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The Loggia of San Paolo: The Civic Face of Florentine Solidarity by Barbara Bonanno BNNRRB

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This shot focuses entirely on the arches of the ancient Spedale di San Paolo. In the late 15th century, Michelozzo designed this structure by deliberately and faithfully replicating the geometry, the Pietra Serena columns, and the harmony that Filippo Brunelleschi had introduced in 1419 for the Spedale degli Innocenti.

This connection was far more than a simple aesthetic tribute. It was a precise social and political choice, deeply rooted in the civic history of the Florentine Republic.

During the Renaissance, Florence established Europe's first integrated public welfare and community care system. The city's hospitals were not isolated charities; they were interconnected branches of a single, grand secular assistance network, funded by the historic Guilds and the citizens themselves. Adopting the exact same architectural code served as a universal visual brand. Anyone approaching these arches—whether a traveler, a sick person, or a destitute citizen—instantly recognized a protected haven of dignity and solidarity run by the community. While Brunelleschi's Innocenti focused on sheltering abandoned children, Michelozzo's San Paolo cared for convalescents, completing the network of care. This architecture stands as a monument to a civilization that placed human welfare at the very core of its urban design.

He paid with his life for his political position, defending the last by Barbara Bonanno BNNRRB

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Marsha P. Johnson was born Malcolm Michaels Jr. on August 24, 1945, in Elizabeth, New Jersey, into a working-class African American family. Raised in a religious household, Marsha experienced early hostility toward gender nonconformity and learned quickly that expressing femininity could provoke violence and punishment. After finishing high school, Marsha left New Jersey for New York City with little money, few belongings, and a determination to live openly. In New York, Marsha survived through street economies, sex work, performance, and mutual aid. She became part of the drag and street queen community in Greenwich Village, where poor Black and Brown queer people formed underground networks of survival in a city that criminalized their existence. Police harassment, arbitrary arrests, beatings, and extortion were constant realities. In June 1969, Marsha was present at the Stonewall Inn during the police raid that triggered several nights of rebellion. Multiple witnesses place her among those who physically resisted the police during the first moments of confrontation. Stonewall was not symbolic for Marsha; it was a direct response to years of abuse and the beginning of sustained struggle. After Stonewall, Marsha continued organizing on the streets rather than entering institutional politics. Together with Sylvia Rivera, she co-founded Street Transvestite Action Revolutionaries (STAR), one of the first organizations created by and for transgender and gender-nonconforming people. STAR functioned as a survival structure: Marsha and Rivera raised money through sex work, performance, and panhandling to rent and later occupy buildings that became homes for homeless transgender youth. STAR House provided beds, food, clothing, and protection for young people expelled from their families and rejected by shelters. Marsha openly criticized the mainstream gay rights movement for prioritizing the concerns of white, middle-class gay men while excluding drag queens, transgender people, sex workers, and the poor. She confronted organizers who attempted to erase trans people from marches and public platforms. In the 1980s, Marsha became active with ACT UP, participating in demonstrations demanding medical access, research funding, and humane treatment for people with AIDS. She also performed with the radical drag-theater collective Hot Peaches, using art as a tool of political expression and community building. Marsha lived with significant mental health challenges and endured extreme poverty, yet remained deeply committed to caring for others. Friends described her as generous to the point of self-sacrifice, giving away food, money, and clothing even when she had little herself. On July 6, 1992, Marsha’s body was found in the Hudson River near the Christopher Street piers. Earlier that night, witnesses reported seeing her being harassed and chased. Despite these accounts and visible injuries, police quickly ruled her death a suicide. Years later, under pressure from activists and new witness statements, the case was reopened as a possible homicide, though no one has been held accountable. Marsha P. Johnson represents a form of political struggle rooted in the daily defense of human life rather than respectability or institutions. She fought for people considered disposable and refused to accept a movement that did not include them. Her legacy lives in every fight for the dignity, safety, and self-determination of transgender and marginalized people. I publish these portraits to remember real history, to honor those who gave their lives for dignity, freedom, and justice, to oppose propaganda and erasure, to speak to younger generations, and to invite conscience, awareness, and resistance.

Community Care College Medical Assisting by Community Care College

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Minor Surgery Practice!

RFbike-document name-061 by RAEchel Running

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Tucson,AZ,Perimeter Bikes, Rancho Feliz, Tour de Chochise,Douglas,Auga Prieta

Community Care College Medical Assisting by Community Care College

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Minor Surgery Practice!

Community Care College Medical Assisting by Community Care College

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Minor Surgery Practice!

Community Care College Medical Assisting by Community Care College

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Minor Surgery Practice!

Legislation supports seniors and vulnerable adults by Province of British Columbia