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lauren and i went to see tool on june 9th at the boardwalk hall in atlantic city new jersey. beforehand we stopped by to grab a bite to eat in this cute little greek diner. they had money taped/etc to the walls, the garbage cans, the seats, the ceilings, the bathroom door, everywhere. there had to have been hundreds everywhere.
We went to see the Marriage of Figaro which we really enjoyed. The beautiful Mozart music, the remarkable singing, costumes, scenography, and the gorgeous theatre itself, made for a special night.
Cottage-cheese like substance on the bedroom ceiling.
Is this stuff ubiquitous in countries outside the U.S.?
First thing I saw upon waking from a nap (yesterday's theme involved one of our cats napping ... hmmm ... lol)
Hey, the rule is a picture a day, not a masterpiece of photography per day.
146/366: 25 May 2012
Roof boss in ceiling of north aisle showing a green man based upon the early 'cat' designs. This style of green man quickly fell into disuse although this seems to be a reinvented Victorian piece. At one time a third 'monkey' would have also have flanked the left side.
Looking up at the inside of Brunelleschi's dome.
The ceiling of the dome is decorated with a representation of The Last Judgment. Originally left whitewashed following its completion it was the Grand Duke Cosimo I de' Medici who decided to have the ceiling of the dome painted. This enormous work, 3,600 metres² (38 750 ft²) of painted surface, was started in 1572 by Giorgio Vasari and would not be completed until 1579. The upper portion, near the lantern, representing The 24 Elders of Apocalypse was finished by Vasari before his death in 1574. Federico Zuccari with the assistance of Bartolomeo Carducci, Domenico Passignano and Stefano Pieri finished the other portions: (from top to bottom) Choirs of Angels; Christ, Mary and Saints; Virtues, Gifts of the Holy Spirit and Beatitudes; and at the bottom of the cupola: Capital Sins and Hell. These frescoes are considered Zuccari's greatest work. But the quality of the work is uneven because of the input of different artists and the different techniques. Vasari had used true fresco, while Zuccari had painted in secco.
First built in 1396, Changuimun is one of Seoul's four smaller gates. It was repaired in 1958, but it was the only one of Seoul's four smaller gates that survived in its original condition.