Complex Geometry in Architecture
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The Kremlin in Izmaylovo is a center of culture and entertainment, created on the basis of the famous Vernissage. View from the island. The Serebryanka river in Moscow.
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Outfit: CYBER SAMURAI - COMPLEX
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Pose: SOCIETY POSES - TRAUME
included 4 statick poses
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Backdrop: Anthropocene Backdrop (Materials on) - [COMATOSED]
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Situé au milieu d' une vaste plaine , bordée de chaînes montagneuses , Tefia est surtout connu pour son musée ethnographique en plein air , reconstituant la vie rurale traditionnelle sur l' île de Fuerteventura , au XIXe siècle et début XXe...
La population qui vivait en ce lieu se dédiait à l' élevage du bétail et à l'agriculture céréalière ...
L' aridité de la terre et les faibles précipitations annuelles imposèrent aux habitants de mettre au point un système complexe de récupération des eaux : fossés, citernes , filtres, tuyaux et puits .
Dans cet écomusée très intéressant , tout a été restauré avec les matériaux d' origine .
On peut voir par ex sur l' angle du mur vertical à droite des pierres plus foncées , d' origine volcanique . Le reste des murs étant fait de sable ,de chaux ou de boue .
In a sea of ferns a small tree shrugs off its autumn coat. Taken in Hillock Wood, Princes Risborough.
New Mimar Sinan Complex, Yeni Mimar Sinan Camii Avlusu tamamlanmadan önce görüntüsü, Ataşehir District, Istanbul Province, TURKEI. One1stanbul Photo Album - Candidate Photographs
NATIONAL SUGRAPHIC Always Under The Light Of Your ❤ Masters of the Art - SANATIN USTALARI. COPYRIGHT OWNER © 2012 All Rights Reserved Ayhan ÇAKAR. Please contact photograph artist to use this photo. When the album is completed, a portion of the revenues will be donated to Social Welfare Institutions. Please Pluse and Share!
Remember mankind, sooner or later absolutely every soul shall taste death .. Hatırla insanoğlu, er yada geç muhakkak ki her canlı ölümü tadacaktır!
Kozłówka Palace is a large rococo and neoclassical palace complex of the Zamoyski family in Kozłówka, Lubartów County, Lublin Voivodeship in eastern Poland.
The palace was built between 1735 and 1742 and is one of Poland's official national Historic Monuments (Pomnik historii), as designated May 16, 2007, and tracked by the National Heritage Board of Poland. It currently houses the Zamoyski Family Museum in Kozłówka. The Kozłówka Landscape Park lies south of the palace complex.
The original palace was built in the first half of 18th century for Michał Bieliński, voivode of Chełmno; its architect was Jozef II Fontana. It represents the characteristic type of baroque suburban residence built entre cour et jardin (between the entrance court and the garden). Its architecture is original - a merger of European art with old Polish building traditions. In 1799, the Palace was acquired by the aristocratic Zamoyski family. It belonged to the family up until 1944. The palace experienced a period of great prosperity during the times of Count Konstanty Zamoyski who remodelled the palace in order to turn it into one of the most monumental and representative magnate residences in Poland.
Between 1879 and 1907, the palace was rebuilt in Neo-Baroque style, the chapel was modified (modelled on the chapel at Versailles Palace); a theatre, a second outbuilding and an entrance gate were also added. The palace also features a unique sewers system from the turn of the 19th and 20th centuries, which made it possible for the owners of the property to have access to some of the earliest modern bathrooms in Europe.
In 1903, the Kozłówka entail was established by Tsar Nicholas II of Russia, which meant that the property belonging to the Zamoyski family could not be sold or divided and automatically passed by law to the eldest heir.
In 1928, the chairman of the Polish Gymnastics Society Sokół, Count Adam Michał Zamoyski, organized a training camp in the palace gardens for the Polish national gymnastics team in preparation for the 1928 Summer Olympics in Amsterdam.
