PERU.PERUVIAN_TIENDA/PHOTOS/ART_ROPA/MINIFALDA
View allAll Photos Tagged Comprar,
En medio de las calle peatonales nos encontramos de frente con este vehiculo parado en el estanco,por el lado conseguimos pasar.
Espero que os guste gracias por visitas ,comentarios y favoritos.
Si quieres comprar una copia impresa visita / If you would like to order a print please visit: www.hdrphotomarket.com
Avui fa un any que em vaig comprar la meva Olympus e-510.
Moltes felicitats, i per molts anys!
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Més fotos de boles a:
www.flickr.com/photos/vdbdc/1951007920/
www.flickr.com/photos/vdbdc/2072426476/
www.flickr.com/photos/vdbdc/2874895505/
www.flickr.com/photos/vdbdc/2908134810/
www.flickr.com/photos/vdbdc/2884932619/
www.flickr.com/photos/vdbdc/2885865164/
www.flickr.com/photos/vdbdc/2885765772/
www.flickr.com/photos/vdbdc/4432537942/
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Don't use this image on any media without my explicit permission.
Please respect the copyright - © All rights reserved.
No sé dónde está la fiebre
de esa convulsa costumbre
que es el comprar y gastar.
Cuando llegan estas fechas
todos vamos a la calle
a buscar no sé qué cosas,
pues algo he de comprar,
de lo contrario no siento
que estamos en Navidad.
Y de esta tonta manera
perdemos la ocasión,
entre prisas y carreras,
de poner a cada cosa
en su adecuada posición.
El tener no acentúa,
por mucho que se gaste en ello,
la riqueza de tu ser.
Sabe ser, no aquel que gasta,
sino quien pudiéndolo hacer
sólo usa, justo a tiempo,
necesidad y placer.
Lo demás no necesita
gastarlo para tener
una vida decorosa
siendo y sabiendo ser.
IN ENGLISH BELOW THE LINE
La platja de S'Agaró, amb el famós Hostal de la Gavina al fons, a principis dels anys 60 del s. XX (diapositiva del meu avi).
La tardor del 2025, remenant per les golfes, vaig trobar unes bosses amb quelcom que havia perdut de vista feia anys i em feia molta il·lusió tornar a trobar: centenars de diapositives del meu avi matern. Unes 1500 aproximadament! Sabia que existien perque les recordava de quan varem buidar la casa de la meva avia quan va morir, el 2005. El meu avi ja havia mort a principis dels anys 80. Son diapositives en color, molt ben conservades (majoritariament Kodakchrome, crec).
Tot i que una part no tenen cap data, la majoria tenen el més i l'any del revelat estampats al marquet, element molt util per a classificar-les: van del 1965 al 1982. Crec que les sense data son lògicament anteriors, probablement de principis dels anys 60. També tinc força clar que foren fetes amb la càmera Voigtlander Vito BL que tenia el meu avi, que encara conserva un familiar (i que encara funciona perfectament i he fet fotos amb ella i tot!). La Vito BL es fabricà entre 1956 i 1958, pel que el meu avi la deuria comprar a finals dels anys 50 o principis dels 60.
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The beach of S'Agaró (in the Costa Brava), with the famous Hostal de la Gavina (a luxury hotel) in the background, in the early 1960s (slide taken by my grandfather).
In the fall of 2025, rummaging through my mother's attic, I found some bags with something I had lost sight of for years and was very excited to find again: hundreds of slides from my maternal grandfather. About 1500 or so! I knew they existed because I remembered them from when we emptied my grandmother's house when she died, in 2005. My grandfather had already died in the early 80s. They are color slides, very well preserved (mostly Kodakchrome, I think).
Although some of them have no date, most have the month and year of development stamped on the frame, a very useful element for classifying them: they range from 1965 to 1982. I think that the ones without a date are logically earlier, probably from the early 60s. I am also quite sure that they were taken with the Voigtlander Vito BL camera that my grandfather had, which a relative still has (and which still works perfectly and I have taken photos with it and everything!). The Vito BL was manufactured between 1956 and 1958, so my grandfather must have bought it in the late 50s or early 60s.
