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Note the 1978 BBC Frequency Change "Helper" stickers - not an uncommon sight on radios of this vintage.
Classic Home Theater - Dallas, TX.
Custom Audio/Video Solutions for your Commercial, Residential, Auto, and Marine needs.
This thing screamed back in its day.
Original drive failed and could no longer boot, but amazingly enough I was able to recover some of the important files. Slackers didn't have it backed up...not smart.
A look into Sony's Future Technologies-
3D Head Mounted Display - Virtual 3D Cinematic Experience with integrated surround sound
Display type: Sony-made OLED
Panel Resolution: 1280x720
Color Depth: RGB 24bit
Audio: Simulated 5.1 Surround Sound
Only £ 13,995.
McIntosh presents a reference level CD/SACD player and DAC with the new MCD12000.
MCINTOSH MCD12000 - Reference Audio £13,995 MCD12000 A reference level DAC that includes a reference level CD Player (2) 32-bit/8-channel professional grade DACs 7 digital inputs
McIntosh proudly introduces the MCD12000 SACD/CD Player. While classified as a CD player, the MCD12000 serves as a reference level digital-to-analog converter (DAC) that includes reference level SACD/CD playback capabilities. Professional grade 8-channel DACs, designed for premium audiophile performance, handle the processing of music signals from the MCD12000’s digital inputs or compact discs.
The MCD12000 offers both balanced and unbalanced fixed analog outputs in both solid-state and vacuum tube configurations. This abundance of output options offers flexibility based on music selection, the configuration of your home audio system, and personal sound preferences.
McIntosh MCD12000 Key Features
2 ESS SABRE PRO ES9038PRO 32-bit/8-channel DACs. Left and right channel both have their own dedicated DAC
ESS’ patented HyperStream II architecture and Time Domain Jitter Eliminator
Separate digital and analog power supplies to keep power and audio signals free from cross contamination
Specially constructed R-Core power transformer to minimize noise radiation
7 digital inputs: 2 coax, 2 optical, 1 USB Type B for computer-based audio, 1 AES/EBU, and 1 MCT input
Coax and optical inputs support up to 24-bit/192kHz and the USB input supports up to 32-bit/384kHz, as well as DSD512 and DXD384kHz
All outputs are driven by discrete amplifiers or a blend of vacuum tubes and discrete amplifiers
1 12AT7 tube and 1 12AX7A tube for each the left and right audio channel
Solid-state output is via a discrete balanced op-amp
Included digital coax and optical output for added system flexibility
The disc transport has a precision die-cast aluminum tray that provides smooth and quiet disc handling; An advanced digital servo provides fast, quiet, and accurate operation
Roon Tested designation from Roon Labs
Car video player is actually a mobile multimedia system, which makes your long journey seem shorter. TRADESTEAD provides you with solid and reliable products. They feature the maximum compatibility. The unit can play DVD, CD, and MP3 format files. Hence, you can get rid of the mess of many devices clustered in the automobile. In addition, the car video player incorporates a radio tuner, which is undoubtedly a realistic edge. Some ones even house built-in TV.
Mor of a test of image manipulation skills, rather than photography. I shot each part of this CD player individually, then layered them all together and added shadows in PS. Quite pleased with the result.
Strobist info:
SB25 camera left, through paper diffuser
YN460 Camera right with blue gell & paper diffuser
If the Asshole Mailcarrier would move his damn vehicle we could see the rest of the storefront! Nah never mind it's just roll-up doors.
This was the Loew's Canal Street Theatre, in operation from 1927 til the late 1950s.
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On the Lower East Side in Manhattan on September 2nd, 2018, on the north side of Canal Street between Ludlow Street and Essex Street.
The building was designated a New York City Landmark in 2010.
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Getty Thesaurus of Geographic Names terms:
• Manhattan (7022657)
• New York (7007567)
• New York (county) (1002715)
Art & Architecture Thesaurus terms:
• arches (300000994)
• architectural ornament (300378995)
• façades (300002526)
• glazed terracotta (300298634)
• motion picture theaters (300007135)
• shop signs (300211862)
• specialty stores (300005364)
• storefronts (300002533)
• trucks (300022371)
Wikidata items:
• 2 September 2018 (Q45921171)
• 1920s architecture (Q7160080)
• Buildings and structures completed in 1927 (Q8318696)
• Canal Street (Q1032558)
• consumer electronics (Q581105)
• glazed architectural terra-cotta (Q5567349)
• Loews Cineplex Entertainment (Q738883)
• Lower East Side (Q1511813)
• Lower Manhattan (Q11253)
• mail truck (Q6735755)
• New York City Landmark (Q19825927)
• September 2 (Q2857)
• September 2018 (Q31179569)
• United States Postal Service (Q668687)
• vacant building (Q56056305)
• Zenith Electronics (Q189606)
Library of Congress Subject Headings:
• Buildings—Remodeling for other use (sh85017791)
• Business names (sh85018315)
• Small business (sh85123568)
Sony Alpha Prototypes
- External Flask Prototype with Quick Shift Bounce Mid-class model
- 500mm F4 G A-mount Telephoto Lens Prototype
IFA Berlin 2008, Opening Day, Consumer electronics show
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Klipsch fulfills your every home audio desire, no matter the size. Our visionary founder, Paul W. Klipsch, pioneered better and more efficient ways to deliver crystal clear and full sound to any space.
