the 1850s, a large number of Chinese immigrants crossed the then-free border to escape from the Taiping Rebellion. Other natural disasters, such as flooding, typhoons and famine in mainland China would play a role in establishing Hong Kong as a place for safe shelter.
Further conflicts over the opium trade between Britain and Qing quickly escalated into the Second Opium War. Following the Anglo-French victory, the Crown Colony was expanded to include Kowloon Peninsula (south of Boundary Street) and Stonecutter's Island, both of which were ceded to the British in perpetuity under the Convention of Beijing in 1860.
In 1898, Britain obtained a 99-year lease from Qing under the Convention for the Extension of Hong Kong Territory, in which Hong Kong obtained a 99-year lease of the Lantau Island, the area north of Boundary Street in Kowloon up to Shenzhen River and over 200 other outlying islands.
Hong Kong soon became a major entrepôt thanks to its free port status, attracting new immigrants to settle from both China and Europe alike. The society, however, remained racially segregated and polarised under British colonial policies. Despite the rise of a British-educated Chinese upper-class by the late-19th century, race laws such as the Peak Reservation Ordinance prevented ethnic Chinese in Hong Kong from acquiring houses in reserved areas, such as the Victoria Peak. At this time, the majority of the Chinese population in Hong Kong had no political representation in the British colonial government. There were, however, a small number of Chinese elites whom the British governors relied on, such as Sir Kai Ho and Robert Hotung, who served as communicators and mediators between the government and local population.
Hong Kong continued to experience modest growth during the first half of the 20th century. The University of Hong Kong was established in 1911 as the territory's oldest higher education institute. While there was an exodus of 60,000 residents for fear of a German attack on the British colony during the First World War, Hong Kong remained peaceful. Its population increased from 530,000 in 1916 to 725,000 in 1925 and reached 1.6 million by 1941.
In 1925, Cecil Clementi became the 17th Governor of Hong Kong. Fluent in Cantonese and without a need for translator, Clementi introduced the first ethnic Chinese, Shouson Chow, into the Executive Council as an unofficial member. Under his tenure, Kai Tak Airport entered operation as RAF Kai Tak and several aviation clubs. In 1937, the Second Sino-Japanese War broke out when the Japanese Empire expanded its territories from northeastern China into the mainland proper. To safeguard Hong Kong as a freeport, Governor Geoffry Northcote declared the Crown Colony as a neutral zone.
JAPANESE OCCUPATION 1941–45
As part of its military campaign in Southeast Asia during Second World War, the Japanese army moved south from Guangzhou of mainland China and attacked Hong Kong on 8 December 1941. The Battle of Hong Kong ended with the British and Canadian defenders surrendering control of Hong Kong to Japan on 25 December 1941 in what was regarded by locals as Black Christmas.
During the Japanese occupation of Hong Kong, the Japanese army committed atrocities against civilians and POWs, such as the St. Stephen's College massacre. Local residents also suffered widespread food shortages, limited rationing and hyper-inflation arising from the forced exchange of currency from Hong Kong Dollars to Japanese military banknotes. The initial ratio of 2:1 was gradually devalued to 4:1 and ownership of Hong Kong Dollars was declared illegal and punishable by harsh torture. Due to starvation and forced deportation for slave labour to mainland China, the population of Hong Kong had dwindled from 1.6 million in 1941 to 600,000 in 1945, when Britain resumed control of the colony on 30 August 1945.
ECONOMY
As one of the world's leading international financial centres, Hong Kong has a major capitalist service economy characterised by low taxation and free trade. The currency, Hong Kong dollar, is the eighth most traded currency in the world as of 2010. Hong Kong was once described by Milton Friedman as the world's greatest experiment in laissez-faire capitalism, but has since instituted a regime of regulations including a minimum wage. It maintains a highly developed capitalist economy, ranked the freest in the world by the Index of Economic Freedom every year since 1995. It is an important centre for international finance and trade, with one of the greatest concentrations of corporate headquarters in the Asia-Pacific region, and is known as one of the Four Asian Tigers for its high growth rates and rapid development from the 1960s to the 1990s. Between 1961 and 1997 Hong Kong's gross domestic product grew 180 times while per-capita GDP increased 87 times over.
The Hong Kong Stock Exchange is the seventh largest in the world and has a market capitalisation of US$2.3 trillion as of December 2009. In that year, Hong Kong raised 22 percent of worldwide initial public offering (IPO) capital, making it the largest centre of IPOs in the world and the easiest place to raise capital. The Hong Kong dollar has been pegged to the US dollar since 1983.
The Hong Kong Government has traditionally played a mostly passive role in the economy, with little by way of industrial policy and almost no import or export controls. Market forces and the private sector were allowed to determine practical development. Under the official policy of "positive non-interventionism", Hong Kong is often cited as an example of laissez-faire capitalism. Following the Second World War, Hong Kong industrialised rapidly as a manufacturing centre driven by exports, and then underwent a rapid transition to a service-based economy in the 1980s. Since then, it has grown to become a leading centre for management, financial, IT, business consultation and professional services.
Hong Kong matured to become a financial centre in the 1990s, but was greatly affected by the Asian financial crisis in 1998, and again in 2003 by the SARS outbreak. A revival of external and domestic demand has led to a strong recovery, as cost decreases strengthened the competitiveness of Hong Kong exports and a long deflationary period ended. Government intervention, initiated by the later colonial governments and continued since 1997, has steadily increased, with the introduction of export credit guarantees, a compulsory pension scheme, a minimum wage, anti-discrimination laws, and a state mortgage backer.
The territory has little arable land and few natural resources, so it imports most of its food and raw materials. Imports account for more than 90% of Hong Kong's food supply, including nearly all of the meat and rice available there. Agricultural activity - relatively unimportant to Hong Kong's economy and contributing just 0.1% of its GDP - primarily consists of growing premium food and flower varieties. Hong Kong is the world's eleventh largest trading entity, with the total value of imports and exports exceeding its gross domestic product. It is the world's largest re-export centre. Much of Hong Kong's exports consist of re-exports, which are products made outside of the territory, especially in mainland China, and distributed via Hong Kong. Its physical location has allowed the city to establish a transportation and logistics infrastructure that includes the world's second busiest container port and the world's busiest airport for international cargo. Even before the transfer of sovereignty, Hong Kong had established extensive trade and investment ties with the mainland, which now enable it to serve as a point of entry for investment flowing into the mainland. At the end of 2007, there were 3.46 million people employed full-time, with the unemployment rate averaging 4.1% for the fourth straight year of decline. Hong Kong's economy is dominated by the service sector, which accounts for over 90% of its GDP, while industry constitutes 9%. Inflation was at 2.5% in 2007. Hong Kong's largest export markets are mainland China, the United States, and Japan.
As of 2010 Hong Kong is the eighth most expensive city for expatriates, falling from fifth position in the previous year. Hong Kong is ranked fourth in terms of the highest percentage of millionaire households, behind Switzerland, Qatar, and Singapore with 8.5 percent of all households owning at least one million US dollars. Hong Kong is also ranked second in the world by the most billionaires per capita (one per 132,075 people), behind Monaco. In 2011, Hong Kong was ranked second in the Ease of Doing Business Index, behind Singapore.
Hong Kong is ranked No. 1 in the world in the Crony Capitalism Index by the Economist.
In 2014, Hong Kong was the eleventh most popular destination for international tourists among countries and territories worldwide, with a total of 27.8 million visitors contributing a total of US$38,376 million in international tourism receipts. Hong Kong is also the most popular city for tourists, nearly two times of its nearest competitor Macau.
DEMOGRAPHICS
The territory's population in mid-2015 is 7.30 million, with an average annual growth rate of 0.8% over the previous 5 years. The current population of Hong Kong comprises 91% ethnic Chinese. A major part of Hong Kong's Cantonese-speaking majority originated from the neighbouring Guangdong province, from where many fled during the Second Sino-Japanese War, the Chinese Civil War, and the communist rule in China.
Residents of the Mainland do not automatically receive the Right of Abode, and many may not enter the territory freely. Like other non-natives, they may apply for the Right of Abode after seven years of continuous residency. Some of the rights may also be acquired by marriage (e.g., the right to work), but these do not include the right to vote or stand for office. However, the influx of immigrants from mainland China, approximating 45,000 per year, is a significant contributor to its population growth – a daily quota of 150 Mainland Chinese with family ties in Hong Kong are granted a "one way permit". Life expectancy in Hong Kong is 81.2 years for males and 86.9 years for females as of 2014, making it the highest life expectancy in the world.
About 91% of the people of Hong Kong are of Chinese descent, the majority of whom are Taishanese, Chiu Chow, other Cantonese people, and Hakka. Hong Kong's Han majority originate mainly from the Guangzhou and Taishan regions in Guangdong province. The remaining 6.9% of the population is composed of non-ethnic Chinese. There is a South Asian population of Indians, Pakistanis and Nepalese; some Vietnamese refugees have become permanent residents of Hong Kong. There are also Britons, Americans, Canadians, Japanese, and Koreans working in the city's commercial and financial sector. In 2011, 133,377 foreign domestic helpers from Indonesia and 132,935 from the Philippines were working in Hong Kong.
Hong Kong's de facto official language is Cantonese, a variety of Chinese originating from Guangdong province to the north of Hong Kong. English is also an official language, and according to a 1996 by-census is spoken by 3.1 percent of the population as an everyday language and by 34.9 percent of the population as a second language. Signs displaying both Chinese and English are common throughout the territory. Since the 1997 Handover, an increase in immigrants from communist China and greater interaction with the mainland's economy have brought an increasing number of Mandarin speakers to Hong Kong.
RELIGION
A majority of residents of Hong Kong have no religious affiliation, professing a form of agnosticism or atheism. According to the US Department of State 43 percent of the population practices some form of religion. Some figures put it higher, according to a Gallup poll, 64% of Hong Kong residents do not believe in any religion, and possibly 80% of Hong Kong claim no religion. In Hong Kong teaching evolution won out in curriculum dispute about whether to teach other explanations, and that creationism and intelligent design will form no part of the senior secondary biology curriculum.
Hong Kong enjoys a high degree of religious freedom, guaranteed by the Basic Law. Hong Kong's main religions are Buddhism, Taoism and Confucianism; a local religious scholar in contact with major denominations estimates there are approximately 1.5 million Buddhists and Taoists. A Christian community of around 833,000 forms about 11.7% of the total population; Protestants forms a larger number than Roman Catholics at a rate of 4:3, although smaller Christian communities exist, including the Latter-day Saints and Jehovah's Witnesses. The Anglican and Roman Catholic churches each freely appoint their own bishops, unlike in mainland China. There are also Sikh, Muslim, Jewish, Hindu and Bahá'í communities. The practice of Falun Gong is tolerated.
PERSONAL INCOME
Statistically Hong Kong's income gap is the greatest in Asia Pacific. According to a report by the United Nations Human Settlements Programme in 2008, Hong Kong's Gini coefficient, at 0.53, was the highest in Asia and "relatively high by international standards". However, the government has stressed that income disparity does not equate to worsening of the poverty situation, and that the Gini coefficient is not strictly comparable between regions. The government has named economic restructuring, changes in household sizes, and the increase of high-income jobs as factors that have skewed the Gini coefficient.
WIKIPEDIA
Selection of totem pieces by the first twenty artists who contributed designs to Paper Totem! A big BIG thank you to all of the artists contributing to the project so far. You guys 'n girls ROCK <3
On the left from top to bottom: Shin Tanaka, Loulou & Tummie, Chauskoskis, Sal Azad, Tougui. From top to bottom on the right: Lunartik, Zitone, Triclops, Horrorwood.
Gallery opening of Bear and Bird's Evil vs. Good
On exhibit: October 2 – November 14, 2015
Opening Night Artist Reception: Friday, October 2, 2015 from 6-10pm
We invited all South Florida artists to contribute a piece that showed some sort of dark and light conflict.
Support the South Florida local art scene!
Featuring artwork by: Abby Jame; Adam Forero; Alex Gerstenkorn; Alex Merly; Alice Acedia; Allan Pierce; Amy Koenig; Ana Garcia; Ananda Yeshua; Andrea Jones; Andrew Lechuga; Andy Farinas; Angelica Busk; Aysha Marie Zouain; Barbarasaurus; Beyssa Buil; Bobby Neal Furedi; Bpresil; Brian Reedy; Carlos Garcia; Cassandra Gonzalez; Catherine Shapiro; Chantal Gabriel; Chibi Hippo; Christine Schongar; Chun Lo; Copper Sphinx; Cortez Valencia; Cristina Larcada; Cruz Valencia; Cynthia Goodman; Davey Graham; Debbie Rao; Diana E. Perez; Dibbie Jane; Diego Rua; Edurne Uribe; Emily Wenzel; Endian Escott; Erin Cavanaugh; Erin O’Dea; Ex McGruder Prescott Harrison III; Felicita Devin; Flor Brito; Frackoon; Genevra Collier; Gianna DiBartolomeo; Grace Chesnut; Hayley Angus; Heather Wood; I Heart NailArt; Ian M. Santos; IdeaStorm Media; Irene Contramaestre; JAB; JeffMadeIt; Jenna Beahn; John Paul Tanner; Jon Gonzalez Abellan; Jonathan C. Diaz; Jonathan Cocks; Jonathan Reid; Jorge Ballester; Julie Camino Photography; Karl Johnsen; Kat Manderfield; Kay Chimel; Kerry Sisselman; Kerry Tichenor; Kimberly Vaughan; Kreisten Suskey; Krysten Deidrick; Lailee Goodman; Laura Garcia; Letisia Cruz; Love Love Goose; Mad God Kaos; Manda Micro; Mandi Sorren; Maranesi; Melly Pereda; Michael Anthony Reiter; Michael Hernandez; Michael Slabaugh; Mikey Quesada; Miniver Patrice; MissMachineArt; Moxie Nox; Natasha Clark; Nigetsue; Nir Vinograd; No, this is David.; Olivia Escott; Patricia Glassman; PeeWee; pKeane; Purificación; Rachel Galvin; Randohf Vidaurreta; Rebecca Baranet; RemiJin; Rey Acevedo; Rikki Wright; Robert Korttonen; Rolando Guillama; Rosemary Jane; Salomon O. Carrasco; Sandra Diaz; Sarah Uriarte; Shane Weaver; Shawn Escott; Sommer Wood; Steven C. Imas; Steven Kurtz; Stibi Art; Summer December; T-Ray; Tanya Lopez; Tasha Milano; TattoosByTK; Tatyana Correa; Tiffany Binns; Tim Murphy; Ursalina Aguilar; Veronica Christiansen; Victoria Alvarez; Violeta Caloor; Wajima Alvarado; Walter Gee; Wen-Ju Chien; William Fushark Muniz; Willo Segersbol; Yessica Lepe; Zac Ensign; Zafy and more!
Visit: en.wikipedia.org/wiki/Normandy_landings
Normandy landings
The Normandy landings (codenamed Operation Neptune) were the landing operations on Tuesday, 6 June 1944 (termed D-Day) of the Allied invasion of Normandy in Operation Overlord during World War II. The largest seaborne invasion in history, the operation began the liberation of German-occupied northwestern Europe from Nazi control, and contributed to the Allied victory on the Western Front.
Planning for the operation began in 1943. In the months leading up to the invasion, the Allies conducted a substantial military deception, codenamed Operation Bodyguard, to mislead the Germans as to the date and location of the main Allied landings. The weather on D-Day was far from ideal, but postponing would have meant a delay of at least two weeks, as the invasion planners had requirements for the phase of the moon, the tides, and the time of day that meant only a few days in each month were deemed suitable. Adolf Hitler placed German Field Marshal Erwin Rommel in command of German forces and of developing fortifications along the Atlantic Wall in anticipation of an Allied invasion.
The amphibious landings were preceded by extensive aerial and naval bombardment and an airborne assault—the landing of 24,000 American, British, and Canadian airborne troops shortly after midnight. Allied infantry and armoured divisions began landing on the coast of France at 06:30. The target 50-mile (80 km) stretch of the Normandy coast was divided into five sectors: Utah, Omaha, Gold, Juno, and Sword. Strong winds blew the landing craft east of their intended positions, particularly at Utah and Omaha. The men landed under heavy fire from gun emplacements overlooking the beaches, and the shore was mined and covered with obstacles such as wooden stakes, metal tripods, and barbed wire, making the work of the beach-clearing teams difficult and dangerous. Casualties were heaviest at Omaha, with its high cliffs. At Gold, Juno, and Sword, several fortified towns were cleared in house-to-house fighting, and two major gun emplacements at Gold were disabled, using specialised tanks.
The Allies failed to achieve any of their goals on the first day. Carentan, St. Lô, and Bayeux remained in German hands, and Caen, a major objective, was not captured until 21 July. Only two of the beaches (Juno and Gold) were linked on the first day, and all five beachheads were not connected until 12 June; however, the operation gained a foothold which the Allies gradually expanded over the coming months. German casualties on D-Day have been estimated at 4,000 to 9,000 men. Allied casualties were at least 10,000, with 4,414 confirmed dead.
Museums, memorials, and war cemeteries in the area now host many visitors each year. (Wikipedia)
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29 Nov 2012
North America and Mainland Europe hold the key to tourism growth next year, according to Tourism Ireland, as it launched its marketing plans for 2013 today. The plans will see visitor numbers to the island of Ireland increase by +5% to 7.6 million in 2013, contributing €3.7 billion (+6%) to the economies, north and south.
2012 looks set to be one of the strongest years ever for visitors from North America to Ireland (since the previous high of 2007, when we welcomed over one million visitors). And, with the number of airline seats from the United States to Ireland set to grow by +20% for the summer of 2013, Tourism Ireland believes this is a market of considerable potential. A new three-year plan – “Make Ireland Jump Out” – will be rolled out in the US in 2013. It aims to increase the number of American visitors by +20% between 2013 and 2015 and to win a greater share of all travel by Americans to Europe.
Mainland Europe is also an increasingly important market for Irish tourism, now delivering even more holidaymakers and revenue than Great Britain. For 2013, Tourism Ireland aims to welcome almost 2.5 million European visitors (an increase of +4.4%). The organisation’s resources will be prioritised in the two key markets of Germany and France – followed by Italy, the Nordics, Spain and the Netherlands. And a new strategy for Great Britain, our largest tourism market – “GB Path to Growth” – will be implemented, to grow the number of British holidaymakers by +20% i.e. an additional 200,000 holiday visitors per year by 2016.
Details of Tourism Ireland’s brand new website Ireland.com were also unveiled at today’s event. The new site, which will go live in time for January 2013, will appear in 11 different language versions for over 30 individual markets around the world. It has been completely redeveloped to provide a transformed web experience for potential holidaymakers around the world. It has been specially designed to capitalise on the huge importance of the internet in planning and booking holidays today and to harness the phenomenal growth in social media. A new domain name for the site, Ireland.com, with its ease of recognition and memorability, will ensure greater ‘stand-out’ for the destination around the world and deliver savings in promotions and search engine optimisation (SEO) activity.
Australia and emerging tourism markets also look set to experience a record year in 2012 – thanks in part to improved access, with more air routes than ever before via the Middle East providing good connectivity from Australia, China and India. For 2013, Tourism Ireland will continue its successful strategy of working with airlines, the travel trade and industry partners, as well as influential media in those markets – highlighting ease of access, the visa waiver scheme and the many compelling reasons to visit Ireland. A combined UK and Ireland visa has the potential to deliver additional growth from these markets.
The major focus of Tourism Ireland’s promotions next year will be The Gathering Ireland 2013, the biggest and most ambitious tourism-led event ever held in Ireland. Tourism Ireland will promote The Gathering throughout the year to the 70 million people across the world who feel linked by family, friends or otherwise with Ireland.
Speaking at the launch, Minister for Transport, Tourism & Sport Leo Varadkar said: “Tourism is central to Government plans for economic recovery. Shortly after the election we brought in a range of measures to support the sector, including a special tourism VAT rate of 9%. Next year, Ireland will host the biggest single tourism event ever held in Ireland, The Gathering Ireland 2013. Everybody in Government, Tourism Ireland and Fáilte Ireland is leaving no stone unturned to reach our ambitious target of 325,000 extra visitors next year. With the support of the wider community at home and abroad, I am confident we can deliver growth of over 5% in overseas visits next year, with the knock-on benefits in terms of revenue and jobs in every part of the country.”
2012 performance
Latest estimates indicate that, by year end, 7.27 million people will have visited the island in 2012, generating revenue of approximately €3.51 billion. Niall Gibbons, chief executive of Tourism Ireland, said: “2012 has been something of a mixed year, with Dublin and other cites, as well as the tourism ‘honeypots’ doing quite well, but with rural and outlying areas finding the going harder. Visitor numbers from North America and long-haul markets like Australia look set to reach or even exceed the records levels of 2007. The performance of Mainland European markets has also been quite strong. However, visitor numbers from Great Britain, our largest tourism market, have been disappointing, with a flat economy and weak consumer confidence having a significant impact on travel by Britons throughout the year.”
Global Connections for Tourism Growth: 2013 and beyond
Tourism Ireland’s targets for 2013 will see the island of Ireland welcoming 7.6 million visitors, representing growth in visitor numbers of + 5% over 2012. Commenting on the year ahead, Niall Gibbons said: “2013 is about setting us back on a path of sustained growth in the continuing difficult climate. Despite the uncertainty surrounding the pace of economic recovery in our key source markets, we believe that our marketing activity around the globe in 2013 can deliver a +5% increase in visitor numbers, with North American and Mainland Europe representing significant potential. The Gathering Ireland presents an unprecedented opportunity for us to shine a spotlight on Ireland around the world. And we will continue to work closely with our tourism partners, both at home and overseas, to achieve our common objectives and help drive economic regeneration.”
Built amid workers' cottages and terrace houses of shopkeepers, St. Mark the Evangelist Church of England sits atop an undulating rise in the inner Melbourne suburb of Fitzroy. Nestled behind a thick bank of agapanthus beyond its original cast-iron palisade fence, it would not look out of place in an English country village with its neat buttresses, bluestone masonry and simple, unadorned belfry.
St. Mark the Evangelist was the first church to be built outside of the original Melbourne grid as Fitzroy developed into the city's first suburb. A working-class suburb, the majority of its residents were Church of England and from 1849 a Mission Church and school served as a centre for religious, educational and recreational facilities. The school was one of a number of denominational schools established by the Church of England and was partly funded by the Denominational School Board.
St. Mark the Evangelist Church of England was designed by architect James Blackburn and built in Early English Gothic style. Richard Grice, Victorian pastoralist and philanthropist, generously contributed almost all the cost of its construction. Work commenced in 1853 to accommodate the growing Church of England congregation of Fitzroy. On July 1st, 1853, the first stone of St. Mark the Evangelist was laid by the first Bishop of Melbourne, The Right Rev. Charles Perry.
Unfortunately, Blackburn did not live to see its completion, dying the following year in 1854 of typhoid. This left St. Mark the Evangelist without an architect to oversee the project, and a series of other notable Melbourne architects helped finish the church including Lloyd Tayler, Leonard Terry and Charles Webb. Even then when St. Mark the Evangelist opened its doors on Sunday, January 21st, 1855, the church was never fully completed with an east tower and spire never realised. The exterior of the church is very plain, constructed of largely unadorned bluestone, with simple buttresses marking structural bays and tall lancet windows. The church's belfry is similarly unadorned, yet features beautiful masonry work. It has a square tower and broach spire.
