Fotografi e Cosplay Italia
View allAll Photos Tagged Confronting
It is important to help and understand those who are going through hard times right now and are confronting depression some of whom are on the verge of committing suicide, we should help them all that we can. Everyone is important and counts!
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
When you are in Prague, the capital of the Czech Republic, you are constantly confronted with one thing. And that's a lot of people. What is an absolute highlight for some quickly becomes a burden for others. As a landscape and nature photographer, I clearly belong to the second category.
And so I have to get out of the crowd from time to time and look for a quiet place to really enjoy my stay. Especially here, near the famous Charles Bridge, it's really not easy.
But I managed to do it halfway. And so I am now sitting, leaning my back against a wall, on the banks of the river Vltava and enjoying the sight of the historic buildings and the hustle and bustle at a pleasant distance.
Ist man in Prag, der Hauptstadt von Tschechien, unterwegs ist man ununterbrochen mit einer Sache konfrontiert. Und das sind Unmengen von Menschen. Was für den einen ein absolutes Highlight ist wird für den Anderen schnell zur Belastung. Ich, als Landschafts- und Naturfotograf gehöre eindeutig zur zweiten Kathegorie.
Und so muss ich von Zeit zu Zeit raus aus dem Gewimmel und mir einen ruhigen Platz suchen um den Aufenhalt wirklich geniesen zu können. Gerade hier, in der Nähe der berühmten Karlsbrücke ist das wahrlich nicht einfach.
Doch es ist mir halbwegs gelungen. Und so sitze ich nun, mit dem Rücken an eine Mauer gelehnt, am Ufer der Moldau und geniesse den Anblick der historischen Gebäude und das bunte Treiben in angenehmer Entfernung.
more of this on my website at: www.shoot-to-catch.de
“Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us.”
~ Maya Angelou
For some unknown reason Flickr will not accept the real date that this was created which was May 4, 2010 at 24:32:42 a.m.
With heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating, stay safe and laugh often! ❤️❤️❤️
La confrontation avec l’archétype ou l’instinct signifie un problème éthique de premier ordre, dont celui-là seul commence à sentir l’urgence qui se trouve placé devant la nécessité d’assumer ou non l’assimilation de l’inconscient et l’intégration de sa personnalité.
Les racines de la conscience - Carl Gustav Jung
Visit this location at ARTSVILLE Galleries & Community in Second Life
Finally! Halloween party at Artsville! 🎃👻
THE HAUNTED CEMETERY AT ARTSVILLE
Halloween at Artsville is all about confronting your worst fears and finding light within the darkness. This spooky build of a haunted cemetery covered in fog at Artsville will leave you amazed and craving to take more photos.
Be there for our Grand Halloween Party Wednesday October 26th at 2 pm SLT dressed up in some amazing costumes! Music by DJ Faye Hexem!
Joins us! Click link below 👇
facebook.com/events/s/artsville-grand-halloween-part/8292...
Job 30:27 “I am seething within and cannot relax; Days of affliction confront me.”
(Bloomberg) -- Warren Buffett, whose economic insights are craved for Berkshire Hathaway Inc.’s deep ties to the American economy, had a gloomy prediction for his own businesses: the good times may be over.
“The majority of our businesses will report lower earnings this year than last year,” Buffett, 92, said, before crowds of thousands at the event on Saturday. During the last six months or so, the “incredible period” for the US economy has been coming to an end, he said.
"You confront me."
"I thought you wanted me to. I mean I thought I was doing what you wanted me to. You... you know and... and... and we don't even have to. My cab is ready. I can just leave and we can always meet later. Just, just call. OK? I'm staying with Phil. You have his number, don't you? You do. You do. Call and we'll meet... where... wherever... you want. It's really all up to you. That might even be better. Anything. I... I... I don't know. I... I... I don't, I don't mind really. Whatever. I mean you call and let me know. I'll stay with Phil a few days. I'll let you know... where... where I'd go after. You want me to. Right? I mean I know, I know you want that. That's what we need. That's what we should do. Hey, what do you say? Huh? Isn't that better? I thought we'd go out for lunch today but that's all right. You stay in. Do whatever and we'll meet again. Just call, just..."
"You confront me not I. That's why it disturbs. It's just that."
He put the package down. First, he looked around the room and considered the console. It was a bit far. He had to walk all the length of the room. Coffee table was busy. That coffee table never had any room for anything. He could just leave it there where he was on the floor. He could do that. Why can't he just put it on the floor? Just there, right where he's standing, beside his feet. He could do that.
"I confront you... I... I..."
"You confront me... me.... You confront 'me'.... Me not I. You confront me. That's why it disturbs. You confront me not I."
