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© Andy Brandl (2016) // PhotonMix Photography
--> Andy Brandl @ Robert Harding
You got to check this collection of artwork by Marcelo and Gisela
( Picture by Marcelo and Gisela )
www.canva.com/design/DADq7-TvlC8/463T0o_VEt-ZKPjRjkxeFw/v...
Further exploration of the occasional series of photos of water from down low. I've not really experimented with series of images shown as one too much since my first exhibition many moons ago, so I thought I'd have a go at this here. Comments on the effectiveness and anything else to do with it are welcome.
Throughout the years, some of you have been willing to support my adventures and since I wanted to offer extra content to show my appreciation for this support, I started my Patreon page at the end of last year. I'm already so grateful to everyone who has stopped by there.. some of you are from here on Flickr! 😊
In recent weeks, people have been asking me if I'd like to be gifted a Flickr Pro account, but I don't think a Pro account would be useful (I won't cross that 1000 photo limit for years). So, if you're thinking about that.. or otherwise want to support me, why not check out my Patreon page. ↕️
Here's a quick compilation video of some of the stuff I post there and later this week I'll post a photo collage.
After these two posts, normal posting will resume! 👍
Yesterday afternoon, a wryneck appeared at Oare Marshes, Kent. It was feeding on ant heaps within sight of one of the footpaths. It was far enough away that it was at the limit of what could usefully be captured with my lens. However, here's a small compilation of shots. This is the second wryneck I've seen this year - which are the first two I've ever seen. These birds are so amazingly well camouflaged that they are almost impossible to spot. They are also rare migrants with only small numbers coming through one their way south. I've heard a suggestions that some of the easterly winds we've had recently have diverted them here from Scandinavia.
"Monobloc Moments" by Sara Bjarland (NL)
location: Roundabout at Manitobahelling
De Haan - Wenduine, Belgium
(Beaufort24)
The Beaufort Triennale is in its eighth edition. Beaufort24 presents 18 new works of art in the unique setting of the Belgian Coast.
Plastic Monobloc chairs are a global summer staple, often associated with vacations and leisure. Yet, they also serve as a symbol of our disposable society. In today’s world, plastic is nearly omnipresent, and the term itself has taken on a negative connotation – signifying something quick, effortless, and cheap, but far from sustainable, given our impulsive disposal habits. In Monobloc Moments, Sara Bjarland arranges these chairs in a chaotic and playful manner, creating a dynamic and organic appearance, as if the stack has been shaped by a sea breeze and is on the verge of falling over. By transforming the chairs into bronze, Bjarland imparts a timeless quality to this everyday object. Her choice deliberately heightens the contrast with plastic, elevating a mundane item to the status of a high-quality art object.
Source & more info: www.triennalebeaufort.be/en/beaufort-monobloc-moments
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De Beaufort Triënnale is aan zijn achtste editie toe. Beaufort24 presenteert 18 nieuwe kunstwerken in het unieke kader van de Belgische Kust.
Plastic Monobloc-stoelen zijn over de hele wereld een zomerse klassieker en worden vaak geassocieerd met vakantie en vrije tijd. Anderzijds staan ze ook symbool voor onze wegwerpmaatschappij. Plastic is vandaag alomtegenwoordig en is haast een scheldwoord geworden: het is synoniem voor snel, makkelijk en goedkoop – allesbehalve duurzaam, want we gooien het net zo impulsief weg als we het aankopen. In het werk Monobloc Moments heeft Sara Bjarland deze stoelen gestapeld op een chaotische en speelse manier, om een levendige en organische aanblik te bieden, alsof de stapel door de zeebries is gevormd en op het punt staat om te vallen. Door de stoelen naar brons te vertalen, kiest Sara Bjarland ervoor om dit alledaagse voorwerp een eeuwig karakter te geven. Zo versterkt ze het contrast met plastic en verheft ze een banaal voorwerp tot een hoogwaardig kunstobject.
Bron & meer info: www.triennalebeaufort.be/nl/beaufort-monobloc-moments
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La Triennale Beaufort en est à sa huitième édition. Beaufort24 présente 18 nouvelles œuvres d'art dans le cadre unique de la Côte Belge.
