View allAll Photos Tagged CompactTable
As I was looking around on Flickr I saw a trash compactor shot, I decided to give it a try came out with this. I'm really happy with it and thought it was pretty accurate to the film.
Hope you like it! :D
Recreation of the vz 58 compact. Fully recolourable :)
pastebin.com/eu7mUXpa Code for anyone who wants it
Stock unfolded: i.imgur.com/Ltm1XSg.png
Grey colour:
Reference
R-101 Compact Assault Rifle with Holographic Combat Optical Gunsight (HCOG) attachment
Working features: removable mag, moving trigger, sliding charging handle, flip-up iron sights, attachable HCOG sight. Non-Lego parts: rubber bands, Lifelites for the HCOG sight
See all the photos and video in this photoset.
Huge thanks to Drew, Abbie, Ryan, and the rest of the Respawn Entertainment team for their help on this project.
I didn't know drops of water have dents.
Shots with compact sony and mini tripod.
Too little sunlight and poor processing of jpg.
A female White-breasted Nuthatch. A compact bird that clings to tree bark moving down, up and around the trees. Females look like males but have a grayer cap.
My kids have remote control helicopters that look kind of like this, with much shorter, wider rotor blades than a typical full-size helicopter. It allows for a smaller overall size for the aircraft, which makes it easier to maneuver and land. I don't know if it's a practical design for a full-size chopper, but I wanted to make one in Lego anyway.
Also on display is a bunch of stuff I picked up at Brickfair. I think the minifig cat miniguns I got from MBW work great with Chris' drones because of their larger size relative to minifigs. I also love the eclipseGrafx torsos and Brickarms pulse rifles I got from contributing to the Cyberpocalypse collaboration. Thanks Vic and Will!
Je voulais juste tester le rendu de ce petit objectif, et j’ai tourné la zappette vers le jardin……j'ai bien aimé!
Objectif issu d’un petit appareil compact des années 60, le Pentacon Penti II
My newest sketch gear. The bag takes 7x10 inch paper or books. The two front pockets take my pens, a quarter pan watercolor set, water brush, and a spray unit. Compact with little wasted space. Love it.
Würzburg is een stad met overzichtelijke afmetingen en de trams die er tijdens mijn eerste bezoek in 1977 dienst deden, waren compact. Ook de grootte van het in 1954 opgeleverde stationsgebouw is afgestemd op de behoefte van een provinciestad. Het voor de jaren vijftig karakteristieke stationsgebouw is ontworpen door architect Hans Kern. De kraam met worstjes voor de uitgang van het station ontbreekt uiteraard niet.
De enkelgelede Düwag-tram heeft ook deuren aan de linker zijde. Op het achterbalkon is een hulpstuurstand aangebracht. De wagens konden zodoende bij behoefte in tweerichtingbedrijf gebruikt worden. Primair zijn de wagens echter voor eenrichtingbedrijf ingericht. Men sprak in dit geval ook wel van anderhalfrichtingwagens. Op de kopwand zien we de verschillende contactdozen voor bijwagenbedrijf. Destijds werd er op werkdagen nog met kleine tweeassige bijwagens achter deze gelede trams gereden.
Tram 233 maakt deel uit van een serie van tien enkelgelde zesassers die in 1967 en 1968 door Düwag werden geleverd. Vanwege het krappe profiel van vrij ruimte zijn de koppen sterk afgeschuind. In 1982 werden de wagens door het invoegen van een nieuwe tussenbak verlengd tot dubbelgelede achtassers.
Bekijk mijn fotoalbum in de klassieke versie.
IN ENGLISH BELOW THE LINE
Les càmeres de cinema Siemens Kino de 16mm foren unes de les més complexes i compactes del món abans de la II Guerra Mundial. Oferien moltes opcions, incloent diverses velocitats o visor telemetric. També eren extraordinariament petites per a ser de format 16mm, però això era perquè feien servir casets intercanviables propis de 15m. (en comptes de les bobines usuals de 30m.) amb l’unic inconvenient de tenir menys pel•licula. Però al ser intercanviables, es podia, teoricament, anar canviant de emulsió (com després faran les càmeres Hasselblad).
El model F-II és el més evolucionat de tots, i va sortir el 1938. Es fabricà de 1938 a 1940, acabant la producció durant la guerra, i reiniciant-se breument a la postguerra, entre 1947 i 1950. Tant el model F com el F-II destacaven sobre els altres per tenir objectius intercanviables (del tipus “C”, compatibles amb la majoria de càmeres de 16mm). En aquesta càmera en concret he obtingut el objectiu standard per a les F, el Jos. Schneider Kreutznach Xenon f1.5 / 25mm. L’altre caracteristica avançada de la F-II era el visor regulable tant per paralatge (movent tot el visor depenent de la proximitat de la escena enfocada a la càmera, ja que no és reflex) com multifocal, poguent-se adaptar a objectius de entre 25 i 100 mm. De fet, per a aquesta càmera es desenvolupà el primer objectiu zoom del cinema amateur (Vario-Glaukar-Anastigmat), que es conectava al visor i movia la focal d’aquest de manera coordinada.
