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For info write valentina.defassi@gmail.com
Questa immagine è protetta da copyright © Valentina Defassi. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza liberatoria scritta dell'autore.
This image is
copyright © Valentina Defassi. All right reserved. This photo must not be used under ANY circumstances without written consent
Wow Comics / Heft-Reihe
Commando Yank and Phantom Eagle
cover: Charles Sultan (?)
Fawcett Publications / USA 1942
Reprint / Comic-Club NK 2010
ex libris MTP
For info write valentina.defassi@gmail.com
Questa immagine è protetta da copyright © Valentina Defassi. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza liberatoria scritta dell'autore.
This image is
copyright © Valentina Defassi. All right reserved. This photo must not be used under ANY circumstances without written consent
The Chair
See that thing over there? That, my friend, is a chair.
It might be made out of wood. It has four legs like it should.
It is there for moments such you don’t feel like standing very much.
At the table while you eat use your chair to take a seat!
At the office working fast your chair is there to make your feet last.
While at school learning stuff your chair will keep you comfortable enough.
But the best thing about a chair it’s made to hold your derriere.
Birdtown Comics – Birdtown2020.blogspot.com
TAKEN at Colleton County Courthouse. Walterboro, SC
• Florencia Sofen Muir [www.facebook.com/ClintJillianCosplay] as Ravager [Rose Wilson]
• DC Comics
Photo by: Jonathan Jonathan Durán
Edit: Flor too .3.
Prize Comics / Heft-Reihe
The Black Owl and Yank and Doodle
cover: Maurice del Bourgo (?)
Prize Publications / USA 1944
Reprint / Comic-Club NK 2010
ex libris MTP
¡Soy rebelde weeeee!
Aclarando: Solo hice el color. La gama de colores es mas viva que la que normalmente utilizo (esa fué una de las varias especificaciones que me enviaron junto con las páginas) así que desempolvé los comics de Danger Girl coloreados por Guy Major y Justin Ponsor, a ver que se me pega.
Color submission. No draw or inks by me, just color.
CONVOCATORIA No 2
DATOS BASICOS
Participan: Profesionales, estudiantes y aficionados a las historietas ó cómics.
Técnica: Libre.
Tema: Libre.
Formato de presentación: 21cm x 21cm (incluido excesos o sangría 0,5 cm por lado).
Páginas: De 1 a máximo 6 páginas.
Formato digital: PRESELECCIÓN jpg (RGB), SELECCIÓN psd, ai, eps (CMYK).
Modo de color: Cuatricromía offset (Full color).
Resolución: PRESELECCIÓN 150 dpi, SELECCIÓN 300 dpi.
Fecha límite de participación: Viernes 23 de marzo de 2012.
E-mail de entrega: convocatoria@lesparragusanada.ec
para descargar las bases y más información en:
Top Comics / Heft-Reihe
> Der Schwarze Falke / Falken-Ladys Super-Kräfte
cover: Dick Dillin, Charles Cuidera
Reprints from Blackhawk (DC, 1957 series) #151 (August 1960)
Bildschriften Verlag
(Aachen/Deutschland; 1969-1973)
ex libris MTP
I once lent Gary Panter a bunch of monster & horror comics Marvel reprinted in the early 1990s. At the time, he told me it might take a while before I got them back, because of his "pathological fear of the post office." Months later, Gary mailed me the comics in this envelope, on which he drew pastiches of the various Kirby, Ditko, et al. panels. I was overjoyed.
UPDATE: I was talking with Gary years later, and he mentioned seeing this pic online. He said, "Yeah, the line was SO long at the post office that day, so I was bored and I drew it." Which is even more amazing to me than drawing it at home and sending it out.
Published by BOLO paper
(from the web)
A5 format, 80 gr, 34 pages, b/w .
This zine has been created by magnifying some comics’s stripes.
Strange Fantasy / Heft-Reihe
Demon in the Dungeon
cover: Iger Shop
Farrell Publications / USA 1953
Reprint / Comic-Club NK 2010
ex libris MTP
Rusty Comics / Heft-Reihe
"Hurry John!"
cover: ?
Marvel (Hercules Publishing) / USA 1948
Reprint / Comic-Club NK 2010
ex libris MTP
I know I've been a regular Memesy McMemesyPants lately, but this one struck a chord with me; the idea was to grab cover images for twelve comics which were influential on you (as a cartoonist or a fan, I suppose. I'm kind of doing it as both).
The books I've chosen were:
Hellboy by Mike Mignola: Hands down my favorite comic of the last decade, top-ranking art and world-building.
Daredevil by assorted hands: The first super-hero comic I began collecting on my own. My parents both grew up reading comics and continued to read them on their own. Daredevil was the first comic I chose to read independently of their interests.
Hansi, The Girl Who Loved The Swastika by jerks: The comic which started Gone&Forgotten and my love affair with utter crap.
Hembeck: Fred Hembeck is the greatest comics nerd ever, and spurred my love for understanding comics history as much as the comics themselves
Whatever Happened to the Man of Tomorrow by Alan Moore, Curt Swan, Kurt S. and George Perez: One of a handful of perfect Superman stories
The Spirit by Will Eisner and Little Nemo in Slumberland by Winsor Mckay: Two classic masters who influcned my style.
Pip and Norton: Believe it or not, my first exposure to Dave Cooper, who revitalized my love of cartooning.
Doing the Islands with Bacchus by Eddie Campbell: A groundbreaking fusion of fantasy, whim and history.
Warrior: One of two British comics (the other being Captain Britain) that I started reading when I was a kid, introducing me to the British style of superheroes.
The Tick: The first comic book I remember being laugh out loud funny.
Metamorpho: The most perfectly crafted supporting cast and anti-heroes in comicdom.
There, those're mine! I could've added a hundred more, I'm sure, but I think this is a nice summation.