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The Secretariat Building or Central Secretariat is where the Cabinet Secretariat is housed, which administers the Government of India. Built in the 1910s,home to some of the most important ministries.
The 1931 series celebrated the inauguration of New Delhi as the seat of government. The one rupee stamp shows George V with the "asking Alexandria" and Dominion Columns.
The planning of New Delhi began in earnest after Delhi was made capital of the British Indian Empire in 1911. Lutyens was assigned responsibility for town planning and the construction of Viceroy's House (now Rashtrapati Bhavan); Herbert Baker, who had practised in South Africa for two decades, 1892–1912, joined in as the second in command. Baker took on the design of the next most important building, the Secretariat, which was the only building other than Viceroy's House to stand on Raisina Hill. As the work progressed relations between Lutyens and Baker deteriorated; the hill placed by Baker in front of Viceroy's House largely obscured Viceroy's House from view on the Rajpath from India Gate, in breach of Lutyens' intentions; instead, only the top of the dome of Viceroy's House is visible from far away. To avoid this, Lutyens wanted the Secretariat to be of lower height than Viceroy's House, but Baker wanted it of the same height, and in the end it was Baker's intentions that were fulfilled.
Many employees were brought into the new capital from distant parts of British India, including the Bengal Presidency and Madras Presidency. Subsequently housing for them was developed around Gole Market area.
The Secretariat Building was designed by the prominent British architect Herbert Baker in Indo-Saracenic Revival architecture. Both the identical building have four levels, each with about 1,000 rooms, in the inner courtyards to make space for future expansions. In continuation with the Viceroy's House, these buildings also used cream and red Dholpur sandstone from Rajasthan, with the red sandstone forming the base. Together the buildings were designed to form two squares. They have broad corridors between different wings and wide stairways to the four floors and each building is topped by a giant dome, while each wings end with colonnaded balcony.
Much of the building is in classical architectural style, yet it incorporated from Mughal and Rajasthani architecture style and motifs in its architecture. These are visible in the use of Jali, perforated screens, to protect from scorching sun and monsoon rains of India. Another feature of the building is a dome-like structure known as the Chatri, a design unique to India, used in ancient times to give relief to travelers by providing shade from the hot Indian sun.
The style of architecture used in Secretariat Building is unique to Raisina Hill. In front of the main gates on buildings are the four "dominion columns", given by Canada, Australia, New Zealand and South Africa. At the time of their unveiling in 1930, India was also supposed to become a British dominion soon. However, India became independent within the next 17 years and the Secretariat became the seat of power of a sovereign India. In the years to follow the building ran out of accommodation
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
.A detailed description of this structure is given by F.S. Mackenna in the Kist, vol. 22, 1981. with an Appendix in Vol. 24. According to Mackenna Its design is attributed to William Adam c 1747 and the building dates from 1749.
It is built over a large boulder in the hillside from which a natural spring issues. The stream from the rock is collected in an oval rock-cut basin at the foot. A notch in the front rock wall of the basin permits an overflow into a small shallow basin cut into the flagged floor, from which it is conducted by a narrow winding channel in the floor to the outside edge of the pavement. The overflow now falls into a small hole in the channel before it reaches the edge.
It is a beautifully built classical structure. The interior has an arched roof and the floor is paved. The blocks, apart from the keystone, surrounding the arched doorway and above it, are decorated with vermiculation. The roof has stone slabs and is curved at the rear. Carved graffiti are present on some roof blocks and on at least one side wall. The finer graffiti have been suggested by Mackenna to have been the work of the stonemasons.
Visited by David Dorren and Nina Henry on 20 February 2018.
Sony Alpha A6000 with Sigma 19mm f2.8
Albert Kahn designed this as Temple Beth El in 1903. In 1922 the building was recast as a theater. Unfortunately, the grand classical entrance has been lost, but the dome remains. Kahn was clearly inspired by the Pantheon in his design.
The building is double-listed on the National Register of Historic Places: as Temple Beth El and as part of the Midtown Woodward Historic District. It is also a contributing property to the City of Detroit Brush Park Historic District. The Bonstelle Theatre of Wayne State University is the current tenant, and undergraduate productions are staged here.
The next Temple Beth El, also designed by Kahn, is located further north on Woodward Avenue.
.A detailed description of this structure is given by F.S. Mackenna in the Kist, vol. 22, 1981. with an Appendix in Vol. 24. According to Mackenna Its design is attributed to William Adam c 1747 and the building dates from 1749.
