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Siguiendo el vuelo al sur, después de pasar por la cumbre del Copahue salimos a uno de los escenarios más bellos de los Andes, con la laguna y este bello volcán. Esas mesetas de abajo nos quedaron grabadas y años después fuimos a subir el volcán Copahue por esas bellas laderas, en la que debe ser la ruta más linda a la cumbre del Copahue (todos esos pequeños puntos en la meseta, son araucarias).
Región del Biobío, Chile central.
Y si de música se trata, dos maestros interpretando el tema Spiritual, Charlie Haden & Pat Metheny (el autor es el hijo de Charlie, el Sr. Josh Haden).
parte della mia collezione di dischi negli anni 80/90.
da sinistra (quelli leggibili):
• Hiram Bullock give it what u got • Linda Ronstadt Lush Life • Linda Ronstadt What's New • artisti vari Opere per tromba e organo • Ivan Davis • Elements • Barbra Streisand The Broadway Album • Emerson, Lake & Palmer • George Duke Face Reflection • We Are The Word Usa for Africa • Weather Report Misterious Traveller • John Lee Hooker The Healer • Jonny Clegg & Savuka Cruel, Crazy Beautiful World • Bowie Diamond Dogs • Deodato 2 • Dire Straits Making Movies • Papa John Creach • Tracy Chapman • Joni Mitchell Hejira • The Years After (Alvin Lee) Ssssh! • Bruce Springsteem Born In U.S.A • V.S.O.P. The Quintet • The Pablo All Stars Jam• Ry Cooder Jazz • Coleman Hawkins • Traffic Welcome To The Canteen • Stevie Wonder In Square Circle • Gary Peacock Tales Of Another • Miles Davis Bitches Brew • Pat Metheny with Dave Holland & Roy Haynes Question and Answer • Weather Report Tale Spinnin • Dexter Gordon • Swing Bands• Ahmad Jamal Tranquility • Lou Donaldson A different scene • Claudio Fasoli & Franco D'Andrea Jazz Duo • Charlie Haden Closeness • King Crimson Starless and Bible Black • King Crimson U.S.A. • Chick Corea & Gary Burton Crystal Silence • Laws - Jones - Corea Blanchard: New Earth Sonata • Return To Forever featuring Chick Corea Where Have I Known You Before • Sade Stronger Than Pride • Sade Promise • Sade Diamond Life • Susanne Vega Days Of Open Hand • Susanne Vega • Wynton Marsalis Hot House Flower • Wynton Marsalis Haydn, Hummel, L. Mozart: Trumpet Concertos, National Philharmonic Orchestra Leppard • Wynton Marsalis Black Codes (From The Underground) • Wynton Marsalis Think Of One... • Sting Bring On The Night • Sting ...Nothing Like The Sun • The Police Reggatta De Blanc • The Police Outlandos d'Amour • The Police Ghost In The Machine • Oscar Peterson Another Day • Oscar Peterson the Way Beally Blay Vol. III • Oscar Peterson My Favorite Instrument Vol. IV • Oscar Peterson Mellow Mood Vol. V • Oscar Peterson Jazz History Vol. 6 • Oscar Peterson & Clark Terry • Pink Floyd Animal • Eric Clapton Money And Cigarettes • Eric Clapton No Reason to Cry • Bob Dyland Knocked Out Loaded • Grover Washington Winelight • Grover Washington Jr. Then and Now • Yes The Yes Album • Phoebe Snow
ovviamente, questi dischi sono solo una parte della discografia straniera di tutta la mia raccolta
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- Palermo -
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Copyright © 1990 Federico Patti. All rights reserved.
Please, do not use my photos without my written permission.
¿Cómo se mide lo dado?
¿Dónde está aquella regla intransferible capaz de estirarse y contraerse al ritmo de nosotros, al compás de nuestras vidas?
Al fin y al cabo se trata de emoción.
Se trata de sensibilidad.
Se trata de memoria.
Al fin y al cabo se trata de huellas que sin habérnoslo consultado, nos acompañan.
