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Take a sneak peek at the ceramic floor and wall tile trends of 2017 @ceramicfstudio
#3rdFiringDecoration #ArtTiles
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3rd Firing Decorated Tile is represented by Ceramic Fashion Studio. #3rdFiringCeramicTile.
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Nothing says luxury louder than this beautiful flower panel and bath. For further information on the mosaic bathroom tiles and the mosaic bath visit:
Create a focal point in your bathroom using glass mosaic tiles to create decorative flower panels. Keep the other areas a uniform colour for a relaxing and balanced effect. For further information visit:
Order best architect walll tiles for your modern bathroom. goo.gl/uRfpEy #CeramicFashionStudio
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Old Ornate Decorative Ceramic Wall Tiles in the courtyard entrance to the Cathedral of Saint Mary the Crowned in Main Street, Old Town.
After the Christians drove the Moors from the Rock in 1462, their mosque was used as a church until the Catholic rulers, King Ferdinand and Queen Isabella, decreed that it be stripped of its Islamic past and extended in Gothic style. They donated bells and a clock for the 100ft tower, which remain to this day, and their Coat of Arms was placed in the courtyard where it can still be seen. Renamed Santa Maria la Coronada y San Bernardo, the Cathedral's small courtyard is a remnant of the larger Moorish courtyard of the mosque. The cathedral extended to the opposite side of what is now Main Street. The Church was severely damaged during the 1779–1783 Great Siege of Gibraltar, an unsuccessful attempt by Spain and France to capture Gibraltar from the British during the American War of Independence. in 1790 the then Governor of Gibraltar, Sir Robert Boyd, offered to rebuild the cathedral in return for part of the land on which the building originally stood in order to re-route Main Street, which was remodelled so that Main Street could be straighter.
Onyx look design ceramic wall tile with glossy surface. More info. pls visit: www.colorbuilding.com or www.colorbuilding.en.alibaba.com
Frog wall tile: 9 1/2" in diameter.
Greensand clay body with added TSP - Tsp is trisodium phosphate, NaPO4, a cleaner (solubility 1.5 g/100 ml at 25 C and 8.8 g/100 ml at 25 C). The TSP migrates to the surface of the piece during drying and later combines with the iron in the clay body as firing proceeds to form a stable red-orange-brown glaze on the surface of the piece. Without the TSP at the temperature the piece was fired, the clay body would be a very light buff-tan-pink color. Fired to Cone 010 (1652 F/900 C) in an electric kiln. The frog is decorated with an OM-4 ball clay terra sigillata containing chrome and tin oxide.
“Intrepid” - Great Blue Heron Wall Tile
12.25” H X 8” W X 1.3” D
White stoneware clay; lustre glaze with copper and cobalt; native red clay terra sigillata for legs and beak; Blue Heron primary yellow ceramic stain for background (Axner/Laguna); reduced in electric kiln; enhanced with a propane torch and fluxes.
The aluminum metal blebs (left and right side, about mid-way on the tile) are from the aluminum foil packs of charcoal set on the tile for the reduction in the electric kiln.
Clay body - modified Bryan's Raku (a white stoneware body used by Bryan McGrath, as per Steven Branfman in "Mastering Raku":
Hawthorne Fireclay - 50
OM-4 Ball clay - 20
Mullite (48-mesh) - 20
Spodumene - 10
A very smooth, plastic clay body. My wheel-throwing friends like it, too. The original recipe called for 48-mesh grog.
Anywhere in India, DoorStep Delivery! Best Tiles, Fantastic Decor that works for your home, office, Lounge, Hotel Room, Restaurant, Name it!
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Electric kiln opening - after reduction firing.
In this firing there were four shelves with added charcoal packs -- the kiln was clean after firing. Aluminum foil decomposes at 1220 F (660 C, Cone 019-020). Reynolds brand is 98.5% aluminum with the remainder silica and iron. With the charcoal wrapped, the foil will not decompose and expose the charcoal until 1220 F plus, giving time for reduction to 1652 F (900 C, Cone 010) and a little during cooling.
