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Dress from Gentlemen Prefer Blondes.
A new exhibition at London's Getty Images gallery charts Marilyn Monroe's rise from aspiring actress to Hollywood icon. Drawing on a range of largely unseen archive photos, the show – which marks the 50th anniversary of Monroe's death, and runs until 23 May – includes rare video footage and a selection of memorabilia.
You're welcome to use these to help you learn how to ID those dolphins. All photos in the chart belong to me and supremestar (www.flickr.com/photos/supremestar/), please do not use without permission. Chart info and photos are subject to updates if animal status changes occur or I get better photos.
Where Jimmy Buffet got his start
keysweekly.com/42/a-modern-day-pirates-paradise-the-chart...
In November 1971, when Jimmy was brought for the first time to Key West by Jerry Jeff Walker and Teresa "Murphy" Clark, the trio's first stop in town was the Chart Room Bar at the Pier House Motel. The bartender on duty was Tom Corcoran, a friend of Jerry Jeff and today an author whose mystery novels are set in Key West and the Lower Keys. Tom gave Jimmy his first beer "on the house" as a welcome to the island. Jimmy saw the freebie and the bar's ambiance as omens of great things to come.
Jimmy began his tropical career playing for drinks in the The Chart Room for treasure divers, pot smugglers, beachcombers, politicians and friends. Some nights he was joined by Vaughn Cochran on washboard ( and today a well-known artist ), Steve Goodman (writer of Banana Republic and City of New Orleans), and even Jim Croce. Jimmy's earliest Key West related songs were tested on the Chart Room audience, and he sang a few that might surprise the die-hard fans: Tell Laura I Love Her was a frequent request, as were Danny's Song by Loggins & Messina, and the obscure, beautiful On My Own, written by B. W. Stevenson.
FORTIS B-42 Marinemaster with E6B on Macau ILS chart.
© All Rights Reserved - you may not use this image in any form without my prior permission.
You're welcome to use these to help you learn how to ID those dolphins. All photos in the chart belong to me, please do not use without permission. Chart info and photos are subject to updates if animal status changes occur or I get better photos.
You're welcome to use these to help you learn how to ID those dolphins. All photos in the chart belong to me, please do not use without permission. Chart info and photos are subject to updates if animal status changes occur or I get better photos.
A sample page from my Anne Crochet Lace Scarf pattern, showing how the charts are combined with text to walk you step-by-step through the pattern (available on Ravelry). Charts were made using VectorDesigner.
This is an old chart, about ten years, which is good, as it shows if there are any color shifts or fading over time. Most of these color samples are Winsor Newton Colors. The "A" marked on the chart is a designation from Winsor Newton that indicates lightfastness.
The white stripes through the colors are to test for color bleed. If you notice on Gold Ochre for instance, white opacity is hard to achieve. When layering gouache colors you have to be careful, as some colors continue to bleed through the layers. Especially, what are called fugitive colors, that contain small amounts of analine dyes. Cadmium colors I have found will always cover up a color below, so even if you have a midnight blue background, a cadmium orange will happily sit on top without bleed through, solidly opaque.
I love Brown Madder-- but, you won't see it on this chart. It is a no longer made Winsor Newton color with a lightfast rating of B. In under a year, many works of mine faded using this paint. That is when I got smarter and started paying attention to the information on the tube. Overall, purples in the Windsor Newton series tend to be fugitive. As an alternative, you can create your own gouache using a pigment and gum arabic, like the bottom purple color shown.
FULL TEXT:
FEEDBACK LOOPS IN GAME DESIGN
as observed by
Jesse Catron, Jay Barnson, Kyoryu
Design: Daniel Solis (danielsolis.com)
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In a feedback loop, the output affects the input.
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POSITIVE FEEDBACK AMPLIFIES the output and tends to destabilize the system. For example, the runaway leader. One player takes an early insurmountable lead.
In Settlers of Catan, the player with the most productive settlements will generate the most resources, which enables him to build more settlements and gain even more resources.
NEGATIVE FEEDBACK DIMINISHES the output and tends to stabilize the system. For example, a “take-that” mechanic that gives trailing player’s more opportunities to constrain the leading player’s efforts.
In Settlers of Catan, players are less likely to accept trades with the leading player. The leading player is more likely to be targeted by the Robber.
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Balancing feedback loops is an important skill for all game designers.
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DECK BUILDING
[ + ] You can use low value “copper” cards to buy higher value “silver” and “gold” cards, thus leading to greater and greater amounts of buying power later in the game.
[ - ] Victory is determined by collecting Victory Point cards, which have no short-term tactical value and simply take up space in your deck.
RACING / KING OF THE HILL
[ + ] Once a driver takes an early lead, they can shift to high gear to increase speed. While the trailing drivers jockey for more optimal position, the leader has few obstacles.
[ - ] Curves and hazards can make speeding dangerous, allowing trailing drivers to catch up. If cars have weapons, this makes the leader a likely target.
KNIZIA SET
[ + ] Players collect several different types of resources. Each resource has unique properties. Some of which may buy upgrades that make acquiring resources easier.
[ - ] Victory is determined by collecting the most full sets of all resources. Focus is spread across a broad spectrum of tactical decisions.
SOURCES
hyperbolegames.com/2012/05/11/game-design-gone-loopy/
rampantgames.com/blog/2009/08/game-design-positive-and-ne...
“Refresh” symbol by Joris Hoogendoorn, from The Noun Project
“Flag” symbol by Brad Hollander, from The Noun Project
This chart was made by Carl Jung in 1948. Here he sets out the original set of quaternities as a descending series. It was sketched on the back of a manila envelope but did not appear in his complex work called "Aion." Here reproduced and slightly enlarged for reading from "Becoming Whole: Jung' Equation for Realizing God" by Leslie Stein. It will make more sense to you if you have a copy of Jung's "Aion" and may prove to be most useful . . . Louise von Franz remarks on how it resembles the structure of DNA.
Experiment in building a photo mosaic from the Radio 1 Chart images.
Made using MacOSaiX using 344 packshots from www.bbc.co.uk/radio1/chart/singles
How to play a Gbm on the soprano. For alternative position and more info about this chord: www.ukulele-chords.com/Gbm