En apenas una semana murieron Charlie Haden (Shenandoah, Iowa, 6 de agosto de 1937 – Los Ángeles, California, 11 de julio de 2014) y Johnny Winter (Beaumont, Estados Unidos, 23 de febrero de 1944 — Zúrich, Suiza, 17 de julio de 2014).
No lo hacemos a menudo pero cuando hablamos de la muerte, lo hacemos a la distancia, una abstracción más entre tantas otras. Y es que la sola idea de morir aterroriza.
Pero es que la música, cierta música, permanece indisolublemente adherida a los recuerdos, a circunstancias vividas, a proyectos imaginados.
Despertarse con 'Mojo boogie' o casarse con 'Two for the road' son solo dos ejemplos a mano.
Tuve la fortuna de disfrutarlos en directo en estos últimos años.
Gracias Charlie, gracias Johnny. Gracias por todo.
- See more at: fernandoprats.com/charlie-y-johnny/#sthash.ytLNQQLf.dpuf
One of the most important jazz events took place at Jazz at Lincoln Center during the week of APAP last week. The 2012 National Endowment for the Arts held their 30th anniversary of the Jazz Masters Ceremony and Concert to a sold-out crowd. The event pays tribute to the architects of jazz music both living and deceased. More importantly, the NEA gives the current inductees as well as music programs and centers all over the country, grants and funding to continue the legacy of providing the community jazz programming and education to keep the music viable to public. Including this year’s inductees, the NEA has celebrated the work and lives of 128 jazz musicians, awarded more than 2,400 jazz grants, and given over $32 million dollars over the last 30 years. A very important feat for the music that very seldom gets the notoriety or praise like other American black music such as hip-hop, soul, and the blues.
This year’s 2012 NEA Jazz Masters inductees include: Sheila Jordan, vocalist and educator; Von Freeman, tenor saxophonist and bandleader; Jack DeJohnette, drummer and pianist; Jimmy Owens, trumpeter, educator, and advocate; and Charlie Haden, bassist and bandleader.
The festivities kicked off this year in regal fashion as Rocco Landesman, Chairman of the National Endowment for the Arts gave the opening comments about how rich the NEA’s tradition of celebrating and commemorating of America’s only art form. 2007 NEA Jazz Master Ramsey Lewis and last year’s inductee Wynton Marsalis, artistic director of Jazz at Lincoln Center, also gave opening comments of the historical implications of the 30th Anniversary of this year’s jazz masters ceremony.
NEA Jazz Master Phil Woods along with alto saxophonist Grace Kelly played “Things To Come” composed by former NEA Jazz Master Dizzy Gillespie. The two were backed by the stellar Jazz at Lincoln Orchestra lead by Wynton Marsalis.
Drummer Jack DeJohnette was inducted by his mentor and fellow NEA Jazz Master Muhal Richard Abrams. Abrams helped Jack as a teen study and play both the piano and drums while growing up in Chicago, Illinois. Through Abram’s Association for the Advancement of Creative Musicians, Jack developed a love and passion to play both classical and jazz music which helped him decide to play music professionally. In the mid-1960’s Jack decided to move to New York City where he played with the late Rashied Ali in the John Coltrane Quintet. He got his first taste of success when he joined saxophonist Charles Lloyd in his first quartet where he played with a young pianist named Keith Jarrett. During the late 1960’s into the 1970’s, Jack backed and recorded with the likes of Miles Davis, Sonny Rollins, Special Edition, New Directions, and his long association with the Keith Jarrett Trio with bassist Gary Peacock. Today, Jack is still very active and just released his latest disc “Sound Travels” on the the eOne Music label.
