View allAll Photos Tagged Complexity
The diagram describe the input-output flows in the production of wood-based products. From raw materials/energy/chemicals/water to waste/emissions/water. In between, the products!
Co-designed with Margherita Paleari
Camera: Olympus Pen-FV
Lens: Olympus G Zuiko Auto-S 1:1,4 f=40mm
Film: Kodak Portra 400 professional grade colour negative film
Developed and scanned by www.meinfilmlab.de
As I look into you eyes
I know the reasons why
My life's worth a thousand skies
You're the simplest love I've known
And the purest one I'll own
Know you'll never be alone
My baby you
Are the reason I could fly
And 'cause of you
I don't have to wonder why
Baby you
There's no more just getting by
You're the reason I feel so alive
Though these words I sing are true
They still fail to capture you
As mere words can only do
How do I explain that smile
And how it turns my world around
Keeping my feet on the ground
I will soothe you if you fall
I'll be right there if you call
You're my greatest love of all ~
Song by Marc Anthony~
Enjoy the song, and video if you have a moment by same~
www.youtube.com/watch?v=s9PAxnks0tA
EXPLORE 2-23-09 Thanks Flickr friends~
Your brain is considerably more complex wiring than you may think. The main interconnection between your left and right brain hemispheres has 200 million connections. Thus, each wire pair in this cable would represent on the order of 1 million nerves.
"The corpus callosum is the main transverse tract of fibers that connects the two cerebral hemispheres. It is made of more than 200 million nerve fibers."
Source www.emotion.caltech.edu/agcc/info.html
011
Teucrium fruticans, aka Bush Germander, has a fascinatingly complex structure, and can grow to almost overwhelming proportions for many gardens, but its myriad small flowers are quite simply lovely and worth finding space for.
All the scaled dragons I've ever folded displayed on my desk.
Left to right:
Zoanoid dragon, 24" square designed by me
Scaled Wyvern, 19" square designed by Chad Killeen
Ryu Zin 2.1 and 3.5, 19 and 38" squares designed by Satoshi Kamiya
" How is one to live a moral and compassionate existence when one is fully aware of the blood, the horror inherent in life, when one finds darkness not only in one's culture but within oneself? If there is a stage at which an individual life becomes truly adult, it must be when one grasps the irony in its unfolding and accepts responsibility for a life lived in the midst of such paradox. One must live in the middle of contradiction, because if all contradiction were eliminated at once life would collapse. There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of leaning into the light."
- Barry Lopes in Arctic Dreams -
[ Explore #381, May 28, 2009 ] - of course, this couldn't have been possible without all my great and supportive friends, so thank you all!
Image designed. for viewing with ChromaDepth 3D glasses. Greater depth levels than either of the two images to each side of it in my Photostream
The photo illustrates the complexity of Lausanne's overhead trolleybus lines. It was taken at the entrance to Chauderon station, one of the city's main public transport hubs. Lausanne's first trolleybus lines date back to the 1930s.
La photo donne une idée de la complexité des lignes aériennes des trolleybus de Lausanne. Elle a été prise à l'entrée de la station de Chauderon qui constitue l'un des principaux noeuds de transports publics de la ville. Les premières lignes de trolleybus de Lausanne remontent aux années 1930,
An abstract photography experiment using Photoshop, manipulating the original portrait photograph into something more intriguing - a primary focus on shape and colour.
Two trains pass through the jumbled maze of steel and wire at Harrison, NJ.
Unknown AMTK/NJT @ Harrison Station, Harrison, NJ
AMTK AEM7 936
complexity of human relations in respect to their environment! a visible spectacle for those who experience!