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Si deseas comprar esta foto mandame un email /
If you want to buy this photograph send an email:
gomezsluis@hotmail.com
gomezsluis@gmail.com
This image may not be used in any way without prior permission
© All rights reserved
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Por que debemos celebrar el Día de La Tierra, TODOS LOS DÍAS y No solamente uno.
Aportemos cada quien desde nuestra trinchera nuestro "grano de arena" para cuidarla y No seguir destruyéndola.
Es nuestro único Hogar...¡¡
#DíadeLaTierra
Se um dia você comprar um palácio, muito provavelmente assim será a escadaria secundária... :-)
Palácio Guanabara, Rio de Janeiro, Brasil.
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Secondary Staircase
If, one day, you buy a palace, probably your secondary staircase will look like that... :-)
Guanabara Palace, Rio de Janeiro, Brazil.
Have a fancy day / night! :-)
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Buy my photos at / Compre minhas fotos na Getty Images
To direct contact me / Para me contactar diretamente: lmsmartins@msn.com
Para 2017, el uso de esta tecnología dictará si es universalmente adoptada. En este sentido, el éxito de la Realidad Virtual está vinculado a su acronym sister AR (realidad aumentada), que superpone la información digital al mundo real, en lugar de la experiencia de VR completamente generada por ...
COMPRAR/COMER/BEBER, los pilares de la Navidad en el siglo XXI
Visit my website: jesuscm.com/
Thanks for the visit and favorites.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any forms or by any means, including electronic, mechanical, photocopying & recording without my written permission.
2015©jesuscm. All rights reserved.
Me comprare un traje verde y una pistola pa ser bakán y andar en la calle haciendo lo ke se me de la gana. Seré la ley más jarkor.
Pako y la conchetumare!
Si quieres comprar esta foto, puedes hacerlo directamente en andresbreijo.com/, podras descargarla o te llegará a casa en el tamaño que elijas.
Want to buy this photo, you can do directly in andresbreijo.com/, you can download it or you'll be home in the size you choose.
Exif data auto added by theGOOD Uploadr
File Size : 0.5 mb
Camera Make : Canon
Camera Model : Canon EOS 60D
Software : Adobe Photoshop CS5 Windows
Exposure : 0.017 seconds
Aperture : f/16
ISO Speed : 100
Focal Length : 63 mm
Subject Distance : 2.3 meters
Foto: Yaci Andrade
© Todos os direitos reservados.
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Cacha-Pregos
Ilha de Itaparica
Bahia-Brasil
As fotos contidas neste site estão protegidas pela lei de Direitos Autorais.
É expressamente proibida a cópia, reprodução, transmissão, utilização, modificação, venda, publicação, distribuição ou qualquer outro uso, na sua totalidade ou em parte sem a autorização expressa por escrito do autor, quaisquer que sejam os meios para tal utilização.
Caso tenha interesse em utilizar ou comprar alguma das fotos, por favor, entre em contato através do e-mail: yaciandrade@hotmail.com
► All photographs within this web site are protected under copyright laws and international conventions.
No photograph can be copied, reproduced, republished, downloaded, displayed, modified, transmitted, licensed, transferred, sold or distributed by any means, without prior written permission from the author. If you are interested in using or buying them, please send me an e-mail at: yaciandrade@hotmail.com
Cuando los botes regresan con la pesca de la noche, la gente aprovecha para comprar el pescado fresco en el mismo bote, además, el precio es mejor.
When the boats return with night fishing, people take the opportunity to buy fresh fish in the same boat, in addition, the price is better.
Valdez, Porlamar, Isla de Margarita, Venezuela.
THAT GRACE IS TO BUY AT THE PASEO DE GRACIA.
QUE LA GRÀCIA ÉS COMPRAR EN EL PASSEIG DE GRÀCIA.
passeage de Gràcia, Barcelona
IN ENGLISH BELOW THE LINE
Ha costat arribar a tenir aquesta càmera, però finalment em vaig llençar a comprar-la, la més cara de la col·lecció. És realment una joia, tant pel seu acabat com per com funciona, com sona l’obturador. Realment pots notar la famosa precisió mecànica alemana. Queda clar com, despres de perdre en certa mesura el lideratge absolut que tenia Leica fins finals dels anys 30, amb aquesta càmera es posà per davant de tots els competidors altre vegada (fins la arribada de Nikon i la seva F1). La competició amb la Contax quedà guanyada de forma absoluta.