NEA Jazz Master Benny Golson gave the induction speech of 2012 inductee Von Freeman. Freeman, who couldn’t make this year’s ceremony due to illness, was given some praise and adoration by his sons Chico and Mark Freeman, who gave his induction speech. Earle Lavon Freeman, Sr, was born in Chicago, Illinois where he’s been a musical icon for the last 70 years. Von comes from that elite class of Chicago tenor saxophonists like Gene Ammons, Clifford Jordan, and the late Johnny Griffin. During the 1950’s he and his brothers George and Bruz were the house band at the famed Pershing Hotel in Chicago. Von played with a slew of great local musicians that included Jimmy Witherspoon, Sun Ra, and Andrew Hill. In 1972 he recorded his debut recording “Doin’ It Right Now” produced by Rahsaan Roland Kirk. Currently Von plays weekly at the New Apartment Lounge and Andy’s Jazz Club in Chicago.
Bassist and bandleader Charlie Haden has given the world of music and jazz his unique blend of originality and heart. Since he made his way on the bandstand during the late 1950’s, Haden has been a trailblazer and relentless musician always striving to take music to the next level as well as always create new forms of roots music. From his days with saxophonist Ornette Coleman’s group, the quartet recorded the landmark recording for Atlantic Records, “The Shape of Jazz to Come.” But in 1969 Haden would record one of the most ambitious jazz recordings of the time. “Liberation Music Orchestra” was a record that fused the social themes of the times as well as free jazz that spoke volumes in the jazz community. The music was arranged and composed by Carla Bley and the orchestra has been recording sporadically over the last four decades. In addition to Haden’s orchestra, the three-time Grammy Award winner also fronts Quartet West. Charlie couldn’t attend the jazz masters ceremony due to his recovery from a recent surgery. His daughter Patra read his acceptance speech and acknowledged his many accomplishments on Charlie’s behalf.
Vocalist, musical visionary, and NEA Jazz Master Jon Hendricks gave one of the most poignant speeches for his friend and contemporary, vocalist Sheila Jordan. Hendricks praised her accomplishments as a vocalist as well as keeping the vocal tradition alive by teaching the next generation of vocalists. Jordan, a Detroit native, comes from a great tradition and legacy of musicians that have made great and important strides in the world of jazz music. She developed her vocal style while singing in a local group named Skeeter, Mitch, and Jean. But it was her drive and determination that got her to move to New York City where she decided to throw herself into the thriving music scene. When she moved here she learned music theory and harmony by bassist Charles Mingus and pianist Lennie Tristano. Pianist George Russell discovered and recorded her on his “The Outer View” recording in 1962. Sheila made history by recording the first vocal record for Blue Note Records titled “Portrait of Sheila.” Throughout her career she’s recorded and performed with the Steve Kuhn Quartet and Harvie Swartz. Today she continues to teach jazz vocal workshops as well as perform all over the world.
Trumpeter and educator Jimmy Owens is having a stellar 2012 so far. His latest IPO Recordings release “The Monk Project” celebrates and focuses on the compositions of pianist Thelonious Monk. In his 50 years in the business, the 68 year-old musician has been on the front lines for the betterment for working jazz musicians. As a board and active member of the Jazz Foundation of America, part of Jimmy’s lifework has been to help musicians seek funding for medical expenses, legal assistance, housing, and steady work. He founded the Musicians Emergency Fund due to the lack of support from the arts community and serve as a means to never negate the lives of many musicians that haven’t had the support or the able means to survive. Musicians that have benefited from this generous program were Odetta, Fats Domino, Clark Terry, Freddie Hubbard, Cecil Payne, and Sweet Georgia Brown. In addition to his dedication to the JFA, he’s also been a supporter and advocate for the Local 802 of the American Federation of Musicians here in New York City. It’s Jimmy’s drive and passion that he’s fought State Politicians to repeal the 8.25% admission tax for clubs and major venues and to take those funds and contribute them to the AFM’s pension fund.This and his dedication to education in jazz music is why he’s been honored as one of this year’s NEA Jazz Master Inductees.
Jimmy, who hails from the Bronx, New York, was exposed to jazz music when he was kid when his parents played the music. He wanted to play the trumpet and one of his first teacher’s as well as mentor, Dr. Donald Byrd, got him to take the instrument and studying it seriously. Over the years he’d back and play with some of jazz music’s leading innovators and icons. Musicians like Duke Ellington, Count Basie, Lionel Hampton, Clark Terry, Dizzy Gillispie, and the Thad Jones/Mel Lewis Orchestra.
