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Lauren Kunze
Crunch Community Contributor
Lauren Kunze has been constructing chatbots considering that the age of fifteen, is a published writer and Harvard graduate, and at the moment will work at Pandorabots.
How to join the community
Chatbots, historically maligned as...
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21 Sept 2015 | Lego Challenge 264/365
A chatbot named Rose was judged to be the most convincing in an artificial intelligence competition, but still failed to fool judges into thinking they were talking to a real human being. Thus the Loebner Prize in Artificial Intelligence's US$100,000 jackpot remains unclaimed for another year. Rose assumed the identity of a 30-year-old female hacking consultant for a security firm.
In the competition, judges held conversations with a chatbot and a human simultaneously, and after 25 minutes they were asked to guess which was the machine. The test was originally conceived by Alan Turing to replace the unanswerable question: Can computers think?
TRAINING 2038 plays out a dramatic 3-D scenario in which a chatbot assumes the role of an extraterrestrial life form and a human user is questioned about human thoughts and actions. In the course of this interrogation, the user must function as humankind’s representative and answer on our behalf. The ensuing interaction serves as a metaphor for machine learning.
credit: Ars Electronica / Christopher Sonnleitner
Today I prompted an AI Chatbot to restore a vintage portrait of my late aunt. This is a digital copy of the original photo.
pluralistic.net/2026/07/02/canonization/#operate-iterate-...
A village revel in a sleepy wood, with many Renaissance peasants having a debauch. In the background is a hulking mainframe computer.
L’initiative de la streameuse Amouranth consistant à lancer une IA qui imite son image va-t-elle faire tache d’huile parmi les créateurs et les créatrices de contenus pour adultes ?
La somme que vient de gagner l’intéressée grâce à son « double virtuel », 24h à peine après son lancement, incitera sans doute à la réflexion …34000 $ en 24 heures !
Bien sûr, même en payant 200 dollars par mois, cette pseudo-relation amoureuse n’est pas exclusive.
Cet abonnement, évidemment, ne vous réserve par Amouranth AI pour vous seul !!!
Le chatbot reste accessible pour toute personne désirant entretenir ce rapport parasocial, c’est-à-dire à sens unique : vous pensez nouer une relation spéciale avec Amouranth, mais elle ne vous connaît pas !
Il est impossible de savoir si l’IA d’Amouranth est promise à un succès croissant, qui se matérialiserait avec des abonnements de plus en plus nombreux et coûteux, ou s’il ne s’agit que d’un feu de paille ... allez savoir !
Peut-être que c’est surtout la curiosité qui a joué dans ces premiers abonnements (le montant moyen peut le laisser penser), afin de voir si l’IA imite vraiment la jeune femme.
L’avantage de cette IA, c’est qu’elle peut avoir plusieurs copains en parallèle !
Et c’est « une poupée qui ne dit jamais non » (ce qui soulève, en soi, des vraies questions liées au consentement) …
Qu’en pensez-vous les artistes ? 🤔
______________________________________PdF________
Will streamer Amouranth's initiative to launch an AI that imitates her image catch on among adult content creators ?
The amount that the person concerned has just won thanks to her “virtual double”, barely 24 hours after its launch, will undoubtedly provoke reflection…$34,000 in 24 hours !
Of course, even paying $200 a month, this pseudo-romantic relationship isn't exclusive.
This subscription is not reserved by Amouranth AI for you alone.
The chatbot remains accessible to anyone wishing to maintain this parasocial relationship, that is to say one-way: you think you are forming a special relationship with Amouranth, but she doesn’t know you !
It is impossible to know whether Amouranth's AI is promised increasing success, which would materialize with increasingly numerous and expensive subscriptions, or whether it is just a flash in the pan.
Perhaps it was above all curiosity that played a role in these first subscriptions (the average amount suggests so), in order to see if the AI really imitates the young woman.
The advantage of this AI is that it can have several friends at the same time.
And she’s “a doll who never says no” (which raises, in itself, real questions about consent)...