From November 1944, when the last owners Count Aleksander Zamoyski and his wife Countess Jadwiga Zamoyska were forced to flee their palace, it became the property of the Communist regime, whose grip on Poland ended in 1989. It currently hosts the Zamoyski family museum.
The interiors of the palace were preserved despite the ravages of the German Nazi and Soviet Regimes from 1939 to 1989. The original opulent design and most of museum quality art from the Zamoyski family collections remain.
The surroundings of the palace also include a historic chapel, French Baroque garden, stables and a carriage house. The palace grounds also feature the Gallery of Socrealism, the largest collection of communist art in Poland featuring over 1,600 sculptures, paintings, drawings and posters.
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Shadows cast by a grid fence on the right onto the curved crash barrier in the middle, and them onto the grey solid metal fence on the left.
Leaves had already dropped, revealing the complex relationships between trees and their environment by the river, all lit up in afternoon light.
This adds to the album "With trees"
The old town of Ozalj, located on a gorge above the river Kupa, was converted into a castle in the 18th century. The city is entered via a bridge that was movable until 1821, and under which is a pillar with archers to defend the city moat. The entrance tower was erected in 1599 by George IV. Zrinski.
The town is mentioned from 1244 when it was in royal hands, then in the possession of Babonić, from 1398 Frankopan, and from 1577 (after the death of Stephen IV Frankopan Ozaljski, the last descendant of the Ozalj branch of his family) in the hands of Zrinski. Due to many partitions, only a small part of the older complex has been preserved, with a square tower, probably an old defensive tower, a Gothic chapel, and a rectangular palace of Nikola Zrinski (called a granary) with Gothic details (above the door is an inscription from 1556). Wall paintings and verb inscriptions were found in that part of the city. Many valuables were blown up after the execution of Ban Petar Zrinski (1671).
After the Zrinskis, this spacious building changed ownership several times. Already in a dilapidated condition, it was thoroughly rebuilt by R. Perlas (the works were led by Captain Verneda in 1743-1753). From 1766 to 1872 the town was owned by Batthyány; the first of them, Theodore, added the second floor of the north wing and built a new baroque tract. He was later owned by the Thurn and Taxis families, until 1928, when the "Croatian Dragon Brothers" Society saved him from decay.
A staircase In the ArtEZ building in Arnhem. A complex set of several lines, some real, some reflected, in comparison with my previous photo "Minimal" .
Der Düsseldorfer Kö-Bogen als Schwarzweiss-Interpretation. Der Kö-Bogen ist ein Gebäudekomplex und Freiraumgefüge zur Stadterneuerung in der nordrhein-westfälischen Landeshauptstadt Düsseldorf. Benannt wurde das städtebauliche Projekt nach dem Viertelkreis-Bogen, den die dort am Rande des Hofgartens und des Teichs an der Landskrone einst verlaufende Hofgartenstraße in Richtung der Königsallee, der Kö, beschrieb.
Düsseldorf's Kö-Bogen as a black-and-white interpretation. The Kö-Bogen is a complex of buildings and open space structures for urban renewal in Düsseldorf, the state capital of North Rhine-Westphalia. The urban design project was named after the quarter circle arch, which the Hofgartenstraße that once ran on the edge of the Hofgarten and the pond at the Landskrone in the direction of Königsallee, the Kö.
Website: www.heiko-roebke-photography.de
The Lake Placid Club built the first ski jump on this site in 1920, using the hillside itself as the jump surface. The jump was referred to as the Intervales 35-meter jump. On February 21. 1921, the first competition was held at this site, drawing 3,000 spectators. The record jump for the day was 124 feet, set by Antony Maurer. In 1923, the jump was enlarged to fifty meters, and in 1927, a new steel tower was built, raising the jump to 60 meters. In 1928, the tower was raised to 75 meters; this was the tower used for the 1932 Winter Olympic Games. In 1977, the old tower was demolished to make way for new 70 and 90-meter jumps, used for the 1980 Winter Olympic Games. In 1994, the landing hills were re-graded to bring the jumps into compliance with current rules, and increasing their height to 90 and 120 meters 170