Inside St. Mark the Evangelist Church of England it is peaceful and serves as a quiet sanctuary from the noisy world outside. I visited it on a hot day, and its enveloping coolness was a welcome relief. Walking across the old, highly polished hardwood floors you cannot help but note the gentle scent of the incense used during mass. The church has an ornately carved timber Gothic narthex screen which you walk through to enter the nave. Once there you can see the unusual two storey arcaded gallery designed by Leonard Terry that runs the entire length of the east side of building. Often spoken of as “The Architect’s Folly” Terry's gallery was a divisive point in the Fritzroy congregation. Some thought it added much beauty to the interior with its massive square pillars and seven arches supporting the principals of the roof. Yet it was generally agreed that the gallery was of little effective use, and came with a costly price tag of £3,000.00! To this day, it has never been fully utlised by the church. St. Mark the Evangelist has been fortunate to have a series of organs installed over its history; in 1854 a modest organ of unknown origin: in 1855 an 1853 Foster and Andrews, Hull, organ which was taken from the Athenaeum Theatre in Melbourne's Collins Street: in 1877 an organ built by Melbourne organ maker William Anderson: and finally in 1999 as part of major renovation works a 1938 Harrison and Harrison, Durham, organ taken from St. Luke's Church of England in Cowley, Oxfordshire. The church has gone through many renovations over the ensuing years, yet the original marble font and pews have survived these changes and remain in situ to this day. Blackwood reredos in the chancel, dating from 1939, feature a mosaic of the last supper by stained glass and church outfitters Brooks, Robinson and Company. A similar one can be found at St. Matthew's Church of England in High Street in Prahran. The fine lancet stained glass windows on the west side of St. Mark the Evangelist feature the work of the stained glass firms Brooks, Robinson and Company. and William Montgomery. Many of the windows were installed in the late Nineteenth Century.
The St. Mark the Evangelist Parish Hall and verger's cottage were added in 1889 to designs by architects Hyndman and Bates. The hall is arranged as a nave with clerestorey windows and side aisles with buttresses. In 1891 the same architects designed the Choir Vestry and Infants Sunday School on Hodgson Street, to replace the earlier school of 1849 which had been located in the forecourt of the church.
The present St. Mark the Evangelist's vicarage, a two-storey brick structure with cast-iron lacework verandahs, was erected in 1910.
I am very grateful to the staff of Anglicare who run the busy adjoining St. Mark's Community Centre for allowing me to have free range of the inside of St. Mark the Evangelist for a few hours to photograph it so extensively.
James Blackburn (1803 - 1854) was an English civil engineer, surveyor and architect. Born in Upton, West Ham, Essex, James was the third of four sons and one daughter born to his parents. His father was a scalemaker, a trade all his brothers took. At the age of 23, James was employed by the Commissioners of Sewers for Holborn and Finsbury and later became an inspector of sewers. However, his life took a dramatic turn in 1833, when suffering economic hardship, he forged a cheque. He was caught and his penalty was transportation to Van Diemen’s Land (modern day Tasmania). As a convicted prisoner, yet also listed as a civil engineer, James was assigned to the Roads Department under the management of Roderic O’Connor, a wealthy Irishman who was the Inspector of Roads and Bridges at the time. On 3 May 1841 James was pardoned, whereupon he entered private practice with James Thomson, another a former convict. In April 1849, James sailed from Tasmania aboard the "Shamrock" with his wife and ten children to start a new life in Melbourne. Once there he formed a company to sell filtered and purified water to the public, and carried out some minor architectural commissions including St. Mark the Evangelist in Fitzroy. On 24 October he was appointed city surveyor, and between 1850 and 1851 he produced his greatest non-architectural work, the basic design and fundamental conception of the Melbourne water supply from the Yan Yean reservoir via the Plenty River. He was injured in a fall from a horse in January 1852 and died on 3 March 1854 at Brunswick Street, Collingwood, of typhoid. He was buried as a member of St. Mark The Evangelist Church of England. James is best known in Tasmania for his ecclesiastical architectural work including; St Mark's Church of England, Pontville, Tasmania (1839-1841), Holy Trinity Church, Hobart, Tasmania (1841-1848): St. George's Church of England, Battery Point, Tasmania, (1841-1847).
Leonard Terry (1825 - 1884) was an architect born at Scarborough, Yorkshire, England. Son of Leonard Terry, a timber merchant, and his wife Margaret, he arrived in Melbourne in 1853 and after six months was employed by architect C. Laing. By the end of 1856 he had his own practice in Collins Street West (Terry and Oakden). After Mr. Laing's death next year Leonard succeeded him as the principal designer of banks in Victoria and of buildings for the Anglican Church, of which he was appointed diocesan architect in 1860. In addition to the many banks and churches that he designed, Leonard is also known for his design of The Melbourne Club on Collins Street (1858 - 1859) "Braemar" in East Melbourne (1865), "Greenwich House" Toorak (1869) and the Campbell residence on the corner of Collins and Spring Streets (1877). Leonard was first married, at 30, on 26 June 1855 to Theodosia Mary Welch (d.1861), by whom he had six children including Marmaduke, who trained as a surveyor and entered his father's firm in 1880. Terry's second marriage, at 41, on 29 December 1866 was to Esther Hardwick Aspinall, who bore him three children and survived him when on 23 June 1884, at the age of 59, he died of a thoracic tumor in his last home, Campbellfield Lodge, Alexandra Parade, in Collingwood.
Lloyd Tayler (1830 - 1900) was an architect born on 26 October 1830 in London, youngest son of tailor William Tayler, and his wife Priscilla. Educated at Mill Hill Grammar School, Hendon, and King's College, London, he is said to have been a student at the Sorbonne. In June 1851 he left England to join his brother on the land near Albury, New South Wales. He ended up on the Mount Alexander goldfields before setting up an architectural practice with Lewis Vieusseux, a civil engineer in 1854. By 1856 he had his own architectural practice where he designed premises for the Colonial Bank of Australasia. In the 1860s and 1870s he was lauded for his designs for the National Bank of Australasia, including those in the Melbourne suburbs of Richmond and North Fitzroy, and further afield in country Victoria at Warrnambool and Coleraine. His major design for the bank was the Melbourne head office in 1867. With Edmund Wright in 1874 William won the competition for the design of the South Australian Houses of Parliament, which began construction in 1881. The pair also designed the Bank of Australia in Adelaide in 1875. He also designed the Australian Club in Melbourne's William Street and the Melbourne Exchange in Collins Street in 1878. Lloyd's examples of domestic architecture include the mansion "Kamesburgh", Brighton, commissioned by W. K. Thomson in 1872. Other houses include: "Thyra", Brighton (1883): "Leighswood", Toorak, for C. E. Bright: "Roxcraddock", Caulfield: "Cherry Chase", Brighton: and "Blair Athol", Brighton. In addition to his work on St. Mark the Evangelist in Fitzroy, Lloyd also designed St. Mary's Church of England, Hotham (1860); St Philip's, Collingwood, and the Presbyterian Church, Punt Road, South Yarra (1865); and Trinity Church, Bacchus Marsh (1869). The high point of Lloyd's career was the design for the Melbourne head office of the Commercial Bank of Australia. His last important design was the Metropolitan Fire Brigade Headquarters Station, Eastern Hill in 1892. Lloyd was also a judge in 1900 of the competition plans for the new Flinders Street railway station. Lloyd was married to Sarah Toller, daughter of a Congregational minister. They established a comfortable residence, Pen-y-Bryn, in Brighton, and it was from here that he died of cancer of the liver on the 17th of August 1900 survived by his wife, four daughters and a son.
Charles Webb (1821 - 1898) was an architect. Born on 26 November 1821 at Sudbury, Suffolk, England, he was the youngest of nine children of builder William Webb and his wife Elizabeth. He attended Sudbury Academy and was later apprenticed to a London architect. His brother James had migrated to Van Diemen's Land in 1830, married in 1833, gone to Melbourne in 1839 where he set up as a builder in and in 1848 he bought Brighton Park, Brighton. Charles decided to join James and lived with James at Brighton. They went into partnership as architects and surveyors. The commission that established them was in 1850 for St Paul's Church, Swanston Street. It was here that Charles married Emma Bridges, daughter of the chief cashier at the Bank of England. Charles and James built many warehouses, shops and private homes and even a synagogue in the city. After his borther's return to England, Charles designed St. Andrew's Church, Brighton, and receiving an important commission for Melbourne Church of England Grammar School in 1855. In 1857 he added a tower and a slender spire to Scots Church, which James had built in 1841. He designed Wesley College in 1864, the Alfred Hospital and the Royal Arcade in 1869, the South Melbourne Town Hall and the Melbourne Orphan Asylum in 1878 and the Grand Hotel (now the Windsor) in 1884. In 1865 he had designed his own home, "Farleigh", in Park Street, Brighton, where he died on 23 January 1898 of heat exhaustion. Predeceased by Emma in 1893 and survived by five sons and three daughters, he was buried in Brighton cemetery.
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
Credit: Salzburg Global Seminar/Ela Grieshaber
October 11 to 16, 2014
One of the fundamental responsibilities of higher education is to provide open and equal opportunities for students to learn, succeed, and positively contribute to their local, national, and global societies. Great strides are being made in increasing educational access, retention completion, and success, yet there is still work to be done particularly for students from disadvantaged or marginalized groups. Unprecedented shifts in migration patterns are causing demographic changes around the world. Additionally, governments, societies, and higher education institutions are increasingly recognizing the need and responsibility to create legal and institutional frameworks for providing more and better opportunities for people from historically marginalized groups to gain access and achieve success at the university level.
From South Africa’s “Historically Disadvantaged Institutions,” to Brazil’s “Law of Social Quotas,” and a long tradition of “Minority Serving Institutions” in the United States, just to name a few, higher education institutions committed to providing educational opportunities for local communities marginalized along ethnic, racial, religious or other lines can be found on every continent. What’s more, in light of shifting demographics and the growing focus on educational opportunity and access, increasing numbers of colleges and universities will be serving students from marginalized groups. For too long, institutions serving students at the margins have operated in a vacuum, failing to collaborate across institutional types and across nations. This Salzburg session will bring together leaders from institutions serving marginalized populations with policy makers and researchers to develop a platform for finding solutions to these institutions’ common challenges and capitalizing on their strengths.
This program is being designed and implemented in partnership with the recently launched Center for Minority Serving Institutions at the University of Pennsylvania’s Graduate School of Education and with Educational Testing Service. From 2010 to 2012, Salzburg Global and Educational Testing Service collaborated on a series of sessions on “Optimizing Talent: Closing Educational and Social Mobility Gaps Worldwide.”
515-527 1/2 Pandora Avenue, Victoria, BC.
Description of Historic Place:
515-527 1/2 Pandora Avenue is a long masonry commercial building, two storeys in height, with a full lower level exposed to the rear courtyard. It is part of Market Square, a rehabilitated complex of late nineteenth century buildings that comprise the western half of a full block, with continuous historic streetfronts along three major streets and a central courtyard behind, in Victoria's Old Town.
Heritage Value:
515-527 1/2 Pandora Avenue is a significant contributing resource to a key historic grouping of nineteenth-century structures in Victoria's Old Town that marks the southern edge of the expansion of Victoria's original Chinatown (now a National Historic Site). This block, bounded to the north by Pandora Avenue and to the south by Johnson Street, was once part of the course of the Johnson Street Ravine, a swamp that marked the boundary between the European business area to the south and Chinatown to the north. During the 1880s, the wooden shacks on the north side of the ravine were replaced with utilitarian commercial blocks housing Chinese businesses, spurred by the dramatic increase in the local Chinese population after the Canadian Pacific Railway was completed. The announcement of a land grant to the Esquimalt and Nanaimo Railway in 1883, and its completion in 1888, sparked a construction boom in Victoria of stores and hotels around the terminus at the west foot of Pandora Avenue. The south side of the block was filled with more elaborate buildings, such as hotels and commercial enterprises run by Europeans, illustrating the physical and cultural divide within the early city. Accessed by alleyways cut through the buildings, the large open space in the centre of the block remains as a significant representation of the interconnected network of courtyards and alleyways in Old Town. These alleyways provided service areas and access which were important to the commercial functions of these buildings.
Built in two halves, this structure is also significant for its late Victorian era architecture. The western half was built in 1888 and later extended to the east in 1900, demonstrating how buildings expanded to meet Victoria's growing commercial needs. Typical of historic usage in downtown Victoria, the structure exhibits street-level retail space, and a clear division into smaller retail units. The second floor doorways illustrate that this building, similar to others of the same vintage, once had a continuous wooden front arcade and balcony.
515-527 1/2 Pandora Avenue is valuable for its association with its original owner. Joseph Westrop Carey (1829-1910), a prominent local businessman who emigrated from Ireland in 1845, participated the Californian gold rush, served as a Victoria city councillor from 1869 to 1871 and was elected mayor in 1884.
Additionally, this building represents Market Square's role in the modern revitalization of Victoria's historic downtown core. In the 1970s, Sam Bawlf and his brother, architect Nick Bawlf, pioneered private sector revitalization in Victoria by creating Market Square, a half-block of contiguous rehabilitated heritage buildings that framed a partly covered central courtyard, housing a vibrant urban environment with boutiques, restaurants, offices, and performance space. Seeking to reactivate Victoria's depressed downtown core with this massive project, the Bawlfs balanced urban revitalization with heritage conservation. The preservation of the open space in the central courtyard is a key feature that recalls the integral role of these secondary spaces in Victoria's commercial activities.
Source: City of Victoria Planning and Development Department
Character-Defining Elements:
Key elements that define the heritage character of 515-527 1/2 Pandora Avenue include its:
- location within Market Square and the historic streetscape of Pandora Avenue, set flush to the front and side property lines with other contemporaneous buildings, on a south-sloping lot that exposes the lower level at the rear
- continuous commercial and retail use
- commercial form, scale and massing as expressed by its two-storey plus lower level, cubic form, basement areaways and flat roof
- masonry construction, including: structural front, side and rear brick walls; timber internal frame; rubble-stone foundations; parged window sills; and granite door thresholds
- Italianate style details such as tall windows with segmental arched window heads and simple front and rear corbelled brick cornices
- additional exterior details include a straight parapet incorporating recessed panels, with an arched parapet in the westernmost (1888) portion of the facade; red-brick projections above parapet; keystones; simple cornice and stringcourses; second-storey (balcony) doorways, with glazed doors and double-paned transom lights; individual first-storey access to each upper-storey suite, through narrow doorway openings with round-headed arches; glazed double doors with multi-paned transom lights to each storefront; and first and second-storey doorways on the rear elevation
- irregular fenestration with: rectangular storefront openings; recessed, double-hung 2-over-2 wooden sash second-storey front elevation windows with window horns; and double-hung 4-over-4 wooden sash windows on the rear elevation
- elements of the 1970s rehabilitation, such as the rear decks, openings into the rear courtyard from the front street, projecting metal balconies on front façade, and stairways to upper floors
29 Nov 2012
North America and Mainland Europe hold the key to tourism growth next year, according to Tourism Ireland, as it launched its marketing plans for 2013 today. The plans will see visitor numbers to the island of Ireland increase by +5% to 7.6 million in 2013, contributing €3.7 billion (+6%) to the economies, north and south.
2012 looks set to be one of the strongest years ever for visitors from North America to Ireland (since the previous high of 2007, when we welcomed over one million visitors). And, with the number of airline seats from the United States to Ireland set to grow by +20% for the summer of 2013, Tourism Ireland believes this is a market of considerable potential. A new three-year plan – “Make Ireland Jump Out” – will be rolled out in the US in 2013. It aims to increase the number of American visitors by +20% between 2013 and 2015 and to win a greater share of all travel by Americans to Europe.
Mainland Europe is also an increasingly important market for Irish tourism, now delivering even more holidaymakers and revenue than Great Britain. For 2013, Tourism Ireland aims to welcome almost 2.5 million European visitors (an increase of +4.4%). The organisation’s resources will be prioritised in the two key markets of Germany and France – followed by Italy, the Nordics, Spain and the Netherlands. And a new strategy for Great Britain, our largest tourism market – “GB Path to Growth” – will be implemented, to grow the number of British holidaymakers by +20% i.e. an additional 200,000 holiday visitors per year by 2016.
Details of Tourism Ireland’s brand new website Ireland.com were also unveiled at today’s event. The new site, which will go live in time for January 2013, will appear in 11 different language versions for over 30 individual markets around the world. It has been completely redeveloped to provide a transformed web experience for potential holidaymakers around the world. It has been specially designed to capitalise on the huge importance of the internet in planning and booking holidays today and to harness the phenomenal growth in social media. A new domain name for the site, Ireland.com, with its ease of recognition and memorability, will ensure greater ‘stand-out’ for the destination around the world and deliver savings in promotions and search engine optimisation (SEO) activity.
Australia and emerging tourism markets also look set to experience a record year in 2012 – thanks in part to improved access, with more air routes than ever before via the Middle East providing good connectivity from Australia, China and India. For 2013, Tourism Ireland will continue its successful strategy of working with airlines, the travel trade and industry partners, as well as influential media in those markets – highlighting ease of access, the visa waiver scheme and the many compelling reasons to visit Ireland. A combined UK and Ireland visa has the potential to deliver additional growth from these markets.
The major focus of Tourism Ireland’s promotions next year will be The Gathering Ireland 2013, the biggest and most ambitious tourism-led event ever held in Ireland. Tourism Ireland will promote The Gathering throughout the year to the 70 million people across the world who feel linked by family, friends or otherwise with Ireland.
Speaking at the launch, Minister for Transport, Tourism & Sport Leo Varadkar said: “Tourism is central to Government plans for economic recovery. Shortly after the election we brought in a range of measures to support the sector, including a special tourism VAT rate of 9%. Next year, Ireland will host the biggest single tourism event ever held in Ireland, The Gathering Ireland 2013. Everybody in Government, Tourism Ireland and Fáilte Ireland is leaving no stone unturned to reach our ambitious target of 325,000 extra visitors next year. With the support of the wider community at home and abroad, I am confident we can deliver growth of over 5% in overseas visits next year, with the knock-on benefits in terms of revenue and jobs in every part of the country.”
2012 performance
Latest estimates indicate that, by year end, 7.27 million people will have visited the island in 2012, generating revenue of approximately €3.51 billion. Niall Gibbons, chief executive of Tourism Ireland, said: “2012 has been something of a mixed year, with Dublin and other cites, as well as the tourism ‘honeypots’ doing quite well, but with rural and outlying areas finding the going harder. Visitor numbers from North America and long-haul markets like Australia look set to reach or even exceed the records levels of 2007. The performance of Mainland European markets has also been quite strong. However, visitor numbers from Great Britain, our largest tourism market, have been disappointing, with a flat economy and weak consumer confidence having a significant impact on travel by Britons throughout the year.”
Global Connections for Tourism Growth: 2013 and beyond
Tourism Ireland’s targets for 2013 will see the island of Ireland welcoming 7.6 million visitors, representing growth in visitor numbers of + 5% over 2012. Commenting on the year ahead, Niall Gibbons said: “2013 is about setting us back on a path of sustained growth in the continuing difficult climate. Despite the uncertainty surrounding the pace of economic recovery in our key source markets, we believe that our marketing activity around the globe in 2013 can deliver a +5% increase in visitor numbers, with North American and Mainland Europe representing significant potential. The Gathering Ireland presents an unprecedented opportunity for us to shine a spotlight on Ireland around the world. And we will continue to work closely with our tourism partners, both at home and overseas, to achieve our common objectives and help drive economic regeneration.”
Every year for the last five years I've contributed to Creation For Charity, and last four acting as a coordinator. You'd might think it would get a bit boring or routine by now - that you get into a grove to donate creations and buy sets and drop them off....
But it really isn't. The impact of Creations o f Charity is anything but routine.
From the unique creations built by some of the most amazing AFOLs around, to the profound impact that set has to a child - that's magic...
And I'm immensely proud and floored every year to see just how generous all the MOC donors are, and the generous buyers and sometimes both! It's your spirit that creates all this magic...
Again I'm privileged to be given the ability to distribute LEGO sets to children in Toronto. Again we decided to go with Toronto Children’s Aid Society, which which is the our equivalent of Child Protective Services as well as provide support and services to children and their families:
We manged to donate 42 sets (...no, I didn't rig the number... I wish I had) - from the $1,300USD donation we managed score about $2,200USD in pure ABS magic! And always a special thanks to the amazing C4C elves at ToroLUG: Eric L, Brad W and Vivian L for various wheelings and dealings to get all of these at substantial discount! While this isn't as big of a number as last year, we managed to get some REALLY big sets which has been a bit of departure from our usual budget :)
Every year the Children Aid’s Society call me up and ask if Creations for Charity can help again. LEGO is the most requested item from parents and is an infrequent donation, so a large LEGO donation is cherished and always in need.
And it wouldn't be a Creations For Charity post without again measuring the donations against the size of my poor car .... while I was able to fit the entire donation in one carload this year but not without some discomfort this driver ;)
Happy Holidays Everyone, and from the bottom of my heart, thank you for your continued generosity and support - it means so much to not just to me, but to every child who's holiday season is just a bit more magical.
With Disney + officially launching, I felt I needed to contribute something to the Disney discussion,despite not having signed up for this fancy new service. Well, as luck would have it, one of my Vancouver purchases (technically my first - completed within 30 minutes of landing) will do the trick.
Presenting Revoltech Toy Story: Woody, Legacy of Revoltech edition, aka "Hentai Woody".
Woody is one of the main heroes of the Toy Story franchise, and is voiced by Tom Hanks. In the movie, he is a stuffed Old West sheriff with a draw string voice box, who advises his cohorts regarding best course of action so they can accomplish their goals. I suspect I don't really need to go much further, because lets face, who hasn't actually seen a Toy Story movie by now?
If you've been following along, you know what a Revoltech is. But, what is a "Legacy of Revoltech"? Well, from what I can gather, some Revoltech figures were very high in demand (circa 2006 - 2014), and as a result Kaiyodo reissued some of them in this Legacy of Revoltech subline. Sometimes, the sets would incorporate upgrade parts seen in releases of a character further down the road (i.e. Yoko from Gurren Laagan), but in most cases, it was a straight up reproduction with a different box. As far as I can tell, Woody is technically a reissue with alterations, though he is short one of those orange storage boxes and the Revoltech coin thing, but I guess there have been budget cuts since the original production run for 2010.
Why is he called "Hentai Woody"? Patience, grasshopper, I'll get to that.
Woody comes with the figure, an alternate face, four additional hands including for holding Lenny the binoculars, an optional hand for Buzz Lightyear to hold lenny, Lenny, a microphone, Woody's hat, a nameplate, and a tool for activating the eyes.
