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PictionID:53814659 - Catalog:14_031388 - Title:Atlas Centaur Details: Centaur Tank Section ; Intermediate Bulkhead Date: 05/04/1959 - Filename:14_031388.tif - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Part of a coin collection belonging to my flatmate. I originally did this for the TNC macro weekly challenge, but on further reflection it really isn't macro at all. I'd never seen most of these before, but some of them are pretty cool, especially the Irish ones.
The first step to recovery is admitting you have a problem. Taking out my 'display' collection after moving allowed me to get the whole family together for a group photo :)
I have never seen the Wallace Collection as busy as it was for our Farewell to Ros. Her speech was the climax to an evening full of fun and celebrations.
Photo credit: Washington University Libraries
On Monday, November 12, at 6 p.m., Washington University Libraries' Department of Special Collections re-launched the Modern Literature Reading Series, which celebrates both the authors in the Modern Literature Collection and those poets and writers influenced by them today.
Similar to the first Modern Literature Reading Series, which ran from 2000 to 2005, the new series will hold one event each semester and feature readers from the student body, the faculty, and/or outside writers. Each reader focuses on one author and reads excerpts from that author’s work or manuscripts that speak to the reader in some way. The readers are also invited to present their own work inspired or influenced by the writer in question.
Renowned poet and WUSTL faculty member Carl Phillips headlined the fall 2012 event, held in Special Collections, on Level 1 of Olin Library. Phillips read and discussed the work of Robert Creeley. Two current WUSTL MFA poets, Catherine Chiodo and Philip Williams, also read, with Chiodo focusing on Donald Finkel and Williams on Robert Duncan.
Joel Minor, curator of manuscripts and modern literature for Special Collections, proposed reviving the Reading Series after talking with Writer-in-Residence Jennifer Kronovet, who mentioned participating in the original incarnation of the Reading Series when she was an MFA student here.
“Jennifer sparked the idea,” Minor says, “and then later graciously agreed to help me get it off the ground again. I am excited by this opportunity to partner with the MFA Writing Program on a regular basis and to help connect generations of poets and writers to audiences through manuscripts.”
Inaugurated in 1964, the Modern Literature Collection at Washington University Libraries was created as an archive of the work of contemporary English and American writers who were considered critically underappreciated and whose reputations might grow further in the years to come. Today, the Collection’s list has grown to more than 175 authors, presses, and journals, with more than 125 of these represented by manuscript materials.
A reception followed the reading. For more information, contact Special Collections at 314-935-5495 or visit library.wustl.edu/units/spec/.
PictionID:55549716 - Catalog:14_037054 - Title:GD/Astronautics Details: Building 72; High Vacuum Chamber Interior Date: 02/07/1962 - Filename:14_037054.tif - ---- Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Tavolo e sedie in legno per arredare la terrazza di un ristorantino.
Design: Manganèse
Location: "Alla Ghiacciaia", osteria a Udine (Italy).
Calligaris
Italian Smart Design since 1923
If your house was burning, what would you take with you??
-Moleskine with my sketchbooks...
-Vinyls's collection
-wallet
-phone
-Minorca's shoes
-my <3 jacket
-Love letters
-Scotties
- Vintage glasses <3
This image belongs to a series of motor vehicle photographs that do not contain owners or people with the vehicles. Therefore, they do not fall completely within the requirement of my 'Family Car' collection.
I thought however that somebody might like to see the rejects.
They have not been cleaned or restored to the extent of the primary collections, and they will not be placed in any Flickr groups.
If any images receive sufficient 'hits', I will consider cleaning them up for a more public release.
To see more of these 'Uncleaned' images, please go here
www.flickr.com/photos/69559277@N04/sets/72157644652157157/
Reproduced from the original negative in my collection.
Overton family from Suffolk County, Long Island.
Please go here to see more photographs of the Family Car -
www.flickr.com/photos/69559277@N04/sets/72157628124351754/
Produced from the original negative in my collection.
From our collection of Converse shoes.
Prairie's: Two-tone grey argyle pattern with pink broken heart graphic and pink highlights.
PictionID:52518183 - Catalog:14_028569 - Title:Atlas Centaur Details: Close Up of Centaur Tanks Date: 11/27/1961 - Filename:14_028569.tif - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
118mm. Chinese Bronze Mirror; Gary Lee Todd Collection. Complete indexed photo collection at WorldHistoryPics.com.
Photograph of Tommy and Virginia Buckner looking at The Barless Bear Terraces, one of the first cageless exhibits in the United States, at the San Antonio. Lee Wallace Coleman, held by an unidentified man are in the background.
All my Mineral Matters girls from the Glamorous Collection 2008. I just love them all!!!!!!!!!!! ^^
Metal Maven Vanessa Perrin, Quicksilver Kyori Sato, Goldstroke Adele Makeda, Glimmer Luchia Z. and Onyx Veronique Perrin.
