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Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)
"Breadth of Capability": Land Rover celebrates 60 years
Text on plaque beneath sculpture:
"Since the very first Land Rover made its debut at the 1948 Amsterdam Motor Show, this celebrated British marque has set the standard for traversing any terrain and rising to any challenge.
Now - 60 years and four million vehicles later - its unique breadth of capabilities has ensured that the Land Rover name has entered everyday language as the generic term for go-anywhere vehicles.
This sculpture by Gerry Judah represents the firm foundations on which Land Rover builds a commitment to future growth in a changing world."
Vehicles displayed are: Land Rover Defender, Land Rover Discovery, Land Rover Freelander, and Range Rover.
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Goodwood Festival of Speed 2008
P7110724
Claremont estate
The first house on the Claremont estate was built in 1708 by Sir John Vanbrugh, the Restoration playwright and architect of Blenheim Palace and Castle Howard, for his own use. This "very small box", as he described it, stood on the level ground in front of the present mansion. At the same time, he built the stables and the walled gardens, also probably White Cottage, which is now the Sixth Form Centre of Claremont Fan Court School.
In 1714, he sold the house to the wealthy Whig politician Thomas Pelham-Holles, Earl of Clare, who later became Duke of Newcastle and served twice as Prime Minister. The earl commissioned Vanbrugh to add two great wings to the house and to build a fortress-like turret on an adjoining knoll. From this so-called "prospect-house", or belvedere, he and his guests could admire the views of the Surrey countryside as they took refreshments and played hazard, a popular dice game.
In the clear eighteenth-century air it was apparently possible to see Windsor Castle and St Paul's Cathedral. The Earl of Clare named his country seat Clare-mount, later contracted to Claremont. The two lodges at the Copsem Lane entrance were added at this time.
Landscape garden
Main article: Claremont Landscape Garden
Claremont landscape garden is one of the earliest surviving gardens of its kind of landscape design, the English Landscape Garden — still featuring its original 18th century layout. The extensive landscaped grounds of Claremont represents the work of some of the best known landscape gardeners, Charles Bridgeman, Capability Brown, William Kent (with Thomas Greening) and Sir John Vanbrugh.[2]
Work on the gardens began around 1715 and, by 1727, they were described as "the noblest of any in Europe". Within the grounds, overlooking the lake, is an unusual turfed amphitheatre.
A feature in the grounds is the Belvedere Tower, designed by Vanbrugh for the Duke of Newcastle. The tower is unusual in that, what appear to be windows, are actually bricks painted black and white. It is now owned by Claremont Fan Court School, which is situated alongside the gardens.
In 1949, the landscape garden was donated to the National Trust for stewardship and protection. A restoration programme was launched in 1975 following a significant donation by the Slater Foundation. The garden is Grade I listed on the Register of Historic Parks and Gardens.[3]
Capability Brown's mansion, built for Lord Clive of India
The Duke of Newcastle died in 1768 and, in 1769, his widow sold the estate to Robert Clive, 1st Baron Clive, founder of Britain's Indian Empire. Although the great house was then little more than fifty years old, it was aesthetically and politically out of fashion. Lord Clive decided to demolish the house and commissioned Capability Brown to build the present Palladian mansion on higher and dryer ground. Brown, more accomplished as a landscape designer than an architect, took on his future son-in-law Henry Holland as a junior partner owing to the scale of the project. John Soane (later Sir John Soane) was employed in Holland's office at this time and worked on the project as a draftsman and junior designer.[4] Holland's interiors for Claremont owe much to the contemporary work of Robert Adam.