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(c) Dr Stanislav Shmelev
I am absolutely delighted to let you know that my new album, 'ECOSYSTEMS' has just been published: stanislav.photography/ecosystems
It has been presented at the Club of Rome 50th Anniversary meeting, the United Nations COP24 conference on climate change, a large exhibition held at the Mathematical Institute of Oxford University and the Environment Europe Oxford Spring School in Ecological Economics and now at the United Nations World Urban Forum 2020. There are only 450 copies left so you will have to be quick: stanislav.photography/ecosystems
You are most welcome to explore my new website: stanislav.photography/ and a totally new blog: environmenteurope.wordpress.com/
#EnvironmentEurope #EcologicalEconomics #ECOSYSTEMS #sustainability #GreenEconomy #renewables #CircularEconomy #Anthropocene #ESG #cities #resources #values #governance #greenfinance #sustainablefinance #climate #climatechange #climateemergency #renewableenergy #planetaryboundaries #democracy #energy #accounting #tax #ecology #art #environment #SustainableDevelopment #contemporary #photography #nature #biodiversity #conservation #coronavirus #nature #protection #jungle #forest #palm #tree #Japan #Europe #USA #South #America #Colombia #Brazil #France #Denmark #Russia #Kazakhstan #Germany #Austria #Singapore #Albania #Italy #landscape #new #artwork #collect #follow #like #share #film #medium #format #Hasselblad #Nikon #CarlZeiss #lens
Vizualization of "Management of Complexity":
We call a technical system complex (in contrast to complicated) if it is impossible (due to the networked interaction of its components) to predict the behavior of the whole system, even if you know exactly how each of the system components behave.
The sculpture visualizes a complex system which consists of a network of simple
components. The sculpture is designed in a way that there exists no single angle of view which would allow you to see all components - some are always hidden by others.
This brings to my mind a visit of the famous Chinese gardens in Suzhou, where my colleague Tang Bao explained to me that these gardens are designed in a way that the garden always looks perfectly composed from all the infinitely many angles of view along the path leading through it.
Shot I took about a week ago...never got to editing it. Please leave a comment/fave if you like it. Please do not use/post elsewhere without my prior consent. Thank you.
Featured on the automotive photography website "MODZ365." See here: modz365.com/2011/09/27/violator-hello-porsche-cayman-bubb...
Buy print here: 500px.com/photo/2145171
***BEST VIEWED IN LARGE***
|| Please don't use this image without my explicit permission. || FreiRaum - My Blog || View On Black
_____________________________________________________________________________
❏ "If you can't explain it to a six year old, you don't understand it yourself." - Albert Einstein
❏ Simplicity is the ultimate sophistication." - Leonardo Da Vinci
❏ It is true intelligence for a man to take a subject that is mysterious and great in itself and to
unfold and simplify it so that a child can understand it." - John H. Taylor
❏ “The greatest ideas are the simplest.” - William Golding_____________________________________________________________________________
Parámetros :: Parameters :: Paramètres: Canon EOS 1100D; ISO 100; 0 ev; f 6.3; 1/50 s; 31 mm Sigma 18-250mm f/3.5-6.3 DC OS HSM
Título :: Title :: Titre ::: Fecha (Date): Complejidad de Kolmogórov :: Kolmogórov's complexity :: Complexité de Kolmogórov ::: 2015/02/01 19:50
(Es). Historia: Fresnellino. León. España. Primero de Febrero en espacios abiertos de viñedos de León, ese lugar único en el mundo donde crece la variedad de uva tinta "Prieto Picudo". Allí donde años antes había un "Prieto Picudo" casi desdeñado por el mercado, ahora hay excelentes vinos en esa zona de Valdevimbre. Viñedos de racimos muy apretados (Prieto) y con uvas en forma de piñones (Picudo). Un paseo con otro fotógrafo y Fray por estos campos en esos días encharcados, cuando el sol ya no alarga las sombras, regala estos atardeceres. En la visión real el paisaje es de extraordinaria sencillez. y ahí entra la relación con la Complejidad de Kolmogórov.
Un programa de ordenador genera el número n si es capaz de imprimir la secuencia exactamente de n dígitos de 1 continuos y luego se detiene. Por ejemplo: un programa diremos que genera el número 3 si emite 111 y se detiene. La Complejidad de Kolmogorov-Chaitin, relativa a un determinado lenguaje de computación como puede ser C++ o Pascal, de un número natural n viene dada por el número de símbolos que contiene el programa más pequeño posible que genere esa cantidad de n unos. K(n) es la complejidad de Kolmogórov y K(n) = m sí y solo sí la Complejidad de Kolmogórov de n es m. Ello indicaría que el programa más pequeño que emite n dígitos 1 tiene m símbolos en su construcción. ¿Y todo ello qué tiene que ver con esta imagen?.