The base figure itself actually looks pretty sharp. Proportions are in line with what the CG model gave us, including his oddly shaped head. Unlike most of the other Revoltechs I've talked about up to this point, Woody doesn't have that "long body, tiny head" proportion going on. The sculptor, Matsumoto Eiichirou, did a fantastic job converting a 3D computer model into this small toy. The cuffs of his shirt, collar, vest, boots, buckles, spurs, drawstring - most, if not all, these little details, made it to the final figure. Sculpting on Lenny, who is admittedly much simpler than Woody, is bang on, and is a good size as compared to Woody himself. The only real gripe, if I can call it that, is that to me the eyes on the normal portrait are a bit small.
Speaking of eyes, as indicated above, there are stems on the eye balls and you can move them to best suit your pose, which is great, because...
.. to the surprise of nobody, articulation is a bit wonky on this guy. All the major points of articulation are there - ankles, knees, hips, waist, shoulders, elbows, wrists, neck, head - all utilizing the often aggravating Revoltech joint system, which features pegs where balls are on regular figures, which is why getting the limbs in place can be a test of patience. Cuts on the limbs aren't as with the other "thin body" Revoltechs, meaning that while you'll get a decent range of motion, extreme posing is not a thing with Woody, though without a stand, you're kind of unable to do extreme poses anyway. The main articulation killer on this figure, however, is the head itself. Due to the costume and shape of Woody's head, while there are Revoltech joints inside his head and neck, motion is so restricted that at most, you can tilt the neck forward a bit, so as such, the eyeball articulation is a very welcome addition to the tool kit.
Paint work is fantastic on Woody, and helps to highlight the excellent work on the various parts. After a close inspection, I think there was one tiny paint mishap on his neckerchief - otherwise, the paintwork was fantastic. The glossy paint on his boots highlight some of the less than perfect sanding and assembly work there, but that's what happens when you use a glossy paint, I suppose. Nice touches include the "Andy" on the bottom of his right foot, just like in the movie (this was Toy Story, before he was taken in by the restoration guy in Toy Story 2 who covered up this signature). Truly the paint work is spectacular, and I would put it up there with some of the best I've seen at this size of figure.
Finish and build quality in general isn't bad. There are some surfaces (as indicated above) that aren't quite as showroom ready, but overall quite acceptable. There were no assembly gaps or major QC FUBARs to report, and the joint themselves are solid, and I have to admit, they've been as such across any Revoltech that I've touched over the past decade and a bit, barring the ones I know nothing about their play history.
Despite all these positive points, I normally wouldn't have batted an eye at Woody, and would have happily gone on with my life without ever owning one... this, folks, is where I talk about "Hentai Woody".
One of the more disappointing aspects of the Woody figure is that his normal portrait is quite vapid looking. If the eyes aren't point the right way, Woody looks like he isn't home.. kind of like some of the Black Widow figures I own. Yeah, you can have a bit of fun with the eyeballs, but he always has that pleasant smile on his face, like he hasn't a care in the world. Functional, but quite boring.
Well someone, somewhere, realized that his second portrait, officially named his "scheming" face, could be put to more uses other than coming up with a plan a rescue mission to Sid's - get the eyes JUST right, and he straight up looks either like a murderer or a lecherous cowboy. As a result, the name "Hentai Woody" was bestowed upon this figure, and after playing around with some pictures, I can see how effective this is.
I mean.. look at him! In what photo featuring this second face, do you not want to punch his lights out? Woody is clearly making friends with his new shelf mates... especially Nat. She.. has feelings for Woody, to say the least.
The only thing more comedic than the unintentional use of this second face is that Kaiyodo, when they reissued this guy, didn't do a thing to correct this, so a new generation of perverted Woody's was made available to the public. I suppose, however, this means that any Revoltech Woody figure still has street cred for being unbalance.
With that, my quick overview of "Hentai Woody" draws to its conclusion. While the base figure is pretty good, it's articulation and subject matter alone would have probably eliminated any chances he'd show up on my shelf unless I found him for like $10 or something. But, his ultimate form made the $35 CAD I paid for this (plus the 5 hours of flight time) well worth it. I suspect when I'm back to creating my usual insanity, he'll be popping up quite a bit. Until then, however, there's much to do as I came back with a pretty good haul this time around.
Till next time.
(for further pictures please go to the link at the end of page!)
Krems an der Donau (Stein)
Community Krems at the Danube
History
Stein, copper engraving, Georg Matthäus Vischer, 1672
© IMAREAL, Austrian Academy of Sciences
The twin city of Krems-Stein in 1995 celebrating the 1000 year jubilee, is one of the oldest cities in Austria. The terrace formation, the favorable climate and location at the crossroads of the Danube trade route with the north-south connections from the Waldviertel (Wood district) and the wine district (Weinviertel) favored for thousands of years the colonization of the area and contributed essentially to the development as a center in the Danube region.
For a far into the early days reaching settlement tradition speak finds from the Paleolithic (Hundssteig, Wachtberg, 30000-25000 BC), from the Neolithic period (ceramic cultures), but also the special role of the region in the Early Bronze Age Unetice Culture (1800-1500 BC) as well as traces of the urn field culture of the late Bronze Age and the Hallstatt culture (800-400 BC). In the La Tène period settled here probably celticized groups, in the Roman period the area belonged since the beginning of the second Century to the sphere of influence of the Germanic Marcomanni. According to the biography of Saint Severin ("Vita Severini") the center of the Germanic Rugians in the second half of the 5th Century probably lay in the area of Krems-Stein, for the next century the cemetery in Unter-Rohrendorf proves the presence of the Lombards.
First time mentioned by name Krems is in a charter of Emperor Otto III of 9th August 995 as orientalis urbs que dicitur Chremisa - as a fortified place in the East which is named the Chremisa. The settlement then lay on the eastern border of the small Mark Ostarrîchi in close proximity to Moravia, but soon it grew beyond the castle district and developed in the 11th Century to a market settlement around the High market (Hoher Markt). Since 1014 Krems was due to a Royal donation (Königsschenkung) parish. The sister city of Stein is only in the second half of the 11th century (1072) named. Its center was the to parish Krems belonging Michael Church. Stone primarily was a toll and loading berth for salt, wine and grain. From skipper settlement arose a market and in the 12th Century a town settlement (since 1144). The character as a city of Krems is yet a little earlier for the year 1136 proven.
The position at the Danube the two cities had assigned their complementary functions: Stein lay directly at the stream and became toll and landing place for ships, had but due to the rising hillsides little space for large commercial and market places and construction activity. Krems, however, was cut by tributaries and floodplains from the main stream, but offered plenty of space for colonization and markets as well as the protection of a mighty castle.
Around 1150 Krems was the most important commercial center in the country. In the tower of the town castle of Krems at the steep slope of the High market between 1130-190 the first Babenberg coin, the Kremser penny, was minted. On the world map of the Arab scholar Idrisi Krems is named before Vienna, which only in subsequent time should surpass Krems. The city's growth probably already in the first half of the 12th Century the relocation of the parish of St. Stephen's Church on woman mountain (Frauenberg - now Piaristenkirche) to the foot of the mountain made necessary where the new Vitus church became parish. End of the 12th Century Krems was surrounded by a city wall, 1196 the first city judge is testified. The city has been expanded several times and extended in the late Middle Ages from the Steiner Tor in the west to the Krems river in the east. The Dominican monastery, founded in 1236 was initially outside the city.
Stein evolved from the high terrace in the direction of Nicholas church, which in 1283 was elevated into the status of a parish. In the late Middle Ages, the area between Landstraße and the Danube was built-up and the city in the area of the in 1223/1224 founded Minorits monastery (consecration of the church in 1264) and between Reisperbach and Linzertor extended.
Both cities since the beginning of the 12th Century were princely and complemented each other as land and Danube trading venues. Their close relationship has led to a unique construction as a twin city. Both cities had a civic community with its own military and financial sovereignty, but had a common municipal law (1305) and a common municipal judge and later mayor (since 1416). 1463 Emperor Frederick III the two cities conferred a common coat of arms, the imperial double-headed eagle in gold on a black background. In addition to Krems-Stein only Wiener Neustadt and Vienna had the privilege to lead the double eagle. The union of the cities existed until 1849, after 90 years of independence of Stein, in 1939 took place the recent merger.
The economic boom in the late Middle Ages was based on the viticulture and trade with wine, salt and iron. In Stein shipping formed a significant economic factor. 1463 Stein received by the Emperor Frederick III the privilege to build a fixed bridge, the second oldest after Vienna in the area of the Austrian course of the Danube river.
From the richness and self-conciousness of the citizenship testifies the in 1265 built "Gozzoburg" of the mighty city judge Gozzo of Krems, a castle-like town house with loggia. The appearance of both cities is characterised of the numerous houses from the 15th and 16th century, which are designed with bay windows, sgraffito and paintings and as well as arcade courtyards inside. A characteristic of both cities are the since the High Middle Ages profable "vintage courtyards" of monasteries and bishoprics, which were used to store wine and served for the administration of the monastic possessions, such as the Passau courtyards, the Kremsmünstererhof or the Göttweigerhof. The Göttweigerhofkapelle (chapel) is equipped with valuable frescoes from the early 14th Century. About 1500 Krems through the work of the Augsburg artist Jörg Breu became a center of the Danube School.
Since the second half of the 16th Century Krems was mostly Protestant. The resistance of the citizens against the recatholicization in 1593 led to the loss of all privileges. It was not until 1615 as Emperor Matthias cancelled the harsh verdict and restored the independence of the city. A big part in the Catholic restoration played the in 1616 settled Jesuits who ran the school and by their theater performances became famous. In addition to the Jesuit college emerged in the time of the Counter-Reformation the Capuchin Monastery Und (1614) and the early Baroque new building of the Kremser parish church, in which renowned Italian artists took part.
The 17th Century due to the shift of international trade routes and the decline of the importance of the Danube trade brought an economic downturn. Severe damages the city suffered in 1645 by the Swedes, who besieged Krems, conquered and extended it to the main fortress, and by the reconquest a year later. It was only after 1700 as a upswing set in again, which found its expression in the Baroque style of the city. Employers for the resident artists or handicrafts were the big monasteries of the country. One of the most important painters of this period was Martin Johann Schmidt, the Kremser Schmidt, until his death (1801) in Stein maintaining a painting workshop.
In the second half of the 18th Century changed the ecclesiastical structures of the city. The since 1616 the Jesuits transmitted Frauenberg church was taken over by the Piarists in 1776 after the abolition of the Order (1773). 1783 the Dominican Monastery, 1796 the Minorit's monastery and the Capuchin monastery was abolished and profaned.
The biggest change of the cityscape since the Middle Ages took place in the 19th Century by the removal of the ramparts and the city gates. Remained except for remnants of the wall only the Steinertor (gate), which became the symbol of the city. Of the in the course of industrialization established factories of importance were the leather factory in Rehberg, the factory for the manufacturing of mats and rugs made of coconut fibres in Stein and the first quartz millstone factory of Austria. Great reputation also enjoyed the organ builders Zachistal, Capek and Hradetzky and the Kremser bell founders, including Matthias Prininger, Ferdinand Vötterlechner and Johann Gottlieb Jenichen. In the last third of the century followed the connection to the railway network, 1909, the Donauuferbahn (railway line along the Danube) was opened.
After the Second World War - on 2nd April 1945, there was heavy bombing - succeeded the city to preserve the architectural heritage largely in its original state and to connect it with modernity. The successful revitalization already received international recognition, Krems in 1975, 1979 and 2009 was Europa Nostra award winner. The city with the "Art Mile" in Stein (Kunsthalle, Museum of Caricature and Artothek), the Danube Festival and numerous cultural events developed to one of the most important cultural centers in Lower Austria .
The art treasures of the city as well as tradition and the history of wine-growing presents the "museumkrems" in the former Dominican church. Which the in 1994 founded and in 1995 opened "Danube University", Krems became 13th Austrian university town and is since 2002 the seat of a University of Applied Sciences (International Management Center). With the since 1998 annually realized Wachau Marathon Krems itself also could established as a "sports city".
In the 1970s, the city once again experienced a major expansion. In 1972 joined the community of Hollenburg Krems. The once separating Danube became the connecting element between the urban north and the "orchard" in the south. Meanwhile, the "Southtown" became integral part of the city, but could maintain its rural character.
Krems has partnerships with cities in Denmark, Germany, France, Czech Republic and the USA.
geschichte.landesmuseum.net/index.asp?contenturl=http://g...
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With Disney + officially launching, I felt I needed to contribute something to the Disney discussion,despite not having signed up for this fancy new service. Well, as luck would have it, one of my Vancouver purchases (technically my first - completed within 30 minutes of landing) will do the trick.
Presenting Revoltech Toy Story: Woody, Legacy of Revoltech edition, aka "Hentai Woody".
Woody is one of the main heroes of the Toy Story franchise, and is voiced by Tom Hanks. In the movie, he is a stuffed Old West sheriff with a draw string voice box, who advises his cohorts regarding best course of action so they can accomplish their goals. I suspect I don't really need to go much further, because lets face, who hasn't actually seen a Toy Story movie by now?
If you've been following along, you know what a Revoltech is. But, what is a "Legacy of Revoltech"? Well, from what I can gather, some Revoltech figures were very high in demand (circa 2006 - 2014), and as a result Kaiyodo reissued some of them in this Legacy of Revoltech subline. Sometimes, the sets would incorporate upgrade parts seen in releases of a character further down the road (i.e. Yoko from Gurren Laagan), but in most cases, it was a straight up reproduction with a different box. As far as I can tell, Woody is technically a reissue with alterations, though he is short one of those orange storage boxes and the Revoltech coin thing, but I guess there have been budget cuts since the original production run for 2010.
Why is he called "Hentai Woody"? Patience, grasshopper, I'll get to that.
Woody comes with the figure, an alternate face, four additional hands including for holding Lenny the binoculars, an optional hand for Buzz Lightyear to hold lenny, Lenny, a microphone, Woody's hat, a nameplate, and a tool for activating the eyes.
The base figure itself actually looks pretty sharp. Proportions are in line with what the CG model gave us, including his oddly shaped head. Unlike most of the other Revoltechs I've talked about up to this point, Woody doesn't have that "long body, tiny head" proportion going on. The sculptor, Matsumoto Eiichirou, did a fantastic job converting a 3D computer model into this small toy. The cuffs of his shirt, collar, vest, boots, buckles, spurs, drawstring - most, if not all, these little details, made it to the final figure. Sculpting on Lenny, who is admittedly much simpler than Woody, is bang on, and is a good size as compared to Woody himself. The only real gripe, if I can call it that, is that to me the eyes on the normal portrait are a bit small.
Speaking of eyes, as indicated above, there are stems on the eye balls and you can move them to best suit your pose, which is great, because...
.. to the surprise of nobody, articulation is a bit wonky on this guy. All the major points of articulation are there - ankles, knees, hips, waist, shoulders, elbows, wrists, neck, head - all utilizing the often aggravating Revoltech joint system, which features pegs where balls are on regular figures, which is why getting the limbs in place can be a test of patience. Cuts on the limbs aren't as with the other "thin body" Revoltechs, meaning that while you'll get a decent range of motion, extreme posing is not a thing with Woody, though without a stand, you're kind of unable to do extreme poses anyway. The main articulation killer on this figure, however, is the head itself. Due to the costume and shape of Woody's head, while there are Revoltech joints inside his head and neck, motion is so restricted that at most, you can tilt the neck forward a bit, so as such, the eyeball articulation is a very welcome addition to the tool kit.
Paint work is fantastic on Woody, and helps to highlight the excellent work on the various parts. After a close inspection, I think there was one tiny paint mishap on his neckerchief - otherwise, the paintwork was fantastic. The glossy paint on his boots highlight some of the less than perfect sanding and assembly work there, but that's what happens when you use a glossy paint, I suppose. Nice touches include the "Andy" on the bottom of his right foot, just like in the movie (this was Toy Story, before he was taken in by the restoration guy in Toy Story 2 who covered up this signature). Truly the paint work is spectacular, and I would put it up there with some of the best I've seen at this size of figure.
Finish and build quality in general isn't bad. There are some surfaces (as indicated above) that aren't quite as showroom ready, but overall quite acceptable. There were no assembly gaps or major QC FUBARs to report, and the joint themselves are solid, and I have to admit, they've been as such across any Revoltech that I've touched over the past decade and a bit, barring the ones I know nothing about their play history.
Despite all these positive points, I normally wouldn't have batted an eye at Woody, and would have happily gone on with my life without ever owning one... this, folks, is where I talk about "Hentai Woody".
One of the more disappointing aspects of the Woody figure is that his normal portrait is quite vapid looking. If the eyes aren't point the right way, Woody looks like he isn't home.. kind of like some of the Black Widow figures I own. Yeah, you can have a bit of fun with the eyeballs, but he always has that pleasant smile on his face, like he hasn't a care in the world. Functional, but quite boring.
Well someone, somewhere, realized that his second portrait, officially named his "scheming" face, could be put to more uses other than coming up with a plan a rescue mission to Sid's - get the eyes JUST right, and he straight up looks either like a murderer or a lecherous cowboy. As a result, the name "Hentai Woody" was bestowed upon this figure, and after playing around with some pictures, I can see how effective this is.
I mean.. look at him! In what photo featuring this second face, do you not want to punch his lights out? Woody is clearly making friends with his new shelf mates... especially Nat. She.. has feelings for Woody, to say the least.
The only thing more comedic than the unintentional use of this second face is that Kaiyodo, when they reissued this guy, didn't do a thing to correct this, so a new generation of perverted Woody's was made available to the public. I suppose, however, this means that any Revoltech Woody figure still has street cred for being unbalance.
With that, my quick overview of "Hentai Woody" draws to its conclusion. While the base figure is pretty good, it's articulation and subject matter alone would have probably eliminated any chances he'd show up on my shelf unless I found him for like $10 or something. But, his ultimate form made the $35 CAD I paid for this (plus the 5 hours of flight time) well worth it. I suspect when I'm back to creating my usual insanity, he'll be popping up quite a bit. Until then, however, there's much to do as I came back with a pretty good haul this time around.
Till next time.
(for further pictures please go to the link at the end of page!)
Krems an der Donau (Stein)
Community Krems at the Danube
History
Stein, copper engraving, Georg Matthäus Vischer, 1672
© IMAREAL, Austrian Academy of Sciences
The twin city of Krems-Stein in 1995 celebrating the 1000 year jubilee, is one of the oldest cities in Austria. The terrace formation, the favorable climate and location at the crossroads of the Danube trade route with the north-south connections from the Waldviertel (Wood district) and the wine district (Weinviertel) favored for thousands of years the colonization of the area and contributed essentially to the development as a center in the Danube region.
For a far into the early days reaching settlement tradition speak finds from the Paleolithic (Hundssteig, Wachtberg, 30000-25000 BC), from the Neolithic period (ceramic cultures), but also the special role of the region in the Early Bronze Age Unetice Culture (1800-1500 BC) as well as traces of the urn field culture of the late Bronze Age and the Hallstatt culture (800-400 BC). In the La Tène period settled here probably celticized groups, in the Roman period the area belonged since the beginning of the second Century to the sphere of influence of the Germanic Marcomanni. According to the biography of Saint Severin ("Vita Severini") the center of the Germanic Rugians in the second half of the 5th Century probably lay in the area of Krems-Stein, for the next century the cemetery in Unter-Rohrendorf proves the presence of the Lombards.
First time mentioned by name Krems is in a charter of Emperor Otto III of 9th August 995 as orientalis urbs que dicitur Chremisa - as a fortified place in the East which is named the Chremisa. The settlement then lay on the eastern border of the small Mark Ostarrîchi in close proximity to Moravia, but soon it grew beyond the castle district and developed in the 11th Century to a market settlement around the High market (Hoher Markt). Since 1014 Krems was due to a Royal donation (Königsschenkung) parish. The sister city of Stein is only in the second half of the 11th century (1072) named. Its center was the to parish Krems belonging Michael Church. Stone primarily was a toll and loading berth for salt, wine and grain. From skipper settlement arose a market and in the 12th Century a town settlement (since 1144). The character as a city of Krems is yet a little earlier for the year 1136 proven.
The position at the Danube the two cities had assigned their complementary functions: Stein lay directly at the stream and became toll and landing place for ships, had but due to the rising hillsides little space for large commercial and market places and construction activity. Krems, however, was cut by tributaries and floodplains from the main stream, but offered plenty of space for colonization and markets as well as the protection of a mighty castle.
Around 1150 Krems was the most important commercial center in the country. In the tower of the town castle of Krems at the steep slope of the High market between 1130-190 the first Babenberg coin, the Kremser penny, was minted. On the world map of the Arab scholar Idrisi Krems is named before Vienna, which only in subsequent time should surpass Krems. The city's growth probably already in the first half of the 12th Century the relocation of the parish of St. Stephen's Church on woman mountain (Frauenberg - now Piaristenkirche) to the foot of the mountain made necessary where the new Vitus church became parish. End of the 12th Century Krems was surrounded by a city wall, 1196 the first city judge is testified. The city has been expanded several times and extended in the late Middle Ages from the Steiner Tor in the west to the Krems river in the east. The Dominican monastery, founded in 1236 was initially outside the city.
Stein evolved from the high terrace in the direction of Nicholas church, which in 1283 was elevated into the status of a parish. In the late Middle Ages, the area between Landstraße and the Danube was built-up and the city in the area of the in 1223/1224 founded Minorits monastery (consecration of the church in 1264) and between Reisperbach and Linzertor extended.
Both cities since the beginning of the 12th Century were princely and complemented each other as land and Danube trading venues. Their close relationship has led to a unique construction as a twin city. Both cities had a civic community with its own military and financial sovereignty, but had a common municipal law (1305) and a common municipal judge and later mayor (since 1416). 1463 Emperor Frederick III the two cities conferred a common coat of arms, the imperial double-headed eagle in gold on a black background. In addition to Krems-Stein only Wiener Neustadt and Vienna had the privilege to lead the double eagle. The union of the cities existed until 1849, after 90 years of independence of Stein, in 1939 took place the recent merger.
The economic boom in the late Middle Ages was based on the viticulture and trade with wine, salt and iron. In Stein shipping formed a significant economic factor. 1463 Stein received by the Emperor Frederick III the privilege to build a fixed bridge, the second oldest after Vienna in the area of the Austrian course of the Danube river.
From the richness and self-conciousness of the citizenship testifies the in 1265 built "Gozzoburg" of the mighty city judge Gozzo of Krems, a castle-like town house with loggia. The appearance of both cities is characterised of the numerous houses from the 15th and 16th century, which are designed with bay windows, sgraffito and paintings and as well as arcade courtyards inside. A characteristic of both cities are the since the High Middle Ages profable "vintage courtyards" of monasteries and bishoprics, which were used to store wine and served for the administration of the monastic possessions, such as the Passau courtyards, the Kremsmünstererhof or the Göttweigerhof. The Göttweigerhofkapelle (chapel) is equipped with valuable frescoes from the early 14th Century. About 1500 Krems through the work of the Augsburg artist Jörg Breu became a center of the Danube School.
