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I wanted this concept to be a lot more random and playful, based on the song. Palm trees flying out of a trumpet, rows of people dancing on a checkered floor, and offset type in all directions. The band's "logo" is seen on the record label in red and forms the plane sign.
This concept is the first one I designed to be featured on another site. The jersey is adapted from the colours and logos of the original Metropolitans, from the 1910's.
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This was a concept video I made my sophomore year in design studio. It was a really quick two week project that required the use paper for disaster relief with a focus on food or water. I made this, sitting alone at home, late the night before the project was due. I didn't have a tripod, or really anything to hold the camera, but I just made teetering stacks of stuff until things looked about right.
This is pretty nerdy, but it was the only video I had that fit the flickr video upload standards.
4me4you visits Unit London Gallery which featured Sthenjwa Luthuli.
This body of work explores the notion of hidden talent and potential, understanding that, from the moment we are born, each of us has a specific purpose or destiny to fulfil. As a concept itself, Imfumbatho refers to the birth of a child, denoting the mystery that inevitably surrounds its future successes and accomplishments. Luthuli’s artworks engage with the complex process of self-development, charting how, as we grow, we find ourselves along the way.
For Luthuli, his “birth secret” revealed itself to be his ability to create intricately handcrafted artworks. He began to use wood to distinguish himself from other artists. However, the wood process is particularly challenging as each work is meticulously hand carved and then painted, requiring patience and determination. The sweeping scale of many of these pieces reflects the perseverance of Luthuli’s process, which never limits itself creatively. Luthuli begins with MDF wood board, typically sketching first to position his figures and patterns. He then uses a marker to embolden his lines before beginning the painstaking carving process; it can take two to three weeks to carve out a single piece. Once this step is complete, the artist applies paint to each individual part before varnishing to ensure the work’s durability.
Luthuli’s choice of the wood material provides a connection to the past; his ancestors’ livelihoods had often centred on handcrafting. In this sense, the artist’s latest body of work is a continuation of a far-reaching creative journey that extends back to his forebears.
Similarly, Luthuli’s exhibition sheds light on the patterns and practices of traditional Zulu dress and design, which are made up of vibrant and intricately woven beads. Growing up surrounded by this particular culture encouraged the artist’s fascination with colour and also with circular forms, inspired by the beading used in Zulu women’s clothing. The circle holds a particular significance in African culture, often symbolising oneness and, equally, the unfailing continuity of life.
Ships on the Mersey, 14 March 2014.Crude Oil Tanker. Gross tonnage 57,248, built 2005, seen at Birkenhead.
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Photo and edit by Sheepie
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_ Chủ đề: Sympathy Of Love
_ Tông màu: Trắng & Xanh Ngọc
_ Wedding Planner: Phương Anh (by Viet Nam Wedding Planner)
_ Trang trí: Dianthus Wedding Decor
_ Photo: Sweet Love Studio
_ Video: Dragon Films
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Wedding Planner không phải là người làm trang trí.
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