Muchos autores relacionan la Complejidad de Kolmogórov con la sensación de belleza. K(n) se resuelve con el programa más pequeño posible. Pues bien, entre dos escenas similares, encontramos más bella aquella que es más sencilla, cuando su complejidad de composición es menor. Esta escena quizá no cumple la Complejidad de Kolmogórov, pero aseguro que he intentado acercarme; ¿Le sobraría el único árbol que muestra?. En cualquier caso, siempre intento aplicar una adaptación de la K(n) a las escenas de horizontes, con o sin siluetas, porque casi siempre me resulta más bella esa imagen con menor complejidad. Hago mis soliloquios al ver la escena por el visor, recordándome en que debo obtener esa derivada, la K(e) verdadera. K(e) en lugar de K(n) porque no pretendo buscar la sencillez sobre un número "n", sino la de una escena "e".
Toma: Sin trípode, buscando K(e) de la composición en el visor. Encuentro ésta y no lo pienso mucho. K(e) puede llegar a obsesionare y terminar por no hacer la foto. En ocasiones en que he mirado durante más tiempo del debido por el visor, he acabado bajando la cámara y seguir caminando. Esta vez no, lo que tampoco garantiza que la foto tenga algo de interés.
Tratamiento: Con Aperture. Original en RAW. No modifico el encuadre, lo dejé tal como se capturó. Subo ligeramente la densidad de las luces bajas. Elevo la definición, saturación y vibración. Las luces altas las reduzco sustancialmente y recorto los extremos del histograma. Finalmente una viñeta.
¡Eso es todo amigos!
(En). The History: Fresnellino. León. Spain. On The First of February in spaces opened of León's vineyards, this only place in the world where there grows the variety of stained grape "Prieto Picudo" (Blackish Pointed). There where years before it had "Blackish Pointed" almost disdained by the market, now there are excellent wines in this Valdevimbre's zone. Vineyards of very tight clusters (Blackish) and with grapes in the shape of pine kernels (Pointed). A walk with another photographer and Fray for these fields in these flooded days, when the Sun already does not lengthen the shades, gives these late afternoons. In the royal vision the landscape is of extraordinary simplicity. And there it enters the relation with Kolmogórov's Complexity.
A program of computer generates the number n if it is capable of stamping the sequence exactly of n digits of 1 constant and then it stops. For example: a program we will say that it generates the number 3 if it issues 111 and is stopped. Kolmogorov-Chaitin's, relative Complexity to a certain language of computation since he can be C ++ or Pascal, from a natural number n comes given by the number of symbols that there contains the as small as possible computer program that generates this quantity of n digits 1. K(n) is Kolmogórov's complexity and K(n) = m yes and only yes Kolmogórov's Complexity of n is m. It would indicate that the smallest program that issues n digits 1 has m symbols in his construction. And all this what has it to see with this image?.
Many authors relate Kolmogórov's Complexity to the sensation of beauty. K(n) it is solved by the as small as possible program. Well then, between two similar scenes, we think more beautiful that one that it is simpler, when his complexity of composition is minor. This scene probably does not fulfill Kolmogórov's Complexity, but I assure have tried to approach; would it exceed him the only tree that shows?. In any case, always I try to apply an adjustment of the K(n) to the scenes of horizons, with or without silhouettes, because almost always me this image turns out to be more beautiful with minor complexity. I do my soliloquies on having seen the scene for the visor, remembering me in that I must obtain this derivative, the K(e) real. K(e) instead of K(n) because I do not try to look for the simplicity on a number "n", but that of a scene "e".
Taking up: Without tripod, searching K (e) of the composition in the visor. I find this one and do not think it very much. K (e) can come to will obsess and finally don't doing the photo. In occasions in which I have looked for longer due to the viewfinder, I have finished lowering the chamber and to continue walking. This time not, which does not guarantee either that the photo has anything of interest.
Treatment: With Aperture. Original RAW. I do not modify the setting, I made it like it was captured. I raise lightly the density of the low lights. I raise the definition, saturation and vibration. I reduce the high lights substantially and cut the ends of the histogram away. Finally an vignette.
That's all folks !!