Lord Clive, by now a rich Nabob, is reputed to have spent over £100,000 on rebuilding the house and the complete remodelling of the celebrated pleasure ground. However, Lord Clive ended up never living at the property, as he died in 1774—the year that the house was completed. The estate then passed through a rapid succession of owners; first being sold "for not more than one third of what the house and alterations had cost"[5] to Robert Monckton-Arundell, 4th Viscount Galway, and then to George Carpenter, 2nd Earl of Tyrconnell, and finally to Charles Ellis, 1st Baron Seaford.[6]
A large map entitled "Claremont Palace", situated in what is called "Clive's room" inside the mansion, shows the mansion and its surrounding grounds; giving a detailed overview of the campus. The map likely dates back to the 1860s, when the mansion was frequently occupied by Queen Victoria (thus it having been christened "palace"). However, the exact date is still unknown. The relief in Claremont's front pediment is of Clive's coat of arms impaled with that of Maskelyne, his wife's family.
Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.
Pictures of the demolition of the former Motown Records Headquarters located at the Donovan Building.
Our mayor couldn't stand the broken windows and marred facade so he got it to be torn down for 15 or so spaces for the Super Bowl. What's sad is that this historic building designed by Albert Kahn is in great condition, and they left everything inside, lobby details, motown papers, marble, etc.
Part of one of the mostly concealed Verney monuments that remain in the disused chapel at Compton Verney.
Compton Verney's Chapel was built in 1772 by Lancelot 'Capability' Brown to replace the medieval church that stood by the lake nearby. It has not been used for services since the Verney family left in 1921.
Inside the rectangular room has plaster decoration influenced by Robert Adam's work. The main items of interest are the Verney monuments including a large centrally placed tomb with effigies of Sir Richard & wife by Nicholas Stone c1630. However given the long term disuse of the building most of the monuments have been boxed in for protection. They will remain hidden until funding is found to restore and re-open the chapel as part of the visitor attraction here,
The 16th century glass once contained here was sold in the 1920s and is now in New York. Nobody seems to know what's become of the brasses. They may still be there under all the clutter that the building's mothballed state has generated.
Compton Verney House stands in a beautiful setting overlooking a lake. The grounds were landscaped by Capability Brown who also built the chapel.
The House itself is largely the work of Robert Adam, who in the 1760s who added extra ranges to an existing west range of 1714,
From the early 20th century the house passed through various owners, and after requisitioning in World War II was never lived in again, and thus remained in a state of disuse, slowly falling apart, until rescued and converted into a highly successful art gallery in the 1990s.
www.comptonverney.org.uk/?page=home
The house is now almost fully restored and in use. The chapel however remains closed and awaits proper restoration.
A team from the 193rd Special Operations Wing's Regional Support Group's 271st Combat Communications Squadron brought their Joint Incident Site Communications Capability (JISCC) trailer to Texas part of the Hurricane Harvey relief effort. The equipment allows for civilian first responders to communicate with military assets on the ground. Approximately 200 Pennsylvania Guardsmen with a variety of skills and assets, including aviation, maintenance and transportation, continue to provide aide to the affected areas in Texas. (US Air National Guard photo by Master Sgt. Matt Schwartz)
SAC 01 NATO Strategic Airlift Capability Boeing C-17A Globemaster III - cn F-207 take- off @TRD/ENVA 02.03.18
On April 25, 2014, Dr. Rongping Mu, the director-general of Institute of Policy and Management of Chinese Academy of Sciences (CAS) and the director of the CAS Center for Innovation and Development, provided an analysis on the evolution of the national innovation system in China, the innovation capacity of Chinese enterprises, the policy framework for firms’ innovation capability building, and the future trend of innovation management in enterprises.
Merlin on operations in Helmand A Flight, No 78 Squadron, Royal Air Force are currently deployed in Afghanistan. The Merlin Force has now declared Initial Operating Capability
Joint capability demonstration.
Trident Juncture 2018 is NATO’s largest exercise in many years, bringing together around 50,000 personnel from all 29 Allies, plus partners Finland and Sweden. Around 65 vessels, 250 aircraft and 10,000 vehicles will participate.
Compton Verney's Chapel was built in 1772 by Lancelot 'Capability' Brown to replace the medieval church that stood by the lake nearby. It has not been used for services since the Verney family left in 1921.