Since the second half of the 16th Century Krems was mostly Protestant. The resistance of the citizens against the recatholicization in 1593 led to the loss of all privileges. It was not until 1615 as Emperor Matthias cancelled the harsh verdict and restored the independence of the city. A big part in the Catholic restoration played the in 1616 settled Jesuits who ran the school and by their theater performances became famous. In addition to the Jesuit college emerged in the time of the Counter-Reformation the Capuchin Monastery Und (1614) and the early Baroque new building of the Kremser parish church, in which renowned Italian artists took part.
The 17th Century due to the shift of international trade routes and the decline of the importance of the Danube trade brought an economic downturn. Severe damages the city suffered in 1645 by the Swedes, who besieged Krems, conquered and extended it to the main fortress, and by the reconquest a year later. It was only after 1700 as a upswing set in again, which found its expression in the Baroque style of the city. Employers for the resident artists or handicrafts were the big monasteries of the country. One of the most important painters of this period was Martin Johann Schmidt, the Kremser Schmidt, until his death (1801) in Stein maintaining a painting workshop.
In the second half of the 18th Century changed the ecclesiastical structures of the city. The since 1616 the Jesuits transmitted Frauenberg church was taken over by the Piarists in 1776 after the abolition of the Order (1773). 1783 the Dominican Monastery, 1796 the Minorit's monastery and the Capuchin monastery was abolished and profaned.
The biggest change of the cityscape since the Middle Ages took place in the 19th Century by the removal of the ramparts and the city gates. Remained except for remnants of the wall only the Steinertor (gate), which became the symbol of the city. Of the in the course of industrialization established factories of importance were the leather factory in Rehberg, the factory for the manufacturing of mats and rugs made of coconut fibres in Stein and the first quartz millstone factory of Austria. Great reputation also enjoyed the organ builders Zachistal, Capek and Hradetzky and the Kremser bell founders, including Matthias Prininger, Ferdinand Vötterlechner and Johann Gottlieb Jenichen. In the last third of the century followed the connection to the railway network, 1909, the Donauuferbahn (railway line along the Danube) was opened.
After the Second World War - on 2nd April 1945, there was heavy bombing - succeeded the city to preserve the architectural heritage largely in its original state and to connect it with modernity. The successful revitalization already received international recognition, Krems in 1975, 1979 and 2009 was Europa Nostra award winner. The city with the "Art Mile" in Stein (Kunsthalle, Museum of Caricature and Artothek), the Danube Festival and numerous cultural events developed to one of the most important cultural centers in Lower Austria .
The art treasures of the city as well as tradition and the history of wine-growing presents the "museumkrems" in the former Dominican church. Which the in 1994 founded and in 1995 opened "Danube University", Krems became 13th Austrian university town and is since 2002 the seat of a University of Applied Sciences (International Management Center). With the since 1998 annually realized Wachau Marathon Krems itself also could established as a "sports city".
In the 1970s, the city once again experienced a major expansion. In 1972 joined the community of Hollenburg Krems. The once separating Danube became the connecting element between the urban north and the "orchard" in the south. Meanwhile, the "Southtown" became integral part of the city, but could maintain its rural character.
Krems has partnerships with cities in Denmark, Germany, France, Czech Republic and the USA.
geschichte.landesmuseum.net/index.asp?contenturl=http://g...
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
It is a long, long time ago that we were last here. I did manage to take about a dozen shots that day.
You'll be glad to know I took more this time.
Sheppy is other-worldly. It is an island, but now there are two bridges onto it, the last being a dual carriageway, getting you to the delights of Sheerness and Queensborough doubly quickly.
Away from the western end, the island barely rises above the waters of the Thames and Swale that surround it, except at one place; Minster, where a monastery was built to look down on the fenland all around.
As we were nearby in Iwade, it was a ten minute drive to get to Minster, find our way up the hill and a vacant parking space. The museum in the gatehouse was open, but we pass by that to the church and mister beyond, with its wide and squat tower rising from the graveyard.
I pushed the door of the church, and it swung open, revealing a huge space; once two churches, but now full of details worthy of investigating.
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The large, almost square, medieval gatehouse to the west of the church tells the visitor that here is no ordinary parish church. For nearly a thousand years this was both Minster Abbey and Minster parish church. Today it is one building, but formerly the present south aisle formed the parish church, whilst the north aisle belonged to the nuns and was part of the monastic enclosure. The parish church side has a distinct nineteenth-century feel to it, the result of a much-needed restoration of 1879 by Ewan Christian to which Queen Victoria contributed. It contains some notable old monuments; especially interesting is that to Sir Robert de Shurland (d. 1310) which is an effigy of a knight under a wall recess. Between the nuns' aisle and the parish church is the Cheyne tomb, commemorating Sir Thomas Cheyne (d. 1559). This imposing marble and alabaster table tomb shows him wearing his Order of the Garter. The north aisle - or nuns' church - has altogether more atmosphere with substantial remains of the original church built by St Sexburga, widow of King Erconbert of Kent in AD 670. The arched heads of two Saxon windows survive in the southern wall, and the 'chancel' of the nuns' church has had its plaster removed to show the early rubble construction. It is separated from the rest of the church by a fine oak screen of about 1400. The whole church has a well-cared-for atmosphere and should be near the top of all visitors' lists.
www.kentchurches.info/church.asp?p=Minster+in+Sheppey
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Minster Abbey or, to give it its full title, The Abbey Church of the Blessed Virgin Mary and Saint Sexburgha, occupies the highest hilltop position on the otherwise flat Isle of Sheppey in Kent and has been a place of worship for over 1,400 years.
Founded as a nunnery by the widowed Queen Sexburgha in 664AD it was endowed with land given by her son Ercombert, King of Kent. With no stone on the island the building material was hewn at Boughton Monchelsea and brought down the River Medway and the Swale. Examples of early Saxon stone and Roman tiles, (from an earlier Roman outpost of the garrison at Reculver which earlier occupied this hilltop,) can also be found in the walls of the St Sexburgha chapel. Three still functioning wells from the priory are located by the Gatehouse, under a shop in Minster High Street and in the garden of a house in the adjacent Falcon Gardens.
The priory was badly damaged, but not destroyed, by Danish Vikings in the ninth century and was further damaged in the 11th century.
Following the Norman invasion of 1066, King William the Conqueror partly rebuilt the church and priory and allowed nuns from Newington to take up residence. It remained impoverished, though, until Archbishop de Corbeuil rebuilt it between 1123 and 1139. He is credited with the unusual arrangement of two adjacent 'churches' with the northern church for the nuns and the southern for the parishioners. It is thought curtains were originally hung to cover the arches which separate the two churches. The stone for the Norman part of the church was imported from Caen from the same quarry that provided the stone for Canterbury Cathedral
During the Dissolution of the Monasteries by Henry VIII the two adjacent churches led directly to the saving of the Abbey church. Because the two churches shared a common wall and were linked by arches in the wall, the Abbey church was spared the destruction wrought on the rest of the Abbey
Following the Dissolution, the abbey came into the ownership of Sir Thomas Cheyne (or Cheney) and he was first buried in the now lost chapel of Saint Katherine on this site in 1559. Most of the Abbey was eventually demolished except for the church and the adjacent Abbey Gatehouse. The gatehouse survived because it was used as a private residence and now contains an interesting local history museum.
Repairs to the church were neglected in the mid 19th century, but Rev William Bramston restored the church in 1881 and the Abbey is now a Grade 1 listed building which provides protection but also limits the modernisation work which can be done (e.g. the installation of a disabled toilet)
Internally there is no chancel arch in the southern aisle while the northern aisle retains both chancel arch and a carved timber screen. At the eastern end of the southern aisle there is a niche which has traces of a medieval wall painting of St. Nicholas.
The north-east Sexburgha chapel (also known as the Nuns' chapel) is separated from North aisle by a 12th century oak screen
The church has an interesting array of monuments displaying English armour from the 14th to the 16th centuries. The earliest is Baron Robert de Shurland [died 1327] who reclines on an altar tomb on the southside. At his feet is the head of his horse, Grey Dolphin. According to local legend, Sir Robert killed a monk and resolved to ask the King for a pardon. In 1326 he rode to where the King's ship was anchored, off the Isle of Sheppey, and rode out through the water to gain forgiveness from the King. Returning, he met a witch who said that de Shurland's horse, Grey Dolphin, which had borne him so bravely to the ship, would be the death of him. Sir Robert immediately killed the horse and cut off its head. A year later Sir Robert was walking along the shore when a shard of the horse's bone pierced his foot. Blood poisoning set in and Sir Robert died, killed by his horse as predicted by the witch.
In the arches between the two churches is the final resting place of Sir Thomas Cheyne KG [1485-1558]. As Sherriff of Kent from 1516 and Lord Warden of the Cinque Ports from 1536 until his death, (a position he held through the reigns of all five of the Tudor monarchs), he became one of the most powerful men in the South-East of England. For many years he served as Treasurer of the Household for Henry VIII and remarkably retained this post under Mary 1.
In the north-east corner of the northern aisle there is the effigy of a man dressed in high Gothic armour from the late 15th century. Some sources suggest it might be Sir Hugh de Badlesemere, a Yorkist soldier who fought in the War of the Roses. However others say that it might be George, 1st Duke of Clarence, as George was constable of nearby Queenborough Castle. Supposedly executed at the Tower of London by drowning in a Butt of Malmsley, there is evidence, though, that George was buried with his wife in Tewksbury. The effigy is of very high quality and clearly reflects wealth, but all the shields and heraldry have been hacked off, which might suggest Tudor vandalism of a supposed Yorkist tomb. This could support the 'Clarence' theory, but the effigy also rests with his feet on a curly haired ram and not a bull - the bull badge being traditionally associated with George, Duke of Clarence.
Another effigy of early 15th century date was dug up in the churchyard in 1833 and this lies against the north wall. Some sources suggest this is General Geronimo who appears in the Register as being buried in December 1591. He was captured in a Spanish galleon by Sir Edward Hoby in 1588 and held hostage in Queenborough Castle. The ransom was never paid and he died in captivity. He clasps a small egg shaped image in his hands which is said to represent his soul
Other rough hewn tombs recovered at this time are thought to be tombs of abbesses of the Abbey.
www.minsterabbey.org.uk/3.html
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MINSTER
IS the principal parish in the Island of Shepey. It lies on high ground near the middle of the north side of it.
The parish takes its name from the monastery founded very early within it, Minstre in the Saxon language signifying a monastery or religious house.
The manor of Newington claims over a small part of this parish, but the paramount manor over the whole of it is that of Milton.
THE PARISH of Minster is by far the largest of any in the island. The village is situated on high ground near the middle of it, with the church, and ruins of the monastery close on the northern side of it; of the latter there is little more than the gate-house remaining.
THE VILLE of Sheerness is situated at the western bounds, as well of this parish as of the whole island, a further account of which will be given hereafter. It was formerly accounted as part of this parish, but it has long since been made a ville of itself, and as to its civil jurisdiction, entirely separate from this parish.
The cliffs on the northern side of this island, are likewise the northern boundaries of this parish; Queenborough and Sheerness bound it towards the west, and the Swale and the island of Elmley southward.
In June 1756, a monstrous fish, thought to be a young whale, was driven on shore at this place. It measured thirty-six feet and upwards in length, twentytwo feet in circumserence, and eight feet from the eyes to the tip of the nose. It was supposed to yield twenty hogsheads of oil.
King Edward III. in his 17th year, granted a fair to be held here on Palm Monday, which is still continued for toys and such like merchandize.
SEXBURGA, one of the daughters of Annas, king of East Anglia, and widow of Ercombert, king of Kent, between the years 664 and 673, having obtained lands in this parish of her son king Egbert, founded A MONASTERY here, which she finished and got well endowed for seventy-seven nuns, whom she placed in it, king Egbert himself adding several lands to it, and she became herself the first abbess. Soon after which, about the year 675, she resigned her government of it to her daughter Ermenilda, who became the second abbess, and then retired, in the year 699, to the Isle of Ely, to the monastery there, over which her sister Etheldred presided. (fn. 1)
During the times of the Danish invasions, the religious of this monastery were subject to continual instances of cruelty and oppression, and at last their house was in a great measure destroyed by them, and the nuns dispersed. In which situation it seems nearly to have remained till the reign of the Conqueror, who, on the prioress of the nunnery of Newington near Sittingborne having been strangled in her bed, consiscated their possessions, and removed the few remaining nuns to this ruinated monastery, which continued but in a very mean condition till the year 1130, when it was reedified and replenished with Benedictine nuns, by archbishop Corboil, and dedicated to St. Mary and St. Sexburg.
In the 8th year of king Richard II. anno 1384, the temporalities of this monastery were valued at 66 l. 8s. and the spiritualities at 73l. 6s. 8d. Total 139l. 14s. 8d.
¶In the 27th year of king Henry VIII. an act having passed for the suppression of all religious houses, whose revenues did not amount to the clear yearly value of two hundred pounds, this monastery, whose revenues amounted to no more than 129l. 7s. 10½d. annual re venue, or 122l. 14s. 6d. clear yearly income, being then ten pounds less than they were near two hundred years before, was surrendered up to the king, at which time it was in so indigent a state, that there were but a prioress and ten nuns in it. To the former, Alicia Crane, the king granted a pension of fourteen pounds for her life, towards her proper support and maintenance.
MINSTER is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church, which is dedicated to St. Mary and St. Sexburg, (as was the monastery) is supposed by some to have been the very church of it, but by others, that it only adjoined to it; at present it consists of two isles and two chancels. The steeple is at the west end, being a large square tower, with a turret at the top, in which there is a clock, and a ring of five bells. It was formerly higher than it is at present, as appears by the remains. There was formerly a building adjoining to the east end of the north chancel, as appears by a doorcase and some ornaments on the outside of it. In the north chancel, on the south side, is the tomb of Sir Thomas Cheney, knight of the garter, &c. who was buried with great state, in a chapel which had been the conventual church, adjoining to the north east part of this parish; but his son Henry, lord Cheney, having in 1581, anno 24 Elizabeth, obtained a licence to remove the coffins and bones of his father and ancestors from thence, he having sold the materials of the chapel to Sir Humphry Gilbert, and placed them in this parish church, the coffin of his father was, among others removed, and deposited in this chancel. On the north side, under an arch in the wall, on a grey marble, lies the figure of a man, habited in armour. In the south, or high chancel, against the south wall, is an antient tomb, with the effigies of a man lying at length crosslegged, and in armour; on his right side is the figure of a horse's head, carved alike in alabaster, and fixed to the tomb, concerning which many idle reports are current. (fn. 10) On a stone in the middle of the chancel, are the figures in brass of a man and woman; his in armour, cross-legged, with large spurs, his sword by his side, and this coat of arms, Ermine, a pale, engrailed, (perhaps it might have been originally a cross, the rest of it having been rubbed out); on her mantle, Three bars, wavy; under his feet a lion, under her's a talbot; the inscription underneath is gone, except the word Hic at the beginning of it. At the upper end of the north isle is a small stone, seemingly very antient, with a cross bottony on it.
In the year 1489, there was a chapel, dedicated to St. John Baptist, Situated within the cemetery of Minster, in Shepey.
The church of Minster seems to have been part of the endowment of the monastery at the first foundation of it.
¶This church was not many years afterwards appropriated to it, (fn. 11) the cure of it being esteemed as a donative, in which state it continued at the time of the dissolution of the monastery, when it came, together with the rest of the possessions of it, into the king's hands, where it remained till the king granted the rectory of Minster, with its rights, members, and appurtenances, and the advowson of the church there, to Sir Thomas Cheney, knight of the garter, &c. to hold in capite by knight's service, whose son Henry, lord Cheney, of Tuddington, alienated this rectory, with the advowson, to Robert Levesey, esq. in whose descendants it continued sometime afterwards, till at length it was sold to Gore, and William Gore, esq. of Boxley, died possessed of the rectory impropriate, with the advowson, in 1768. He died s.p. and by his will devised it to his relation Robert Mitchell, esq. who dying likewise. s.p. in 1779, gave his estates to his three nephews, Robert, Christopher, and Thomas, sons of his brother Thomas, the eldest of whom, Robert Mitchell, esq. became afterwards the sole proprietor of them.
The parsonage at present consists of a house, barns, &c. and one hundred and eighty-eight acres of arable, meadow, and pasture belonging to it, together with all the great and small tithes of the parish, of all kinds whatsoever.
The ecclesiastical jurisdiction of this parish extends over the ville of Sheerness, the populousness of which adds greatly to the burials in it, insomuch that in some years of late, they have amounted to between two and three hundred.
The church of Queenborough was formerly esteemed as a chapel to this church, but it has long since been independent of it. The cure of it is still esteemed as a donative, the yearly stipend of the curate being 16l. 13s. 4d. In 1578 the communicants were three hundred and eight.
In 1640 the stipend of the curate was 16l. 13s. 4d. Communicants two hundred and sixty-five. It is not in charge in the king's books.
Roger, abbot of St. Augustine's, in 1188 let to Agnes, prioress, and the convent of St. Sexburg, certain tithes within this parish, to hold in perpetual ferme at fourteen shillings yearly rent, &c. These tithes were those of Westlande; being those of Sir Adam de Shurlande, and of Adam Rusin (fn. 12)
I arrived in Macau very late in the evening. Whilst the lights of the casinos were amazing I had no idea that for the next 4 days I would not get to see the sun. At night I could not see the heavy smog that covers Macau (Blown in from China mainland and trapped over Macau by the mountains). Everyday is a humid grey day. You can't see very far and the humidity drenches you quickly.
Still I enjoyed Macau by day and night.
I was there for the Samsung Communications (Australia) conference and stayed at the Soffitel on Ponte 16. It was extremely luxurious. Plenty of good food (Waited on Hand and foot), lots to see. This is an amazing Tax Haven. I can see the rich coming and going by Helicopter, into the casinos. I saw many Ferrari's, Lamborghini's, Rolls Royces and more.
A land of plenty built on the many poor people who servce it.
Macau, also spelled Macao, is one of the two Special Administrative Regions of the People's Republic of China, the other being Hong Kong. Macau lies on the western side of the Pearl River Delta across from Hong Kong to the east, bordered by Guangdong Province to the north and facing the South China Sea to the east and south. The territory's economy is heavily dependent on gambling and tourism, but also includes manufacturing. The Cantonese people from Hong Kong and Guangdong especially recent mainland tourism from Mandarin speaking regions have boosted the economy of Macau significantly.
A former Portuguese colony, Macau was administered by Portugal from the mid-16th century until late 1999, when it was the last remaining European colony in Asia. Portuguese traders first settled in Macau in the 1550s. In 1557, Macau was rented to Portugal by the Chinese empire as a trading port. The Portuguese administered the city under Chinese authority and sovereignty until 1887, when Macau became a colony of the Portuguese empire. Sovereignty over Macau was transferred back to China on 20 December 1999. The Sino-Portuguese Joint Declaration and the Basic Law of Macau stipulate that Macau operate with a high degree of autonomy until at least 2049, fifty years after the transfer. By 2002, it had become one of the world's richest cities. In 2004, the World's Highest Skyjump was broken in Macau. It became the world's biggest gambling centre in 2006.
Under the policy of "one country, two systems", the PRC's Central People's Government is responsible for the territory's defense and foreign affairs, while Macau maintains its own legal system, police force, monetary system, customs policy, and immigration policy. Macau participates in many international organizations and events that do not require members to possess national sovereignty.
According to The World Factbook, Macau has the second highest life expectancy in the world. In addition, Macau is one of the very few regions in Asia with a "very high Human Development Index", ranking 23rd or 24th in the world in 2007 (with Japan being the highest in Asia; the other Asian countries/regions within the "very high HDI" category are South Korea, Taiwan, Hong Kong, Singapore, and Brunei).
Before the Portuguese settlement in the mid-16th century, Macau was known as Haojing or Jinghai. The name Macau is thought to be derived from the A-Ma Temple, a temple built in 1448 dedicated to Matsu – the goddess of seafarers and fishermen.. The Portuguese named the peninsula "Macau".
The history of Macau is traced back to the Qin Dynasty (221–206 BC), when the region now called Macau came under the jurisdiction of Panyu county, in Nanhai prefecture (present day Guangdong).The first recorded inhabitants of the area were people seeking refuge in Macau from invading Mongols during the Southern Song Dynasty. Under the Ming Dynasty (1368–1644 AD), fishermen migrated to Macau from Guangdong and Fujian provinces.
Macau is situated 60 kilometres southwest of Hong Kong and 145 kilometres from Guangzhou. It also has 41 kilometres of coastline, yet only 310 metres of land border with Guangdong. It consists of the Macau Peninsula itself and the islands of Taipa and Coloane, which are now connected by landfill forming the Cotai Strip. The peninsula is formed by the Zhu Jiang (Pearl River) estuary on the east and the Xi Jiang (West River) on the west. It borders the Zhuhai Special Economic Zone in mainland China. The main border crossing between Macau and China is known as the Portas do Cerco (Barrier Gate) on the Macau side, and the Gongbei Port of Entry on the Zhuhai side.
Macau has a humid subtropical climate, with average relative humidity between 75% and 90%. Similar to much of South China, seasonal climate is greatly influenced by the monsoons, and differences in temperature and humidity between summer and winter are noticeable, though not as great as inland China. The average annual temperature of Macau is 22.7 °C
Macau's economy is based largely on tourism. Other chief economic activities in Macau are export-geared textile and garment manufacturing, banking and other financial services.The clothing industry has provided about three quarters of export earnings, and the gaming, tourism and hospitality industry is estimated to contribute more than 50% of Macau's GDP, and 70% of Macau government revenue
Starting in 1962, the gambling industry had been operated under a government-issued monopoly license by Stanley Ho's Sociedade de Turismo e Diversões de Macau. The monopoly ended in 2002 and several casino owners from Las Vegas attempted to enter the market. With the opening of the Sands Macao, in 2004 and Wynn Macau in 2006, gambling revenues from Macau's casinos were greatly prosperous. In 2007, Venetian Macau, at the time the second (now sixth) largest building in the world by floor space, opened its doors to the public, followed by MGM Grand Macau. Numerous other hotel casinos, including Galaxy Cotai Megaresort, are also to be opened in the near future.
In Macau, the unit of currency is the pataca which is currently pegged to the Hong Kong dollar at a rate of HK$1 = MOP1.03. The name pataca is a Portuguese word which was applied to the Mexican dollars that were the main circulating coin in the wider region in the second half of the 19th century.
Macau is the most densely populated region in the world, with a population density of 20,497 persons per square kilometre in 2013(18,428 persons/km2 in a 2004 projection 47,728/sq mi). 95% of Macau's population is Chinese; another 2% is of Portuguese and/or mixed Chinese/Portuguese descent, an ethnic group often referred to as Macanese.
Both Chinese (Cantonese) and Portuguese are Macau's official languages.
Canon EOS 5d, 24-70L
2013
Img_0050
(for further pictures please go to the link at the end of page!)
Krems an der Donau (Stein)
Community Krems at the Danube
History
Stein, copper engraving, Georg Matthäus Vischer, 1672
© IMAREAL, Austrian Academy of Sciences
The twin city of Krems-Stein in 1995 celebrating the 1000 year jubilee, is one of the oldest cities in Austria. The terrace formation, the favorable climate and location at the crossroads of the Danube trade route with the north-south connections from the Waldviertel (Wood district) and the wine district (Weinviertel) favored for thousands of years the colonization of the area and contributed essentially to the development as a center in the Danube region.