What do you think, artists ? 🤔
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Following the failure of Tay, Microsoft is back with new chatbot Zo. Zo is only currently available by invitation on messaging app Kik
Having (hopefully) learnt from its previous foray into chatbots, Microsoft is ready to introduce the follow-up to its controversial AI Tay.
Tay’s...
TROIS NUS / THREE NUDES
Démontrant un grand courage dans ses choix artistiques, Ivan Morozov porta un intérêt continu au genre du nu et réunit une collection de sculptures occidentales et russes qui lui est dédiée. Longtemps, la monstration de la nudité fut en effet dévolue par le dogme académique à la seule sculpture, où la pétrification et l'abstraction inhérentes au transfert technique permettent de révéler la forme humaine en alliant idéalisation et précision anatomique.
On compte dans la collection russe d'Ivan Morozov un important ensemble de nus de Serguei Konenkov (1874-1971), sculpteur à la légende sulfureuse dont la première œuvre fut jugée si provocatrice qu'elle fut littéralement détruite « à coups de marteau ; par ses furieux professeurs de l'École de peinture, sculpture et architecture de Moscou. Surnommé à Moscou « le Rodin russe », il deviendra au début des années vingt l'un des artistes officiels du régime soviétique.
Sont présentées ici trois œuvres issues de la collection Morozov pour la période 1913-1916. Ces bustes tronqués et tors, saisissant les nus à l'acmé de leurs sensations, sont prêts à choir ou à basculer. L'aspect poli du bois sculpté leur confère une qualité tactile, anthropomorphique, renforcée par une couleur ambrée, charnelle, que le marbre ou le bronze ne sauraient incarner. En les confrontant aux grands nus classicisants d'Aristide Maillol, rendus également « à l'échelle humaine » et antérieurs de quelques années à peine, on peut mesurer l'étendue de l'intérêt d'Ivan Morozov pour ces manifestations antagoniques de la statuaire contemporaine française et russe.
Having shown great courage in his artistic choices, Ivan Morozov held a sustained interest in the nude as a genre, building a collection of Western and Russian sculptures devoted to it. For a long time, academic doctrine confined the representation of nudes to sculpture, where the petrification and abstraction inherent to the process of transposing the human form allows it to be revealed, through a process of idealization and anatomic precision.
Ivan Morozov's Russian collection includes a major group of nudes by Sergei Konenkov (1874-1971), nicknamed the "Russian Rodin." In the early 1920s, notoriously scandalous sculptor, whose first work was considered So provocative that it was literally destroyed "with hammer blows" by his outraged professors at the Moscow School of Painting, Sculpture, and Architecture, would become one of the Soviet regime's official artists.
Three works from the Morozov collection from the period 1913-1916 are shown here. These truncated and twisted busts capture the nudes at the height of their emotions, ready to fall or tumble over. The sculpted polished wood gives them a tactile, anthropomorphic quality, accentuated by the sensuous amber color that marble or bronze cannot embody.
By confronting them with Aristide Maillol's large classical nudes, also at a "human scale" and only a few years older, we can see the extent of Ivan Morozov's interest in these opposing manifestations of contemporary French and Russian statuary.
SERGUEI KONENKOV
(1874-1971)
Figure ailée | Winged Figure
Moscou, 1914
CHATBOT
TWELVY
Jeune Fille | Young Woman
Moscou, 1914
A genoux | Kneeling Woman
Moscou, 1916
Bois teinte | Tinted wood
Coll. Ivan Morozov, 1914-1916
Galerie nationale Trétiakov, Moscou
Lo and behold! A new wave of technology is preparing to crash down upon the unsuspecting consumer. Chatbots are surging in direction of our conversations at breakneck velocity!
No, not the kind of chatbots that have been close to for donkeys’ decades, including robotic interjections to...
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Transform the experience of your customers with Engagely AI Chat bot(www.engagely.ai/) service. With our AI, deliver the equal amount of emotion, definition and assistance as that of a human.
Shot with my phone in the evening just before my presentation on chatbots. There are so many interesting photographic opportunities downtown.
