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Merlin on operations in Helmand A Flight, No 78 Squadron, Royal Air Force are currently deployed in Afghanistan. The Merlin Force has now declared Initial Operating Capability
Wrest Park is a country estate located in Silsoe, Bedfordshire, It comprises Wrest Park, a Grade I listed country house, and Wrest Park Gardens, also Grade I listed, formal gardens surrounding the mansion.
The present house was built in 1834–39, to designs by its owner Thomas de Grey, 2nd Earl de Grey, an amateur architect and the first president of the Royal Institute of British Architects, who was inspired by buildings he had seen on trips to Paris. He based his house on designs published in French architectural books such as Jacques-François Blondel's Architecture Française (1752). The works were superintended as clerk of works on site by James Clephan, who had been clerk of the works at the Liddell seat, Ravensworth Castle in County Durham, and had recently served as professional amanuensis and builder for Lord Barrington.
Wrest has some of the earliest Rococo Revival interiors in England. Reception rooms in the house are open to the public.
Wrest Park has an early eighteenth-century garden, spread over 92 acres which was probably originally laid out by George London and Henry Wise for Henry Grey, 1st Duke of Kent, then modified by Lancelot "Capability" Brown in a more informal landscape style.
The park is divided by a wide gravel central walk, continued as a long canal that leads to a Baroque pavilion banqueting house designed by Thomas Archer and completed in 1711. The interior of the pavilion is decorated with an impressive Ionic columns in trompe-l'Å“il. Boundary canals were altered to take the more natural shape by Capability Brown, who worked there between 1758 and 1760, and who also ringed the central formal area with a canal and woodland. The gardens and garden houses were mapped by John Rocque in 1735. During the later 18th and 19th centuries, the Bath House, an orangery and marble fountains were added.
In the autumn of 2007 English Heritage announced that the Wolfson Foundation had pledged up to £400,000 towards the restoration of a number of the key features of the Wrest Park estate, including the mansion's formal entrance area, the garden statuary, railings and gates, and to alter the height of the carriage drive. In the next phases the lakes and canals will be restored.
On 12 September 2008 English Heritage unveiled extensive plans to restore the Grade-I-listed Wrest Park house and gardens to their original splendour. In July 2010 English Heritage announced that it had secured over £1m from the Heritage Lottery Fund to develop a new visitors centre, car parking, exhibition space and accessible paths. Work was completed in summer 2011 and the park opened to the public on 4 August 2011
Joint capability demonstration.
Trident Juncture 2018 is NATO’s largest exercise in many years, bringing together around 50,000 personnel from all 29 Allies, plus partners Finland and Sweden. Around 65 vessels, 250 aircraft and 10,000 vehicles will participate.
Madingly Hall, Cambridgeshire. Lancelot 'Capability' Brown landscaped and de-formalised the grounds for Sir John Hynde Cotton, the 4th Baronet.
Madingley Hall was an elegant 16th-century country house, with a formal, Dutch-style garden. In 1756 Sir John employed Capability Brown to create a more naturalistic landscape. The redesigned park includes a lake with a sham bridge, sloping lawns, and views to the east and north of the house.
Now part of the University of Cambridge and used for short courses and continuing education ans as a hotel.
Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.
April 2012
Weekend break based in Bicester, Oxfordshire.
Stowe landscape garden is most notably the work of two people: Lord Cobham and his nephew, Earl Temple. At one time this family was once richer than the king. The Temple family spent a fortune creating and extending the garden to further their political ambitions. Stowe was 'Capability' Brown's first major commission. Stowe reached its social peak in 1822 when Richard Temple was created 1st Duke of Buckingham, but by this time his and his ancestors extravagence had taken the family to the brink of financial ruin with debts of more than £1 million. The 2nd Duke fled and the scandel rocked the English aristocracy.
Stowe was rescued in 1922, when it was turned into a school.
Temple Newsam is a 15th centuryTudor-Jacobean house in Leeds, famous as the birthplace of Lord Darnley, the ill-fated husband of Mary, Queen of Scots and with grounds landscaped by Capability Brown.
The manor of Newsam was owned by the Knights Templar in the 12th century before the estate passed to the Darcy family, and Thomas, Lord Darcy built the first manor house here in about 1500. One wing of Darcy's original manor survives as the central block of the current house.