For a far into the early days reaching settlement tradition speak finds from the Paleolithic (Hundssteig, Wachtberg, 30000-25000 BC), from the Neolithic period (ceramic cultures), but also the special role of the region in the Early Bronze Age Unetice Culture (1800-1500 BC) as well as traces of the urn field culture of the late Bronze Age and the Hallstatt culture (800-400 BC). In the La Tène period settled here probably celticized groups, in the Roman period the area belonged since the beginning of the second Century to the sphere of influence of the Germanic Marcomanni. According to the biography of Saint Severin ("Vita Severini") the center of the Germanic Rugians in the second half of the 5th Century probably lay in the area of Krems-Stein, for the next century the cemetery in Unter-Rohrendorf proves the presence of the Lombards.
First time mentioned by name Krems is in a charter of Emperor Otto III of 9th August 995 as orientalis urbs que dicitur Chremisa - as a fortified place in the East which is named the Chremisa. The settlement then lay on the eastern border of the small Mark Ostarrîchi in close proximity to Moravia, but soon it grew beyond the castle district and developed in the 11th Century to a market settlement around the High market (Hoher Markt). Since 1014 Krems was due to a Royal donation (Königsschenkung) parish. The sister city of Stein is only in the second half of the 11th century (1072) named. Its center was the to parish Krems belonging Michael Church. Stone primarily was a toll and loading berth for salt, wine and grain. From skipper settlement arose a market and in the 12th Century a town settlement (since 1144). The character as a city of Krems is yet a little earlier for the year 1136 proven.
The position at the Danube the two cities had assigned their complementary functions: Stein lay directly at the stream and became toll and landing place for ships, had but due to the rising hillsides little space for large commercial and market places and construction activity. Krems, however, was cut by tributaries and floodplains from the main stream, but offered plenty of space for colonization and markets as well as the protection of a mighty castle.
Around 1150 Krems was the most important commercial center in the country. In the tower of the town castle of Krems at the steep slope of the High market between 1130-190 the first Babenberg coin, the Kremser penny, was minted. On the world map of the Arab scholar Idrisi Krems is named before Vienna, which only in subsequent time should surpass Krems. The city's growth probably already in the first half of the 12th Century the relocation of the parish of St. Stephen's Church on woman mountain (Frauenberg - now Piaristenkirche) to the foot of the mountain made necessary where the new Vitus church became parish. End of the 12th Century Krems was surrounded by a city wall, 1196 the first city judge is testified. The city has been expanded several times and extended in the late Middle Ages from the Steiner Tor in the west to the Krems river in the east. The Dominican monastery, founded in 1236 was initially outside the city.
Stein evolved from the high terrace in the direction of Nicholas church, which in 1283 was elevated into the status of a parish. In the late Middle Ages, the area between Landstraße and the Danube was built-up and the city in the area of the in 1223/1224 founded Minorits monastery (consecration of the church in 1264) and between Reisperbach and Linzertor extended.
Both cities since the beginning of the 12th Century were princely and complemented each other as land and Danube trading venues. Their close relationship has led to a unique construction as a twin city. Both cities had a civic community with its own military and financial sovereignty, but had a common municipal law (1305) and a common municipal judge and later mayor (since 1416). 1463 Emperor Frederick III the two cities conferred a common coat of arms, the imperial double-headed eagle in gold on a black background. In addition to Krems-Stein only Wiener Neustadt and Vienna had the privilege to lead the double eagle. The union of the cities existed until 1849, after 90 years of independence of Stein, in 1939 took place the recent merger.
The economic boom in the late Middle Ages was based on the viticulture and trade with wine, salt and iron. In Stein shipping formed a significant economic factor. 1463 Stein received by the Emperor Frederick III the privilege to build a fixed bridge, the second oldest after Vienna in the area of the Austrian course of the Danube river.
From the richness and self-conciousness of the citizenship testifies the in 1265 built "Gozzoburg" of the mighty city judge Gozzo of Krems, a castle-like town house with loggia. The appearance of both cities is characterised of the numerous houses from the 15th and 16th century, which are designed with bay windows, sgraffito and paintings and as well as arcade courtyards inside. A characteristic of both cities are the since the High Middle Ages profable "vintage courtyards" of monasteries and bishoprics, which were used to store wine and served for the administration of the monastic possessions, such as the Passau courtyards, the Kremsmünstererhof or the Göttweigerhof. The Göttweigerhofkapelle (chapel) is equipped with valuable frescoes from the early 14th Century. About 1500 Krems through the work of the Augsburg artist Jörg Breu became a center of the Danube School.
Since the second half of the 16th Century Krems was mostly Protestant. The resistance of the citizens against the recatholicization in 1593 led to the loss of all privileges. It was not until 1615 as Emperor Matthias cancelled the harsh verdict and restored the independence of the city. A big part in the Catholic restoration played the in 1616 settled Jesuits who ran the school and by their theater performances became famous. In addition to the Jesuit college emerged in the time of the Counter-Reformation the Capuchin Monastery Und (1614) and the early Baroque new building of the Kremser parish church, in which renowned Italian artists took part.
The 17th Century due to the shift of international trade routes and the decline of the importance of the Danube trade brought an economic downturn. Severe damages the city suffered in 1645 by the Swedes, who besieged Krems, conquered and extended it to the main fortress, and by the reconquest a year later. It was only after 1700 as a upswing set in again, which found its expression in the Baroque style of the city. Employers for the resident artists or handicrafts were the big monasteries of the country. One of the most important painters of this period was Martin Johann Schmidt, the Kremser Schmidt, until his death (1801) in Stein maintaining a painting workshop.
In the second half of the 18th Century changed the ecclesiastical structures of the city. The since 1616 the Jesuits transmitted Frauenberg church was taken over by the Piarists in 1776 after the abolition of the Order (1773). 1783 the Dominican Monastery, 1796 the Minorit's monastery and the Capuchin monastery was abolished and profaned.
The biggest change of the cityscape since the Middle Ages took place in the 19th Century by the removal of the ramparts and the city gates. Remained except for remnants of the wall only the Steinertor (gate), which became the symbol of the city. Of the in the course of industrialization established factories of importance were the leather factory in Rehberg, the factory for the manufacturing of mats and rugs made of coconut fibres in Stein and the first quartz millstone factory of Austria. Great reputation also enjoyed the organ builders Zachistal, Capek and Hradetzky and the Kremser bell founders, including Matthias Prininger, Ferdinand Vötterlechner and Johann Gottlieb Jenichen. In the last third of the century followed the connection to the railway network, 1909, the Donauuferbahn (railway line along the Danube) was opened.
After the Second World War - on 2nd April 1945, there was heavy bombing - succeeded the city to preserve the architectural heritage largely in its original state and to connect it with modernity. The successful revitalization already received international recognition, Krems in 1975, 1979 and 2009 was Europa Nostra award winner. The city with the "Art Mile" in Stein (Kunsthalle, Museum of Caricature and Artothek), the Danube Festival and numerous cultural events developed to one of the most important cultural centers in Lower Austria .
The art treasures of the city as well as tradition and the history of wine-growing presents the "museumkrems" in the former Dominican church. Which the in 1994 founded and in 1995 opened "Danube University", Krems became 13th Austrian university town and is since 2002 the seat of a University of Applied Sciences (International Management Center). With the since 1998 annually realized Wachau Marathon Krems itself also could established as a "sports city".
In the 1970s, the city once again experienced a major expansion. In 1972 joined the community of Hollenburg Krems. The once separating Danube became the connecting element between the urban north and the "orchard" in the south. Meanwhile, the "Southtown" became integral part of the city, but could maintain its rural character.
Krems has partnerships with cities in Denmark, Germany, France, Czech Republic and the USA.
geschichte.landesmuseum.net/index.asp?contenturl=http://g...
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
Biennalist
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
About artist Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
Biennalist :
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
-------------------------------------------
links about Biennalist :
Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
—--Biennale from wikipedia —--
The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.
Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).
Characteristics[edit]
According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]
The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.
A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.
The Venice Biennale as an archetype[edit]
The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.
The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.
Biennials after the 1990s[edit]
The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.
International biennales[edit]
In the term's most commonly used context of major recurrent art exhibitions:
Adelaide Biennial of Australian Art, South Australia
Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Athens Biennale, in Athens, Greece
Bienal de Arte Paiz, in Guatemala City, Guatemala[4]
Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)
Bamako Encounters, a biennale of photography in Mali
Bat-Yam International Biennale of Landscape Urbanism
Beijing Biennale
Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)
Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no
Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China
Bienal de Arte de Ponce in Ponce, Puerto Rico
Biënnale van België, Biennial of Belgium, Belgium
BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.
Biennial of Hawaii Artists
Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]
Biwako Biennale [ja], in Shiga, Japan
La Biennale de Montreal
Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola
Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal
Bucharest Biennale in Bucharest, Romania
Bushwick Biennial, in Bushwick, Brooklyn, New York
Canakkale Biennial, in Canakkale, Turkey
Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]
Changwon Sculpture Biennale in Changwon, South Korea
Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal
Documenta, contemporary art exhibition held every five years in Kassel, Germany
Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France
EVA International, biennial in Limerick, Republic of Ireland
Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]
Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan
Gwangju Biennale, Asia's first and most prestigious contemporary art biennale
Havana biennial, in Havana, Cuba
Helsinki Biennial, in Helsinki, Finland
Herzliya Biennial For Contemporary Art, in Herzliya, Israel
Incheon Women Artists' Biennale, in Incheon, South Korea
Iowa Biennial, in Iowa, USA
Istanbul Biennial, in Istanbul, Turkey
International Roaming Biennial of Tehran, in Tehran and Istanbul
Jakarta Biennale, in Jakarta, Indonesia
Jerusalem Biennale, in Jerusalem, Israel
Jogja Biennale, in Yogyakarta, Indonesia
Karachi Biennale, in Karachi, Pakistan
Keelung Harbor Biennale, in Keelung, Taiwan
Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India
Kortrijk Design Biennale Interieur, in Kortrijk, Belgium
Kobe Biennale, in Japan
Kuandu Biennale, in Taipei, Taiwan
Lagos Biennial, in Lagos, Nigeria[10]
Light Art Biennale Austria, in Austria
Liverpool Biennial, in Liverpool, UK
Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]
Manifesta, European Biennale of contemporary art in different European cities
Mediations Biennale, in Poznań, Poland
Melbourne International Biennial 1999
Mediterranean Biennale in Sakhnin 2013
MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada
MOMENTUM [no], in Moss, Norway[12]
Moscow Biennale, in Moscow, Russia
Munich Biennale, new opera and music-theatre in even-numbered years
Mykonos Biennale
Nakanojo Biennale[13]
NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia
October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]
OSTEN Biennial of Drawing Skopje, North Macedonia[15]
Biennale de Paris
Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]
São Paulo Art Biennial, in São Paulo, Brazil
SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]
Prospect New Orleans
Seoul Biennale of Architecture and Urbanism
Sequences, in Reykjavík, Iceland[18]
Shanghai Biennale
Sharjah Biennale, in Sharjah, UAE
Singapore Biennale, held in various locations across the city-state island of Singapore
Screen City Biennial, in Stavanger, Norway
Biennale of Sydney
Taipei Biennale, in Taipei, Taiwan
Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.
Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]
Dream city, produced by ART Rue Association in Tunisia
Vancouver Biennale
Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]
Venice Biennale, in Venice, Italy, which includes:
Venice Biennale of Contemporary Art
Venice Biennale of Architecture
Venice Film Festival
Vladivostok biennale of Visual Arts, in Vladivostok, Russia
Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA
Web Biennial, produced with teams from Athens, Berlin and Istanbul.
West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.
WRO Biennale, in Wrocław, Poland[22]
Music Biennale Zagreb
[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.
—---Venice Biennale from wikipedia —
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]
Organization[edit]
Art Biennale
Art Biennale
International Art Exhibition
1895
Even-numbered years (since 2022)
Venice Biennale of Architecture
International Architecture Exhibition
1980
Odd-numbered years (since 2021)
Biennale Musica
International Festival of Contemporary Music
1930
Annually (Sep/Oct)
Biennale Teatro
International Theatre Festival
1934
Annually (Jul/Aug)
Venice Film Festival
Venice International Film Festival
1932
Annually (Aug/Sep)
Venice Dance Biennale
International Festival of Contemporary Dance
1999
Annually (June; biennially 2010–16)
International Kids' Carnival
2009
Annually (during Carnevale)
History
1895–1947
On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]
A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]
The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.
The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).
During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.
1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.
In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.
In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.
During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]
1948–1973[edit]
The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.
1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.
In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.
1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.
The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]
In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").
Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]
1974–1998[edit]
1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.
On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]
In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.
In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]
The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.
For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]
1999–present[edit]
In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.
In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).
The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.
The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.
In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.
Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".
The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".
The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]
Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]
The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]
The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]
The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]
The Biennale has an attendance today of over 500,000 visitors.[30][31][32]
Role in the art market[edit]
When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]
Central Pavilion and Arsenale[edit]
The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.
Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]
A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi
If you have any questions or would like to contribute to this archive, please visit www.underjams.art and contact me on Twitter DM or Telegram ♥
Natural abstract artwork reveals a complex history of the coastal dunes in Great Sandy National Park, Cooloola, Queensland:
The charcoal highlight tells of the recent bushfire.
The brown spill of sandy soil tells of the humic layer that has formed on the top of the dunes.
The sepia coloured sand rippled by the cross flow of the onshore wind reveals the aeolian processes that have formed the dunes.
The yellow sand identifies the dominant mineral ingredients of the sand which derives from granite and sandstone ranges inland of a thousand kilometres of coast.
The brightly coloured pieces of rock demonstrate the fragility of the indurations that have occurred as water infiltrates the dunes.
The whitish sand forming the surface of the beach reminds one of the marine life of corals and molluscs now washed up on the beach contributing their skeletal calcium carbonate to the shore.
And the green leaves sprouting from a root remind us of the plant life that seeks to stabilise an otherwise fragile dune system.
Gallery opening of Bear and Bird's Evil vs. Good
On exhibit: October 2 – November 14, 2015
Opening Night Artist Reception: Friday, October 2, 2015 from 6-10pm
We invited all South Florida artists to contribute a piece that showed some sort of dark and light conflict.
Support the South Florida local art scene!
Featuring artwork by: Abby Jame; Adam Forero; Alex Gerstenkorn; Alex Merly; Alice Acedia; Allan Pierce; Amy Koenig; Ana Garcia; Ananda Yeshua; Andrea Jones; Andrew Lechuga; Andy Farinas; Angelica Busk; Aysha Marie Zouain; Barbarasaurus; Beyssa Buil; Bobby Neal Furedi; Bpresil; Brian Reedy; Carlos Garcia; Cassandra Gonzalez; Catherine Shapiro; Chantal Gabriel; Chibi Hippo; Christine Schongar; Chun Lo; Copper Sphinx; Cortez Valencia; Cristina Larcada; Cruz Valencia; Cynthia Goodman; Davey Graham; Debbie Rao; Diana E. Perez; Dibbie Jane; Diego Rua; Edurne Uribe; Emily Wenzel; Endian Escott; Erin Cavanaugh; Erin O’Dea; Ex McGruder Prescott Harrison III; Felicita Devin; Flor Brito; Frackoon; Genevra Collier; Gianna DiBartolomeo; Grace Chesnut; Hayley Angus; Heather Wood; I Heart NailArt; Ian M. Santos; IdeaStorm Media; Irene Contramaestre; JAB; JeffMadeIt; Jenna Beahn; John Paul Tanner; Jon Gonzalez Abellan; Jonathan C. Diaz; Jonathan Cocks; Jonathan Reid; Jorge Ballester; Julie Camino Photography; Karl Johnsen; Kat Manderfield; Kay Chimel; Kerry Sisselman; Kerry Tichenor; Kimberly Vaughan; Kreisten Suskey; Krysten Deidrick; Lailee Goodman; Laura Garcia; Letisia Cruz; Love Love Goose; Mad God Kaos; Manda Micro; Mandi Sorren; Maranesi; Melly Pereda; Michael Anthony Reiter; Michael Hernandez; Michael Slabaugh; Mikey Quesada; Miniver Patrice; MissMachineArt; Moxie Nox; Natasha Clark; Nigetsue; Nir Vinograd; No, this is David.; Olivia Escott; Patricia Glassman; PeeWee; pKeane; Purificación; Rachel Galvin; Randohf Vidaurreta; Rebecca Baranet; RemiJin; Rey Acevedo; Rikki Wright; Robert Korttonen; Rolando Guillama; Rosemary Jane; Salomon O. Carrasco; Sandra Diaz; Sarah Uriarte; Shane Weaver; Shawn Escott; Sommer Wood; Steven C. Imas; Steven Kurtz; Stibi Art; Summer December; T-Ray; Tanya Lopez; Tasha Milano; TattoosByTK; Tatyana Correa; Tiffany Binns; Tim Murphy; Ursalina Aguilar; Veronica Christiansen; Victoria Alvarez; Violeta Caloor; Wajima Alvarado; Walter Gee; Wen-Ju Chien; William Fushark Muniz; Willo Segersbol; Yessica Lepe; Zac Ensign; Zafy and more!
Photo caption: Freshman Sam Lemel looks for signs of hops downy mildew during a visit to the hops field at the Mountain Horticultural Crops Research and Extension Center in Mills River. Lemel and his partner Bryce Spradlin worked this semester to design a rapid test for the pathogen.
The TIME Honors Science Research Course is an intensive, inquiry-based school-day course. Students learn about the process of science as they conduct original scientific research into topics of their own choosing. They are supported by both teacher and scientist mentors as they choose a topic of interest, develop a testable question, design a procedure, collect and analyze data and present their findings.
All Transylvania County Schools high school students (rising 9-12 graders) are eligible to apply for the course. Participants will be chosen through an application process that began in January of 2015, with application deadlines beginning Jan. 30. Course enrollment will be limited. Students will be chosen by an independent selection committee based on their demonstrated interest in science, potential for success in scientific research, and commitment to all components of the course.
Students chosen in 2015 will attend a trip to observe state research competitions in March and a summer field study week prior to the course. The school-day portion of the course will be held during the fall of 2015 in Brevard High School's Science Research Laboratory. Students will enter their work in one or more science competitions during the winter of 2016.
Why apply for the TIME Honors Science Research Course? Students benefit from doing research projects because they see how science applies to their own lives and community. They learn more about the process of science and what scientists do as they act as co-learners with teachers, scientists and other students. They discover new careers in science. While conducting research projects, students develop independence-no one is telling them exactly what to do or how to do it. They learn how to break down a complex, long-term project into manageable pieces, develop a plan of action, and follow it through. As they conclude their projects, students learn how to communicate their results clearly and persuasively to a variety of audiences as they contribute to the bank of scientific knowledge with their findings.
Students who have conducted long-term research projects are more competitive as they apply for college and scholarships. Top colleges want students who can write as well as possess analytical skills, creativity and a multidisciplinary perspective. Most of all they want people with a capacity for continuous innovation. These are skills gained from conducting original research. Doing a science project and participating in a competition can give students the opportunity to meet and spend time with others from around the world who have similar interests while competing for significant scholarships, travel, monetary awards and other prizes.
Current TIME students have recently completed the following research projects: Testing for the presence of estrogen-like compounds In Stevia rebaudiana (Cameron McCathern, Erin Smith and Sam Farrar); Electroantennogram response of Megacopta cribraria to chemical components in its defensive secretion (Abby Williams and Carly Onnink); Evaluation of honeybee health in Transylvania County: An assessment of Varroa destructor and Nosema levels (Ingrid Findlay, Aaron Neumann, and Hannah Lemel); Isolation, identification and screening of local wood rot fungi for the production of lignin-degrading enzymes (Hannah Field and Ryan Holland); Agrobacterium-mediated stable transformation of Coleus X hybridus plants using the floral dip method and B-glucuronidase (GUS) gene as a reporter system (Carver Nichols); Adapting the LAMP assay and culturing methods for hops downy mildew, Pseudoronospora humuli (Sam Lemel and Bryce Spradlin); The effect of antibiotics on the mortality of the hemlock woolly adelgid, Adelges tsugae (Allison Reece and Lauren DuBreuil); Evaluation of VOC producing Diaporthe species for enzyme production (Joe Roberts, Lauren Tooley and Eliza Witherspoon); Identifica-tion and heavy metal remediation potential of fungi isolated from Duke Energy's 1964 Asheville coal ash pond (Ryulee Park and Aidan Spradlin); and studies on the walnut twig beetle (Pityophthorus juglandis) and its association with Geosmithia morbida (Crista Cali and Sarah Branagan).
Current TIME students would like to thank all who have helped with their research during the year including students, teachers, administration, parents and numerous scientists and community volunteers. Thanks go to 2014 TIME volunteers: Ken Chepenik, Don Wauchope, Paul Sisco, Jeanine Davis, Kelly Gaskill, Laurie Moorhead, Chuck McGrady, Page Lemel, Craig DeBrew, Ervin Kovacs, Chris Cali, Pat Montgomery, Tammy Bellefeuil, Adam DeWitt, Brian Heath, Amy Kinsella, Kelly Oten, Bryan Dubois, David Williams, Cindy Carpenter, Lisa Smith, Eric Caldwell, Jay Case, Andy VonCanon, Dan Harris, Danny Fender, Paul Sisco, Scott Pryor, Rene Timmons, Nancy Knights, Sheila and Marvin Holland, George Logsdon, Ed Burdette, Mary Ann Mickewitz, Crawford and Jeanette Lowe, Allen Frost, Ora Wells, Randy Oliver, Coby Schal, Bart Renner, Harriett Walls, Kaitlin McCreery, Gordon Riedesel, Summer Cortinas, Bruce Roberts, Roger Frisbee and Wes Freund. Special thanks go to Dr. Kent Wilcox and Mary Arnaudin, without whose help, guidance, and actions the class could not have been possible!
Funds for the TIME Science Research Course are provided in part by a grant from the Burroughs Wellcome Fund in addition to support from Transylvania County Schools and NC Cooperative Extension. Special thanks go to a growing group of community donors: the American Association of University Women, Pisgah Forest Rotary Club, PharmAgra, The Robertson Foundation, Merrill Well and Pump Company, Environmental Quality Institute, Roger Frisbee, June Litchfield, Peter Chaveas, Steve and Mary Beth Whitmire, Newell and Mary Witherspoon, Ed Buckbee, Kristine and John Candler, NC BioNetwork Labs, Kent Wilcox, Ken Chepenik, Ann Farash and Paul Onnink, Bee Cool Bee Supply and Pat Montgomery.
For more information, to apply for the research course, or to indicate an interest in volunteering or donating to the program, visit time4realscience.org.
© 2015, Transylvania County Schools. All rights reserved.
Francesoc Furini (1603-1646), Florence
Penitent Mary Magdalene, c. 1634
Furini, educated in his town of birth Florence with Cristofano Allori, since his youth had been in good contact with the Court of the Medici which he also maintained after he was ordained a priest and became a minister in the Mugello (1633). With his depictions of female heroines and saints in a melancholic attitude, he created a popular motif of Florentine art of the 17th century. Contributed to this success might also have the subtle intertwining of sufmato (a Leonardo-derived kind of soft, blurring the contours brushwork) and emotional devotion.