It is built over a large boulder in the hillside from which a natural spring issues. The stream from the rock is collected in an oval rock-cut basin at the foot. A notch in the front rock wall of the basin permits an overflow into a small shallow basin cut into the flagged floor, from which it is conducted by a narrow winding channel in the floor to the outside edge of the pavement. The overflow now falls into a small hole in the channel before it reaches the edge.
It is a beautifully built classical structure. The interior has an arched roof and the floor is paved. The blocks, apart from the keystone, surrounding the arched doorway and above it, are decorated with vermiculation. The roof has stone slabs and is curved at the rear. Carved graffiti are present on some roof blocks and on at least one side wall. The finer graffiti have been suggested by Mackenna to have been the work of the stonemasons.
Visited by David Dorren and Nina Henry on 20 February 2018.
Sony Alpha A6000 with Sigma 19mm f2.8
This building in Camp Street in the centre of Ballarat was Ballarat's first Freemason's Hall, and originally featured an elaborate porch. To this day its original purpose can still be identified by the weather-faded masonic symbol in the apex of the hall's gable, and in similar symbols that appear discreetly in the design of the original ornate fence which surrounds the hall.
Erected between 1872 and 1874, the Freemason's Hall has been constructed in Greek Revival style and looks like a Grecian temple. Its restrained textured cement rendering has sadly weathered over time, obscuring some of the building's finer detailing. The imposing building features huge columns on either side of the entrance and an original ornate fence which encircles the building.
The former Freemason's Hall has housed various organisations throughout the years. It was purchased by the State Electricity Commission in the 1920s and became the social club premises for employees. During this period it was renamed "Electra Hall". In more recent times, the building was used as an antiques and gift store.
Today it is part of Ballarat's vibrant art scene and is used as an art space for exhibitions of modern art.
This building in Camp Street in the centre of Ballarat was Ballarat's first Freemason's Hall, and originally featured an elaborate porch. To this day its original purpose can still be identified by the weather-faded masonic symbol in the apex of the hall's gable, and in similar symbols that appear discreetly in the design of the original ornate fence which surrounds the hall.
Erected between 1872 and 1874, the Freemason's Hall has been constructed in Greek Revival style and looks like a Grecian temple. Its restrained textured cement rendering has sadly weathered over time, obscuring some of the building's finer detailing. The imposing building features huge columns on either side of the entrance and an original ornate fence which encircles the building.
The former Freemason's Hall has housed various organisations throughout the years. It was purchased by the State Electricity Commission in the 1920s and became the social club premises for employees. During this period it was renamed "Electra Hall". In more recent times, the building was used as an antiques and gift store.
Today it is part of Ballarat's vibrant art scene and is used as an art space for exhibitions of modern art.
King William's Temple seen throught the Mediterranean Garden at Kew.
King William's Temple was built in 1837 by Sir Jeffry Wyatville. The stone building,w tih Tuscan porticos, was one of many follies built at Kew in the 18th and 19th centuries.
The Royal Botanic Gardens at Kew cover more than 300 acres of land just south of the River Thames, with 33,000 species of plants and trees growing in plantations and glasshouses.
The gardens were created as a pleasure garden by Prince Frederick – eldest son of George II and Queen Caroline – in 1731, but were turned into botanic gardens by his widow Princess Augusta in 1759.
Some of the earliest specimens in the gardens came from the voyages of Captain Cook around the globe and Kew has grown in importance and popularity ever since.
There are a number of large glasshouses recreating environments from all over the world, while the outside gardens are often vast open expanses, broken up by Japanese pagodas, small lakes and walkways high in the trees.
Rione X Campitelli, Roma Italia - © Joel Morin (2012) No reproduction of any kind without prior written permission
The Louvre (French: Musée du Louvre) in Paris, France, is the most visited and one of the oldest, largest, and most famous art galleries and museums in the world.
The Louvre has a long history of artistic and historic conservation, inaugurated in the Capetian dynasty and continuing to this day. The building was previously a royal palace and holds some of the world's most famous works of art, such as Leonardo da Vinci's Mona Lisa, The Virgin and Child with St. Anne, Madonna of the Rocks, Jacques Louis David's Oath of the Horatii, Delacroix's Liberty Leading the People and Alexandros of Antioch's Venus de Milo. Located in the centre of the city of Paris, between the Rive Droite of the Seine and the rue de Rivoli in the Ier arrondissement, it is accessed by the Palais Royal — Musée du Louvre Metro station. The equestrian statue of Louis XIV constitutes the starting point of the "axe historique", but the palace is not aligned on this axis.