Inside the rectangular room has plaster decoration influenced by Robert Adam's work. The main items of interest are the Verney monuments including a large centrally placed tomb with effigies of Sir Richard & wife by Nicholas Stone c1630. However given the long term disuse of the building most of the monuments have been boxed in for protection. They will remain hidden until funding is found to restore and re-open the chapel as part of the visitor attraction here,
The 16th century glass once contained here was sold in the 1920s and is now in New York. Nobody seems to know what's become of the brasses. They may still be there under all the clutter that the building's mothballed state has generated.
Compton Verney House stands in a beautiful setting overlooking a lake. The grounds were landscaped by Capability Brown who also built the chapel.
The House itself is largely the work of Robert Adam, who in the 1760s who added extra ranges to an existing west range of 1714,
From the early 20th century the house passed through various owners, and after requisitioning in World War II was never lived in again, and thus remained in a state of disuse, slowly falling apart, until rescued and converted into a highly successful art gallery in the 1990s.
www.comptonverney.org.uk/?page=home
The house is now almost fully restored and in use. The chapel however remains closed and awaits proper restoration.
Madingly Hall, Cambridgeshire. Lancelot 'Capability' Brown landscaped and de-formalised the grounds for Sir John Hynde Cotton, the 4th Baronet.
Madingley Hall was an elegant 16th-century country house, with a formal, Dutch-style garden. In 1756 Sir John employed Capability Brown to create a more naturalistic landscape. The redesigned park includes a lake with a sham bridge, sloping lawns, and views to the east and north of the house.
Now part of the University of Cambridge and used for short courses and continuing education ans as a hotel.
Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.
An Army CH-47 Chinook helicopter operated by the “Sugar Bears” of the 1-52nd General Support Aviation Battalion from Fort Wainwright, Alaska, approaches Malemute Drop Zone while supporting an airborne operation for paratroopers from the 4th Infantry Brigade Combat Team (Airborne), 25th Infantry Division, “Spartan Brigade,” at Joint Base Elmendorf-Richardson, Alaska, Oct. 5, 2021. Training events like this provide both air crews and paratroopers with the opportunity to maintain proficiency in airborne operations and improve inter-unit coordination. The Spartan Brigade is the only airborne infantry brigade combat team in the Arctic and Pacific theaters, providing the combatant commander with the unique capability to project an expeditionary force by air. (U.S. Air Force photo by Alejandro Peña)
Temple Newsam is a 15th centuryTudor-Jacobean house in Leeds, famous as the birthplace of Lord Darnley, the ill-fated husband of Mary, Queen of Scots and with grounds landscaped by Capability Brown.
The manor of Newsam was owned by the Knights Templar in the 12th century before the estate passed to the Darcy family, and Thomas, Lord Darcy built the first manor house here in about 1500. One wing of Darcy's original manor survives as the central block of the current house.
Darcy was executed for treason for his part in the Pilgrimage of Grace in 1537and his lands were seized by the crown. Henry VIII gave Newsam to the Countess of Lennox, and her son, Henry, Lord Darnley was born and raised here. After Darnley's murder, Elizabeth I seized the estate, and the house languished in a state of neglect until 1622 when it was purchased by Sir Arthur Ingram. Ingram tore down much of the earlier manor house and built two large new wings to form the basis of the house we see today.
In 1758 Charles, 9th Lord Irwin, married a rich heiress and used her money to transform the interior of Temple Newsam and fill it with a collection of fine art including Old Master works. They hired James Wyatt to build a grand staircase, and Capability Brown to create the landscape garden that surrounds the house.
The house was the home of the Ingram family for over 300 years until 1922 when Lord Halifax sold the park and house to Leeds Corporation for a nominal sum, placing covenants over them to ensure their preservation for the future. The house and estate are now owned by Leeds City Council and open to the public.
Apparently Capability Brown turned down the opportunity to work on the gardens of Elvaston Castle and the commission was instead placed with William Barron who worked there from 1830 - 1860. The classic folly in the gardens is the Moorish Temple, but there are various other structures which we can allot to the category of folly, grottoe or garden building and in this set we have 3 such. First of which is this somewhat rakish arch for which I have singularly failed to find a reference or name, so the Elvaston Arch it is.
www.parksandgardens.org/places-and-people/person/94
www.derbyshire.gov.uk/leisure/countryside/countryside_sit...
