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The temp in my vehicle read +1F but the wind out on the Interstate pier made it feel well below zero. The Algoma Montrealais moves into position to unload at Holcim.
With code blue skies, Big Blue, 5418 sits on the old Saginaw main next to the coal tower awaiting it's day's work out on the Bald Eagle Job.
the shot at hand: inspired by Ryan the one, the only....always pimp!
this is a regular family outing for the O'Connor family on any given saturday night...it started with "i've got a shot stuck in my head, who wants to help?"
my boy...first hand up!! and can i bring a friend....well only if said friend asks a parent because first, it's illegal and second, there is a small element of danger and third, it's illegal!!
so we're off....to a trespass into Holmes Foundry....hubby is never keen to trespass...what if we get caught, then what...and as always, i assure him that the cops have better things to do than to chase a family around in an abandoned place when all they're doing is taking pictures!!
the image above, truly a joint venture...included the following technicalities:
*the pose - strategically placed by me
*the subjects - 2 boys told to stay very still for 25 secs. (no easy task)
*handheld flashlight - me again to light the graffiti
*red gel flash - courtesy of hubby moving around the scene flashing on command
my son's friend, who had never done anything like this thought this was the best ever outing so the boys were paid with a late dinner out....we got home by midnight!!
isn't this a normal outing?
so now.....tell me what the rest of you do on any regular night out????
Oil and pencil on thick paper, 21 x 15 cm, 2017. This original painting is available for sale at the price of 140 US$, shipping is worldwide free. Contact me in case you are interested in more information about my work, or the availability for work on graphics
Old code lines at Sparrowbush, NY left behind from the Erie Railroad still hang along side the rails of the former Delaware Division. Their purpose these days is only to sing in the wind and give birds a place to rest their wings.
System: Olympus OM System.
Code Name: MDS
Model Name: Olympus OM-1
Camera Type: 35mm Single Lens Reflex with focal plane shutter
Film Format: 24mm x 36mm
Lens Mount: Olympus OM Mount, bayonet type, rotation angle 70°, flange back 46mm, Lens release button at the side of the lens
Minimum Focusing Distance: 45cm (117.72") with all standard lenses.
Shutter: Focal plane shutter, ring mounted control, with speeds from 1 to 1 /1000 second plus B.
Shutter Release Button: Threaded in the middle to accept any JIS standard Cable release
Shutter speeds control: via Dial on the lens mount
Hot Shoe Socket: Built-in. Accessory Shoe 4 supplied for OM-1n, Accessory Shoe 1 or "Fixed" Type for original M-1 or OM-1 bodies;
Synchro Socket: As per JIS standard
Flash Contacts: FP-X with switch type contact at synchro socket, X contact at shoe: With electronic flash (X) 1 sec to 1/60 sec; with class "M" Bulbs (X) 1 sec to 1/15 sec; with Class "F" Bulbs (X) 1 sec to 1/15 sec; with focal plane Bulbs (FP) 1/60 sec to 1/1000 sec.
Viewfinder: Silvered coated Pentagonal roof prism type wide-vision finder shows 97% of actual picture field. Exposure meter needle; Charge/auto check lamp for electronic flash unit T32, T20 and T10 (OM-1n only).
Viewfinder Magnification: 0.92X at infinity with 50mm lens
Viewfinder Apparent Field of View: 23° 30' & 35°
Focusing Screens: 1-1 Microproism-matte type provided as standard screen. Interchangeable with any 13 additional screens.
Reflex Mirror: Oversize, quick return type with mirror Lock-up control. Mirror Cut out: No mirror cut out in viewfinder regardless of lens in used, from 8mm to 800mm (In the cse of full open aperture); Mirror used is highly reflective with special coating applied onto reflecting surface.
Film Loading: Easy loading (Olympus EL system) type by opening rear cover, which is hinged and provided with a "magic-Lock" (Open when film rewind knob is pulled up).
Film Advance: (Manual) Ratchet type film advance. May be advanced in one stroke or several short strokes for a total of 150° rotation, pre-advance angle 30°. Built-in prevention against double advance with double exposure override capability. (Motor Drive) With Motor Drive 1/2 or Winder 1/2 unit attached, single-frame and continuous advance at speed of 5 frames per second (at exposures above 1/500 sec., with fresh batteries and at normal temperature and humidity).
Exposure Counter: Progressive type from "S" (Start) to 36 and "E" (End). Counter automatically resets to "S" when camera back is opened.