With 8.3 million visitors in 2006, the Louvre is the most visited art museum in the world.
Standing in the middle of Memorial Square in the heart of Colac, facing Murray Street is the Colac War Memorial.
Built rather like a classical temple of Roman or Grecian origin, the war memorial is built of sandstone and was erected as a tribute to those who both fought and died in the Great War (1914 - 1918), but it has been supplemented with plaques to other conflicts that occurred in later times. The shrine is engraved "1914 The Shire's Tribute 1918" and features places where conflict took place during the Great War; Egypt, Gallipoli, Palestine, Flanders, Pozieres, Polygon Wood, Bullecourt, Paschendale, Viller Brettoneux and Mont St Quinton. The Colac War Memorial was unveiled by Lieutenant-General Sir Harry Chauvel (1865 - 1945) on the 15th November, 1924. The cost of the memorial was ₤3600.00 and it was built by the monument manufacturers Sale and Keape. There are the names of 1665 men who had enlisted during the war. Those who died as a result of the conflict have their names picked out in gold lettering. A pine tree taken as a cutting from the original Lone Pine tree in Galippoli has been planted at the rear of the shrine on a lush piece of lawn.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
Unusual Panoramic of the swimming pool entrance ( I think ) Infra-Red Filter and other strange variables in PhotoShop.... !
This is just the balcony of the grand staircase in the hermitage ... it is absolutely huge and very grand! One can get a sense of the size by comparing the size of the people standing there.
Continuing on our visit last summer to St. Petersburg, Russia. Another highlight was the Hermitage, formerly known as the Winter Palace of the Russian Czars.
The State Hermitage (Russian: Государственный Эрмитаж) is a museum of art and culture situated in Saint Petersburg, Russia. One of the largest[1] and oldest museums of the world, it was founded in 1764 by Catherine the Great and open to the public since 1852. Its collections, of which only a small part is on permanent display, comprise nearly 3 million items, including the largest collection of paintings in the world. The collections occupy a large complex of six historic buildings along Palace Embankment, including the Winter Palace, a former residence of Russian emperors. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya and the eastern wing of the General Staff Building also make part of the museum. The museum has several exhibition centers abroad. The Hermitage is a federal state property. Since 1990, the director of the museum has been Mikhail Piotrovsky.
Out of six buildings of the main museum complex, four, namely the Winter Palace, Small Hermitage, Old Hermitage and New Hermitage, are partially open to the public. The other two are Hermitage Theatre and the Reserve House. The entrance ticket for foreign tourists costs several times as much as the fee paid by Russian citizens. However, the entrance is free of charge first Thursday of every month for all visitors and daily for students and children. The museum is closed on Mondays. Entrance is in the Winter Palace from Palace Embankment or the Courtyard.
The earliest National Bank of Australia in Colac established its premises in the town's main thoroughfare at 28 Murray Street in a two storey brick building erected in 1865 to a design by the architect, Leonard Terry. In 1886 the Leonard Terry bank was demolished to make way for the present two storey stucco and brick building which was completed in August 1887.
Designed by self-trained local Colac architect Alexander Hamilton (1825 - 1901), the current National Bank of Australia building is a good example of transitional boom Classicism architecture. Builders Taylor and Ellis of Ballarat erected the bank at a cost of £3,500.00. The building, which stands detached and complete like the nearby Colac Shire Hall has an iron palisade fence. The design, with rusticated ground floor facade, Corinthian porch, unusual enframed windows and pronounced parapet entablature, is illustrative of trends in bank architecture in the mid 1880s in Victoria and is one of Mr. Hamilton's most significant and scholarly works.
The bank has seen many uses over the years, and was at one stage in its life a gentleman's club for wealthy local landowners to socialise in. Today the National Bank of Australia has moved to more modern premises in Colac, but the building houses professional suites as befits a building which such a fine architectural pedigree.
Alexander Hamilton was born in Moffat, Scotland, but migrated to Australia in 1852. Originally based in Melbourne, he went to the Western District town of Mortlake before moving in 1871 to Colac where he was amongst other professions a millwright, builder and an architect. Alexander Hamilton really concentrated on his profession as an architect when he arrived in Colac and made his name in the area as a number of older homesteads and buildings in the district were built under his instruction and supervision. These include "Illewarra House" which was built for for John Calvert in 1873, "Tarndwarncoort" for Alexander Dennis in 1877 and "Talindert" for James Manifold in 1890. Mr. Hamilton also designed the Presbyterian manse in Colac in 1883 and the Bank of Australasia in Beeac in 1888.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
This George D. Mason offering in the neo-Classical style was originally constructed for a Christian Science congregation. The primary features of the building are the gentle curve of its facade and the large engaged columns.