Glass etching by John Rothwell at County Hall Morpeth. Lancelot "Capability" Brown 1716- 1783 was the leading landscape gardener of his time.
CORAL SEA (July 21, 2021) Three F-35B Lightning fighter aircraft from the 31st Marine Expeditionary Unit fly in formation above the forward-deployed amphibious assault ship USS America (LHA 6) during Exercise Talisman Sabre 21. Talisman Sabre 21, the ninth iteration and conducted since 2005, occurs biennially across Northern Australia. Australian, U.S. and other multinational partner forces use Talisman Sabre to enhance interoperability by training in complex, multi-domain operations scenarios that address the full range of Indo-Pacific security concerts. (U.S. Navy photo by Mass Communication Specialist 3rd Class Jonathan D. Berlier)
Merlin on operations in Helmand A Flight, No 78 Squadron, Royal Air Force are currently deployed in Afghanistan. The Merlin Force has now declared Initial Operating Capability
Madingly Hall, Cambridgeshire. Lancelot 'Capability' Brown landscaped and de-formalised the grounds for Sir John Hynde Cotton, the 4th Baronet.
Madingley Hall was an elegant 16th-century country house, with a formal, Dutch-style garden. In 1756 Sir John employed Capability Brown to create a more naturalistic landscape. The redesigned park includes a lake with a sham bridge, sloping lawns, and views to the east and north of the house.
Now part of the University of Cambridge and used for short courses and continuing education ans as a hotel.
On April 25, 2014, Dr. Rongping Mu, the director-general of Institute of Policy and Management of Chinese Academy of Sciences (CAS) and the director of the CAS Center for Innovation and Development, provided an analysis on the evolution of the national innovation system in China, the innovation capacity of Chinese enterprises, the policy framework for firms’ innovation capability building, and the future trend of innovation management in enterprises.
"Philipine Navy Capability Plan" by the Philfleet Magazine Editorial Team published on the back cover of the Philippine Navy Philfleet Magazine, 2016 Anniversary Edition.
U.S. Army National Guard Soldiers with 4-118th Combined Arms Battalion, South Carolina National Guard, held a capability demonstration for trainees, Aug. 31, 2022 at McCrady Training Center in Eastover, South Carolina. Nearly 370 trainees attending Basic Training at Fort Jackson had the opportunity to see and touch equipment that they will see in their Advanced Individual Training and future units, as well as speak with and ask questions of Guard Soldiers to get more information about vehicles, equipment and weapons. (U.S. Army National Guard photo by Sgt. 1st Class Brad Mincey, South Carolina National Guard)
Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)
Croome Park is a landscaped country park surrounding Croome Court, in Worcestershire. It was Lancelot 'Capability' Brown's first complete landscape design, begun in 1751 for George Coventry, 6th Earl of Coventry. The mansion house was also designed by Brown and is a rare example of his architectural work.
The Court has recently been acquired by the National Trust and is currently being renovated.
Croome Court is a grade 1 listed building.
Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.
A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
Parterre - the garden at the back of the house near the River Avon.
Charlecote Park House is a Grade I Listed Building
Listing Text
CHARLECOTE
SP2556 CHARLECOTE PARK
1901-1/10/19 Charlecote Park
06/02/52
(Formerly Listed as:
Charlecote Park House)
GV I
Formerly known as: Charlecote Hall.
Country house. Begun 1558; extended C19. Partly restored and
extended, including east range, 1829-34 by CS Smith;
north-east wing rebuilt and south wing extended 1847-67 by
John Gibson. For George and Mary Elizabeth Lucy.
MATERIALS: brick, that remaining from original building has
diapering in vitrified headers, but much has been replaced in
C19; ashlar dressings; tile roof with brick stacks with
octagonal ashlar shafts and caps.