GALORE - SET - AVAILABLE NOW
From Collection : Because
4 sets available
( The Print of the Top Differes from piece to piece)
SET: 32$ shipping not included
send a private message if interested
* The fabric used for the top and trousers are from A.Knackfuss and Krjst*
*perfect fit for FR2013 FR2, Nu.face, Poppy Parker and other similar dolls*
**accessories and doll are not for sale**
PictionID:53763208 - Catalog:14_032056 - Title:GD/Astronautics Details: Quality Control Inspection; Metal X-Ray Machine Date: 07/02/1956 - Filename:14_032056.tif - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
PictionID:53762170 - Catalog:14_031971 - Title:Atlas Centaur Details: In Hangar Date: 05/23/1905 - Filename:14_031971.tif - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
A sampling of Bernie's skate deck collection at Pibby's Bicycle and Skate, on display all through March 2011.
209 West Broad St. Richmond VA
Priscianus: Opera. [Venice: Vindelinus de Spira], 1470. Front cover of binding: France, 18th-century red morocco decorated with triple gold fillets, a small gold fleuron at each corner. Sp Coll Hunterian Bf.2.14.
Made from the stretchy knit fabric as well, here comes the brown and blue version. It's so cute that only two compartments of this fabrics are needed to sew a lovely short top. The fabric has six different styles of blue, brown and white zigzags, I love its versatility!
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Dear friends,
the warmer days have begun and summer feelings are back : ). Time to show you my new fashion collection! I’m still in love with the Boho fashion trend and you’ll find lots of lovely designs, including two of my favourite pieces, two Kimono jackets!
As always, I try to make fashions that are highly compatible with fashions you already have, so you’ll find cute shorts and fantastic shirts, too. I’d love to hear which designs are your favorites ; )!
And for the first time, I’m offering Fashions for the Curvy Barbie body – modelled by my adorable Luna.
May all your summer days be sunny and your spirits stay wild and free…
the English side of the sailor moon vanity case box.
Read our blog about it here:
avaneanime.blogspot.com/search/label/Sailor Moon Light Up vanity Case
These items are part of our personal collection and are NOT for sale. If you are looking for similar items for sale visit www.avaneshop.com
Arp Museum Remagen-Rolandseck, Germany - Richard Meier & Partners - Designed to accommodate a unique collection of work by Hans Arp and Sophie Taeuber-Arp, this museum enjoys dramatic views over the Rhine Valley. The Arp Museum consists of a main building plus a gallery for special exhibitions. The main building of the museum is situated high above the River Rhein and next to the former Rolandseck rail road station, The structure’s entry sequence does not begin in the museum proper, but rather at the base of the bank-side mountain, in the old village railway station, now used as an exhibition space. The lowest level of the station functions as the main entrance to the new museum building, which is reached only gradually by a series of carefully modulated tunnels and shafts that burrow into and up through the mountain to the new building. The first of these subterranean sequences begins from this lobby, which leads to a 40 meter long tunnel, illuminated by two continuous bands of light, which extends below ground under the railway tracks to an exhibition pavilion that stands independent of the main museum building.
The modest pavilion features polished concrete floors and a discreet slotted skylight. Aside from providing ancillary temporary exhibition space, the pavilion also establishes a sense of expectation and uncertainty that is further reinforced by the next sequence, which materializes as another subterranean tunnel, this time 35 meters long and terminating at the bottom of a dramatic 40-meter-high shaft with access to two glass-enclosed elevators. These elevators ascend through the shaft to a conical tower structure above grade. Here the translucent tower walls illuminate the shaft and elevators, with added illumination and hints of views provided by transparent glass slots in the tower walls. At the tower’s apex the elevators open onto a 16-meter-long, glass-enclosed bridge which represents the final stage of the sequential promenade into the museum.
The entry to the museum’s ground floor is flanked to the right by a freestanding staircase leading to the lower and upper levels and to the left by a void overlooking the lower-level lobby. In addition to the lobby, which offers visitors an opportunity for rest and repose, the lower level features a classroom, administrative offices, service facilities, and access for shipping and receiving art. In fact, the oversized service elevator, designed to facilitate the movement of art, also functions as the visitors’ elevator and provides a galvanizing core around which the gallery spaces on the ground and upper floors are organized. More specifically, at the ground level these spaces include two large galleries with access to two terraces, as well as a smaller enclosed gallery. The spaces on the upper floor are distributed in the same manner as on the ground floor; however, rather than opening onto terraces, the two large galleries on the upper floor occupy a seemingly free-floating platform supported by columns so that they overlook the ground floor galleries at the east and west edges. The two main upper-level galleries are illuminated from above by a ceiling composed almost entirely of glazing, with a series of adjustable aluminum louvers providing complete daylight or daylight modulated with artificial light. A similar, though immobile, louver system occupies the double-height glazed facade facing the Rhine, opening the museum to breathtaking views of the surrounding valley.
Total area: 3,400 square meters. Completed: 2007. Client: Ministery of Finance, Rheinland Pfalz, Arp Museum, Bahnhof Rolandseck. Architects: Richard Meier & Partners Architects LLP
Collection: Human Ecology Historical Photographs
Title: I enclose this snap to show how Miss Van R. looked with straight seams. I don't remember why I cut out Miss Rose's face. I remember it was an excellent picutre of her so I must have used it for a good reason. June 5, 1921.
Collection #23-2-749, item H-O-09
Div. Rare & Manuscript Collections, Cornell University Library
Persistent URI: http://hdl.handle.net/1813.001/5x8p
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.