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This cartoon by Bearman appeared at beartoons.com on January 5, 2010 and was inspired by an idea from George Ford of www.addanaccity.com. It depicts a crime scene where the outline of the victim is a snow man and the inspector indicates they are looking for a cold blooded killer.
Un viejo modelo, del que sólo había dibujado el CP (y, probablemente, mal). Podéis encontrar los diagramas completos aquí:
www.dropbox.com/preview/Origami%2C%20modelos%20propios/Ca...
Más diagramas, aquí:
Title: Shall women vote? / Ehrhart.
Creator(s): Ehrhart, S. D. (Samuel D.), approximately 1862-1937, artist
Date Created/Published: N.Y. : Published by Keppler & Schwarzmann, Puck Building, 1909 March 31.
Medium: 1 photomechanical print : offset, color.
Summary: Illustration shows a man labeled "Graft Politics" paying, with his left hand, a tramp labeled "Floater" at the end of a line of tramps outside a polling place, while with his right hand he attempts to stop a woman from speaking out for women's suffrage; vignette scenes show women working in sweatshops, children taking care of younger children, living in tenement housing, working in factories, and being arrested.
Reproduction Number: LC-DIG-ppmsca-26363 (digital file from original print) LC-USZC2-1051 (color film copy slide)
Rights Advisory: No known restrictions on publication.
Call Number: Illus. in AP101.P7 1909 (Case X) [P&P]
Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print
Notes:
Title from item.
Caption: No; they might disturb the existing order of things.
Illus. in: Puck, v. 65, no. 1674 (1909 March 31), centerfold.
Copyright 1909 by Keppler & Schwarzmann.
Subjects:
Women's suffrage--1900-1910.
Politicians--1900-1910.
Corruption--1900-1910.
Child labor--1900-1910.
Voting--1900-1910.
Format:
Cartoons (Commentary)--1900-1910.
Offset photomechanical prints--Color--1900-1910.
Periodical illustrations--1900-1910.
Collections:
Miscellaneous Items in High Demand
Bookmark This Record:
www.loc.gov/pictures/item/2011647454/
View the MARC Record for this item.
Rights assessment is your responsibility.
Ink and watercolor dedication in the book: Tales of the Los Angeles parks, by Leo Politi. Palm Desert, Calif. : Best-West Publications, 1966.
This image is a part of the 2010-11 LHDRP project, as seen on contentdm.califa.org/cdm4/item_viewer.php?CISOROOT=/cto&a...
We’re happy to share this digital image on Flickr. Please note that certain restrictions on high quality reproductions of the original physical version may apply. For information regarding obtaining a reproduction of this image, please contact the Special Collections Librarian at specoll@tolibrary.org
see the photos and videos here:
THOMAS PIPS is a Belgian comic series and the main character itself is the most famous cartoon character from the work of the Ghent cartoonist Leo Victor Frans De Budt better known under the pseudonym "Buth" (1919-2010).
Over his 45 year long career, Buth produced thousands of drawings, cartoons and comics. His production was immense and to keep his up he often resulted to drawing his inspiration from other artists and series, such as Chic Young's 'Blondie' (note the resemblance between Dagwood and Thomas Pips).
In February of 1946, he introduced his best-known character THOMAS PIPS in the newspaper "Het Volk".
Starting in June 1951, this detective comic appeared on the center pages of comic magazine " 't Kapoentje" where it stayed until 1985. THOMIS PIPS is however best known for his annual adventures during the TOUR DE FRANCE, that Buth made between 1947 and 1982.
Buth is well-known for his Tour de France gags and cartoons, and generations of Belgians - including this flickr fan - have grown up searching for the hidden house in these drawings.
(Het Nieuwsblad, Tour Gazette, July 2011, Thomas Pips "Find the Mouse" Cartoon Reprises from the sixties and seventies)
Original cartoon character that makes "Dog" motif.
It draws with Photoshop. It is a very lovely mascot character.
LINE Sticker
「T-KONI`s Art Gallery」（Imagekind.com）
「T-KONI`s Unique Products 」（Zazzle.com）
Illustration for a short story "Flight of the Nightingale"
Ballpoint pen & china ink on paper, 1996
(21 x 29.7 cm / 8.3 x 11.7 in)
A little stick figure holding an actual pencil drawn on a paper.
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HANNA BARBERA STUDIOS
ABBOTT and COSTELLO
Original Animation TELEVISION SERIES 1967
Type: AWESOME Original Production Animation MODEL Drawing of ABBOTT as a Werewolf
from the 1967 HANNA BARBERA Animated TELEVISION SERIES; EPISODE 52
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring ABBOTT as Werewolf
NOTES:
The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.
The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)
William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)
The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.
In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.
Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.
In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.
Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances
Original cartoon character that makes "Animal" motif.
It draws with Photoshop. It is a very lovely mascot character.
LINE Sticker
「T-KONI`s Art Gallery」（Imagekind.com）
「T-KONI`s Unique Products 」（Zazzle.com）
Original cartoon character that makes "Monkey" motif.
It draws with Photoshop. It is a very lovely mascot character.
LINE Sticker
「T-KONI`s Art Gallery」（Imagekind.com）
「T-KONI`s Unique Products 」（Zazzle.com）