Francesoc Furini (1603-1646), Florenz
Büßende Maria Magdalena, um 1634
Furini, in seiner Geburtsstadt Florenz bei Cristofano Allori ausgebildet, hatte seit seiner Jugend gute Kontakte zum Hof der Medici, die er auch aufrechterhielt, nachdem er sich zum Priester hatte weihen lassen und Pfarrer im Mugello geworden war (1633). Mit seinen Darstellungen weiblicher Heroinen und Heiligen in melancholischer Haltung schuf er ein beliebtes Motiv der Florentiner Kunst des 17. Jahrhunderts. Zu diesem Erfolg dürfte auch die geschickte Verflechtung von sufmato (einer von Leonardo abgeleiteten Art von weicher, die Konturen verunklärender Pinselführung) und emotionaler Hingabe beigetragen haben.
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
The Petronas Towers, also known as the Petronas Twin Towers (Malay: Menara Petronas, or Menara Berkembar Petronas), are twin skyscrapers in Kuala Lumpur, Malaysia. According to the Council on Tall Buildings and Urban Habitat (CTBUH)'s official definition and ranking, they were the tallest buildings in the world from 1998 to 2004 and remain the tallest twin towers in the world. The buildings are a landmark of Kuala Lumpur, along with nearby Kuala Lumpur Tower.
HISTORY
The towers were designed by Argentine - South American architect César Pelli. They chose a distinctive postmodern style to create a 21st-century icon for Kuala Lumpur. Planning on the Petronas Towers started on 1 January 1992 and included rigorous tests and simulations of wind and structural loads on the design. Seven years of construction followed at the former site of the original Selangor Turf Club, beginning on 1 March 1993 with excavation, which involved moving 500 truckloads of earth every night to dig down 30 metres below the surface.
The construction of the superstructure commenced on 1 April 1994. Interiors with furniture were completed on 1 January 1996, the spires of Tower 1 and Tower 2 were completed on 1 March 1996, and the first batch of Petronas personnel moved into the building on 1 January 1997. The building was officially opened by the Prime Minister of Malaysia's Tun Dr. Mahathir bin Mohamad on 1 August 1999. The twin towers were built on the site of Kuala Lumpur's race track. Test boreholes found that the original construction site effectively sat on the edge of a cliff. One half of the site was decayed limestone while the other half was soft rock. The entire site was moved 61 metres to allow the buildings to sit entirely on the soft rock. Because of the depth of the bedrock, the buildings were built on the world's deepest foundations. 104 concrete piles, ranging from 60 to 114 metres deep, were bored into the ground. The concrete raft foundation, comprising 13,200 cubic metres of concrete was continuously poured through a period of 54 hours for each tower. The raft is 4.6 metres thick, weighs 32,500 tonnes and held the world record for the largest concrete pour until 2007. The foundations were completed within 12 months by Bachy Soletanche and required massive amounts of concrete. Its engineering designs on structural framework were contributed by Haitian engineer Domo Obiasse and colleagues Aris Battista and Princess D Battista. The Petronas Towers' structural system is a tube in tube design, invented by Fazlur Rahman Khan. Applying a tube-structure for extreme tall buildings is a common phenomenon.
The 88-floor towers are constructed largely of reinforced concrete, with a steel and glass facade designed to resemble motifs found in Islamic art, a reflection of Malaysia's Muslim religion. Another Islamic influence on the design is that the cross section of the towers is based on a Rub el Hizb, albeit with circular sectors added to meet office space requirements.
As a result of the Malaysian government specifying that the buildings be completed in six years, two construction consortiums were hired to meet the deadline, one for each tower. Tower 1, the west tower (right in the top-right photograph) was built by a Japanese consortium led by the Hazama Corporation (JA Jones Construction Co., MMC Engineering Services Sdn Bhd, Ho Hup Construction Co. Bhd and Mitsubishi Corp) while Tower 2, the east tower (left in the top-right photograph) was built by a South Korean consortium led by the Samsung C&T Corporation (Kukdong Engineering & Construction and Syarikat Jasatera Sdn Bhd). Early into construction a batch of concrete failed a routine strength test causing construction to come to a complete halt. All the completed floors were tested but it was found that only one had used a bad batch and it was demolished. As a result of the concrete failure, each new batch was tested before being poured. The halt in construction had cost US$700,000 per day and led to three separate concrete plants being set up on the site to ensure that if one produced a bad batch, the other two could continue to supply concrete. The sky bridge contract was completed by Kukdong Engineering & Construction. Tower 2 became the first to reach the world's tallest building at the time. When the structure reached about 72nd floor, tower 2 ran into problems. They discovered the structure was leaning 25 millimetres off from vertical. To correct the lean, the next 16 floors were slanted back 20 millimetres with specialist surveyors hired to check verticality twice a day until the building's completion.
Due to the huge cost of importing steel, the towers were constructed on a cheaper radical design of super high-strength reinforced concrete. High-strength concrete is a material familiar to Asian contractors and twice as effective as steel in sway reduction; however, it makes the building twice as heavy on its foundation as a comparable steel building. Supported by 23-by-23 metre concrete cores and an outer ring of widely spaced super columns, the towers use a sophisticated structural system that accommodates its slender profile and provides 560,000 square metres of column-free office space. Below the twin towers is Suria KLCC, a shopping mall, and Dewan Filharmonik Petronas, the home of the Malaysian Philharmonic Orchestra.
NOTABLE EVENTS
On 15 April 1999, Felix Baumgartner set the world record for BASE jumping (since broken) by jumping off a window cleaning crane on the Petronas Towers.
Thousands of people were evacuated on 12 September 2001 after a bomb threat was phoned the day after the September 11 attacks destroyed the World Trade Center towers in New York City. Bomb Disposal squads found no bomb in the Petronas towers but they evacuated everyone. Workers and shoppers were allowed to return three hours later, around noon. No one was hurt during the evacuation.
On the evening of 4 November 2005, a fire broke out in the cinema complex of the Suria KLCC shopping centre below the Petronas Towers, triggering panic among patrons. There were no reports of injuries. The buildings were largely empty, except the shopping mall, Suria KLCC, because of the late hour; the only people involved were moviegoers and some diners in restaurants.
On the morning of 1 September 2009, French urban climber Alain "Spiderman" Robert, using only his bare hands and feet and with no safety devices, scaled to the top of Tower Two in just under 2 hours after two previous efforts had ended in arrest. On 20 March 1997, police arrested him at the 60th floor, 28 floors away from the "summit". He made a second attempt on 20 March 2007, exactly 10 years later, and was stopped once again on the same floor, though on the other tower.
COMPARISON WITH OTHER TOWERS
The Petronas Towers were the tallest buildings in the world for six years, until Taipei 101 was completed in 2004. The height of the towers is measured to the top of their structural components such as spires, but do not include antennas. Spires are considered actual integral parts of the architectural design of buildings, to which changes would substantially change the appearance and design of the building, whereas antennas may be added or removed without such consequences. The Petronas Towers still remain the tallest twin buildings in the world. Willis Tower (formerly Sears Tower) and the World Trade Center towers were each constructed with 110 occupied floors – 22 more than the 88 floors of the Petronas Towers. Willis Tower's tallest antenna is 75.41 m taller than those of the Petronas Towers, however, in accordance with CTBUH regulations and guidelines, the antennas of Willis Tower were not counted as part of its architectural features. The spires on the Petronas Towers are included in the height since they are not antenna masts. Therefore, the Petronas Towers exceed the official height of Willis Tower by 10 m even though the roof of Petronas Towers at 378.6 metres is 63.4 m lower than the roof of Willis Tower at 442 metres. The Petronas Towers feature a diamond-faceted facade consisting of 83,500 square metres of stainless steel extrusions. In addition, a 33,000-panel curtain wall cladding system resides within the towers. While the stainless steel element of the towers entices the illustrious sun, highlighting the magnificent towers, they are composed of 55,000 square metres of 20.38-millimetre laminated glass to reduce heat by reflecting harmful UV rays.
On the top of each tower is a pinnacle standing 73.5 metres tall. The pinnacles were more than just the finishing touches to the height of the towers, each taking over 19 weeks to construct and both being assembled outside the country. One was constructed in Japan and the other in Korea. Each pinnacle is composed of 50 unique parts making up the main components: the spire, mast ball and ring ball. Together these parts weigh 176 tons. While the pinnacles may seem to be an aesthetic feature of the towers to enhance their presence and height, they also play function to aircraft warning lights and are an essential element to the overall Islamic minaret design that the towers embody.
The interiors of the towers highlight the Malaysian cultural inspiration to the design through traditional aspects such as fabric and carvings typical of the culture, specifically evident in the foyer of the entrance halls in the towers.
The construction of the Petronas Towers turned out to be a multinational effort. The structural design engineers worked out of New York City, while the wind-tunnel consultants and elevator design engineers were from Canada. To meet local safety construction codes, the towers had to be able to withstand 105 km/h winds. To assure this requirement would be fulfilled, the engineers tested the towers twice within a wind tunnel, first by computer simulation and second by building an actual model of the towers.
ANCHOR TENANTS
Tower One is fully occupied by Petronas and a number of its subsidiaries and associate companies, while the office spaces in Tower Two are mostly available for lease to other companies. A number of companies have offices in Tower Two, including Huawei Technologies, AVEVA, Al Jazeera English, Carigali Hess, Bloomberg, Boeing, IBM, Khazanah Nasional Berhad, McKinsey & Co, WIPRO Limited, TCS, HCL Technologies, Krawler, Microsoft, The Agency (a modelling company) and Reuters.
FEATURES
SURIA KLCC
Suria KLCC is a 140,000 m2 upmarket retail center at the feet of the Petronas Towers. It features mostly foreign luxury goods and high-street labels. Its attractions include an art gallery, a philharmonic theatre, an underwater aquarium and also a Science center. Suria KLCC is one of the largest shopping malls in Malaysia.
KLCC PARK
Spanning 6.9 ha below the building is the KLCC Park with jogging and walking paths, a fountain with incorporated light show, wading pools, and a children's playground.
SKYBRIDGE
The towers feature a double decker skybridge connecting the two towers on the 41st and 42nd floors, which is the highest 2-story bridge in the world. It is not attached to the main structure, but is instead designed to slide in and out of the towers to prevent it from breaking, as the towers sway several feet in towards and away from each other during high winds. It also provides some structural support to the towers in these occasions. The bridge is 170 m above the ground and 58 m long, weighing 750 tons. The same floor is also known as the podium, since visitors going to higher levels have to change elevators here. The skybridge is open to all visitors, but tickets are limited to about 1000 people per day, and must be obtained on a first-come, first-served basis. Initially, the visit was free but in 2010, the tickets started being sold by Petronas. Visitors can choose to opt for package one which is just a visit to the skybridge or go for package two to go to the skybridge and all the way to level 86. Visitors are only allowed on the 41st floor as the 42nd floor can only be used by the tenants of the building.
The skybridge also acts as a safety device, so that in the event of a fire or other emergency in one tower, tenants can evacuate by crossing the skybridge to the other tower. The total evacuation triggered by a bomb hoax on 12 September 2001 (the day after the September 11 attacks destroyed the twin towers of the World Trade Center in New York City) showed that the bridge would not be useful if both towers need to be emptied simultaneously, as the capacity of the staircases was insufficient for such an event. Plans thus call for the lifts to be used if both towers need to be evacuated, and a successful drill following the revised plan was conducted in 2005.
There is a two hinged arch that supports the skybridge with arch legs, each 51 metres long, that are bolted to level 29 of each of the towers. After being constructed on the ground, the skybridge was lifted into place on the towers over a period of three days in July 1995 but instead of being directly connected to the towers, the skybridge can shift or slide in and out of them to counterbalance any effect from the wind. Residing on the 41st and 42nd floors, the skybridge connects a conference room, an executive dining room and a prayer room.
LIFT SYSTEM
The main bank of Otis Lifts is located in the centre of each tower. All main lifts are double-decker with the lower deck of the lift taking passengers to even-numbered floors and upper deck to odd-numbered floors. To reach an odd-numbered floor from ground level, passengers must take an escalator to the upper deck of the lift.
There are 29 double-deck passenger elevators, but there are different sets that service certain floors of the towers, specifically two sets of six of these double-deck passenger elevators to floors 1–23 and 1–37 respectively. Another set of 5 passenger lifts transport passengers to the 41st and 42nd floors where they can switch lifts to reach the upper zones of the buildings, each double-deck passenger lift with the capacity of 52 passengers or, 26 passengers per deck. There are also 6 heavy-duty elevators for utility.
From the ground floor, there are three groups of lifts. The "short haul" group of 6 lifts take passengers to floors between level 2/3 and level 16/17. The "mid haul" group of six lifts take passengers to floors between level 18/19 and level 37/38. There is also a set of shuttle lifts that take passengers directly to levels 41/42. To get to levels above 41/42, passengers must take the shuttle lifts, then change to lifts to the upper floors. These connecting lifts are directly above the lifts that serve levels 2 to 38. The pattern now repeats with the upper levels, one set serving levels 43/44 to 57/58 and one set serving levels 59/60 to levels 73/74.
Apart from this main bank of lifts, there are a series of "connecting" lifts to take people between the groups. Unlike the main lifts, these are not the double-decker type. Two lifts are provided to take people from levels 37/38 to levels 41/42 (levels 39 and 40 are not accessible as office space). This spares someone in the lower half of the building from having to go back to the ground floor to go to the upper half of the building.
The lifts contain a number of safety features. It is possible to evacuate people from a lift stuck between floors by manually driving one of the adjacent lifts next to it and opening a panel in the wall. It is then possible for people in the stuck lift to walk between lift cars. During an evacuation of the buildings, only the shuttle lift is allowed to be used, as there are only doors at levels G/1 and levels 41/42; therefore should there be a fire in the lower half of the building, this enclosed shaft would remain unaffected. Firefighter lifts are also provided in case of emergency.
The lift operating chart of the Petronas Towers
PL7A-PL7C (Tower 1) & PL8A-PL8C (Tower 2)(Parking & Podium Passenger Lift): P5-P1, C, G, 1, 2, 2M, 3-5 (PL7A & PL8A non-stop at level 2M)
SL6 (Tower 1) & SL7 (Tower 2) (Parking & Podium Service Lift): P5-P1, 1, 2, 2M, 3-5 (SL7 non-stop at level 2M)
PL14 (Tower 1) & PL15 (Tower 2) (Concert Passenger Lift): G, 2, 2M, 3, 4
A1-A6 (Tower 1) & A7-A12 (Tower 2) (Bank A Passenger Lift): G/1, 8/9-22/23
B1-B6 (Tower 1) & B7-B12 (Tower 2) (Bank B Passenger Lift): G/1, 24/25-36/37
CF1-CF2 (Tower 1) & CF3-CF4 (Tower 2) (Conference Shuttle Lift): 36, 37, 40-42
C1-C6 (Tower 1) & C7-C12 (Tower 2) (Bank C Passenger Lift): 41/42, 43/44-57/58
D1-D3 (Tower 1) & D4-D6 (Tower 2) (Bank D Passenger Lift): 41/42, 59/60-73/74
E1-E3 (Tower 1) & E4-E6 (Tower 2) (Bank E Passenger Lift): 41/42, 75-83
TE1-TE2 (Tower 1) & TE3-TE4 (Tower 2) (Upper Level Passenger Lift): 83, 85-88
S1-S2 (Tower 1) & S4-S5 (Tower 2) (Service Lift): P1, C, G, 2-6, 8-38, 40-84
S3 (Tower 1) & S6(Tower 2) (Lower Level Service Lift): P1, C, G, 2-6, 8-36
F1-F2 (Tower 1) & F3-F4 (Tower 2) (Fireman Service Lift): P1, C, G, 1-6, 8-38, 40-88 (F1 & F3 non-stop at Level 1)
SERVICE BUILDING
The service building is to the east of the Petronas Towers and contains the chiller plant system and the cooling towers to keep the Petronas Towers cool and comfortable.
TICKETING SYSTEM
In order to visit Petronas towers, visitors must first purchase the tickets. Tickets of adults and children can be purchased via online web portal or at the counter. Discounted tickets for seniors are available for those 55 years of age and above. Queues for tickets can get quite long sometimes. The complete Ticketing System or Automated Fare Collection system is provided by a Malaysian-based solution company called Longbow Technologies Sdn Bhd.
IN POPULAR CULTURE
- The towers are prominently featured and mentioned by name in the 1999 film Entrapment, with numerous scenes filmed at the towers, with the climax set on the skybridge.
- The Towers appear in the first episode of the US TV series 24.
- Several scenes of the Bollywood film Don: The Chase Begins Again were also filmed in the Petronas Towers and its skybridge.
- In the Phineas and Ferb episode "Phineas and Ferb Save Summer!", the towers are visible during the musical number "Summer All Over the World".
- Eidos Interactive has twice used the towers for inspiration in their video games. In the 2002 Hitman 2: Silent Assassin, the Malaysia-based levels Basement Killing, The Graveyard Shift, and The Jacuzzi Job all take place in the Petronas Towers. In 2010's Just Cause 2, the fictional Panau Falls Casino is based on the Petronas Towers.
- A 2002 episode of the animated series Jackie Chan Adventures titled "When Pigs Fly" (Season 3, Episode 6), features the towers.
- The towers made its appearance, in the animated series Totally Spies episode titled "Man or Machine".
WIKIPEDIA
The cat (Felis catus), commonly referred to as the domestic cat or house cat, is the only domesticated species in the family Felidae. Recent advances in archaeology and genetics have shown that the domestication of the cat occurred in the Near East around 7500 BC. It is commonly kept as a house pet and farm cat, but also ranges freely as a feral cat avoiding human contact. It is valued by humans for companionship and its ability to kill vermin. Because of its retractable claws it is adapted to killing small prey like mice and rats. It has a strong flexible body, quick reflexes, sharp teeth, and its night vision and sense of smell are well developed. It is a social species, but a solitary hunter and a crepuscular predator. Cat communication includes vocalizations like meowing, purring, trilling, hissing, growling, and grunting as well as cat body language. It can hear sounds too faint or too high in frequency for human ears, such as those made by small mammals. It also secretes and perceives pheromones.
Female domestic cats can have kittens from spring to late autumn in temperate zones and throughout the year in equatorial regions, with litter sizes often ranging from two to five kittens. Domestic cats are bred and shown at events as registered pedigreed cats, a hobby known as cat fancy. Animal population control of cats may be achieved by spaying and neutering, but their proliferation and the abandonment of pets has resulted in large numbers of feral cats worldwide, contributing to the extinction of bird, mammal and reptile species.
As of 2017, the domestic cat was the second most popular pet in the United States, with 95.6 million cats owned and around 42 million households owning at least one cat. In the United Kingdom, 26% of adults have a cat, with an estimated population of 10.9 million pet cats as of 2020. As of 2021, there were an estimated 220 million owned and 480 million stray cats in the world.
Etymology and naming
The origin of the English word cat, Old English catt, is thought to be the Late Latin word cattus, which was first used at the beginning of the 6th century. The Late Latin word may be derived from an unidentified African language. The Nubian word kaddîska 'wildcat' and Nobiin kadīs are possible sources or cognates. The Nubian word may be a loan from Arabic قَطّ qaṭṭ ~ قِطّ qiṭṭ.
The forms might also have derived from an ancient Germanic word that was imported into Latin and then into Greek, Syriac, and Arabic. The word may be derived from Germanic and Northern European languages, and ultimately be borrowed from Uralic, cf. Northern Sámi gáđfi, 'female stoat', and Hungarian hölgy, 'lady, female stoat'; from Proto-Uralic *käďwä, 'female (of a furred animal)'.
The English puss, extended as pussy and pussycat, is attested from the 16th century and may have been introduced from Dutch poes or from Low German puuskatte, related to Swedish kattepus, or Norwegian pus, pusekatt. Similar forms exist in Lithuanian puižė and Irish puisín or puiscín. The etymology of this word is unknown, but it may have arisen from a sound used to attract a cat.
A male cat is called a tom or tomcat (or a gib, if neutered). A female is called a queen or a molly, if spayed, especially in a cat-breeding context. A juvenile cat is referred to as a kitten. In Early Modern English, the word kitten was interchangeable with the now-obsolete word catling.
A group of cats can be referred to as a clowder or a glaring.
Taxonomy
The scientific name Felis catus was proposed by Carl Linnaeus in 1758 for a domestic cat. Felis catus domesticus was proposed by Johann Christian Polycarp Erxleben in 1777. Felis daemon proposed by Konstantin Satunin in 1904 was a black cat from the Transcaucasus, later identified as a domestic cat.
In 2003, the International Commission on Zoological Nomenclature ruled that the domestic cat is a distinct species, namely Felis catus. In 2007, it was considered a subspecies, F. silvestris catus, of the European wildcat (F. silvestris) following results of phylogenetic research. In 2017, the IUCN Cat Classification Taskforce followed the recommendation of the ICZN in regarding the domestic cat as a distinct species, Felis catus.
Evolution
Main article: Cat evolution
The domestic cat is a member of the Felidae, a family that had a common ancestor about 10 to 15 million years ago. The evolutionary radiation of the Felidae began in Asia during the Miocene around 8.38 to 14.45 million years ago. Analysis of mitochondrial DNA of all Felidae species indicates a radiation at 6.46 to 16.76 million years ago. The genus Felis genetically diverged from other Felidae around 6 to 7 million years ago. Results of phylogenetic research shows that the wild members of this genus evolved through sympatric or parapatric speciation, whereas the domestic cat evolved through artificial selection. The domestic cat and its closest wild ancestor are diploid and both possess 38 chromosomes and roughly 20,000 genes.
Domestication
See also: Domestication of the cat and Cats in ancient Egypt
It was long thought that the domestication of the cat began in ancient Egypt, where cats were venerated from around 3100 BC, However, the earliest known indication for the taming of an African wildcat was excavated close by a human Neolithic grave in Shillourokambos, southern Cyprus, dating to about 7500–7200 BC. Since there is no evidence of native mammalian fauna on Cyprus, the inhabitants of this Neolithic village most likely brought the cat and other wild mammals to the island from the Middle Eastern mainland. Scientists therefore assume that African wildcats were attracted to early human settlements in the Fertile Crescent by rodents, in particular the house mouse (Mus musculus), and were tamed by Neolithic farmers. This mutual relationship between early farmers and tamed cats lasted thousands of years. As agricultural practices spread, so did tame and domesticated cats. Wildcats of Egypt contributed to the maternal gene pool of the domestic cat at a later time.
The earliest known evidence for the occurrence of the domestic cat in Greece dates to around 1200 BC. Greek, Phoenician, Carthaginian and Etruscan traders introduced domestic cats to southern Europe. During the Roman Empire they were introduced to Corsica and Sardinia before the beginning of the 1st millennium. By the 5th century BC, they were familiar animals around settlements in Magna Graecia and Etruria. By the end of the Western Roman Empire in the 5th century, the Egyptian domestic cat lineage had arrived in a Baltic Sea port in northern Germany.