La Leica M3 es fabricà entre el 1954 i el 1966, amb només unes poques variacions. Respecte a la veterana Leica III, la M3 incorpora moltes millores: objectius amb montura de baioneta, avançament amb palanca, totes les velocitats en un sol comandament, un millor (però encara força tancat) sistema de carrega del rodet, telèmetre més precís, i especialment el visor més avançat del moment, i potser el millor de tots els temps. Aquest visor, molt lluminós, permet enfocar i enquadrar alhora, i també detecta automaticament la focal del objectiu montat a la càmera. Tot mecanicament i sense cap bateria.
Entre les moltes a escollir, reconec que vaig triar aquesta càmera en concret pel nr. de sèrie força bonic, el 1.088.288. Això fa que sigui una M3 més aviat tardana, fabricada a Wetzlar el 1963. L’objectiu és un Leitz Elmar f2.8 / 50mm col·lapsable (fabricat el 1960), força similar al classic Elmar de les Leica I, II i III.
www.kenrockwell.com/leica/m3.htm
www.youtube.com/watch?v=BkUpU0sjZr0
www.kenrockwell.com/leica/m3/buyers-guide.htm
www.kenrockwell.com/leica/50mm-f28.htm
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It took a while to get this camera, but I finally rushed to buy it, the most expensive in the collection. It's really a gem, both for its finish and for how it works, how the shutter sounds. You can really notice the famous German mechanical precision. It is clear how, after losing to some extent the absolute leadership that Leica had until the late 1930s, with this camera it got ahead of all competitors again (until the arrival of Nikon and its F1). The competition with Contax was won in an absolute way.
The Leica M3 was manufactured between 1954 and 1966, with only a few variations. Compared to the veteran Leica III, the M3 incorporates many improvements: bayonet-mounted lenses, lever advance, all speeds in a single lever, a better (but still quite closed) film loading system, more accurate rangefinder, and especially the most advanced viewfinder of the moment, and perhaps the best of all time. This viewfinder, very bright, allows you to focus and frame at the same time, and also automatically detects the focal length of the lens mounted on the camera. All mechanically and without any battery.
Among the many to choose from, I admit that I chose this particular camera for it's nice serial number, the 1,088,288. This makes it a rather late M3, manufactured in Wetzlar in 1963; it's a single-stroke advance M3 (the earlier ones being double-stroke). The target is a collapsible Leitz Elmar f2.8 / 50mm (manufactured in 1960), quite similar to the classic Elmar f3.5 / 50mm of the Leica I, II and III .
www.kenrockwell.com/leica/m3.htm
www.youtube.com/watch?v=BkUpU0sjZr0
#LimpiarMiMac Aún puedes comprar tu nuevo Mac con un 22% de descuento bit.ly/2ggF5WK bit.ly/2g6ieR8 (twitter.com/ComoLimpiarMac/status/802543072080891904)
via Twitter ComoLimpiarMac
#LimpiarMiMac
L'any 2005, Plana va comprar set autobusos urbans articulats de l'EMT Madrid i que van ser adaptats pel servei interior de l'aeroport de Reus. Es tracta de Renault PR.118 amb carrossat Castrosua CS-40 (476-482) adquirits en 1995. Observi's la llum giratòria al sostre, exigida pel tipus de servei.
El año 2005, Plana compró 7 autobuses urbanos articulados de la EMT de Madrid y que fueron adaptados para el servicio interior del aeropuerto de Reus. Se trata de Renault PR.118 con carrocería Castrosua CS-40 (476-482) de 1995. Obsérvese la luz giratoria en el techo, exigida por el tipo de servicio.
During year 2005, Plana acquired 7 articulated urban buses from EMT Madrid, that would be adapted to Reus airport interior services. They are Renault PR.118 with Castrosua CS-40 body new in 1995. Pay attention to the revolving light on the roof, a feature of this type of service.
Si quieres comprar esta foto, puedes hacerlo directamente en andresbreijo.com/, podras descargarla o te llegará a casa en el tamaño que elijas.