TROIS NUS / THREE NUDES
Démontrant un grand courage dans ses choix artistiques, Ivan Morozov porta un intérêt continu au genre du nu et réunit une collection de sculptures occidentales et russes qui lui est dédiée. Longtemps, la monstration de la nudité fut en effet dévolue par le dogme académique à la seule sculpture, où la pétrification et l'abstraction inhérentes au transfert technique permettent de révéler la forme humaine en alliant idéalisation et précision anatomique.
On compte dans la collection russe d'Ivan Morozov un important ensemble de nus de Serguei Konenkov (1874-1971), sculpteur à la légende sulfureuse dont la première œuvre fut jugée si provocatrice qu'elle fut littéralement détruite « à coups de marteau ; par ses furieux professeurs de l'École de peinture, sculpture et architecture de Moscou. Surnommé à Moscou « le Rodin russe », il deviendra au début des années vingt l'un des artistes officiels du régime soviétique.
Sont présentées ici trois œuvres issues de la collection Morozov pour la période 1913-1916. Ces bustes tronqués et tors, saisissant les nus à l'acmé de leurs sensations, sont prêts à choir ou à basculer. L'aspect poli du bois sculpté leur confère une qualité tactile, anthropomorphique, renforcée par une couleur ambrée, charnelle, que le marbre ou le bronze ne sauraient incarner. En les confrontant aux grands nus classicisants d'Aristide Maillol, rendus également « à l'échelle humaine » et antérieurs de quelques années à peine, on peut mesurer l'étendue de l'intérêt d'Ivan Morozov pour ces manifestations antagoniques de la statuaire contemporaine française et russe.
Having shown great courage in his artistic choices, Ivan Morozov held a sustained interest in the nude as a genre, building a collection of Western and Russian sculptures devoted to it. For a long time, academic doctrine confined the representation of nudes to sculpture, where the petrification and abstraction inherent to the process of transposing the human form allows it to be revealed, through a process of idealization and anatomic precision.
Ivan Morozov's Russian collection includes a major group of nudes by Sergei Konenkov (1874-1971), nicknamed the "Russian Rodin." In the early 1920s, notoriously scandalous sculptor, whose first work was considered So provocative that it was literally destroyed "with hammer blows" by his outraged professors at the Moscow School of Painting, Sculpture, and Architecture, would become one of the Soviet regime's official artists.
Three works from the Morozov collection from the period 1913-1916 are shown here. These truncated and twisted busts capture the nudes at the height of their emotions, ready to fall or tumble over. The sculpted polished wood gives them a tactile, anthropomorphic quality, accentuated by the sensuous amber color that marble or bronze cannot embody.
By confronting them with Aristide Maillol's large classical nudes, also at a "human scale" and only a few years older, we can see the extent of Ivan Morozov's interest in these opposing manifestations of contemporary French and Russian statuary.
SERGUEI KONENKOV
(1874-1971)
Figure ailée | Winged Figure
Moscou, 1914
CHATBOT
TWELVY
Jeune Fille | Young Woman
Moscou, 1914
A genoux | Kneeling Woman
Moscou, 1916
Bois teinte | Tinted wood
Coll. Ivan Morozov, 1914-1916
Galerie nationale Trétiakov, Moscou
Outtake chatbot illustration for a Drupal chatbot website, drawn with Mischief on a Macbook Pro and a vintage Cintiq
TROIS NUS / THREE NUDES
Démontrant un grand courage dans ses choix artistiques, Ivan Morozov porta un intérêt continu au genre du nu et réunit une collection de sculptures occidentales et russes qui lui est dédiée. Longtemps, la monstration de la nudité fut en effet dévolue par le dogme académique à la seule sculpture, où la pétrification et l'abstraction inhérentes au transfert technique permettent de révéler la forme humaine en alliant idéalisation et précision anatomique.
On compte dans la collection russe d'Ivan Morozov un important ensemble de nus de Serguei Konenkov (1874-1971), sculpteur à la légende sulfureuse dont la première œuvre fut jugée si provocatrice qu'elle fut littéralement détruite « à coups de marteau ; par ses furieux professeurs de l'École de peinture, sculpture et architecture de Moscou. Surnommé à Moscou « le Rodin russe », il deviendra au début des années vingt l'un des artistes officiels du régime soviétique.