Film Rewinding: Rewind crank with automatic resetting rewind release lever. Film rewind knob to be turned 90° towards "R" mark with a red dot. Automaticlly reset when film is to be advanced.
Metering: Via Lever on top panel, Metering ON/OFF Switch
Exposure Measurement: Two CdS (Cadmium Sulphide) cells located on either side of the eyepiece provide through -the-lens open aperture light measurement. Zero-method with needle visible in viewfinder. On-Off Switch located atop camera.
Film Speed Range: ASA 25-1600
Exposure Range: EV1.2-EV16.9 with 55mm f1.2 at ASA100; EV 2-17 (ASA 100 with F1.4 50mm lens); EV2.35 - EV17.35 withh 50mm f1.8 at ASA100.
Insufficient Light Warning: When switched in, the needle jumps down extremely beyond the lower limit of the range indicator, if light level is too low for proper metering.
Self-Timer: Lever system with rortation angle 180°. Approx. 4-12 second delay lever type; Action started via start lever hidden behind Self timer lever. It can be stopped and reset after actuation.
Camera back: Removable hinge type control by Mounting Pin. Interchangeable with Recordata Back 1/2 /3 (OM-1n) and 250 Film Back 1/2.
Tripod Socket: As per JIS standard
Battery used/Power Source (Metering): 1.35 volt mercury battery JIS H-D type; MR9 (National H_D, Toshiba H-D; Eveready or UCAR EPX625, Mallory PX625, or equivalent).
Lens Accessory Size: 49mm threaded for F1.8 and F1.4 lenses; 55mm threaded for F1.2 lens
Dimensions & Weights: Body only: 510g; Body with f/1.8 lens: 136mm x 83mm x 81mm (5.35" x 3.27" x 3.19"): 680g. (24.0 oz); f/1.4 lens: 136mm x 83mm x 89mm (5.35" x 3.27" x 3.50"): 740g. (26.1 oz); f/1.2 lens: 136mm x 83mm x 50mm (5.35" x 3.27" x 1.97"): 510g. (18.0 oz)
Code Geass:R1 8.Bölüm izle denildiğinde akıllardaki tek isim olarak biz www.diziizlettik.com olarak sizlere anime izle sitesinin en kaliteli sitesi olarak Code Geass:R1 8.Bölüm animesi izletmeye ve en kaliteli Code Geass:R1 8.Bölüm olmaya özen gösteriyoruz. Eğer sende Code Geass:R1 8.Bölüm deni...
accidentally generated by my friend ActionScript 3.0 :)
responsible line
tc_mc.x=45+i*10;
i like it. it sums up something
There is a value to human error: the ability to self destruct.
If you haven't noticed, I have a mild fascination with technophobia.
We live in a time where society is constantly creating ways to eliminate work; each update means another way of living, and these are increasing rapidly. People grow to fear technology due this vision of the future of society; where people not only become less significant to each other, but also become less significant to their devices.
Which brings up one of the central themes in futuristic sci-fi: we'll all be reduced to numbers as opposed to individuals. Serial codes belong on pieces of technology, however our dependency on progress could eventually switch around so that humans become the puppets that are programed.
In contrast to this idea is the fact that machine's only purpose is to be utilized. Without the humans, progress would barely continue and gradually cease to exist.
It comes down to the only power humans would have left -- human error: the ability to make mistakes and to self destruct.
Binary Code quilt for my son's mancave. Made from recycled men's plaid shirts. Blogged here...zanyquilter.blogspot.com
printed hex code colors on cotton to help get specific shades when designing digitally printed fabrics. It's so pretty though, that I printed extra, and have enough for a blouse.
printed by Spoonflower.
As Monique, I received an invitation to a party that requires a festive dress code. hopefully this combination is festive enough.
Look who I got from stupid EMS today? It's my new guy from April Story, he is so cool! He hasn't got his own name and look, but we will work on it ^^ Now I call him JoJo, because I am huge fan of JoJo's Bizzarre Adventures
QR code close up, still work in progress painting Palermo by Fabrice de Nola.
The finished painting: flic.kr/p/8WxM1o
This work is part or the Palermu Project.
Cite as: Fabrice de Nola, 2010. Palermo, QR code still work in progress.
There's a Flickr group about the Genius of Palermo, please feel welcome to join! flic.kr/g/qJgY7