Today he still teaches as well as serves as a mentor to many of today’s current jazz musicians and composers.
Some of highlight performances of the evening included two separate duo performances including NEA Jazz Masters bassist Ron Carter and flutist Huber Laws in their rendition of “Little Waltz”/”Memories of Minnie.” Also, Jazz Masters vibraphonist Bobby Hutcherson and pianist Kenny Barron’s rendition of Dave Brubeck’s “In Your Own Sweet Way.” The Jazz at Lincoln Center Orchestra under the direction of Wynton Marsalis did an outstanding job in arranging tributes throughout the concert to NEA Jazz Master Horace Silver featuring Dave Liebman, Toshiko Akiyoshi, Candido Camero, and the new trumpet sensation Ambrose Akinmusire. The Benny Carter and Frank Foster tribute also turned a lot of heads featuring saxophonists Frank Wess and Benny Golson.
I must add that the National Endowment for the Arts have dedicated to the works and mission to keep the jazz legacy alive via the grants they award every year. Also, they’ve been in tune with the jazz community via journalists, the musicians, and the many jazz associations to help educate and get the word out about America’s only original art-form. The NEA has more info for fans to reach out into their community to support the arts. For more info please visit them on the web at www.arts.gov.
Watch this video on Vimeo. Video created by Brian Pace.
Early 1970s. Ian, as a young jazz bass player, would travel from his home in Winnipeg to see his favorite jazz musicians in NYC. He took this photo of Charlie Haden (one of his very favorite bass players).
Charlie was playing with Don Cherry and Ed Blackwell at an outdoor concert in Central Park.
Charlie was playing with Don Cherry and Ed Blackwell at an outdoor concert in Central Park.
John McLaughlin / My Goal's Beyond
Side one:
- "Peace 1" (John McLaughlin) - 7:15
- "Peace 2" (John McLaughlin) -12:18
Side two:
- "Goodbye Pork Pie Hat" (Charles Mingus) - 3:15
- "Something Spiritual" (Dave Herman) - 3:35
- "Hearts and Flowers" (Theodore Moses Tobani) - 2:05
- "Phillip Lane" (John McLaughlin) - 3:35
- "Waltz for Bill Evans" (Chick Corea) - 2:00
- "Follow Your Heart" (John McLaughlin) - 3:17
- "Song for My Mother" (John McLaughlin) - 3:30
- "Blue in Green" (Miles Davis, Bill Evans) - 2:37
John McLaughlin – acoustic guitar
Billy Cobham – drums
Charlie Haden – bass
Jerry Goodman – violin
Dave Liebman – flute, soprano saxophone
Airto Moreira – percussion
Badal Roy – tabla
Mahalakshmi (Eve McLaughlin) – tanpura
Recorded: New York City, March 1971
sleeve design: Chris Poisson
Label: Douglas Records / 1971
ex Vinyl-Collection MTP
for the "Desert Island challenge", I selected close to 50 but was limited to 24 so here are the remaining of the list.. great musics but that did not make the first list.
Claude Debussy - Pelleas et Melisande
Modest Mussorsky - Boris Godunov
Univers Zero - Ceux du dehors
Dead Kenndy's - Give me convenience or give me death
Soft Machine - Third
Joy Division - Closer
Lou Reed & John Cale - Songs for Drella
Olivier Messiaen - Trois petites liturgies
Bela Bartok - 6 String quartets
Van Der Graaf Generator - Still Life
Bela Bartok -Music for Strings, percussion and Celesta
Sting - Fields of Gold (bestof)
Charlie Haden and Pat Metheny - beyond the Missouri sky
Slapp Happy / Henry Cow - Desperate Straights
Chick Corea and Gary Burton in Concert
Bill Evans - Alone
John Mayall - USA Union
Oscal Peterson and Joe Pass - Porgy and Bess
John Coltrane - Impressions
Bill Evans - You must believe in spring
Romano, Sclavis, Texier - Carnet de routes
Atahualpa Yupanqui - 30 ans de chansons (best of)
Peter Gabriel (best of)
Jean-Claude Vannier
Blue Note Jazz Festival, Gent, 10-7-2007.www.charliehadenmusic.com/main.htm
Charlie Haden: Bajo
Ernnie Watts: Saxo
Alan Broadbent: Piano
Rodney Green: Batería
Although Alice Coltrane played with Yusef Lateef and Terry Gibbs under her birth name, Alice McLeod, it was as John Coltrane's wife that I first heard her work on 1969's Huntington Ashram Monastery. I was intrigued to hear harp played in an aggressively expressive manner. Jazz harp had been part of "society jazz" ensembles, but Coltrane was now giving voice to the ancient instrument in a much freer setting, requiring expert interpretive skills to weave integral sonic arcs over/against her rhythm section. Her piano playing revealed blues roots coupled with generous exploration.