On the piece shown here I also coated the surface surrounding the cat face with jojoba oil before glazing to help keep my glaze where I wanted it. The jojoba oil has a flash point of about 555 F -- here it began to burn-out at 469 F. It smelled quite pleasant during burn-out and there was no visible smoke from peeps or part-open kiln lid. My kiln is not vented so I typically run most firings with peeps out and lid cracked. I did close up around 1420 F (on the down-side) for this firing.
Between the charcoal and the jojoba oil, clay body reduction (from yellow after bisque to grayish-tan) as well as slight glaze reduction were accomplished in the electric kiln.
The charcoal used was oak lump charcoal containing no additives. Some standard brands of charcoal may contain additives that studio artists may not want in their mix of things, such as coal, limestone, starch, borax (a source of boron oxide), sodium nitrate, and sawdust.
The brand of charcoal used for the firing came from B & B Charcoal, Flatonia, TX (100 % natural oak, no additives).
Greenware - Zen Garden Tile: "Fields of Gold"
Buff clay body with manganese and coconut fiber
The physical properties of coconut fiber show that the pH of the slurry is slightly acidic, approximately 6.2 or so. The weight loss on ignition at 1607 F (875 C) averages around 37.40% for coconut fiber, depending on how it is processed. The weight loss on ignition is a measure of the carbon content lost during combustion and measures the effectiveness of the fiber as a filler and clay body additive. In general, the higher the weight-loss values, the greater the reinforcing potential of the coconut fiber. The coconut fiber used in this clay body was from Zoo Med Laboratories, Inc., and sold as Eco Earth as bedding for reptiles and amphibians. To eliminate excessively long fibers it was screened to 16 mesh prior to use. The resultant clay body was nice and smooth and had good adhesion and joining properties. Greenware strength was excellent, there was no warpage during drying, and the tile fired nicely leaving slight texture from the coconut fiber burn-out.
Zen Garden Wall Tile: "Joyous Activity"
13.5” H X 11.2” W X 2” D
Local, hand-dug white Fort Worth clay with green stain. The clay was collected dry from the Trinity Trails area along the Clear Fork River in Fort Worth, TX.
Fired to 1652 F (900 C) in an electric kiln.
Geronimo made the paw prints. He's a spunky, sweet, red & white kitten who just loves to help his humans with anything they might be doing. See photos of Geronimo at www.neon-cat.com
Greenware (unfired) - Zen Garden Wall Tile: "Joyous Activity"
This is the tile before firing. It was made with local, hand-dug white Fort Worth clay that contains natural fossil shells and added platey mica. The clay was collected dry from the Trinity Trails area along the Clear Fork River in Fort Worth, TX. It was then crushed, sieved to mesh size 20, and mixed with a few minimal other goodies and water.
Zen Garden Tile: "Fields of Gold"
12” H X 10” W X 2” D
Buff clay body with manganese and coconut fiber
Cone 010 oxidation (electric kiln)
The physical properties of coconut fiber show that the pH of the slurry is slightly acidic, approximately 6.2 or so. The weight loss on ignition at 1607 F (875 C) averages around 37.40% for coconut fiber, depending on how it is processed. The weight loss on ignition is a measure of the carbon content lost during combustion and measures the effectiveness of the fiber as a filler and clay body additive. In general, the higher the weight-loss values, the greater the reinforcing potential of the coconut fiber. The coconut fiber used in this clay body was from Zoo Med Laboratories, Inc., and sold as Eco Earth as bedding for reptiles and amphibians. To eliminate excessively long fibers it was screened to 16 mesh prior to use. The resultant clay body was nice and smooth and had good adhesion and joining properties. Greenware strength was excellent, there was no warpage during drying, and the tile fired nicely leaving slight texture from the coconut fiber burn-out.
Blue Cat Wall Tile ('Moosh')
11.25: H X 7.5” L X 5/8” D
Local, hand-dug Fort Worth white clay with added milled rutile and other goodies; lustre glaze with Vanadium pentoxide and Copper chloride; Ferro green ceramic stain #41822A; reduced in electric kiln
Bison wall tile: 8 3/8" H X 11" L X 1 1/4" D; greensand clay body with added TSP - Tsp is trisodium phosphate, NaPO4, a cleaner (solubility 1.5 g/100 ml at 25 C and 8.8 g/100 ml at 25 C). The TSP migrates to the surface of the piece during drying and later combines with the iron in the clay body as firing proceeds to form a stable red-orange-brown glaze on the surface of the piece. Without the TSP at the temperature the piece was fired, the clay body would be a very light buff-tan-pink color. Fired to Cone 010 (1652 F/900 C) in an electric kiln. The buffalo was decorated with an iron-manganese terra sigillata and a black slip made from local clays collected from along Trinity Trails near the Clear Fork River.