Les chaises Monobloc en plastique sont dans le monde entier un classique de l'été et sont donc souvent associées aux vacances et aux loisirs. Mais elles symbolisent aussi notre société du tout-jetable. Le plastique est omniprésent aujourd'hui et est presque devenu un gros mot : il est synonyme de rapide, facile et bon marché - tout sauf durable, puisque nous le jetons aussi impulsivement que nous l'achetons. Dans l'œuvre Monobloc Moments, Sara Bjarland a empilé ces chaises de manière désordonnée et ludique, afin de leur donner un aspect vivant et organique, comme si la pile avait été façonnée par la brise marine et qu'elle était sur le point de s'écrouler. Par cette version en bronze, Sara Bjarland choisit de donner à cet objet quotidien un caractère éternel. Elle accentue ainsi le contraste avec le plastique et élève un objet banal au rang d'objet d'art de grande qualité.
Source & plus d'infos: www.triennalebeaufort.be/fr/beaufort-monobloc-moments
This only my second compilation image was inspired by the Short Brothers statue, located near Leysdown on the Isle of Sheppey. They were early aviation pioneers starting building aircraft here in 1909 before moving to nearby Rochester.
Besides the statue taken on Sheppey, the sky was taken in central London and reversed to match up with the light falling on the statue. The bi-plane was taken at the aircraft museum at Duxford and multiple copies made.
For more information on Short Brothers go to en.wikipedia.org/wiki/Short_Brothers
Funniest Vine Video Compilation is brought to you by Vinedroid. I have made this "Funniest Vine Compilation 2016" by collecting some great vines from the website vine.com . Vine is a short-form video sharing service where users can share six-second-long looping video clips. The service was founded in June 2012, and American microblogging website Twitter acquired it in October 2012, just before its official launch. Users' videos are published through Vine's social network and can be shared on other services such as Facebook and Twitter. Vine's app can also be used to browse through videos posted by other users, along with groups of videos by theme, and trending, or popular, videos. While Vine enjoys the support of Twitter, it competes with others such as Instagram and Mobli. As of December 2015 Vine has 200 million active users. On October 27, 2016, Twitter announced it would discontinue Vine, but keep existing Vines on the website for archival purposes. If you want to watch vines click the link below vine.com Please Subscribe my channel!!! And Inspire Me to Create More videos. My Channel Link is: www.youtube.com/channel/UCMTSJQWMO4PAKxC1cuMpN1g
Today the Hereios of the We're Here group are visiting Glass and Objects. I'm assuming that the rocky specimens are local to the Stiperstones. The cabinet is in the Stiperstones Inn, which is the ideal base camp for an assault on the summit.
Not shown are the hand-drawn camera shirt and the SmugMug+Flickr acquisition announcement shirt. Apparently the 49er yodel shirt was donated at some point...
ITS COMPILATION SUNDAY!
This week has been the most testing so far for me and Aaron. But we got through it all, we even made jokes at it. Anything life throws at us, we can make it through - this week has most certainly proved that. I need you.
This shot was so much fun, the hands are actually my 60year old dad's hands - i needed someone to carry me, and of course, he was the only person available to do so. I felt abit mean because he already has back problems, but it was super fun for me anyway!!!
72/365
Today I have started to go through my Flickr and take down many images, therefore I have placed this small compilation of some of my work on the site as not to lose this handful for good. Please note, the images, being in a slideshow are only shown in lower resolution, enjoy.
Yours always
Cris ;-)
i've made a compilation for this autumn with tiny pieces of ambient, piano & folk; you can download it here: www.mediafire.com/?9v19fgn567q31bq
Hope you like it :)
Os presento un video de mis mejores fotos (horizontales) estos 15 años de profesión.
Me ha costado mucho, primero elegir que imágenes incluir, y luego como hacerlo, pero encontrar este tema de Pawl D. Beats, fue la solución a mis problemas ;)
Espero os guste.
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Here's a video of my best (horizontal) photos from my 15 years in the profession.