Having been confronted head on by the dominant male this stag deferred and led the herd of young male and female deer up the hill. In his own time the dominant male left the clearing where they had been browsing and grazing to bring up the rear. With an occasioonal backward glance they were soon all out of sight.
Thank you all for your kind responses.
Cottages, numbered 1, 2 and 3, on Mill Lane in Trull near Taunton.
I don't know what the bunting was for!
Les services du rail ont été essentiels dans le développement de l’industrie locale au début du XIXe siècle. Le bassin d’Épinac-les-Mines s’est trouvé confronté à la question de l’amélioration de ses débouchés par le transport à moindre coût de ses productions vers les sites de consommations, pour faire face à la concurrence.
Le projet de rendre l’Arroux navigable et sa jonction au canal jusqu’à Dijon n’eut peu d’intérêt face à la volonté du propriétaire des mines de houille d’Épinac, Samuel Blum, qui eut l’initiative de vouloir créer une ligne de chemin de fer. L’ingénieur autunois Eugène Berthot rendit un avis très favorable en avril 1828 quant à l’utilité de cette ligne de chemin de fer, en raison du développement de ce bassin minier. L’ingénieur sera chargé d’étudier le tracé de la voie. Les préfets procéderont aux enquêtes locales.
Ainsi le projet de chemin de fer d’Épinac, créé en 1829, a été une des toutes premières voies ferrées construites en France. À vocation industrielle, le chemin a été construit pour relier les mines d’Épinac par une voie unique débutant au Curier, jusqu’à la gare de Pont d’Ouche située près du canal de Bourgogne.
Ce fut une des premières concessions attribuées à la Compagnie des Houillères. Ce chemin de fer avait été conçu pour le transport de la houille, mais a eu un destin difficile. La ligne était relativement isolée, non reliée à une ligne principale. Ses propriétaires, n’ont pas eu les moyens de leur ambition pour créer à partir de cette voie, un réseau concurrent à celui de la compagnie PLM, à laquelle elle échut après que l’État eut racheté la concession.
La ligne de construction archaïque bénéficia d’une modernisation par PLM pour le seul transport de voyageurs, à une époque où se posait déjà l’avenir des lignes secondaires. Elle connut le même sort et le service voyageur allait lui aussi définitivement fermé.
www.lejsl.com/economie/2022/04/01/la-fermeture-de-la-mine...
Done for the Tree-mendous Tuesday group.
Thank you for your kind visit. Have a wonderful and beautiful day! xo💜💜 💕💕💕
Thanks to everyone who has visited. A confronting photo for some people. I appreciate very much the kind comments and faves which have been left.
A huntsman spider, probably Heteropoda jugulans. Male and female huntsman spiders are similar in size with the males having longer legs and females slightly bigger bodies. Actually, I am not sure whether this is a male or female. Unlike many spiders, the males do not risk being eaten after mating. Some species of huntsman spiders live in colonies. Normally, huntsman spiders are nocturnal. However, this spider was out in the afternoon. It has eight eyes. The upper four appear closed. Perhaps it was squinting because of the bright light.
For the Macro Mondays theme "Inspired by a Song". The song I chose is "Boris the Spider" by the Who. Perhaps a slightly larger spider than the Who had in mind but definitely a little creepy. The spider was on a variegated bromeliad leaf in my garden and was left undisturbed after being photographed. Huntsman spiders can also be found indoors.
Macrophotography has made me appreciate what a diverse and fascinating group of animals that spiders are.
HMM!
www.youtube.com/watch?v=bvFuUaCe8eY
f/22 1.3sec ISO 200 Pentax 100m f/2.8 Pentax K-5
Boris the Spider by The Who
Look, he's crawling up my wall
Black and hairy, very small
Now he's up above my head
Hanging by a little thread
Boris the spider
Boris the spider
Now he's dropped on to the floor
Heading for the bedroom door
Maybe he's as scared as me
Where's he gone now, I can't see
Boris the spider
Boris the spider
Creepy, crawly
Creepy, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
Creepy, creepy, crawly, crawly
There he is wrapped in a ball
Doesn't seem to move at all
Perhaps he's dead, I'll just make sure
Pick this book up off the floor
Boris the spider
Boris the spider
Creepy, crawly
Creepy,…
Francia, Lione, Cité internationale
Riprendo da dove avevo lasciato più di un anno fa.
Sono stato a lungo incerto se ricominciare, dal momento che, rispetto a prima, ho molto meno tempo da dedicare alle vostre foto. In questi mesi ho però continuato a scattare e mi sono reso conto di quanto sia stato per me importante, sul piano formativo, il confronto con gli amici flickeriani. Ho anche provato, timidamente, ad allargare i miei interessi fotografici, cosa di cui confido di darvi conto prossimamente.