Want to buy this photo, you can do directly in andresbreijo.com/, you can download it or you'll be home in the size you choose.
chikillas..si alguien sabe de algun datillo donde comprar two-finger-ring xfaa dejen sus datillos aki xfa xfaaa
Vaig comprar aquesta càmera de gran format (9x12cm) desconeguda i en mal estat per un parell de motius. El primer era que estaba molt bé de preu (precísament per no tenir identitat coneguda i esta força bruta); el segon era el molt bonic obturador Bausch & Lomb Unicum tardà.
L'obturador en si era d'origen i cronología prou clares: produït als Estats Units entre 1906 i 1912. Destaca dels Unicums inicials (encara més bonics) per els seus colors sobris en cromat i negre, així com per una palanqueta lateral per obrir directament el diafragma i enfocar amb el vidre esmeril·lat. Aquest obturador en concret porta una lent Extra-Rapid-Aplanat sense més indicacions, i funciona perfectament.
La resta de la càmera, un cop neta d'oxid, ronya i nius d'insecte (ecs) donava pistes sobre el seu origen. Cap inscripció apart de "hinterlinse" en l'indicador d'enfoc. Això apuntava a un origen alemany. Revisant vegades i vegades catalegs de càmeres alemanes del periode 1900-1920 em va portar finalment a la conclusió que és una Bülter & Stammer, corroborat per experts en el tema, als que agraeixo l'esforç.
Hi ha molt poca informació sobre aquesta marca, reconvertida el 1922 en Orionwerk. La manca de nom pot indicar que fou exportada, probablement a França, ja que n'hi ha una de molt similar a internet (analogyou.wordpress.com/photos-vintage/) importada per Poulenc Freres. Per tant calculo que fou produida a Alemania entre 1905 i 1914.
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I bought this large format camera (9x12cm) as an unknown machine and in poor condition. Foremost it was very cheap (due to its filthyness and lack of id). The second element was the very beautiful Bausch & Lomb Unicum later model shutter.
The shutter itself was of clear origin and chronology: produced in the United States between 1906 and 1912. It can be distinguished from the initial Unicums (even more beautiful) for its sober colors in chrome & black, as well as a side lever to open directly the diaphragm and focus with the ground glass. This shutter specifically carries a Extra-Rapid-Aplanat lens with no further indications, and works perfectly.
The rest of the camera, once clean of rust, dirt and nests of spiders (buergh), gave clues about its origin. No inscription other than "hinterlinse" in the focus indicator. This pointed to a German origin. By checking time and time again German cameras from the period 1900-1920 finally led me to the conclusion that it is a Bülter & Stammer, corroborated by experts in the subject, to whom I am grateful for the effort.
There is very little information about this brand, reconverted in 1922 in Orionwerk. The lack of name plate in this camera may indicate that it was exported, probably to France, since there is one very similar to the Internet (analogyou.wordpress.com/photos-vintage/) imported by Poulenc Freres. So I estimate that it was produced in Germany between 1905 and 1914.
camerapedia.wikia.com/wiki/Unicum
www.google.com/search?q=the+bob+unicum+connection&ie=...
Sí vaig comprar el llibre de la Júlia Pujolràs "petits moments".
Ja abans de començar-lo a llegir ja m'ha colpit, doncs tinc clar que la vida d'un, no és res més que un conjunt de petits moments, a vegades positius, d'altres no tant i alguns fins i tot negatius. De tot se'n treu experiència, se'n fa vida.
Ningú pot anar per la vida totalment sol i només cercant allò positiu.
Tot plegat m'ha fet pensar amb la meva existència fins ara, quan m'ha passat de tot, de bo, de mig bo i de dolent.
Reconec que he tingut una infantesa força positiva i sense massa dificultat, una joventut primerenca força estrambòtica, que va portar a un temps de creixement personal que d'alguna manera encara existeix en mi, doncs va estar el temps de preparació i aprenentatge més intens i que va fer que encara m'agrada aprendre. escoltar, llegir, observar; per arribar una maduresa dedicada més a altres que a fets personals i/o privats, i ara una vellesa més serena, més de flors i tranquil·litat.