It was quite a challenge, first choosing which images to include, and then figuring out how to put it together, but finding this Pawl D. Beats track was the solution to my problems ;)
I hope you enjoy it.
Instead of uploading multiple photos of the same subject I decided to use Flickr toys, and I kind of like it :)
Wishing you a superb Monday my friends :)
Created with fd's Flickr Toys.
A compilation photo . Photos taken at the Hayling Portrait GroupA copy from Tim Burton' Alice in Wonderland. The tea party sequence www.wired.com/2010/03/alice-in-wonderland-visual-effects/
This is where I was, 45 years ago on this day (another Sunday), with almost 80,000 other people. This is the advertisement for the event, taken from the local Long Island newspaper Newsday. I don’t remember the exact date of the issue in which it appeared, but certainly it had to be late August/early September 1974. I clipped it out, and I’ve had it ever since. The illustration on the advertisement was done by Joni Mitchell; it served (in color) as the cover for CSNY’s compilation album So Far, released in August of 1974, about halfway through the tour.
It was a hot, humid day, but clear, no clouds that I remember. I got there very early, just after dawn, dropped off in a police car! lol My father was a uniform sergeant at the time, so he picked me up at home in a patrol car and dropped me off. (I’m sure this wasn’t allowed, really, but it was a very long time ago, and even if Dad was still here I don’t think he’d mind me mentioning this little detail after all these years.) As I stepped out of the car I got some looks, of course (“Narc!” :)—which Dad had been for eight or nine years, actually), but it was general admission, so everybody was just focused on getting to a gate, to get in and get up front—just like me! Which I achieved: after walking around that entire (half-mile) track three or four times looking for a familiar face, I finally spotted an old friend from my hometown right up front, about fifteen feet from the stage. So I joined up with him, he gave me a concert-enhancement tab which I gratefully swallowed, and when he wandered away a little while later, I stayed right where I was and remained there for the entire duration of the show, which was an all-day affair. A photo of the event can be found here Summersault 74 Roosevelt Raceway; I’m right up front, slightly to the right of center (from the viewpoint of the stage), 15-20 feet from the stage (and if you look really hard, you still can’t make me out in that photo :).
It was a really great show, everybody was just great. I remember every act really well, actually. Jesse Colin Young opened the show and was well-received, a relatively short set as I remember (he was a founding member and the lead singer for the 1960s band the Youngbloods). Then the Beach Boys came on, and well, that was like a party! I’ll never forget this big, burly guy, shirtless (like so many others that day—it was hot!), yelling out in the interim between two songs, “Beach Boys! Come to my house! We’ll have a party!” All those hits, everybody singing along in the early afternoon of a clear, hot summer day, a day just made for Beach Boys music, it was a blast.
Next up was Tom Scott and the L.A. Express, a jazz-rock band featuring Robben Ford on guitar. I was in the first year of my own journey on that instrument, so I was utterly transfixed (then and now Robben Ford is a brilliant guitar player. Not just anybody gets to play with Miles Davis, George Harrison, and Joni Mitchell, to mention just three.) And Tom Scott, even if you don’t know who he is, if you’ve heard American pop/rock music in the last 40 years or so, you’ve heard Tom Scott. Google him if you don’t believe me.
Then the goddess took the stage. I will never, ever forget Joni Mitchell’s voice soaring above me, not if I live another hundred years. She was astounding: she played guitar, Appalachian dulcimer, piano, and appeared both by herself and with Tom Scott and the L.A. Express backing her. I don’t remember if she started solo, and then had Tom and the boys join her, or started out with them, played solo, then had them rejoin her. The concert-enhancement tab had reached its peak potency around then, so I’m not exactly sure of the order of things, but I can never forget that glorious voice and those amazing songs.