Later, I heard her work as the replacement for McCoy Tyner in John Coltrane's group. Strictly speaking, Tyner was not "replaced," since McCoy and Alice are starkly different improvisers, and Trane's great quartet is untouchable. But, given the fact that John had brought in Rashied Ali as his drummer and added Pharoah Sanders on saxophone, it was essentially a markedly different ensemble. (Bassist Jimmy Garrison is the sole member in common besides the leader.)
Their live albums from 1966 gigs in Japan and the Village Vanguard are among the most hair-raising imprintings ever to grace vinyl. The energy level is stratospheric (I credit the music with once curing me from an emerging case of flu) and being largely improvised, the gestalt is volunteered to the spirit of the moment. Alice's modal, orchestral, playing, is crucial to the whole. These two records are, safe to say, not for everyone.
But four years later, a calmer melodic aesthetic prevailed. Alice recorded again with Pharoah and Rashied in a couple New York venues and brought us the remarkable Journey in Satchidananda. Among her most accessible albums, Journey is marked by Coltrane's ear for groove, timbre, and surprise, and is rooted in her nascent spirituality.
The addition of Eastern instruments oud and tamboura could have been an empty exercise in exoticism, but under Coltrane's leadership, a delicious mysticism ensues, aided by the likes of percussionist Majid Shabazz and master acoustic bassists Charlie Haden and Cecil McBee.
Here's album's the title track:
Incidentally, Swami Satchidananda, Alice Coltrane's spiritual perceptor and the inspiration for these pieces, is known to the rest of us as the cheerful, white-bearded, orange-robed presence in the movie, Woodstock.
Alice left this plane in the first month of 2007. She had been living in Southern California, leading an ashram and spiritual center quietly in a secluded rural retreat. Despite a long hiatus from recording, only recently revived prior to her death, she left a wide-ranging array of jazz compositions and bhajans (spiritual songs). Thank you, Turiya.
www.scpr.org/blogs/offramp/2011/07/29/3200/peter-stenshoe...
Early 1970s. Ian, as a young jazz bass player, would travel from his home in Winnipeg to see his favorite jazz musicians in NYC. He took this photo of Charlie Haden (one of his very favorite bass players).
Charlie was playing with Don Cherry and Ed Blackwell at an outdoor concert in Central Park.
Early 1970s - Ian took this photo at a rehearsal at New York University, featuring the music of trombonist Roswell Rudd. Sirone and Charlie Haden were the bassists.
Charlie Haden @ the Barbican Centre. 21 May 2011. Copyright Michael Valentine Studio Ltd. More of Charlie haden... www.michaelvalentinestudio.com/jazz_gallery/charlie_haden...
"Song X" - The collaboration album SONG X by Ornette Coleman and Pat Metheny from the mid-80's inspired this piece.
This quote was too good not to turn into something more permanent. So I did.
watch the whole speech here - www.grammy.com/videos/lifetime-achievement-award-for-char...
the photo originates from - www.winnipegfilmgroup.com/cinematheque/mr_haden_rambling_...
please download this, print it out, stick it on your wall (especially if you're a music teacher) and try to live it.