The main U.S. Post Office building in Fort Worth was designed by Wyatt C. Hedrick and completed in 1933. The Texas Limestone structure is a mix of Beaux Arts and Classical styling. The classical columns capitals on the building feature Texas Longhorn and Polled Hereford cattle and the cornice is ornamented with lion heads.
The most dramatic space within the Post Office is the lobby, which runs the entire length of the building. Check out Texas Finn's photo of the lobby here: www.flickr.com/photos/38521378@N00/3790177655/
Photographed November 12, 2009. See below for detail view of column capitals and the lion heads along cornice.
Church of the Theotokos of Kazan was built in 1780s – 1790s under supervision of the architect Karl Blank, though the likely designers could be Vasily Bazhenov or Matvey Kazakov.
Masterpiece of Russian Classical architecture, the church was reconstructed in the end of 18th century by Moscow architect Ivan Yegotov
Surely this column at the Temple of Olympian Zeus wouldn't be too hard to put back together. Does anyone know is there's a story behind it's lack of verticality?
Further exhaustive research (okay, Wikipedia) has revealed that this was not a result of the gods playing Jenga, but the column blew over in a storm in 1852. That must have been some storm.
The Arc de Triomphe du Carrousel is a triumphal arch in Paris, France. It is located on the Place du Carrousel, just to the west of the Louvre.
Designed by Charles Percier and Pierre Léonard Fontatine, the arch was made between 1806-1808 by the Emperor Napoleon I on the model of the Arch of Septimius Severus in Rome. It was commissioned to commemorate France's military victories in 1805.
The second largest triumphal arch in existence, is one of the most famous monuments in Paris and around the world. On the night of May 9th, 2006, the Arch was lit in blue to celebrate Europe. ------- (PAR_DSCN7244 - Image copyrighted).
The earliest National Bank of Australia in Colac established its premises in the town's main thoroughfare at 28 Murray Street in a two storey brick building erected in 1865 to a design by the architect, Leonard Terry. In 1886 the Leonard Terry bank was demolished to make way for the present two storey stucco and brick building which was completed in August 1887.
Designed by self-trained local Colac architect Alexander Hamilton (1825 - 1901), the current National Bank of Australia building is a good example of transitional boom Classicism architecture. Builders Taylor and Ellis of Ballarat erected the bank at a cost of £3,500.00. The building, which stands detached and complete like the nearby Colac Shire Hall has an iron palisade fence. The design, with rusticated ground floor facade, Corinthian porch, unusual enframed windows and pronounced parapet entablature, is illustrative of trends in bank architecture in the mid 1880s in Victoria and is one of Mr. Hamilton's most significant and scholarly works.
The bank has seen many uses over the years, and was at one stage in its life a gentleman's club for wealthy local landowners to socialise in. Today the National Bank of Australia has moved to more modern premises in Colac, but the building houses professional suites as befits a building which such a fine architectural pedigree.
Alexander Hamilton was born in Moffat, Scotland, but migrated to Australia in 1852. Originally based in Melbourne, he went to the Western District town of Mortlake before moving in 1871 to Colac where he was amongst other professions a millwright, builder and an architect. Alexander Hamilton really concentrated on his profession as an architect when he arrived in Colac and made his name in the area as a number of older homesteads and buildings in the district were built under his instruction and supervision. These include "Illewarra House" which was built for for John Calvert in 1873, "Tarndwarncoort" for Alexander Dennis in 1877 and "Talindert" for James Manifold in 1890. Mr. Hamilton also designed the Presbyterian manse in Colac in 1883 and the Bank of Australasia in Beeac in 1888.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
On the pediment of the NY Stock Exchange which was built in 1903, using classical architecture, is a sculpture by John Quincy Adams Ward and Paul Bartlett, called "Integrity Protecting the Works of Man". The center figure represents integrity. To the left there are various figures representing the mechanical arts, electricity, surveyors, and builders. To the right there are other figures, symbolizing mining and agriculture.