The leopard cat (Prionailurus bengalensis) was tamed independently in China around 5500 BC. This line of partially domesticated cats leaves no trace in the domestic cat populations of today.
During domestication, cats have undergone only minor changes in anatomy and behavior, and they are still capable of surviving in the wild. Several natural behaviors and characteristics of wildcats may have pre-adapted them for domestication as pets. These traits include their small size, social nature, obvious body language, love of play, and high intelligence. Captive Leopardus cats may also display affectionate behavior toward humans but were not domesticated. House cats often mate with feral cats. Hybridisation between domestic and other Felinae species is also possible, producing hybrids such as the Kellas cat in Scotland.
Development of cat breeds started in the mid 19th century. An analysis of the domestic cat genome revealed that the ancestral wildcat genome was significantly altered in the process of domestication, as specific mutations were selected to develop cat breeds. Most breeds are founded on random-bred domestic cats. Genetic diversity of these breeds varies between regions, and is lowest in purebred populations, which show more than 20 deleterious genetic disorders.
Characteristics
Main article: Cat anatomy
Size
The domestic cat has a smaller skull and shorter bones than the European wildcat. It averages about 46 cm (18 in) in head-to-body length and 23–25 cm (9.1–9.8 in) in height, with about 30 cm (12 in) long tails. Males are larger than females. Adult domestic cats typically weigh 4–5 kg (8.8–11.0 lb).
Skeleton
Cats have seven cervical vertebrae (as do most mammals); 13 thoracic vertebrae (humans have 12); seven lumbar vertebrae (humans have five); three sacral vertebrae (as do most mammals, but humans have five); and a variable number of caudal vertebrae in the tail (humans have only three to five vestigial caudal vertebrae, fused into an internal coccyx). The extra lumbar and thoracic vertebrae account for the cat's spinal mobility and flexibility. Attached to the spine are 13 ribs, the shoulder, and the pelvis. Unlike human arms, cat forelimbs are attached to the shoulder by free-floating clavicle bones which allow them to pass their body through any space into which they can fit their head.
Skull
The cat skull is unusual among mammals in having very large eye sockets and a powerful specialized jaw. Within the jaw, cats have teeth adapted for killing prey and tearing meat. When it overpowers its prey, a cat delivers a lethal neck bite with its two long canine teeth, inserting them between two of the prey's vertebrae and severing its spinal cord, causing irreversible paralysis and death. Compared to other felines, domestic cats have narrowly spaced canine teeth relative to the size of their jaw, which is an adaptation to their preferred prey of small rodents, which have small vertebrae.
The premolar and first molar together compose the carnassial pair on each side of the mouth, which efficiently shears meat into small pieces, like a pair of scissors. These are vital in feeding, since cats' small molars cannot chew food effectively, and cats are largely incapable of mastication.: Cats tend to have better teeth than most humans, with decay generally less likely because of a thicker protective layer of enamel, a less damaging saliva, less retention of food particles between teeth, and a diet mostly devoid of sugar. Nonetheless, they are subject to occasional tooth loss and infection.
Claws
Cats have protractible and retractable claws. In their normal, relaxed position, the claws are sheathed with the skin and fur around the paw's toe pads. This keeps the claws sharp by preventing wear from contact with the ground and allows for the silent stalking of prey. The claws on the forefeet are typically sharper than those on the hindfeet. Cats can voluntarily extend their claws on one or more paws. They may extend their claws in hunting or self-defense, climbing, kneading, or for extra traction on soft surfaces. Cats shed the outside layer of their claw sheaths when scratching rough surfaces.
Most cats have five claws on their front paws and four on their rear paws. The dewclaw is proximal to the other claws. More proximally is a protrusion which appears to be a sixth "finger". This special feature of the front paws on the inside of the wrists has no function in normal walking but is thought to be an antiskidding device used while jumping. Some cat breeds are prone to having extra digits ("polydactyly"). Polydactylous cats occur along North America's northeast coast and in Great Britain.
Ambulation
The cat is digitigrade. It walks on the toes, with the bones of the feet making up the lower part of the visible leg. Unlike most mammals, it uses a "pacing" gait and moves both legs on one side of the body before the legs on the other side. It registers directly by placing each hind paw close to the track of the corresponding fore paw, minimizing noise and visible tracks. This also provides sure footing for hind paws when navigating rough terrain. As it speeds up from walking to trotting, its gait changes to a "diagonal" gait: The diagonally opposite hind and fore legs move simultaneously.
Balance
Cats are generally fond of sitting in high places or perching. A higher place may serve as a concealed site from which to hunt; domestic cats strike prey by pouncing from a perch such as a tree branch. Another possible explanation is that height gives the cat a better observation point, allowing it to survey its territory. A cat falling from heights of up to 3 m (9.8 ft) can right itself and land on its paws.
During a fall from a high place, a cat reflexively twists its body and rights itself to land on its feet using its acute sense of balance and flexibility. This reflex is known as the cat righting reflex. A cat always rights itself in the same way during a fall, if it has enough time to do so, which is the case in falls of 90 cm (3.0 ft) or more. How cats are able to right themselves when falling has been investigated as the "falling cat problem".
Coats
Main article: Cat coat genetics
The cat family (Felidae) can pass down many colors and patterns to their offspring. The domestic cat genes MC1R and ASIP allow for the variety of color in coats. The feline ASIP gene consists of three coding exons. Three novel microsatellite markers linked to ASIP were isolated from a domestic cat BAC clone containing this gene and were used to perform linkage analysis in a pedigree of 89 domestic cats that segregated for melanism.[citation needed]
Senses
Main article: Cat senses
Vision
A cat's nictitating membrane shown as it blinks
Cats have excellent night vision and can see at only one-sixth the light level required for human vision. This is partly the result of cat eyes having a tapetum lucidum, which reflects any light that passes through the retina back into the eye, thereby increasing the eye's sensitivity to dim light. Large pupils are an adaptation to dim light. The domestic cat has slit pupils, which allow it to focus bright light without chromatic aberration. At low light, a cat's pupils expand to cover most of the exposed surface of its eyes. The domestic cat has rather poor color vision and only two types of cone cells, optimized for sensitivity to blue and yellowish green; its ability to distinguish between red and green is limited. A response to middle wavelengths from a system other than the rod cells might be due to a third type of cone. This appears to be an adaptation to low light levels rather than representing true trichromatic vision. Cats also have a nictitating membrane, allowing them to blink without hindering their vision.
Hearing
The domestic cat's hearing is most acute in the range of 500 Hz to 32 kHz. It can detect an extremely broad range of frequencies ranging from 55 Hz to 79 kHz, whereas humans can only detect frequencies between 20 Hz and 20 kHz. It can hear a range of 10.5 octaves, while humans and dogs can hear ranges of about 9 octaves. Its hearing sensitivity is enhanced by its large movable outer ears, the pinnae, which amplify sounds and help detect the location of a noise. It can detect ultrasound, which enables it to detect ultrasonic calls made by rodent prey. Recent research has shown that cats have socio-spatial cognitive abilities to create mental maps of owners' locations based on hearing owners' voices.
Smell
Cats have an acute sense of smell, due in part to their well-developed olfactory bulb and a large surface of olfactory mucosa, about 5.8 cm2 (0.90 in2) in area, which is about twice that of humans. Cats and many other animals have a Jacobson's organ in their mouths that is used in the behavioral process of flehmening. It allows them to sense certain aromas in a way that humans cannot. Cats are sensitive to pheromones such as 3-mercapto-3-methylbutan-1-ol, which they use to communicate through urine spraying and marking with scent glands. Many cats also respond strongly to plants that contain nepetalactone, especially catnip, as they can detect that substance at less than one part per billion. About 70–80% of cats are affected by nepetalactone. This response is also produced by other plants, such as silver vine (Actinidia polygama) and the herb valerian; it may be caused by the smell of these plants mimicking a pheromone and stimulating cats' social or sexual behaviors.
Taste
Cats have relatively few taste buds compared to humans (470 or so versus more than 9,000 on the human tongue). Domestic and wild cats share a taste receptor gene mutation that keeps their sweet taste buds from binding to sugary molecules, leaving them with no ability to taste sweetness. They, however, possess taste bud receptors specialized for acids, amino acids like protein, and bitter tastes. Their taste buds possess the receptors needed to detect umami. However, these receptors contain molecular changes that make the cat taste of umami different from that of humans. In humans, they detect the amino acids of glutamic acid and aspartic acid, but in cats they instead detect nucleotides, in this case inosine monophosphate and l-Histidine. These nucleotides are particularly enriched in tuna. This has been argued is why cats find tuna so palatable: as put by researchers into cat taste, "the specific combination of the high IMP and free l-Histidine contents of tuna" .. "produces a strong umami taste synergy that is highly preferred by cats". One of the researchers involved in this research has further claimed, "I think umami is as important for cats as sweet is for humans".[87]
Cats also have a distinct temperature preference for their food, preferring food with a temperature around 38 °C (100 °F) which is similar to that of a fresh kill; some cats reject cold food (which would signal to the cat that the "prey" item is long dead and therefore possibly toxic or decomposing).
Whiskers
To aid with navigation and sensation, cats have dozens of movable whiskers (vibrissae) over their body, especially their faces. These provide information on the width of gaps and on the location of objects in the dark, both by touching objects directly and by sensing air currents; they also trigger protective blink reflexes to protect the eyes from damage.: 47
Behavior
See also: Cat behavior
Outdoor cats are active both day and night, although they tend to be slightly more active at night.[88] Domestic cats spend the majority of their time in the vicinity of their homes but can range many hundreds of meters from this central point. They establish territories that vary considerably in size, in one study ranging 7–28 ha (17–69 acres). The timing of cats' activity is quite flexible and varied but being low-light predators, they are generally crepuscular, which means they tend to be more active near dawn and dusk. However, house cats' behavior is also influenced by human activity and they may adapt to their owners' sleeping patterns to some extent.
Cats conserve energy by sleeping more than most animals, especially as they grow older. The daily duration of sleep varies, usually between 12 and 16 hours, with 13 and 14 being the average. Some cats can sleep as much as 20 hours. The term "cat nap" for a short rest refers to the cat's tendency to fall asleep (lightly) for a brief period. While asleep, cats experience short periods of rapid eye movement sleep often accompanied by muscle twitches, which suggests they are dreaming.
Sociability
The social behavior of the domestic cat ranges from widely dispersed individuals to feral cat colonies that gather around a food source, based on groups of co-operating females. Within such groups, one cat is usually dominant over the others. Each cat in a colony holds a distinct territory, with sexually active males having the largest territories, which are about 10 times larger than those of female cats and may overlap with several females' territories. These territories are marked by urine spraying, by rubbing objects at head height with secretions from facial glands, and by defecation. Between these territories are neutral areas where cats watch and greet one another without territorial conflicts. Outside these neutral areas, territory holders usually chase away stranger cats, at first by staring, hissing, and growling and, if that does not work, by short but noisy and violent attacks. Despite this colonial organization, cats do not have a social survival strategy or a herd behavior, and always hunt alone.
Life in proximity to humans and other domestic animals has led to a symbiotic social adaptation in cats, and cats may express great affection toward humans or other animals. Ethologically, a cat's human keeper functions as if a mother surrogate. Adult cats live their lives in a kind of extended kittenhood, a form of behavioral neoteny. Their high-pitched sounds may mimic the cries of a hungry human infant, making them particularly difficult for humans to ignore. Some pet cats are poorly socialized. In particular, older cats show aggressiveness toward newly arrived kittens, which include biting and scratching; this type of behavior is known as feline asocial aggression.
Redirected aggression is a common form of aggression which can occur in multiple cat households. In redirected aggression there is usually something that agitates the cat: this could be a sight, sound, or another source of stimuli which causes a heightened level of anxiety or arousal. If the cat cannot attack the stimuli, it may direct anger elsewhere by attacking or directing aggression to the nearest cat, dog, human or other being.
Domestic cats' scent rubbing behavior toward humans or other cats is thought to be a feline means for social bonding.
Communication
Main article: Cat communication
Domestic cats use many vocalizations for communication, including purring, trilling, hissing, growling/snarling, grunting, and several different forms of meowing. Their body language, including position of ears and tail, relaxation of the whole body, and kneading of the paws, are all indicators of mood. The tail and ears are particularly important social signal mechanisms in cats. A raised tail indicates a friendly greeting, and flattened ears indicate hostility. Tail-raising also indicates the cat's position in the group's social hierarchy, with dominant individuals raising their tails less often than subordinate ones. Feral cats are generally silent.: 208 Nose-to-nose touching is also a common greeting and may be followed by social grooming, which is solicited by one of the cats raising and tilting its head.
Purring may have developed as an evolutionary advantage as a signaling mechanism of reassurance between mother cats and nursing kittens, who are thought to use it as a care-soliciting signal. Post-nursing cats also often purr as a sign of contentment: when being petted, becoming relaxed, or eating. Even though purring is popularly interpreted as indicative of pleasure, it has been recorded in a wide variety of circumstances, most of which involve physical contact between the cat and another, presumably trusted individual. Some cats have been observed to purr continuously when chronically ill or in apparent pain.
The exact mechanism by which cats purr has long been elusive, but it has been proposed that purring is generated via a series of sudden build-ups and releases of pressure as the glottis is opened and closed, which causes the vocal folds to separate forcefully. The laryngeal muscles in control of the glottis are thought to be driven by a neural oscillator which generates a cycle of contraction and release every 30–40 milliseconds (giving a frequency of 33 to 25 Hz).
Domestic cats observed in a rescue facility have total of 276 distinct facial expressions based on 26 different facial movements; each facial expression corresponds to different social functions that are likely influenced by domestication.
Grooming
Cats are known for spending considerable amounts of time licking their coats to keep them clean. The cat's tongue has backward-facing spines about 500 μm long, which are called papillae. These contain keratin which makes them rigid so the papillae act like a hairbrush. Some cats, particularly longhaired cats, occasionally regurgitate hairballs of fur that have collected in their stomachs from grooming. These clumps of fur are usually sausage-shaped and about 2–3 cm (0.79–1.18 in) long. Hairballs can be prevented with remedies that ease elimination of the hair through the gut, as well as regular grooming of the coat with a comb or stiff brush.
Fighting
Among domestic cats, males are more likely to fight than females. Among feral cats, the most common reason for cat fighting is competition between two males to mate with a female. In such cases, most fights are won by the heavier male. Another common reason for fighting in domestic cats is the difficulty of establishing territories within a small home. Female cats also fight over territory or to defend their kittens. Neutering will decrease or eliminate this behavior in many cases, suggesting that the behavior is linked to sex hormones.
When cats become aggressive, they try to make themselves appear larger and more threatening by raising their fur, arching their backs, turning sideways and hissing or spitting. Often, the ears are pointed down and back to avoid damage to the inner ear and potentially listen for any changes behind them while focused forward. Cats may also vocalize loudly and bare their teeth in an effort to further intimidate their opponents. Fights usually consist of grappling and delivering powerful slaps to the face and body with the forepaws as well as bites. Cats also throw themselves to the ground in a defensive posture to rake their opponent's belly with their powerful hind legs.
Serious damage is rare, as the fights are usually short in duration, with the loser running away with little more than a few scratches to the face and ears. Fights for mating rights are typically more severe and injuries may include deep puncture wounds and lacerations. Normally, serious injuries from fighting are limited to infections of scratches and bites, though these can occasionally kill cats if untreated. In addition, bites are probably the main route of transmission of feline immunodeficiency virus. Sexually active males are usually involved in many fights during their lives, and often have decidedly battered faces with obvious scars and cuts to their ears and nose. Cats are willing to threaten animals larger than them to defend their territory, such as dogs and foxes.
Hunting and feeding
See also: Cat food
The shape and structure of cats' cheeks is insufficient to allow them to take in liquids using suction. Therefore, when drinking they lap with the tongue to draw liquid upward into their mouths. Lapping at a rate of four times a second, the cat touches the smooth tip of its tongue to the surface of the water, and quickly retracts it like a corkscrew, drawing water upward.
Feral cats and free-fed house cats consume several small meals in a day. The frequency and size of meals varies between individuals. They select food based on its temperature, smell and texture; they dislike chilled foods and respond most strongly to moist foods rich in amino acids, which are similar to meat. Cats reject novel flavors (a response termed neophobia) and learn quickly to avoid foods that have tasted unpleasant in the past. It is also a common misconception that cats like milk/cream, as they tend to avoid sweet food and milk. Most adult cats are lactose intolerant; the sugar in milk is not easily digested and may cause soft stools or diarrhea. Some also develop odd eating habits and like to eat or chew on things like wool, plastic, cables, paper, string, aluminum foil, or even coal. This condition, pica, can threaten their health, depending on the amount and toxicity of the items eaten.
Cats hunt small prey, primarily birds and rodents, and are often used as a form of pest control. Other common small creatures such as lizards and snakes may also become prey. Cats use two hunting strategies, either stalking prey actively, or waiting in ambush until an animal comes close enough to be captured. The strategy used depends on the prey species in the area, with cats waiting in ambush outside burrows, but tending to actively stalk birds.: 153 Domestic cats are a major predator of wildlife in the United States, killing an estimated 1.3 to 4.0 billion birds and 6.3 to 22.3 billion mammals annually.
Certain species appear more susceptible than others; in one English village, for example, 30% of house sparrow mortality was linked to the domestic cat. In the recovery of ringed robins (Erithacus rubecula) and dunnocks (Prunella modularis) in Britain, 31% of deaths were a result of cat predation. In parts of North America, the presence of larger carnivores such as coyotes which prey on cats and other small predators reduces the effect of predation by cats and other small predators such as opossums and raccoons on bird numbers and variety.
Perhaps the best-known element of cats' hunting behavior, which is commonly misunderstood and often appalls cat owners because it looks like torture, is that cats often appear to "play" with prey by releasing and recapturing it. This cat and mouse behavior is due to an instinctive imperative to ensure that the prey is weak enough to be killed without endangering the cat.
Another poorly understood element of cat hunting behavior is the presentation of prey to human guardians. One explanation is that cats adopt humans into their social group and share excess kill with others in the group according to the dominance hierarchy, in which humans are reacted to as if they are at or near the top. Another explanation is that they attempt to teach their guardians to hunt or to help their human as if feeding "an elderly cat, or an inept kitten". This hypothesis is inconsistent with the fact that male cats also bring home prey, despite males having negligible involvement in raising kittens.:
Play
Main article: Cat play and toys
Domestic cats, especially young kittens, are known for their love of play. This behavior mimics hunting and is important in helping kittens learn to stalk, capture, and kill prey. Cats also engage in play fighting, with each other and with humans. This behavior may be a way for cats to practice the skills needed for real combat, and might also reduce any fear they associate with launching attacks on other animals.
Cats also tend to play with toys more when they are hungry. Owing to the close similarity between play and hunting, cats prefer to play with objects that resemble prey, such as small furry toys that move rapidly, but rapidly lose interest. They become habituated to a toy they have played with before. String is often used as a toy, but if it is eaten, it can become caught at the base of the cat's tongue and then move into the intestines, a medical emergency which can cause serious illness, even death. Owing to the risks posed by cats eating string, it is sometimes replaced with a laser pointer's dot, which cats may chase.
Reproduction
See also: Kitten
The cat secretes and perceives pheromones. Female cats, called queens, are polyestrous with several estrus cycles during a year, lasting usually 21 days. They are usually ready to mate between early February and August in northern temperate zones and throughout the year in equatorial regions.
Several males, called tomcats, are attracted to a female in heat. They fight over her, and the victor wins the right to mate. At first, the female rejects the male, but eventually, the female allows the male to mate. The female utters a loud yowl as the male pulls out of her because a male cat's penis has a band of about 120–150 backward-pointing penile spines, which are about 1 mm (0.039 in) long; upon withdrawal of the penis, the spines may provide the female with increased sexual stimulation, which acts to induce ovulation.
After mating, the female cleans her vulva thoroughly. If a male attempts to mate with her at this point, the female attacks him. After about 20 to 30 minutes, once the female is finished grooming, the cycle will repeat. Because ovulation is not always triggered by a single mating, females may not be impregnated by the first male with which they mate. Furthermore, cats are superfecund; that is, a female may mate with more than one male when she is in heat, with the result that different kittens in a litter may have different fathers.
The morula forms 124 hours after conception. At 148 hours, early blastocysts form. At 10–12 days, implantation occurs. The gestation of queens lasts between 64 and 67 days, with an average of 65 days.
Data on the reproductive capacity of more than 2,300 free-ranging queens were collected during a study between May 1998 and October 2000. They had one to six kittens per litter, with an average of three kittens. They produced a mean of 1.4 litters per year, but a maximum of three litters in a year. Of 169 kittens, 127 died before they were six months old due to a trauma caused in most cases by dog attacks and road accidents. The first litter is usually smaller than subsequent litters. Kittens are weaned between six and seven weeks of age. Queens normally reach sexual maturity at 5–10 months, and males at 5–7 months. This varies depending on breed. Kittens reach puberty at the age of 9–10 months.
Cats are ready to go to new homes at about 12 weeks of age, when they are ready to leave their mother. They can be surgically sterilized (spayed or castrated) as early as seven weeks to limit unwanted reproduction. This surgery also prevents undesirable sex-related behavior, such as aggression, territory marking (spraying urine) in males and yowling (calling) in females. Traditionally, this surgery was performed at around six to nine months of age, but it is increasingly being performed before puberty, at about three to six months. In the United States, about 80% of household cats are neutered.
Lifespan and health
Main articles: Cat health and Aging in cats
The average lifespan of pet cats has risen in recent decades. In the early 1980s, it was about seven years,: 33 rising to 9.4 years in 1995: 33 and an average of about 13 years as of 2014 and 2023. Some cats have been reported as surviving into their 30s, with the oldest known cat dying at a verified age of 38.
Neutering increases life expectancy: one study found castrated male cats live twice as long as intact males, while spayed female cats live 62% longer than intact females.: 35 Having a cat neutered confers health benefits, because castrated males cannot develop testicular cancer, spayed females cannot develop uterine or ovarian cancer, and both have a reduced risk of mammary cancer.
Disease
Main article: List of feline diseases
About 250 heritable genetic disorders have been identified in cats, many similar to human inborn errors of metabolism. The high level of similarity among the metabolism of mammals allows many of these feline diseases to be diagnosed using genetic tests that were originally developed for use in humans, as well as the use of cats as animal models in the study of the human diseases. Diseases affecting domestic cats include acute infections, parasitic infestations, injuries, and chronic diseases such as kidney disease, thyroid disease, and arthritis. Vaccinations are available for many infectious diseases, as are treatments to eliminate parasites such as worms, ticks, and fleas.
Ecology
Habitats
The domestic cat is a cosmopolitan species and occurs across much of the world. It is adaptable and now present on all continents except Antarctica, and on 118 of the 131 main groups of islands, even on the isolated Kerguelen Islands. Due to its ability to thrive in almost any terrestrial habitat, it is among the world's most invasive species. It lives on small islands with no human inhabitants. Feral cats can live in forests, grasslands, tundra, coastal areas, agricultural land, scrublands, urban areas, and wetlands.