I believe it was after Joni Mitchell’s performance, in the late afternoon, that Bill Graham ambled on to the stage and said, and I quote because I’ll never forget it, “OK, I have today’s dynamic duo.” He then proceeded to tell us first that Evel Knievel had failed in his attempt that day to jump the Snake River Canyon in Idaho. I don’t remember much reaction to that, maybe a sort of muted groan; I mean, most everyone wanted Evel to make it, so you couldn’t really boo, because then you’d be booing Evel, and he was a pretty popular guy there in the mid 70s. So I don’t remember any real crowd reaction to that—what could you do, you know? But then Bill informed us that Gerald Ford had that day pardoned Richard Nixon of all federal crimes, and that most certainly did get a reaction. I would have to say that’s the loudest boo I’m ever likely to hear in this life—I mean, 80,000 people can make a lot of noise if they want, and Richard Nixon was not at all a popular guy there in the mid 1970s.
Then, as the sun was beginning to go down, Crosby, Stills, Nash and Young came on and for the next three hours or so put on what I remember as a great show. I had just seen them three weeks before in August at the Nassau Coliseum, and that was a great show. I enjoyed this one even more. It was the end of the tour—an added-on date, I believe (there would be one final show a few days later in London at Wembley Stadium)—so, I don’t know, they seemed relaxed and at ease (maybe relieved is a better word: the tour is somewhat notorious in CSNY annals). My memory is they played and sang great, and something I will never forget is Joni Mitchell joining them on “Helpless.” But nothing from this show made it onto the three-disc set the band finally released of this tour a few years ago, CSNY 1974, and songs from both nights at the Coliseum did, so maybe Graham Nash disagrees (he assembled the disc set). Or maybe the recording of this show wasn’t any good, or maybe it wasn’t even recorded at all, I don’t know. All I know is I enjoyed the show, and 80,000 other people seemed to enjoy it too.
I was 17 years old, and that’s my story and I’m sticking to it.
Hello, internet dwellers!
As the year is coming to a close, I have made a compilation of (most of) my MOCs of 2017. And there are many!
I can look back on a year of unprecedented success; with my builds bigger and more diverse than before, shown off at multiple conventions, and blogged by various websites.
Of course, I hope to amaze and inspire you even more in 2018! I wish you all a happy New Year!
P.s. I made a separate album for my minifig creations of 2017: flic.kr/s/aHsktR8E6N
A compilation of tanks using the chassis configuration I came up. The 3 tanks on the bottom row are new ones while the rest are past ones.
Apologies on the lack of uploads; I've reached a mini dark age after building these tanks :< Plus I've been working on other projects, specifically with 3D modeling.
Die Jalapeño [xalaˈpeɲo], deutsch auch Jalapena, ist eine kleine bis mittelgroße, scharfe Paprika, die nach der mexikanischen Stadt Xalapa (früher Jalapa) benannt ist. Sie ist eine Zuchtform der Art Capsicum annuum aus der Gattung Paprika
The jalapeño (/ˌhæləˈpiːnoʊ/ or /ˌhæləˈpeɪnjoʊ/, Spanish pronunciation: [xalaˈpeɲo] ( listen)) is a medium-sized chili pepper pod type cultivar of the species Capsicum annuum.[2] A mature jalapeño fruit is 5–10 cm (2–4 in) long and hangs down with a round, firm, smooth flesh of 1–1.5 in (25–38 mm) wide. It is of mild to medium pungency, 1,000 and 20,000 Scoville units in general. It is commonly picked and consumed while still green, but occasionally it is allowed to fully ripen and turn crimson red; and other cultivar variations of the same pod type exist. It is wider and milder than the Serrano pepper.[3] The Chile Pepper Institute is known for developing colored variations.
(C) Wikipedia
Description for the WWII Afrikakorps Diorama:
Day 7, the sections compilation of all. The MOC has about 7.500 parts. With models and minifigs there are about 10.000 parts. The construction time was one week on evening after work in office. I hope you enjoy it.
For the whole construction diary looks on YouTube Building Diary
Please LIKE and SUBSCRIBE
Models:
Stug 3G, Flak36 PaK 8.8er,
SdKfz 7, SdKfz 222 and
SdKfz 252 with Sd Ah 32 Trailer
The stickers are with white printing on a transparent adhesive film and normal use indestructible. Simply cut out and stick.
Instructions for all Models, Sticker, Decals, Minifigs are available. Building Instructions
Thanks for visiting!