Infine, un grazie sentito a tutti coloro che, nonostante la mia lunga assenza, hanno comunque continuato a tenersi in contatto con me.
Un confronto tra due momenti, due sistemi, due elaborazioni: questa scattata con la compatta Lumix (7mm= e l'altra fatta con la Coolpix Nikon 8400 che vantava un obbiettivo più grandangolare (6,1mm),Questa rielaborata con i soli strumenti di Photoshop, l' altra con l' ausilio dell' HDR.
Lumix-Nikon game.
Confronted again by old nemesis, the wind. It was a dark, dark night with the lighthouse beams only darkening the almost-pitch black area.
On a previous visit I had slipped in some mud and messed up my hand, thereby ending the evening. I was a little more careful this time, although the gusts of wind threatened to push me off the cliffs a number of times.
Heading back to the car, now completely windswept, we noticed that the previously empty car park had another car in it. Not the doggers again! Seems like everywhere I go there are mysterious cars just waiting... watching...
No, non è il testo di una nota canzone, ma il risultato immediato del transito del primo treno della mattina nei confronti della nebbia mattutina che spesso avvolge la valle e che al contrario delle prime impressioni pessimistiche ha invece donato a questa foto un aspetto caratteristico.
“Love and peace of mind do protect us. They allow us to overcome the problems that life hands us. They teach us to survive… to live now… to have the courage to confront each day.” —Bernie Siegel
The Thurisaz rune (ᚦ) represents the ability to confront obstacles, the strength to endure adversity, and the protection of mighty forces. Like the thorn it symbolizes, this rune reminds you that true strength lies not just in attack, but in defense and resilience. It suggests that you have the inner fortitude to face any challenge that stands in your way, urging you to stand firm and embrace your power.
Thurisaz is a rune of both conflict and transformation, showing that through struggle, growth is achieved. It calls on you to harness your inner strength wisely, channeling your energy to break through barriers and drive positive change. More than just a force of destruction, Thurisaz is a guardian—its presence in your path signifies that you are not alone, as unseen forces shield and guide you. Whether in battle, personal trials, or major life transitions, this rune is a reminder that your resilience is your greatest weapon, and through perseverance, victory is within reach.
"Thurisaz is the force that breaks and the strength that endures—embrace the storm, for it forges the warrior within."
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Dati Tecnici
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a) Fujifilm X-H1+ Anello adattatore FRINGER-EF-FXPRO2 + Canon Zoom Lens EF 24/70mm f.2,8 L USM:
b) Tempo 1/65s con apertura diaframma a f.4,8 +1,5 di stop in manuale (a mano libera);
c) Lettura Esposimetrica effettuata con esposimetro della macchina impostata su "Media a Prevalenza Centrale" ( ho effettuato 5 misurazioni a luce incidente con il Sekonic Dual Spot F-L778 con lettura impostata a 1° per confrontarla con la lettura che mi dava l’esposimetro della macchina, ho effettuato quella correzione di +1,5 di stop per recuperare alcun particolare nelle ombre e nelle penombre.
d) Impostazione nel corpo camera ISO/ASA 6400, DR (100%), Modalità AF (Area), WB Bilanciamento del Bianco (Auto), Simulazione Film (Provia Standard), Colore (+2), Nitidezza (0), Tono Alte luci (0), Tono Ombre (0), Riduzione disturbo (+1), Gamma Dinamica (Auto), Qualità Immagine (Fine), Filtro ND (On), Dimensione Immagine (3:2 - L);
e) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;
f) Prima Post-Produzione (leggerissima file quasi perfetto) per la correzione del bilanciamento cromatico/tonale (dopo la desaturazione) delle varie aree e zone di colore per compensare l’intensità di luce (ore 12,30 di ripresa) con Nikon Capture NX 2;
g) Seconda Post-Produzione con Adobe Photoshop CC per il bilanciamento delle zone d’ombra (Lievissima file quasi perfetto);
h) Post-Produzione di completamento con Nikon Capture NX 2 e CorelPhoto-Paint X5 per il completamento e la sistemazione finale del "Sistema Zonale".
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2022©2030 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Da Ascoltare guardando l’immagine e leggendo Ia poesia
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Letter from a Friend - Carlos Viola
www.youtube.com/watch?v=8vEFnzC69Wk
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Nella penombra tu sei la luce
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Trattenerti non posso come vorrei in questo
abbraccio
chiudo gli occhi
mi lascio cullare
dal battito del tuo cuore
mi perdo nella tua dolcezza
tieni aperti i tuoi fari figlia mia io sarò qui al tuo
fianco nella penombra.