The unwantedness that leads to the domestic cat being treated as an invasive species is twofold. On one hand, as it is little altered from the wildcat, it can readily interbreed with the wildcat. This hybridization poses a danger to the genetic distinctiveness of some wildcat populations, particularly in Scotland and Hungary, possibly also the Iberian Peninsula, and where protected natural areas are close to human-dominated landscapes, such as Kruger National Park in South Africa. However, its introduction to places where no native felines are present also contributes to the decline of native species.
Ferality
Main article: Feral cat
Feral cats are domestic cats that were born in or have reverted to a wild state. They are unfamiliar with and wary of humans and roam freely in urban and rural areas. The numbers of feral cats is not known, but estimates of the United States feral population range from 25 to 60 million. Feral cats may live alone, but most are found in large colonies, which occupy a specific territory and are usually associated with a source of food. Famous feral cat colonies are found in Rome around the Colosseum and Forum Romanum, with cats at some of these sites being fed and given medical attention by volunteers.
Public attitudes toward feral cats vary widely, from seeing them as free-ranging pets to regarding them as vermin.
Some feral cats can be successfully socialized and 're-tamed' for adoption; young cats, especially kittens and cats that have had prior experience and contact with humans are the most receptive to these efforts.
Impact on wildlife
Main article: Cat predation on wildlife
On islands, birds can contribute as much as 60% of a cat's diet. In nearly all cases, the cat cannot be identified as the sole cause for reducing the numbers of island birds, and in some instances, eradication of cats has caused a "mesopredator release" effect; where the suppression of top carnivores creates an abundance of smaller predators that cause a severe decline in their shared prey. Domestic cats are a contributing factor to the decline of many species, a factor that has ultimately led, in some cases, to extinction. The South Island piopio, Chatham rail, and the New Zealand merganser are a few from a long list, with the most extreme case being the flightless Lyall's wren, which was driven to extinction only a few years after its discovery. One feral cat in New Zealand killed 102 New Zealand lesser short-tailed bats in seven days. In the US, feral and free-ranging domestic cats kill an estimated 6.3 – 22.3 billion mammals annually.
In Australia, the impact of cats on mammal populations is even greater than the impact of habitat loss. More than one million reptiles are killed by feral cats each day, representing 258 species. Cats have contributed to the extinction of the Navassa curly-tailed lizard and Chioninia coctei.
Interaction with humans
Main article: Human interaction with cats
Cats are common pets throughout the world, and their worldwide population as of 2007 exceeded 500 million. As of 2017, the domestic cat was the second most popular pet in the United States, with 95.6 million cats owned and around 42 million households owning at least one cat. In the United Kingdom, 26% of adults have a cat, with an estimated population of 10.9 million pet cats as of 2020. As of 2021, there were an estimated 220 million owned and 480 million stray cats in the world.
Cats have been used for millennia to control rodents, notably around grain stores and aboard ships, and both uses extend to the present day.
As well as being kept as pets, cats are also used in the international fur trade and leather industries for making coats, hats, blankets, stuffed toys, shoes, gloves, and musical instruments. About 24 cats are needed to make a cat-fur coat. This use has been outlawed in the United States since 2000 and in the European Union (as well as the United Kingdom) since 2007.
Cat pelts have been used for superstitious purposes as part of the practice of witchcraft, and are still made into blankets in Switzerland as traditional medicine thought to cure rheumatism.
A few attempts to build a cat census have been made over the years, both through associations or national and international organizations (such as that of the Canadian Federation of Humane Societies) and over the Internet, but such a task does not seem simple to achieve. General estimates for the global population of domestic cats range widely from anywhere between 200 million to 600 million. Walter Chandoha made his career photographing cats after his 1949 images of Loco, an especially charming stray taken in, were published around the world. He is reported to have photographed 90,000 cats during his career and maintained an archive of 225,000 images that he drew from for publications during his lifetime.
Shows
Main article: Cat show
A cat show is a judged event in which the owners of cats compete to win titles in various cat-registering organizations by entering their cats to be judged after a breed standard. It is often required that a cat must be healthy and vaccinated in order to participate in a cat show. Both pedigreed and non-purebred companion ("moggy") cats are admissible, although the rules differ depending on the organization. Competing cats are compared to the applicable breed standard, and assessed for temperament.
Infection
Main article: Feline zoonosis
Cats can be infected or infested with viruses, bacteria, fungus, protozoans, arthropods or worms that can transmit diseases to humans. In some cases, the cat exhibits no symptoms of the disease. The same disease can then become evident in a human. The likelihood that a person will become diseased depends on the age and immune status of the person. Humans who have cats living in their home or in close association are more likely to become infected. Others might also acquire infections from cat feces and parasites exiting the cat's body. Some of the infections of most concern include salmonella, cat-scratch disease and toxoplasmosis.
History and mythology
Main articles: Cultural depictions of cats and Cats in ancient Egypt
In ancient Egypt, cats were worshipped, and the goddess Bastet often depicted in cat form, sometimes taking on the war-like aspect of a lioness. The Greek historian Herodotus reported that killing a cat was forbidden, and when a household cat died, the entire family mourned and shaved their eyebrows. Families took their dead cats to the sacred city of Bubastis, where they were embalmed and buried in sacred repositories. Herodotus expressed astonishment at the domestic cats in Egypt, because he had only ever seen wildcats.
Ancient Greeks and Romans kept weasels as pets, which were seen as the ideal rodent-killers. The earliest unmistakable evidence of the Greeks having domestic cats comes from two coins from Magna Graecia dating to the mid-fifth century BC showing Iokastos and Phalanthos, the legendary founders of Rhegion and Taras respectively, playing with their pet cats. The usual ancient Greek word for 'cat' was ailouros, meaning 'thing with the waving tail'. Cats are rarely mentioned in ancient Greek literature. Aristotle remarked in his History of Animals that "female cats are naturally lecherous." The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bastet, adopting Bastet's associations with cats and ascribing them to Artemis. In Ovid's Metamorphoses, when the deities flee to Egypt and take animal forms, the goddess Diana turns into a cat.
Cats eventually displaced weasels as the pest control of choice because they were more pleasant to have around the house and were more enthusiastic hunters of mice. During the Middle Ages, many of Artemis's associations with cats were grafted onto the Virgin Mary. Cats are often shown in icons of Annunciation and of the Holy Family and, according to Italian folklore, on the same night that Mary gave birth to Jesus, a cat in Bethlehem gave birth to a kitten. Domestic cats were spread throughout much of the rest of the world during the Age of Discovery, as ships' cats were carried on sailing ships to control shipboard rodents and as good-luck charms.
Several ancient religions believed cats are exalted souls, companions or guides for humans, that are all-knowing but mute so they cannot influence decisions made by humans. In Japan, the maneki neko cat is a symbol of good fortune. In Norse mythology, Freyja, the goddess of love, beauty, and fertility, is depicted as riding a chariot drawn by cats. In Jewish legend, the first cat was living in the house of the first man Adam as a pet that got rid of mice. The cat was once partnering with the first dog before the latter broke an oath they had made which resulted in enmity between the descendants of these two animals. It is also written that neither cats nor foxes are represented in the water, while every other animal has an incarnation species in the water. Although no species are sacred in Islam, cats are revered by Muslims. Some Western writers have stated Muhammad had a favorite cat, Muezza. He is reported to have loved cats so much, "he would do without his cloak rather than disturb one that was sleeping on it". The story has no origin in early Muslim writers, and seems to confuse a story of a later Sufi saint, Ahmed ar-Rifa'i, centuries after Muhammad. One of the companions of Muhammad was known as Abu Hurayrah ("father of the kitten"), in reference to his documented affection to cats.
Superstitions and rituals
Many cultures have negative superstitions about cats. An example would be the belief that encountering a black cat ("crossing one's path") leads to bad luck, or that cats are witches' familiars used to augment a witch's powers and skills. The killing of cats in Medieval Ypres, Belgium, is commemorated in the innocuous present-day Kattenstoet (cat parade). In mid-16th century France, cats would be burnt alive as a form of entertainment, particularly during midsummer festivals. According to Norman Davies, the assembled people "shrieked with laughter as the animals, howling with pain, were singed, roasted, and finally carbonized". The remaining ashes were sometimes taken back home by the people for good luck.
According to a myth in many cultures, cats have multiple lives. In many countries, they are believed to have nine lives, but in Italy, Germany, Greece, Brazil and some Spanish-speaking regions, they are said to have seven lives, while in Arabic traditions, the number of lives is six. An early mention of the myth can be found in John Heywood's The Proverbs of John Heywood (1546)
Husband, (quoth she), ye studie, be merrie now,
And even as ye thinke now, so come to yow.
Nay not so, (quoth he), for my thought to tell right,
I thinke how you lay groning, wife, all last night.
Husband, a groning horse and a groning wife
Never faile their master, (quoth she), for my life.
No wife, a woman hath nine lives like a cat.
The myth is attributed to the natural suppleness and swiftness cats exhibit to escape life-threatening situations. Also lending credence to this myth is the fact that falling cats often land on their feet, using an instinctive righting reflex to twist their bodies around. Nonetheless, cats can still be injured or killed by a high fall.
Completed in 1922, this Beaux Arts-style hotel replaced the earlier Golden Eagle Hotel, later the Eagle Hotel, which had operated on the same site since 1822, and was located in a building constructed as a general store in 1794, which was heavily renovated in the Second Empire style in the 1870s. The hotel was constructed by The Bethlehem Hotel Corporation starting in 1921, utilizing funding from multiple investors whom were heavily involved with Bethlehem Steel, seeking to improve the city with a modern hotel to replace the antiquated Eagle Hotel. The 11-story building features a brown wire brick exterior, low-slope roofs with brick parapets, stone trim consisting of sills, keystones, cartouches, and decorative panels between windows on the top floor, a cornice with modillions, large multi-story arched windows on the first and second floors, a stone base, a metal canopy over the front entrance, and replacement windows. The interior of the hotel features a large lobby with massive arched windows, an old solarium, now a restaurant, with Moravian tile, and intact historic ballrooms with Classical detailing. The hotel suffered a major fire in 1989 that killed 4 people, and stood vacant through the late 1990s, before being heavily renovated and reopened as a hotel, which has remained a viable and popular enterprise. The hotel is a contributing structure in the Central Bethlehem Historic District, listed on the National Register of Historic Places in 1972, and expanded to include additional buildings in 1988.
"The SCAD Museum of Art showcases work by acclaimed artists, providing opportunities for students from all majors to learn from art world luminaries and expand their artistic points of view.
Mounting more than 20 exhibitions each year, the museum has presented such renowned artists as Jane Alexander, Uta Barth, Lynda Benglis, Alfredo Jaar, Sigalit Landau, Liza Lou, Angel Otero, Yinka Shonibare, Kehinde Wiley and Fred Wilson. André Leon Talley, SCAD trustee, Numéro Russia editor-at-large and Vogue contributing editor, regularly curates couture exhibitions such as "LITTLE BLACK DRESS" alongside ever-changing, site-specific installations by such artists as Kendall Buster, Ingrid Calame, Odili Donald Odita and Jack Whitten. The museum's permanent collection includes the Walter O. Evans Collection of African American Art, the Modern and Contemporary Art Collection, the Earle W. Newton Collection of British and American Art, the 19th- and 20th-century Photography Collection, and the SCAD Costume Collection.
The SCAD Museum of Art is housed in an 1853 brick structure that was once a railway depot for the Central of Georgia Railway. The museum building itself is a work of art, demonstrating the university's ongoing commitment to historic preservation and adaptive reuse. The original walls feature handmade Savannah gray bricks, forming the oldest surviving antebellum railroad depot in the country. In 2011, this National Historic Landmark was transformed into an award-winning, modern museum building by architect Christian Sottile, a SCAD alumnus and dean of the SCAD SCHOOL of Building Arts.The SCAD Museum of Art is a radiant example of the university's legacy of innovative building adaptation and reuse. Since 1978, SCAD has revitalized more than 100 structures in Savannah and Atlanta, Georgia; Lacoste, France; and Hong Kong.
This National Historic Landmark is the only surviving antebellum railroad complex in the country. The museum has breathed life into these ruins, which once extended more than 800 feet along Turner Boulevard's southern frontage. Originally conceived as a major trade post for Savannah, the railroad complex was occupied by Union troops at the close of the Civil War. In the early 20th century, the area surrounding much of the Central of Georgia Railroad buildings emerged as an important African American commercial district and cultural hub, and remained so through the mid 20th century. Despite its prime location and significant pedigree, the complex was beset by five decades of neglect and by the late 20th century, the depot and its precious Savannah gray brick lay in ruins. Yet, a wealth of natural beauty and possibility remained, sparking SCAD's commitment to its students and to the Savannah community at large.
Following a groundbreaking ceremony in January 2010, SCAD architects, designers and craftsmen integrated the building's history with its bright new future, analyzing and reproducing key original components down to the chemical compounds in the 19th-century mortar. The ethos of the rehabilitated SCAD Museum of Art is best articulated by its glittering atrium, an 86-foot-high steel and glass lantern featuring the first beacon that welcomes visitors and elegantly redefines the Savannah city skyline.
Visitors to the museum encounter a 12-foot-long horizontal touch pad in the building's atrium. The interactive table delivers images and comprehensive information about the museum's artists, exhibitions and events, and accommodates up to 40 users at one time.
Wherever possible, museum designers and architects used sustainable, renewable materials and employed the very best in energy-saving technologies. At present, the museum is outfitted with low-energy-consuming light fixtures, zoned climate control, exterior cooling towers, low-flow plumbing fixtures for water-use reduction and low-emissivity (low-E) glass on the south elevation. Landscape planning for the courtyard made use of xeriscape planning, porous paving materials and custom irrigation plans.
Salvaged bricks and original heart pine timbers appear throughout the museum, and the original high ceilings, most of which were kept, allow for optimal temperature regulation and provide a dramatic background for the display and experience of art."
en.wikipedia.org/wiki/SCAD_Museum_of_Art
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City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
Gallery opening of Bear and Bird's Evil vs. Good
On exhibit: October 2 – November 14, 2015
Opening Night Artist Reception: Friday, October 2, 2015 from 6-10pm
We invited all South Florida artists to contribute a piece that showed some sort of dark and light conflict.
Support the South Florida local art scene!
Featuring artwork by: Abby Jame; Adam Forero; Alex Gerstenkorn; Alex Merly; Alice Acedia; Allan Pierce; Amy Koenig; Ana Garcia; Ananda Yeshua; Andrea Jones; Andrew Lechuga; Andy Farinas; Angelica Busk; Aysha Marie Zouain; Barbarasaurus; Beyssa Buil; Bobby Neal Furedi; Bpresil; Brian Reedy; Carlos Garcia; Cassandra Gonzalez; Catherine Shapiro; Chantal Gabriel; Chibi Hippo; Christine Schongar; Chun Lo; Copper Sphinx; Cortez Valencia; Cristina Larcada; Cruz Valencia; Cynthia Goodman; Davey Graham; Debbie Rao; Diana E. Perez; Dibbie Jane; Diego Rua; Edurne Uribe; Emily Wenzel; Endian Escott; Erin Cavanaugh; Erin O’Dea; Ex McGruder Prescott Harrison III; Felicita Devin; Flor Brito; Frackoon; Genevra Collier; Gianna DiBartolomeo; Grace Chesnut; Hayley Angus; Heather Wood; I Heart NailArt; Ian M. Santos; IdeaStorm Media; Irene Contramaestre; JAB; JeffMadeIt; Jenna Beahn; John Paul Tanner; Jon Gonzalez Abellan; Jonathan C. Diaz; Jonathan Cocks; Jonathan Reid; Jorge Ballester; Julie Camino Photography; Karl Johnsen; Kat Manderfield; Kay Chimel; Kerry Sisselman; Kerry Tichenor; Kimberly Vaughan; Kreisten Suskey; Krysten Deidrick; Lailee Goodman; Laura Garcia; Letisia Cruz; Love Love Goose; Mad God Kaos; Manda Micro; Mandi Sorren; Maranesi; Melly Pereda; Michael Anthony Reiter; Michael Hernandez; Michael Slabaugh; Mikey Quesada; Miniver Patrice; MissMachineArt; Moxie Nox; Natasha Clark; Nigetsue; Nir Vinograd; No, this is David.; Olivia Escott; Patricia Glassman; PeeWee; pKeane; Purificación; Rachel Galvin; Randohf Vidaurreta; Rebecca Baranet; RemiJin; Rey Acevedo; Rikki Wright; Robert Korttonen; Rolando Guillama; Rosemary Jane; Salomon O. Carrasco; Sandra Diaz; Sarah Uriarte; Shane Weaver; Shawn Escott; Sommer Wood; Steven C. Imas; Steven Kurtz; Stibi Art; Summer December; T-Ray; Tanya Lopez; Tasha Milano; TattoosByTK; Tatyana Correa; Tiffany Binns; Tim Murphy; Ursalina Aguilar; Veronica Christiansen; Victoria Alvarez; Violeta Caloor; Wajima Alvarado; Walter Gee; Wen-Ju Chien; William Fushark Muniz; Willo Segersbol; Yessica Lepe; Zac Ensign; Zafy and more!
Knowsley Safari Park is a zoological park and tourist attraction in the Knowsley area of Merseyside, England. Knowsley Safari Park is a member of the British and Irish Association of Zoos and Aquariums (BIAZA) and the European Association of Zoos and Aquaria (EAZA). The safari park contributes to conservation and research through links with conservation projects and its links with universities in Liverpool, Chester and Manchester.
History
The park was opened in July 1971 by Edward Stanley, 18th Earl of Derby and Jimmy Chipperfield[9] using the expertise of general manager Laurence Tennant MBE, formerly the Chief Game Warden of Parks in Uganda and Botswana. Initially the road through the park was 3.5 miles (5.6 km), with visitors driving past lions, cheetahs, monkeys, giraffes, zebra, elephants and various antelope. Due to the popularity of this route, an additional 1.5 miles (2.4 km) of road was added in 1973, and camels, buffalo, white rhino, and tigers were added to the park. Over the years, a few modifications have been made. For instance, tigers are now displayed in enclosures within the reserve, and a bypass around the baboons was built for visitors who are worried about damage to their cars.
The park was also home to a former RAF airfield which closed at the end of World War II. The RAF airbase situated at the safari park was also known as No 49 SLG or RAF Knowsley Park and was in use between 13 May 1942 – November 1944.
The park has hosted several sporting events including the Olympic torch relay, watched by 6,000 children and families in June 2012. The park hosted the finish of Stage Two of the 2012 Tour of Britain cycling event and is scheduled to host Stage Three of the 2013 Tour on Tuesday 17 September.
Most recently it hosted the final leg of Big Learner Relay 2017 which has raised over £300,000 for the BBC Children in Need appeal since 2014. Louise Walsh the inspiration behind the BLR has been awarded the prime minister's points of light award which recognises outstanding individual volunteers.
In 1995 Mr William Middleton, a warden at the park, was crushed and paralysed due to a faulty elephant enclosure. Mr Middleton died 12 years later due to complications caused by his injuries.
Zoological collection
Situated around Knowsley Hall on the ancestral estate of the Earl of Derby, the reserve is home to many different animals including elephants, giraffes, lions, bongos, tigers and baboons. The Derby Estate have a tradition of keeping animals, ever since the famous artist and nonsense-poet Edward Lear was employed there in the 19th century to paint pictures of the Earl's collection.
The park is open to the public and customers drive around the park in their own vehicles. There is a bypass route past the baboons for those who wish to avoid the risk of the baboons damaging their cars. In 2009 the baboons made the news all over the world when a video was released showing how they were intelligent and curious enough to open car roofboxes.
Tiger Trail
Amur Tiger Trail opened 25 May 2018, home to the Amur Tiger otherwise known as the Siberian Tiger. The area is 10,000m2 and includes forested areas, natural streams and ponds.
The Equatorial Trail
This exhibit focuses on animals who thrive in habitats around the Earth's Equator. The exhibit also houses the 'Equatorial Express', a small train which visitors can ride to gain a unique viewpoint of the animals. 4 completely different species of animals are housed in this exhibit, the South American tapir, Sitatunga, Rhea and the Capybara.
African Elephant
Until 2017 the park housed a herd of 4 adult cows named Tana, Ashanti, Nala and Juba. They were transported to Zoo Parc d'Beauval, France to enter the European Breeding Programme and allow for transformations on Knowsley Safari's Foot Safari. Knowsley previously housed a bull named Nissim, who collapsed in June 2014. Knowsley also recently lost their cow named Shaba due to a long battle with elephant arthritis.
Southern White Rhinoceros
Knowsley's crash of 11 adult rhinos is one of the most successful and genetically diverse breeding groups in Europe. The latest calf (as at 4 June 2016), Nomvula (Mother of Rain – a reference to the recent wet weather), born to mum Meru and is the 19th to be born at the facility in the last 40 years. Nomvula is Meru's 6th calf and was born on 2 January 2016.
Safari Drive
The Safari Drive is the park's main attraction and contains over 29 species of animals in 7 zones.
Zone 1+11
This zone contains: Père David's deer, Yak, Kiang and Bactrian camel.
Zone 2+8
This zone contains: Blackbuck, Nilgai, Eld's deer, Chital (Axis Deer) and Barasingha.
Zone 3+4+6
Zone 6 is over 100 acres and contains over a mile of road. It is one of Knowsley's two white rhino paddocks and is one of the largest in the UK. This zone contains: Southern White Rhino, Roan antelope, Eland, Lechwe, Wildebeest, Plains Zebra, African Forest Buffalo, Ostritch and Waterbuck.
Zone 5
This zone contains: Blesbok and Bongo
Zone 7
This zone contains exclusively the Olive baboon, which are famous for removing windscreen wipers and other appendages off vehicles. There is a car-friendly route which totally removes this zone however is still visible from outside the perimeter. This leads directly to zone 6.
Zone 9
This zone contains: European Bison, Fallow Deer and European Moose
Zone 10
This zone contains: Lion, and the Somali wild ass. This zone previously housed African wild dog, Iberian Wolf and Siberian Tiger.
All information correct and sourced from the Knowsley Safari Guide Book 2018 and edited by an editor who loves animals.
Railway and other attractions
The park features a 15 in (381 mm) gauge railway, 'The Lakeside Railway', on which visitors may tour parts of the site. There is also a collection of amusements and fairground rides on site plus paintballing, off-road driving challenges, and aerial extreme ropewalks.
A baboon house was added in 2006, along with African wild dogs that same year, a lion and tiger house in 2007. Red river hogs and marmosets were also added to the walkaround section, as well as an outdoor pool.
Animal care
In January 2011, local animal rights activists held a peaceful demonstration after an inspection by government vets found one instance of a breach of regulations on the disposal of animal ‘by-products’. Pictures in the Daily Mail showed animals lying dead on the ground and in binbags, although the park's directors claim the pictures were staged by the photographer, whose husband the paper claimed had recently lost his job at the park. The park has since installed an enclosure for the storage of animal carcasses before disposal. The British and Irish Association of Zoos and Aquariums (BIAZA) later said it had ‘full confidence’ in Knowsley and praised its ‘excellent standards of animal husbandry and welfare’.