Aquesta càmera en concret, que venia amb diversos cassets Siemens (alguns carregats i altres buits) funciona prou bé. Com a curiositat dir que té diverses modificacions (fetes de manera profesional) al frontal i els laterals, com si es pogués conectar amb altres aparells. Per això penso que potser es va fer servir en algun tipus de laboratori o industria.
A tot això, hi ha encara una altra derivada historica rellevant d’aquest model Siemens Kino F-II, i és que fou un dels dos models de càmeres Siemens que emprà Eva Braun, la “amiga intima” del Führer (i esposa per menys de 24h) per a les filmacions casolanes del entorn de Hitler. Filmacions que varen sobreviure a la guerra i que son una molt interesant vista al dia a dia del dictador sobretot en l’idilic entorn del Berghof del Obersaltzberg. Pel que he pogut investigar per internet, sobretot amb les fotos que es conserven, sembla que Eva Braun va fer servir una Siemens C des del 1934 fins 1938, any en que canvià a una Siemens F-II fins al final. Les dues serien logicament regals de Hitler.
www.vintagecameras.fr/siemens/type-f-ii
www.bitacora.com.uy/auc.aspx?7257,7
www.theguardian.com/world/2013/jan/27/hitler-home-movies-...
www.youtube.com/watch?v=5HZEr9qCBVc
====================================
Siemens Kino 16mm film cameras were some of the most complex and compact in the world before World War II. They offered many options, including various speeds or rangefinder viewer. They were also extraordinarily small for 16mm format, but that was because they used proprietary 15 m. interchangeable cartridges. (instead of the usual 30 m. reels) with the only drawback of having less film. But being interchangeable, it was possible, theoretically, to change the emulsion (as the Hasselblad cameras will later do).
The Model F-II is the most advanced of all, and came out in 1938. It was manufactured from 1938 to 1940, ending production during the war, and restarting briefly in the postwar period, between 1947 and 1950. Both the Model F like the F-II stood out from the others for having interchangeable lenses (of the “C” type, compatible with most 16mm cameras). On this particular camera I got the standard lens for the Fs, the Jos. Schneider Kreutznach Xenon f1.5 / 25mm. The other advanced feature of the F-II was the adjustable viewfinder for both parallax (moving the entire viewfinder depending on the proximity of the scene focused on the camera, since it is not reflex) and multifocal, being able to adapt to objectives of between 25 and 100 mm. In fact, the first amateur cinema zoom lens (Vario-Glaukar-Anastigmat) was developed for this camera, which was connected to the viewfinder and moved its focal point in a coordinated manner.
This particular camera, which came with several Siemens cassettes (some loaded and some empty) works well enough. As a curiosity to say that it has several modifications (made professionally) on the front and the sides, as if it could be connected to other devices. That's why I think that maybe it was used in some kind of laboratory or industry.
In addition to all this, there is still another relevant historical derivative of this Siemens Kino F-II model, and that is that it was one of the two Siemens camera models used by Eva Braun, the "intimate friend" of the Führer (and wife for less of 24h) for the home filming of Hitler's entourage. Footage that survived the war and is a very interesting view of the dictator's day-to-day life, especially in the idyllic surroundings of the Berghof in the Obersaltzberg. From what I've been able to research online, especially with surviving photos, it appears that Eva Braun used a Siemens C from 1934 until 1938, when she switched to a Siemens F-II until the end. Both would logically be gifts from Hitler. There are photos of her with both models:
www.google.com/imgres?q=Eva%20Braun%20movie%20camera&...
www.google.com/url?sa=i&url=https%3A%2F%2Fwww.gettyim...
www.vintagecameras.fr/siemens/type-f-ii
www.theguardian.com/world/2013/jan/27/hitler-home-movies-...
The final to my future-auto exploration. This time, based on several retro-future compact-car designs (including by Syd Mead of course). Ironically, this is the only of the three that actually fits a full figure.
The purpose of the three cars was to look at what I consider the three main areas of consumer-cars in futuristic media: Luxury, Show, and Utility. I am disregarding Industrial and Military as I have made a ton of the former already and I don't really like the latter.
Hi!
I made a remake of an old photo, but this time, with a stop motion clip: www.youtube.com/watch?v=q5d9783-Ib4
Enjoy!
la Terra è un luogo sacro!
Testi e Immagini di Troise Carmine - Washi - si prega di non copiare (qualcuno l ha già fatto più volte che squallido) e di non riprodurre salvo esplicita autorizzazione del sottoscritto!
in vendita - on sale - à vendre - zum
Verkauf
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Dietro ogni scatto ci sono sempre fatiche e attese!
Zaino carico e pesante (quasi sempre) e, quando trasporti la Fotocamera con obiettivo, la Sera avverti un dolore al collo...
Ma le Passioni, è noto, comportano sempre sacrifici!