Confesso que sense tenir una vida intensa no la canviaria, doncs ara a l'última etapa en puc fer un resum força positiu i encara en tinc ganes de seguir d'escoltar, de llegir, d'observar... i això és el que m'emportaré ... tampoc vull res més
Argumento [editar]
Una mujer joven de la alta sociedad, Melanie Daniels (Tippi Hedren), se encuentra en una tienda de animales en San Francisco, cuando entra Mitch Brenner (Rod Taylor). Brenner quiere comprar unos pájaros pequeños para su hermana. Aunque reconoce a Melanie, Brenner pretende que la confunde con una de las vendedoras. Melanie le sigue el juego. Finalmente sin que él lo sepa decide gastarle una broma llevándole ella personalmente los pájaros a Bodega Bay, una tranquila población donde Brenner pasa los fines de semana con su madre y su hermana. Cuando Melanie llega al pueblo, después de dejar los pájaros en la casa de los Brenner, es atacada por una gaviota que se precipitó sobre ella.
Melanie Daniels se hospeda entonces con Annie Hayworth (Suzanne Pleshette) y asiste a la fiesta de cumpleaños de la hermana de Mitch. Durante la fiesta los niños son atacados por muchos pájaros; por la noche, los Brenner y Melanie son sorprendidos por una bandada de gorriones que entran por la chimenea. Al día siguiente, la madre de Mitch, Lydia (Jessica Tandy) visita a Dan Fawcett, uin granjero vecino, y descubre que su casa ha sido atacada por una multitud de pájaros, los cuales han asesinado al señor Fawcett. Lydia llega a casa desconcertada y Melanie se ofrece a ir a recoger a la hermanita de Mitch, Kathy, a la escuela donde da clases la señorita Hayworth,observa unos cuervos que se comportan de forma extraña. Poco después los pájaros aumentan de número y se producen algunos ataques. El pánico aumenta en Bodega Bay cuando empieza un ataque sistemático de pájaros en una estación de servicio cercana, la gente huye mientras que se sigue desconociendo la razón de estos ataques. El último ataque se registra en la casa de los Brenner donde unos pájaros atacan salvajemente a Melanie, Mitch y su familia deciden llevarla a un hospital en San Francisco. La última escena de la película muestra a los Brenner y a Melanie alejándose en el auto de ésta, mientras una multitud de pájaros se ha reunido en torno a la casa de los Brenner, cubriendo hasta donde se puede ver.
Datos interesantes [editar]
Los pájaros que aparecen a lo largo de la película fueron puestos en postproducción, sin saber Hitchcock de antemano cómo iba a solucionar este recurso.
La escena en que Tippi Hedren es atacada por una gaviota no pudo ser más realista. Aunque la gaviota no era auténtica, sino un muñeco lanzado hacia la actriz mediante unos cables, el impacto le provocó una herida en la frente muy real. El rodaje se paró tres días mientras Tippi se recuperaba. (Cinemanía)
"Tippi" es una abreviación cariñosa de la palabra sueca "typsa", que significa "niña pequeña". El verdadero nombre de la actriz es Nathalie Hedren. (Cinemanía)
Hitchcock omitió deliberadamente toda explicación racional al comportamiento de las aves. Sabía que eso creaba mucha mayor inquietud en la audiencia. También suprimió el clásico "The End" del final, para lograr que la desazón del público continuara aún después de acabada la película. (Cinemanía)
En un principio, la adaptación de la novela original de Daphne du Maurier estaba prevista para el programa de TV de los 50 "Alfred Hitchcock Presenta", pero el guión era tan bueno que Hitchcock decidió convertirlo en un largometraje.
El final original de Hitchcock contemplaba a los protagonistas, que terminaban escapando de los pájaros, llegando a San Francisco aliviados hasta que se daban cuenta de que había pájaros posados por todo el puente Golden Gate y los edificios. Por falta de recursos monetarios y tecnológicos, no fue posible. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------(Cinemanía) Based on a novelette by Daphne Du Maurier, the story focuses on beautiful young Melanie Daniels (Tippi Hedren), a wealthy socialite whose father is an owner of a large newspaper. Melanie visits a San Francisco pet shop to pick up a mynah bird she has ordered for her aunt. There she meets Mitch Brenner (Rod Taylor), a lawyer who is looking for a pair of lovebirds to give to his sister. Mitch sees Melanie and pretends to mistake her for a salesperson. Melanie acts the role, believing that she's fooling Mitch, until he reveals that he knew all along that she did not work in the shop. Melanie, infuriated, inquires as to the reason for Mitch's behavior. He mentions a previous encounter that he had with her in court.