Zen Garden Wall Tile: "Journey"
9.5” H X 13.25 W X 2.5” D
Agateware containing porcelain with graphite, a manganese-buff clay body with coconut fiber, and local, hand-dug Fort Worth red clay from the Trinity Trails area on the Clear Fork River with added perlite.
Fired to 1652 F (900 C) in an electric kiln.
Horse wall tile: 9 7/8" H X 7 3/16" W X 3/8" D; buff clay body with greensand, calcium carbonate, coconut fiber, and a small amount of TSP; the horse is decorated with rutile in native white clay, the frame is colored with a black stain made with native red clay; the light background is highlighted by an iron-manganese skip. Copper chloride was applied to the background prior to adding the highlights,
Fired to Cone 010 (1652 F/900 C) in an electric kiln.
Blue Cat Wall Tile after bisque
The white clay turned yellow due to the milled rutile that was added to it. The roundish white blops seen in the fired clay body are remnants of fossil shells that are part of the calcareous (calcium-containing) clay.
Zen Garden Wall Tile: "Three Fine Rocks"
13” H X 10.25” W X 1 3/8” D
Local white, hand-dug Fort Worth clay from Trinity Trails.
Rocks: chalcopyrite (center) with two dark iron phosphate rocks. The shiny iron phosphate rocks were collected along the Trinity River (the green-streaked chalcopyrite, a copper ore, is not native to our area here).
Added rutile and special fluxes turned the white clay yellow during firing.
Slight green stain along the ridges of the rows.
Electric kiln fired to Cone 010 (1652 F/900 C)
Its been ages, until last few years, when bathrooms were considered mere functional spaces and had nothing to do with aesthetics or had any value in a home or a hotel and all.
The spa feeling, the feeling of bathroom being one of the main attractions in a home or hotel has been the focus last few years.
How about a soaking tup with a backlash of Ceramic to go with it, from the sunshine of the beaches to the air or the mountains.
Floor Tiles create space beneath the tub and let you show off your floor tiles.
#ArtTile #3rdFiringDecoration #CeramicFashionStudio #3rdFiringCeramicTile #CeramicTiles
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Cat Mask
11.5” H X 5.75” W
Local, white, hand-dug Fort Worth, Texas clay from the Clear Fork River section of Trinity Trails; lustre glaze with titanium oxide (chemical TiO2); bisque and glaze fired to Cone 010; reduced in an electric kiln with charcoal.
Iguana wall tile -
6 3/4" H X 6 1/4" L X 3/4" D; white stoneware, chrome oxide & tin oxide in terra sigillata (frog), Ferro "Intense Orange" stain (background), slips (branch), Ferro green & yellow stain (leaves); Caput Mortuum (drupes); fired to 1652 F (900 C) in an electric kiln (Cone 010).
Bison wall tile:
6" H X 11 1/4" L X 3/4" D; greensand clay body with added TSP - TSP is trisodium phosphate, NaPO4, a cleaner (solubility 1.5 g/100 ml at 25 C and 8.8 g/100 ml at 25 C). The TSP migrates to the surface of the piece during drying and later combines with the iron in the clay body as firing proceeds to form a stable red-orange-brown glaze on the surface of the piece. Without the TSP at the temperature the piece was fired, the clay body would be a very light buff-tan-pink color. Fired to Cone 010 (1652 F/900 C) in an electric kiln. The bison is decorated with an iron-manganese slip and outlined in a terra sigillata made from OM-4 ball clay.
Cat Mask
The photo shows the ash residue of spent oak wood charcoal lumps in the flimsy shells of burned-up heavy duty aluminum foil. They were easy to shop vac away.
Preview the "Cerface" Range, Select to Order - It's that Simple
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