The quote, in case you just want to cut 'n' paste it elsewhere is
" "If you strive to become a good human being,
with the qualities of generosity, humility
and having reverence for life...
just maybe you'll become
a great musician."
- Charlie Haden"
verona jazz festival 2005.... - teatro romano -
"charlie haden ensamble"
charlie haden- bass - ..michael rodriguez- trumpet - david sanchez- sax tenore -..miguel zenon- sax alto -..oriente lopez- flute -..gonzalo rubalcaba- piano -..lionel loueke/larry koonse- guitar -..ignacio berroa- drums -..juan de la cruz- bongos -
best.... bighugelabs.com/flickr/onblack.php?id=2839554918&size...
feel free to visit my web site
please no big icon awards
© All rights reserved. Use without permission is illegal
The classic Ornette Coleman Quartet performing at the Five Spot back in 1959! The band featured Ornette on alto sax, Don Cherry on cornet, Charlie Haden on bass and Billy Higgins on drums.
"Song X" - The collaboration album SONG X by Ornette Coleman and Pat Metheny from the mid-80's inspired this piece.
The classic Ornette Coleman Quartet performing at the Five Spot back in 1959! The band featured Ornette on alto sax, Don Cherry on cornet, Charlie Haden on bass and Billy Higgins on drums.
Copyright Mark Sullivan/Wire Image
On January 21, 2009, The GRAMMY Museum hosted critically-acclaimed jazz composer and bassist Charlie Haden, who was accompanied by pianist Alan Broadbent. The program was presented in conjunction with The New York Performing Arts Library and The Recording Academy. This special Los Angeles date featured an interview with The GRAMMY Museum Executive Director Robert Santelli, followed by an intimate performance.
Was a very good gig. An hour and half of decent music. For a 79 year old he did well, although Chuck Berry still has it for me.
Bass Player live 2009 event.Oct 24-25 at SIR and concert at the Key Club with Charlie Haden, Mars Volta members ,Tower of Power and final jam with all the major bass players. Charlie Haden.
"verona jazz festival" june 2005 teatro romano - italy -
"gonzalo rubalcaba "& david sanchez
"charlie haden ensamble"
charlie haden- bass - ..michael rodriguez- trumpet - david sanchez- sax tenore -..miguel zenon- sax alto -..oriente lopez- flute -..gonzalo rubalcaba- piano -..lionel loueke/larry koonse- guitar -..ignacio berroa- drums -..juan de la cruz- bongos -
best ... View On Black
feel free to visit my web site
© All rights reserved. Use without permission is illegal
The classic Ornette Coleman Quartet performing at the Five Spot back in 1959! The band featured Ornette on alto sax, Don Cherry on cornet, Charlie Haden on bass and Billy Higgins on drums.
"The Veil" - The collaboration album SONG X by Ornette Coleman and Pat Metheny from the mid-80's inspired this piece.
charlie haden, bill frisell, and ethan iverson played as a trio at this year's newport jazz festival. as you can imagine, it was pretty mellow without a drummer.. but that's totally cool, these guys didn't need one
ARTIST: Ornette Coleman
(Cherry tp, Haden b, Higgins dr)
TITLE: Change Of The Century
COMPOSER: Coleman
YEAR: 1959 (a new reprint)
LABEL: Atlantic SD 1327
TIME: 40'55
PRODUCER: Nesuhi Ertegün
PHOTO: Lee Friedlander
COUNTRY: US
BOUGHT: 30.6.09
GENRE: jazz
FORMAT: LP
RECORD BEFORE THIS: Charlie Mingus: Tijuana Moods
RECORD AFTER THIS: Billy Cobham: Crosswinds
1. Ramblin' 6:39
2. Free 6:24
3. The Face of the Bass 6:59
Side 2
4. Forerunner 5:16
5. Bird Food 5:31
6. Una Muy Bonita 6:02
7. Change of the Century 4:41
Recorded 8 October & 9 October 1959 at Radio Recorders, Hollywood, California.
From the classic Atlantic period late 50's.
the same as Shape of jazz to come.
All classics! - sounds still fresh!