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CONTAX AX

Sonnar T* 135mm F2.8

Planar T* 50mm F1.7

Ektar 100

CONTAX AX

Sonnar T* 135mm F2.8

Planar T* 50mm F1.7

Ektar 100

contax ax contax 85 1.2 60 vista200

contaxAX

test roll01

CONTAX AX

Sonnar T* 135mm F2.8

Planar T* 50mm F1.7

Ektar 100

Contax AX / Helios 40 / Rollei 200 CR

Laurel and Matt's Party - Indio, California - April 24th - 26th, 2009

contax ax contax 85 1.2 60 vista200

Contax AX, Vario-Sonnar 35-70/3.4, Kodak UltraMax 400 asa

Contax AX, Vario-Sonnar 35-70/3.4, Kodak UltraMax 400 asa

Contax AX, Vario-Sonnar 35-70/3.4, Kodak UltraMax 400 asa

Laurel and Matt's Party - Indio, California - April 24th - 26th, 2009

CONTAX AX yashica ml 55 1.2 fuji fortia sp 50

Contax AX, Zeiss Sonnar 135mm, Agfa Vista plus 200 exposed as 125asa

contax ax contax 85 1.2 60 vista200

The Contax AX is another luxury camera from Kyocera's partnership with Zeiss. As I mentioned in my post about the RX, Kyocera wanted to enter the auto-focus market but Zeiss resisted because they didn't want to compromise their lens designs. So around 1996, Kyocera came up with an ingenious compromise and introduced the Contax AX.

 

The Contax AX used the same manual focus lenses but achieved AF by moving the film plane and mirror/viewfinder assembly inside the camera! It's ingenious, but the unfortunate result is that the Contax AX is massive. AF is accurate but not exactly swift, since the camera has to move the entire film plane, mirror box, and viewfinder assembly in very, very fine increments to achieve focus.

 

I have a love-hate relationship with this camera. Technologically, it's a sweet camera, as advanced as they come, the culmination of just about everything Kyocera knew about making high end cameras and other things, such as the ceramics and USM motors used in the AF assembly. It's built like a tank and feels as expensive as it once was. It allows you to use some of the finest glass in the world along with AF. But it's just so freakin' huge! It's heavy and uncomfortable to use for even brief periods of time.

 

I have a lot of other Contax cameras, but if the Contax AX were just a little bit smaller, it would easily be the camera of choice for shooting Zeiss glass. As it is, I rarely even pick it up.

contax ax contax 85 1.2 60 vista200

Contax AX / Helios 44m / Kodak Intermediate film SO 443

Contax AX, Zeiis Vario-sonnar 35-70, Kodak UltraMax 400 Asa exposed as 320, Noritsu scanner

contaxAX

test roll01

contax ax contax 85 1.2 60 vista200

CONTAX AX

Sonnar T* 135mm F2.8

Planar T* 50mm F1.7

Ektar 100

CONTAX AX yashica ml 55 1.2 fuji fortia sp 50

Laurel and Matt's Party - Indio, California - April 24th - 26th, 2009

CONTAX AX

Sonnar T* 135mm F2.8

Planar T* 50mm F1.7

Ektar 100

Blessing of the Cars - Hansen Dam Recreation Area - Lake View Terrace, California - July 2006

 

any details on any of the vehicles pictured are welcome

contax ax contax 85 1.2 60 vista200

Contax AX / Helios 40 / Kodak Double X 5222

Contax AX / Helios 40 / Kodak intermediate film SO 443

contax ax contax 85 1.2 60 vista200

Ghettogloss presents The Bronx Zoo at La Cita -

 

October 25th, 2008 - Film Shots

San Francisco CA

Contax AX / Helios 40 / Kodak SO 443 intermediate film

Contax AX, Calr Zeiss Vario-Sonnar 35-70, Kodak Proimage 100 asa

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