Sont présentées ici trois œuvres issues de la collection Morozov pour la période 1913-1916. Ces bustes tronqués et tors, saisissant les nus à l'acmé de leurs sensations, sont prêts à choir ou à basculer. L'aspect poli du bois sculpté leur confère une qualité tactile, anthropomorphique, renforcée par une couleur ambrée, charnelle, que le marbre ou le bronze ne sauraient incarner. En les confrontant aux grands nus classicisants d'Aristide Maillol, rendus également « à l'échelle humaine » et antérieurs de quelques années à peine, on peut mesurer l'étendue de l'intérêt d'Ivan Morozov pour ces manifestations antagoniques de la statuaire contemporaine française et russe.
Having shown great courage in his artistic choices, Ivan Morozov held a sustained interest in the nude as a genre, building a collection of Western and Russian sculptures devoted to it. For a long time, academic doctrine confined the representation of nudes to sculpture, where the petrification and abstraction inherent to the process of transposing the human form allows it to be revealed, through a process of idealization and anatomic precision.
Ivan Morozov's Russian collection includes a major group of nudes by Sergei Konenkov (1874-1971), nicknamed the "Russian Rodin." In the early 1920s, notoriously scandalous sculptor, whose first work was considered So provocative that it was literally destroyed "with hammer blows" by his outraged professors at the Moscow School of Painting, Sculpture, and Architecture, would become one of the Soviet regime's official artists.
Three works from the Morozov collection from the period 1913-1916 are shown here. These truncated and twisted busts capture the nudes at the height of their emotions, ready to fall or tumble over. The sculpted polished wood gives them a tactile, anthropomorphic quality, accentuated by the sensuous amber color that marble or bronze cannot embody.
By confronting them with Aristide Maillol's large classical nudes, also at a "human scale" and only a few years older, we can see the extent of Ivan Morozov's interest in these opposing manifestations of contemporary French and Russian statuary.
SERGUEI KONENKOV
(1874-1971)
Figure ailée | Winged Figure
Moscou, 1914
CHATBOT
TWELVY
Jeune Fille | Young Woman
Moscou, 1914
A genoux | Kneeling Woman
Moscou, 1916
Bois teinte | Tinted wood
Coll. Ivan Morozov, 1914-1916
Galerie nationale Trétiakov, Moscou
Chatbots are innovative tools that Robotic Process Automation (RPA) companies make use of. These bots take care of customer interactions and cater to all customer needs and requests with aid from AI (artificial intelligence).
Read more about Chatbots: velement.io/services/robotic-process-automation/
The Article is Real. it was the last part of an Article about. people falling in Love with Their "Chat-Bots"_ I used AI to Create some Chat-Bots / Androids. Which just might be the Future of love! Crazy and unbelievably. maybe even Sadley!! Actually, it's happening as we Speak!
I love the Part about "We Cannot Let Big Tech Colonize the Future of Love" I Agree. we cannot let That Happen!!
Thanks for Stopping by!
31/08/08
Antiquariato sui navigli, Milano
www.theoldrobots.com/chatbot.html
Back Links
motherboard.vice.com/read/googles-new-chatbot-taught-itse...
boingboing.net/2016/12/08/why-the-fbi-would-be-nuts-to-t....
Chatbots Are Shaping the Future of Technology t.co/0EMTO7qDTp #technology t.co/g1zPJ1xbTo (via Twitter twitter.com/AleantLLC/status/799657239736975360)
Yana provide the artificial intelligence Chat services. Chatbot in a university, students can gain newer and correct information that help them focus on achieving their goals. For more details visit yanatalk.com/about-yana/
One of a flurry of new downtown Ann Arbor murals, this one is by Taylor White.
You can disguise it all you want, but this will always be the Kiwanis Sale building for me.
CHATBOT SYSTEM
HEY GUYS MY DESIGNS NOW EVERYWHERE PLEASE SUPPORT ME GIVES ME THUMBS UP FOR MY WORK IF YOU REALLY LIKE IT
This Logo reveal video made with adobe after effect software
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