Intrigued by Mitch, Melanie buys the lovebirds and finds the address of Mitch's home in Bodega Bay, a small village up the Pacific coast. She drives to Bodega Bay and delivers the birds by sneaking across the small harbor in a motor boat. Melanie walks into the Brenner residence and leaves the birds on a footstool, with a note. As she is heading back across the bay, Mitch observes her through a pair of binoculars, then circles around the bay in his car to meet her -- but just as she is about to pull up to the dock, a seagull swoops down and inflicts a cut on her head.
Over the next few days, the avian attacks continue, as Melanie's relationship with Mitch, his clinging mother, Lydia (Jessica Tandy), his 12-year-old sister, Cathy (Veronica Cartwright), and Cathy's teacher (and Mitch's former lover) Annie Hayworth (Suzanne Pleshette) develop. The second strange bird-incident occurs when Melanie stays for the night at Hayworth's house and a gull kills itself upon hitting the front door. The next attack occurs at Cathy's party. Avian violence escalates when Lydia discovers a friend dead in his bedroom.
After another attack by crows at the local school, Melanie calls her father, a newspaper publisher in San Francisco, from a bar. The conversation rivets the interest of others, who listen in. A fisherman (Charles McGraw) tells her that the gulls have been following his boats. An old woman (Ethel Griffies), an amateur ornithologist, insists that calling birds' behavior attacks is an exaggeration, and no bird species flocks and attacks, and birds of different avian species would never flock together and attack, as they don't possess the intelligence. Despite her words, and right outside the window, a motorist is attacked while filling his automobile with gasoline; he is knocked unconscious, the hose lands on the ground, and the gasoline continues to pump out onto the street, until it meets a man lighting a cigar. An explosion and fire result. More deaths occur. Melanie is attacked and takes refuge in a phone booth, but the attack continues as birds crash into the thick glass, and cause it to fracture. Melanie is rescued by Mitch.
After this attack subsides, Melanie and Mitch seek to collect Cathy at Annie's house. Noticing that crows are gathering at the school, they tread quietly to Annie's home. They find Annie dead on her front porch and Cathy crying at the window.
Melanie and Mitch's family ultimately take refuge in Mitch's house, boarding up the doors and windows. The house is subsequently attacked by the birds and they almost manage to break through the doors, with Mitch getting injured trying to keep them out. Eventually this attack subsides as well. In the evening, when everyone else is asleep, Melanie hears noises from the upper floor. She investigates a closed door only to find that the birds have broken through the roof. They attack her, sealing her in the room until Mitch comes to her rescue. Lydia and Mitch bandage Melanie's wounds, but determine she must get to a hospital. A sea of landed birds ripples menacingly around them as they leave the house but do not attack, aside from a few isolated bites. The radio reports several smaller bird attacks in nearby Sebastopol and Santa Rosa. Mitch drives the car slowly towards the road before picking up speed, and the sea of birds parts. The film concludes with the car driving away, down the coast road and out of sight, as thousands of birds watch.
Originally Hitchcock wanted to end the film with a shot of the birds covering the Golden Gate Bridge. Ultimately, this proved far too expensive
Oi girls...
na minha busca por um cabelão, eu tava conversando com umas amigas, que me falaram sobre a vitamina MONOVIN - A que acelera o crescimento do cabelo...
Juro que estou super curiosa, a espera do meu para testar. Alguem aí já ouviu falar, ou já testou? bjus.....
EDITADO:
*gentem, não é injetado na gente não!!! kkkk doidaaas, eu JAMAIS ia injetar coisa de animal em mim, é vitamina, vc coloca 5ml no shampoo, creme de tratamento, seja o que for, e usa... como se fosse aquele lance do anticoncepcional, mas só que é vitamina, e não pode por o conteúdo do vidrinho todo, é só 5 ml....
Si quiere comprar esta foto contacta con Phil Ladbrook.
email: philfoto@yahoo.com
tfno: 629 486 535
I've now convinced myself that the version without the people is better... I think. www.flickr.com/photos/fotophil/2737229130/sizes/o/