PLAN: U-plan facing east, with later west range and south
wing.
EXTERIOR: east entrance front of 2 storeys with attic;
3-window range with long gabled projecting wings. Ashlar
plinth, continuous drip courses and coped gables with finials,
sections of strapwork balustrading between gables; quoins.
2-storey ashlar porch has round-headed entrance with flanking
pairs of Ionic pilasters and entablature, round-headed
entrance has panelled jambs, impost course and arch with lion
mask to key and 2 voussoirs, strapwork spandrels and stained
glass to fanlight over paired 4-panel doors; first floor has
Arms of Elizabeth I below projecting ovolo-moulded
cross-mullion window, with flanking pairs of Composite
detached columns; top balustrade with symmetrical balusters
supports Catherine wheel and heraldic beasts holding spears;
original diapered brick to returns.
3-light mullioned and transomed window to each floor to left,
that to first floor with strapwork apron. Large canted bay
window to right of 1:3:1 transomed lights with pierced
rosettes to parapet modelled on that to gatehouse (qv) and
flanked by cross-mullioned windows, all with moulded reveals
and small-paned sashes; C19 gables have 3-light
ovolo-mullioned windows with leaded glazing.
Wings similar, with 2 gables to 5-window inner returns,
ovolo-moulded cross-mullioned windows. Wing to south has much
diaper brickwork and stair window with strapwork apron.
East gable ends have 2-storey canted bay windows dated 1852 to
strapwork panels with Lucy Arms between 1:3:1-light transomed
windows; 3-light attic windows, that to north has patch of
reconstructed diaper brickwork to left.
Octagonal stair turrets to outer angles with 2-light windows,
top entablatures and ogival caps with wind vanes, that to
south mostly original, that to north with round-headed
entrance with enriched key block over studded plank door.
North side has turret to each end, that to west is wholly C19;
3 gables with external stacks with clustered shafts between;
cross-mullioned windows and 3-light transomed stair window on
strapwork apron; 2-light single-chamfered mullioned windows to
turrets.
Single-storey east range of blue brick has 2 bay windows with
octagonal pinnacles with pepper-pot finials and arcaded
balustrades over 1:4:1-light transomed windows; central panel
with Lucy Arms in strapwork setting has date 1833; coped
parapet with 3 gables with lights; returns similar with
3-light transomed windows.
Range behind has 3 renewed central gables and 2 lateral stacks
each with 6 shafts; gable to each end, that to south over
Tudor-arched verandah with arcaded balustrade to central arch
and above, entrance behind arch to left with half-glazed door,
blocked arch to right; first floor with cross-mullioned window
and blocked window, turret to right is wholly C19. South
return has cross-mullioned window to each floor and external
stack with clustered shafts.
South-west wing of 2 storeys; west side is a 7-window range;
recessed block to north end has window to each floor, the next
4 windows between octagonal pinnacles; gabled end breaks
forward under gable with turret to angle; rosette balustrade;
stacks have diagonal brick shafts, gable has lozenge with Lucy
Arms impaling Williams Arms (for Mary Elizabeth Lucy).
Cross-mullioned windows, but 2 southern ground-floor windows
are 3-light and transomed.
South end 4-window range between turrets has cross-mullioned
windows, but each end of first floor has bracketed oriel with
strapwork apron with Lucy/Williams Arms in lozenge and dated
1866, rosette balustrade with to each end a gable with 2-light
single-chamfered mullioned window with label, and 3 similar
windows to each turret, one to each floor.
East side has 3-window range with recessed range to right.
South end has Tudor-arched entrance and 3-light transomed
window, cross-mullioned window and 3-light transomed window to
first floor and gable with lozenge to south end; gable to
full-height kitchen to north has octagonal pinnacles flanking
4-light transomed window and gable above with square panel
with Lucy/Williams Arms to shield; recessed part to north has
loggia with entrance and flanking windows, to left a
single-storey re-entrant block with cross-mullioned windows;
first floor has 5 small sashed windows. South side of
south-east wing has varied brickwork with mullioned and
transomed windows, 2 external stacks and 2 gables with 3-light
windows.