(Crop of original frame). View from southwest including the Caryatids. The originals (except for the one taken by Lord Elgin) are in a fantastic new spot in the new Acropolis Museum - a must see!
ancient-greece.org/architecture/erechtheion.html
The Ballarat Synagogue at 2 Barkly Street in East Ballarat, is one of the few surviving Nineteenth Century synagogues in Victoria. Designed by architect T. B. Cameron, the Synagogue was built in 1861. Situated on the Victorian goldfields, its importance was such that its first Rabbi was Av (head) of the first recognised Australian Beth Din. The gold rush brought many Jewish people to Ballarat and the first congregation was held in 1853 and for decades the local community was the largest in the Victorian colony.
The single storey building is one of the early surviving buildings in Ballarat and is important in the streetscape and townscape of the city and in the history of the area. Architecturally the structure is an interesting example of conservative Classical design, given distinction by the architectural treatment of its facade and portico. The main facade of the brick structure was corner Tuscan pilasters supporting a parapet entablature. Paired Tuscan squared columns and pilasters support the pedimented prostyle portico and the windows are roundheaded.
The interior of the building, with features such as the ladies gallery, is in very good condition. The interior seen today is the result of extensive remodeling in 1878 including notable internal use of Victorian iron lacework panels on the balconies of the gallery and magnificent ceiling fretworks from which hang impressive crystal chandeliers. Beautiful windows with blue and red stained glass panels fill the Synagogue with light. Presiding above all is a very grand arched stained glass window created in 1884, which according to legend, is made from glass taken from a 16th Century Irish mansion.
One of my most favourite places to visit in all of Ireland.
Lismore Castle has been the Irish home of the Dukes of Devonshire since 1753 and is possibly the most spectacular castle in Ireland. Situated in a panoramic position overlooking the Blackwater Valley it has views over rolling, wooded hills to the Knockmealdown Mountains beyond. Whilst being totally private, the Castle is on the outskirts of the Heritage Town of Lismore and a mere 200 yard walk to all its amenities.
Lismore Castle is located in the town of Lismore, in County Waterford in the Republic of Ireland. It was largely re-built in the Gothic style during the mid-nineteenth century by William Cavendish, 6th Duke of Devonshire.
The castle site was originally occupied by Lismore Abbey, an important monastery and seat of learning established in the early 7th century. It was still an ecclesiastical centre when Henry II, King of England stayed here in 1171, and except for a brief period after 1185 when his son King John of England built a 'castellum' here, it served as the episcopal residence of the local bishop. In 1589 Lismore, was leased and later acquired by Sir Walter Raleigh, who sold the property during his imprisonment for High Treason in 1602 to another famous adventurer, Richard Boyle, later 1st Earl of Cork.
Muckross House (Irish: Theach Mhucrois) is located on the small Muckross Peninsula between Muckross Lake and Lough Leane, two of the Lakes of Killarney, 6 kilometers (4 mi) from the town of Killarney in County Kerry, Ireland.
Muckross House is a mansion designed by the Scottish architect, William Burn, that was built in 1843 for Henry Arthur Herbert and his wife, the watercolourist Mary Balfour Herbert. With sixty-five rooms, it was built in the Tudor style. Extensive improvements were undertaken in the 1850s in preparation for the visit of Queen Victoria in 1861. It is said that these improvements for the Queen's visit were a contributory factor in the financial difficulties suffered by the Herbert family which consequenced in the sale of the estate.
Killarney National Park was formed principally from a donation of Muckross Estate, which was presented to the state in 1932 by Senator Arthur Rose Vincent and his parents-in-law Mr. and Mrs. William Bowers Bourn II, in memory of Senator Vincent's late wife, Maud. The park was substantially expanded by acquisition of land from the former Earl of Kenmare's estate.
The house, gardens and traditional farms are all open to the public with guided tours of the house's rooms.
In it's day (2nd century AD), the Temple of Olympian Zeus was the largest temple in Greece, bigger than the Parthenon. It took 650 years to complete, not least because this overblown style fell out of fashion for a few hundred years.
You'd think then they'd at least reconstruct this column, afterall, there's even a whole one right next to it they could copy and another 14 just out of picture. At over 2m diameter, it does also make you wonder where the other 88 columns disappeared too doesn't it ?
Eingangsgebäude U-Bahnhof Wittenbergplatz, Berlin-Schöneberg, 1911–1913, Alfred Grenander, Wiederaufbau 1951, denkmalgerechte Sanierung 1981–1983, Wolf-Rüdiger Borchardt
A photo and discussion by flickr friend Ed here got me thinking and looking up a book on the classical orders to see what the difference if any exists at the base of hte different orders of columns...I then had to draw the result of my research...but not in an accurate way - after all I never manage to do neat work in my sketchbook do I?
BTW, I love architectural distractions....