(Fr). Histoire: Fresnellino. León. D'abord du Février dans des espaces ouverts de vignobles du Léon, ce lieu unique dans le monde où la variété de raisin teint croît "Prieto Picudo" (Ferme Pointu). Là où des années d'avance il y avait "Ferme Pointu" presque dédaigné par le marché, maintenant il y a des vins excellents dans cette zone de Valdevimbre. Des vignobles de régimes très serrés (Ferme) et avec raisins en forme des pignons (Pointu). Une promenade avec un autre photographe et un Frère par ces champs dans ces jours inondés, quand le soleil n'allonge pas déjà les ombres, offre ces soirs. Dans la vision réelle le paysage est d'une simplicité extraordinaire. et là il entre la relation avec la Complexité de Kolmogórov.
Un programme d'ordinateur génère le nombre n s'il est capable d'imprimer la séquence exactement de n des nombres simples continus de 1 et tout de suite il s'arrête. Par exemple : un programme nous dirons qu'il génère le nombre 3 s'il émet 111 et il s'arrête. La Complexité de Kolmogorov-Chaitin, relative à un langage déterminé de calcul comme ce peut être C ++ ou Pascal, d'un nombre naturel n vient donnée par le nombre de symboles que contient le plus petit possible programme qui génère cette quantité n de 1. K(n) c'est la complexité de Kolmogórov et K(n) = m oui et seulement oui la Complexité de Kolmogórov de n est m. Cela indiquerait que le plus petit programme qui émet n des nombres simples 1 a un m des symboles dans sa construction. Et tout cela qu'est-ce qu'il a à voir de cette image ?.
Beaucoup d'auteurs rattachent la Complexité de Kolmogórov à la sensation de beauté. K(n) il est résolu par le plus petit possible programme. Eh bien, entre deux scènes similaires, nous trouvons plus belle celle qui est plus simple, quand sa complexité de composition est moindre. Cette scène n'accomplit pas peut-être la Complexité de Kolmogórov, mais j'assure que j'ai essayé de m'approcher; lui resterait-il, l'arbre unique qu'il montre ?. Dans n'importe quel cas, j'essaie d'appliquer toujours une adaptation de la K(n) aux scènes d'horizons, avec ou sans des silhouettes, parce que presque toujours cette image me semble plus belle avec une moindre complexité. Je fais mes soliloques après avoir vu la scène par le viseur, en m'éveillant dans que je dois obtenir cette dérivée, la K(e) vraie. K(e) au lieu de K(n) parce que je n'essaie pas de chercher la simplicité sur un nombre "n", mais celle-là d'une scène "e".
Prendre: Sans trépied, en cherchant K (e) de la composition dans le viseur. Je trouve celle-ci et je ne le pense pas beaucoup. K (e) peut arriver à j'obséderai et terminer par ne pas faire la photo. Parfois dans que j'ai regardé durant plus de temps de dû par le viseur, j'ai fini par descendre la chambre et continuer de marcher. Cette fois non ce qu'il ne garantit pas non plus que la photo a quelque chose d'un intérêt.
Traitement: Avec Aperture. Origine RAW. Je ne modifie pas le cadre, je l'ai laissé comme il a été capturé. Je monte légèrement la densité des basses lumières. J'élève la définition, la saturation et la vibration. Je réduis substantiellement les hautes lumières et découpe les extrémités de l'histogramme. Finalement une vignette.
Voilà, c'est tout!
Words, I leaned from experience, can be weapons, words can be healing. Words can unite in friendship or sever in enmity. Words can unlock who I am or mask me from others. Two words, “Sieg Heil,” bloodied the face of Europe; three words “Here I Stand,” divided the body of Christendom. Words have made slaves and freed slaves, have declared war and imposed peace. Words sentence to death (“You shall be hanged by the neck”) and words to restore life (“Your sins are forgiven you”). Words declare marriage dead, and words covenant a life together in love. Words charm and repel, amuse and anger, reveal and conceal, chill and warm. Words clarify and words obscure. A word from Washington rained down atomic hell on Hiroshima; words from an altar change bread and wine into the body and blood of Christ.
-Preaching, The art and the craft, by Walter J. Burghardt, S. J.
another collection of unruly growth reflected:there must be a cool fritalian expression for "confuse the eye"..View On Black
time will tell if u can vu large