INTERIOR: great hall remodelled by Willement with wood-grained
plaster ceiling with 4-centred ribs and Tudor rose bosses;
armorial glass attributed to Eiffler, restored and extended by
Willement; wainscoting and panelled doors; ashlar fireplace
with paired reeded pilasters and strapwork to entablature, and
fire-dogs; white and pink marble floor, Italian, 1845.
Dining room and library in west wing have rich wood panelling
by JM Willcox of Warwick and strapwork cornices, and strapwork
ceilings with pendants; wallpaper by Willement; dining room
has richly carved buffet, 1858, by Willcox and simple coloured
marble fireplace, the latter with bookshelves and fireplace
with paired pilasters and motto to frieze of fireplace, paired
columns and strapwork frieze to overmantel with armorial
bearings; painted arabesques to shutter backs.
Main staircase, c1700, but probably extensively reconstructed
in C19, open-well with cut string, 3 twisted balusters to a
tread, carved tread ends and ramped handrail;
bolection-moulded panelling in 2 heights, the upper panels and
panelled ceiling probably C19.
Morning room to south of hall has Willement decoration: white
marble Tudor-arched fireplace with cusped panels; plaster
ceiling with bands.
Ebony bedroom, originally billiard room, and drawing room to
north-east wing have 1856 scheme with cornices and
Jacobean-style plaster ceilings; white marble C18-style
fireplaces, that to Ebony Bedroom with Italian inserts with
Lucy crest. Drawing room has gilded and painted cornice and
ceiling, and large pier glasses.
Rooms to first floor originally guest bedrooms: doors with
egg-and-dart and eared architraves; C18-style fireplaces, that
to end room, originally Ebony Bedroom, has wood Rococo-style
fireplace with Chinoiserie panel; 1950s stair to attic.
South-east wing has c1700 stair, probably altered in C19, with
symmetrical balusters with acanthus, closed string; first
floor has wall and ceiling paintings: land and sea battle
scenes painted on canvas, male and female grisaille busts.
First floor has to west the Green Room, with Willement
wallpaper and simple Tudor-arched fireplace with
wallpaper-covered chimney board; adjacent room has marble
fireplace.
Death Room and its dressing room to east end have wallpaper of
gold motifs on white, painted 6-panel doors and architraves,
papier-mache ceilings; bedroom has fireplace with marble
architrave. Adjacent room has bolection-moulded panelling with
c1700 Dutch embossed leather. Stair to attic has c1700
balusters with club-form on acorn. Attics over great hall and
north-east and south-east wings have lime-ash floors and
servants' rooms, each with small annex and corner fireplace;
some bells.
South wing has kitchen with high ceiling and 2
segmental-arched recesses for C19 ranges; Tudor-arched recess
with latticed chamber for smoked meats over door.
Servants' hall has dark marble bolection-moulded fireplace and
cornice; scullery has bread oven, small range, pump and former
south window retaining glass.
First floor has to south end a pair of rooms added for Mary
Elizabeth Lucy in her widowhood; bedroom to east with deep
coved cornice and Adam-style fireplace, sitting room to west
similar, with gold on white wallpaper, white marble fireplace
with painted glass armorial panels and 1830s-40s carpet; door
to spiral timber turret staircase.
Nursery has fireplace with faceted panels and C19 Delft tiles;
probably 1920s wallpaper.
Other rooms with similar fireplaces and coloured glazed tiles.
While dating back to the C16, the house is one of the best
examples of the early C19 Elizabethan Revival style. Property
of National Trust.
(The Buildings of England: Pevsner, N & Wedgwood, A:
Warwickshire: Harmondsworth: 1966-: 227-9; The National Trust
Guide to Charlecote Park: 1991-; Wainwright C: The Romantic
Interior).
Listing NGR: SP2590656425
This text is from the original listing, and may not necessarily reflect the current setting of the building.