Klipsch audio means being able to hear every lick, every drumbeat, every breath, and every nuance of your music, movies or TV with unmatched precision.
The interactive Intel Cube -- like something out of Tom Cruise's "Minority Report" -- was one of the hits of the show.
The 6 Mk2 are the smallest floorstanders in the six-strong Opticon Mk2 range, which also includes two standmounters, a dedicated centre speaker and, more unusually, a slim LCR model that’s flexible enough to work in all kinds of on-wall situations regardless of orientation thanks to a rotatable tweeter module. Clever.
Get the 6 Mk2 out of their boxes and it’s the twin-tweeter arrangement that grabs your attention first. This unusual configuration has been something of a Dali trademark at premium points for many years now, and the engineers have developed a new module for the Opticon Mk2. This high frequency module mates a conventionally designed 29mm textile dome tweeter with a 17 x 45mm ribbon unit. The crossover between the pair is set at 14kHz, and the idea is that the ribbon takes over where the dome unit starts to struggle, giving a wider, more even dispersion characteristic and increased detail.
Below that hybrid tweeter combination is a pair of 16.5cm wood-fibre coned drivers. These cones are a mix of paper and wood fibre, and deliver what Dali feels is the optimum blend of rigidity, self damping and lightness. The upper of these drivers outputs midrange and bass, while the lower one rolls in below 800Hz to augment low-frequency performance. The lows are also reinforced with a pair of revised rearward firing reflex ports, which are flared at both ends to smooth the flow of air and reduce any turbulence that causes distortion.
Look at the published specifications and Dali describes this speaker as a '2½ + ½ way' design, which, confusing as it seems initially, makes sense. The bi-wire crossover network is kept simple in a bid to preserve sonic purity and it is mounted close to the speaker terminals to keep signal paths short.
These Opticon 6 Mk2 are reasonably sensitive at a claimed 88dB/W/m, but the nominal impedance of 4 ohms suggests that they need an amplifier with a bit of muscle. We suggest something like the Cambridge CXA81 (£999, $1299) as a good starting point, though spending more on the likes of the Naim Nait XS3 (£1299, $2999) will reap obvious sonic benefits. Of course, like most good speakers at this level, the Opticon 6 Mk2 have plenty of stretch and deliver more if fed a better signal.
These floorstanders need a bit of space to breathe, too. We find them to work best when placed well out from room walls and firing straight ahead rather than pointing towards the listening position. Such an arrangement gives a wide, expansive and reasonably balanced presentation.
Overall build quality is good. The cabinet corners are crisp and the standard of fit and finish is high. There are three finish options – satin white, satin black and tobacco oak. Unusually for this price level, Dali makes its speakers in matched pairs to ensure that the performance is as consistent as possible between channels.
Large-scale dynamic swings are handled with composure with little sense of the speakers having to strain to punch out the extremes. We’re impressed with the overall refinement, as well as the Opticons’ refusal to sound aggressive even when provoked with high volume levels or strident instrumentation. Tonally, things aren’t particularly neutral, but there’s enough in the way of balance to avoid serious complaints. Those looking at two tweeters and expecting an excess of high frequencies are in for a surprise. The highs here are nicely blended and, if anything, slightly on the understated side.
We switch to Massive Attack’s Heligoland to give the Opticons a chance to show off their rhythmic cohesion and pleasing detail recovery. There’s a good amount of insight here: the speakers dig up a fair bit of detail and organise it in a musical and entertaining way. Make no mistake, these are pleasing and accomplished speakers – but they’re not quite fully rounded.
They’re not the most exuberant performers we’ve heard at this level, sounding a little restrained through the midrange and upwards. This takes the edge off dynamics and makes vocals sound less expressive and emotive than they should. We swap around amplifiers and find something livelier such as Naim’s Nait XS3 works better than smoother sounding alternatives, but it still doesn’t quite solve the issue.
Regardless of amplifier, we notice the speakers struggle to maintain their organisational ability when asked to replay a really complex piece of music. They never go as far as to sound messy, but a feeling of unease tints the overall sound when the speakers are stressed in this way.
Our favourite Dali speakers have tended to be lively and entertaining if just a little rough around the edges. That’s a compromise we’re happy to accept given that they tend to compete at the more affordable end of the market. When price levels rise, so do the expectations. And while the Opticon 6 Mk2 are pretty good for the money, they don’t challenge the class leaders.
Mia Hamm at the Intel press conference. Intel made a donation to her foundation in return for her appearance.
Audiolab has won more major awards in UK hi-fi magazines than any other brand of high-performance audio electronics.
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Formed in the early 1980s by Philip Swift and Derek Scotland, audiolab earned worldwide acclaim with the 8000A – an integrated stereo amplifier that became a classic ‘step-up’ from the budget models of the time.
During the ensuing years, the 8000A established itself as one of the most successful British amps ever produced, and was joined by a range of electronics including CD players, pre/power amps and an FM tuner. The brand switched hands in 1997, changing its name to TAG McLaren Audio; and it so was known until 2004 when audiolab became part of the International Audio Group and returned to its original name.
“If ever a product defined its market, the 8000A is the one. Reliability, ease of use, engineering excellence and a well-behaved sound are the pillars supporting the justified reputation of the 8000A. Over the years, audiolab’s no-nonsense, evolutionary approach to design has widely been recognised.”
– Audiohile with Hi-Fi Answers.
8000A & P Still used to this day. Have upgraded the power supply,