Ti lascerò viaggiare nella luce
tu sei la stella più fulgida. Nel cammino della vita i
passi ti condurranno lontano da questo abbraccio.
ma niente ci terrà distanti
io sentirò ancora il tuo odore di buono rimasto
tatuato nel mio cuore bambino
abbracciato al tuo.
………………………………..Maria Sapienza
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In the twilight you are the light
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I can't hold you as I would like in this
hug
I close my eyes
I let myself be cradled
from the beat of your heart
I get lost in your sweetness
keep your headlights open my daughter i will be here at yours
side in the dark.
I will let you travel in the light
you are the brightest star. On the journey of life i
steps will lead you away from this embrace.
but nothing will keep us apart
I will still feel your smell of good left
tattooed on my heart baby
hugged to yours.
………………………………..Maria Sapienza
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Si ringrazia la scrittrice e poetessa Maria Sapienza per la concessione dei bellissimi versi.
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We thank the writer and poet Maria Sapienza for the concession of the beautiful verses..
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Winter of the Past - Crows Over The City (By Carlos Viola)
www.youtube.com/watch?v=tMrPiYc93Fk
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
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Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
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These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
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"Confronted with the result / of my earlier doings //
I decided to deny / all allegations //
And to leave / at once"
"Geconfronteerd met het resultaat / van mijn eerder handelen // Besloot ik alle aantijgingen / te ontkennen //
En per direct / te vertrekken"
monoprint 1 / 1, 22x 29 cm, (c) Drager Meurtant 2017
Do not use any of my images on websites, blogs or other media without my explicit written permission.
All rights reserved - Copyright © fotomie2009 - Nora Caracci
Caithlin was really looking for trouble the way she confronted Bastian. He wisely yelded to the Queen...
Dushara Cathal Caithlin, (Somali cats) & Bastian (mixed breed), 09.06.2019.
Olympus OMD EM5 Digital Camera
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LE FOTOGRAFIE SONO IN VENDITA
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9° MOSTRA PERSONALE-VOCI DI DONNE IN CAMMINO
Il fenomeno migratorio, da sempre è stato un agente fondamentale del processo di trasformazione del mondo.
Ciascuno porta con sé il proprio bagaglio culturale, la propria storia, la lingua, i costumi, le abitudini…le proprie paure determinate anche dalle distanze, dalla lontananza dei propri cari, dal timore di perdere la propria identità.
C’è questo senso di estraneità in chi arriva e in chi sta, quell’essere stranieri che accomuna.
Ho scelto di raccontare attraverso le voci delle donne e ho aggiunto sul colore una velatura rosa come linguaggio al femminile che accomuna e integra.
Ho ascoltato il loro disagio per il lavoro, per la casa e per le solitudini.
Ho ascoltato i loro bisogni di serenità con la ricerca di aggregazione, del ricongiungimento con la propria famiglia e del diritto ad essere madri.
Donne diverse per le culture e per le storie che portano con sé ma uguali nei bisogni come linguaggio universale.
Si può arrivare all’integrazione mantenendo le rispettive differenze ed è proprio la memoria di quelle culture che darà sicurezza e aiuterà a costruire il nuovo patrimonio culturale comune.
Si potranno disegnare nuovi paesaggi impregnati di vecchie e nuove storie e le storie ricche di vecchi e nuovi personaggi, di amore per le proprie terre, di riflessioni sulla nuova vita: il nostro presente nei nuovi incontri.
E’ importante mostrare apertura alla conoscenza senza timore di annullare ciascuno le proprie identità.
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La mostra inizia con l'arrivo delle donne e il confronto con le loro aspettative. Arrivano i primi sconforti nella ricerca del lavoro e poi della casa. Molte volte ci si accontenta, si convive in modo provvisorio e con disagi. Sembra che il tempo vada a rilento ma non la propria speranza. E' dura iniziare.
21/11/2015...h.00.58
" Natura è tutto ciò che noi vediamo: il colle, il pomeriggio, lo scoiattolo, l’eclissi, il calabrone. O meglio, la natura è il paradiso. Natura è tutto ciò che noi udiamo: il passero, il mare, il tuono, il grillo. O meglio, la natura è armonia. Natura è tutto quello che sappiamo senza avere la capacità di dirlo, tanto impotente è la nostra sapienza a confronto della sua semplicità.."
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"...Nature is all that we see: the hill, in the afternoon, the squirrel, the eclipse, the hornet. Or rather, nature is paradise. Nature is all that we hear: the sparrow, the sea, thunder, cricket. Or rather, nature is harmony. nature is all we know without having the ability to say, so impotent is our wisdom in comparison to its simplicity .. "
Emily Dickinson