In Natura non esistono malintesi esistono solo in ciò che l'uomo chiama ragione!
ProteggiAMO tutto questo!
PreoccupiAMOci della Natura il nostro futuro dipende da essa!
Osservare tutto questo è un dono, innAMÒRarsene una ricchezza!
Anche su:
e su JuzaPhoto
www.juzaphoto.com/me.php?p=5040&pg=allphotos&srt=...
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Prendetevi del tempo per Sognare, ogni scatto racconta una lunga storia...
Washi
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Meravigliosa Natura!
Privilèges de Montagne...
Inn AMÒR ati della NATURA anche tu!
Il mio tempo in Montagna!
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La Vallée d'Aoste à ma guise - La Valle d'Aosta a modo mio - Aosta Valley in my own way
Vivre en Montagne, au quotidien, pour satisfaire la Curiosité de la Photographie de la Nature...
Valle d'Aosta - Vallée d'Aoste
(Une Montagne d'émotions...)
Clickalps Photography - Troise Carmine - Washi
I miei Video amatoriali su:
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Fotocamera:
Canon EOS R5
Obiettivi:
Canon EF 100-400mm f/4.5-5.6 L IS USM II
Canon EF 24-105mm f/4L IS USM II
Canon EF 16-35mm f/4L IS USM
Canon EF 100mm f/2.8 Macro USM
Canon EF 50mm f/1.4 USM
Canon Extender EF 1.4X III (moltiplicatore di focale)
Accessori:
Treppiede Manfrotto 190 X Prob
Testa Manfrotto a sfera compact nera con attacco rapido 496RC2 con frizione
Piastra a sgancio rapido 200PL
Telecomando infrarossi Canon RC-6
Telecomando Rollei Schermo LCD e Retroilluminazione
"Elige la vida. Elige un empleo. Elige una carrera. Elige una familia. Elige un televisor grande que te cagas. Elige lavadoras, coches, equipos de compact disc y abrelatas eléctricos. Elige la salud, colesterol bajo y seguros dentales. Elige pagar hipotecas a interés fijo. Elige un piso piloto. Elige a tus amigos. Elige ropa deportiva y maletas a juego. Elige pagar a plazos un traje de marca en una amplia gama de putos digitos. Elige bricolaje y preguntate quién coño eres los domingos por la mañana. Elige sentarte en el sofá a ver tele-concursos que embotan la mente y aplastan el espíritu mientras llenas tu boca de puta comida basura. Elige pudrirte de viejo cagándote y meándote encima en un asilo miserable, siendo una carga para los niñatos egoístas y hechos polvo que has engendrado para reemplazarte. Elige tu futuro. Elige la vida... ¿pero por qué iba yo a querer hacer algo así? Yo elegí no elegir la vida: elegí otra cosa. ¿Y las razones? No hay razones. ¿Quién necesita razones cuando tienes heroína?"
Trainspotting
Olympus OM2 w/ 135mm f/3.5
Fujicolor Superia X-Tra 400, expired 05/2019
Home Developed in Argentix.ca C-41 kit (Unicolor)
Pakon F135
To me, it would seem that a dandelion bloom would be somehow different than this. I think that it's because a dandelion's fibers are all so scattered, at first glance, that it seems unlikely that they start out so orderly. Then the reasoning kicks in that dandelions use air dispersal to get their offspring away from the parent plant. Of course, then, there isn't a random combination of structures. They must be grown specifically to take advantage of being both light and fluffy.
Still with me? Gone to take a snooze?
I was given a box of old compact digital cameras to see if I could resuscitate any of them. This one is awaiting a battery and further testing. Kodak made a ba-jillion types of early digital cameras. They tried everything to satisfy a fickle marketplace. What they DID succeed in doing (at least for this guy) was to make wonderfully colorful cameras. We could use more of that these days. Lots more. IMHO.
♦ Instructions available at BrickVault ♦
The fastest hunk of junk in the galaxy just joined my Midi-Scale ship collection! Here comes the Millennium Falcon from Episode IV – A New Hope.
Made of 2,178 pieces, measuring only 34cm and weighing almost 1kg, this compact yet dense Falcon was another unique challenge at this scale. After seeing some great-looking Figscale MOCs of this tricky ship, I couldn't resist making a Midi version.
With this design, I took a different approach than most other Falcons out there, and wanted it to look as sleek and gapless as possible. This resulted in a pretty elaborate and unique mix of paneling techniques that involved a lot of SNOT building.
One of my priorities was to faithfully reproduce the curved saucer shape on both sides of the ship, and not only on top. As a result, the build features all the details and shapes of the original 1977 studio model, from top to bottom.
The overall thickness of the ship was another concern. I wanted it to be as thin as the original, while being able to sandwich some tasty greebles and even the hyperdrive engine bay inside the saucer.
The Falcon has two display modes, "in-flight" with its canted stand, and "landed" with easy-to-install landing gear. It also includes a working ramp.
► Instructions for the Millennium Falcon are available at BrickVault!