Darcy was executed for treason for his part in the Pilgrimage of Grace in 1537and his lands were seized by the crown. Henry VIII gave Newsam to the Countess of Lennox, and her son, Henry, Lord Darnley was born and raised here. After Darnley's murder, Elizabeth I seized the estate, and the house languished in a state of neglect until 1622 when it was purchased by Sir Arthur Ingram. Ingram tore down much of the earlier manor house and built two large new wings to form the basis of the house we see today.
In 1758 Charles, 9th Lord Irwin, married a rich heiress and used her money to transform the interior of Temple Newsam and fill it with a collection of fine art including Old Master works. They hired James Wyatt to build a grand staircase, and Capability Brown to create the landscape garden that surrounds the house.
The house was the home of the Ingram family for over 300 years until 1922 when Lord Halifax sold the park and house to Leeds Corporation for a nominal sum, placing covenants over them to ensure their preservation for the future. The house and estate are now owned by Leeds City Council and open to the public.
Perfusion Bioreactor Chamber with
Oxygen Sensing Capabilities
Team Members: Rebecca Whitney, Benjamin Weyland, and Jessica Walitalo, Biomedical Engineering; Kimberly
D’Augustino, Materials Science and Engineering
Advisor: Feng Zhao, Biomedical Engineering
Sponsor: Michigan Technological University
Project Overview
Perfusion Bioreactors are commonly used for
3D construct development in tissue engineering;
however, there is currently not a system on the
market that allows for the measurement of oxygen
concentration in the tissue medium. Oxygen is
a key regulator of cell survival and phenotypic
expression. The challenge presented to our team
was to design and develop a perfusion bioreactor
chamber with oxygen sensing capability without
location and time constraints.
Apparently Capability Brown turned down the opportunity to work on the gardens of Elvaston Castle and the commission was instead placed with William Barron who worked there from 1830 - 1860. The classic folly in the gardens is the Moorish Temple, but there are various other structures which we can allot to the category of folly, grottoe or garden building and in this set we have 3 such. First of which is this somewhat rakish arch for which I have singularly failed to find a reference or name, so the Elvaston Arch it is.
www.parksandgardens.org/places-and-people/person/94
www.derbyshire.gov.uk/leisure/countryside/countryside_sit...
More photographs of England, can be viewed by visiting my photography website - Beautiful England
Informal landscape garden, created by Capability Brown in the 18th century and later developed in the 20th century. Magnificent displays of spring and autumn colours.
Glass etching by John Rothwell at County Hall Morpeth. Lancelot "Capability" Brown 1716- 1783 was the leading landscape gardener of his time.
Longleat Safari & Adventure Park has been one of the UK’s best-loved attractions for over 60 years. It features an extensive Safari Park, is home to BBC Animal Park and CBBC Roar and also has over 20 fabulous attractions, including Penguin Island, The Jungle Cruise, Monkey Temple and Longleat House, one of the most stunning stately homes in Britain.
Longleat Safari Park
The UK’s no. 1 Safari Park first opened its gates to the public in April 1966; the first of its kind outside Africa. It was the beginning of a revolution in zoological collections that has spread all over the globe.
For the very first time, animals were able to move freely across hundreds of acres of land and interact naturally with each other.
Today it is difficult to imagine the furore aroused when Longleat’s plans for an initial 100-acre lion reserve were made public. There were dire warnings of big cats running amok in the Wiltshire countryside, local clergymen were up in arms, and there were even questions asked in the Houses of Parliament.
In spite of these fears, the ground-breaking concept of the drive through safari park proved a hugely popular draw for visitors. Over forty years on, Longleat Safari Park remains one of the country’s leading wildlife attractions.
Longleat Adventure Park
Over the years Longleat has grown to incorporate a whole range of fun-packed family attractions, including Jungle Kingdom, where visitors can get right up close to animals such as meerkats, anteaters, porcupine. Other highlights include the Adventure Castle - an amazing kid’s adventure playground and castle, the Longleat Hedge Maze - one of the world’s longest labyrinths, and new attractions including the Rockin Rhino ride, Penguin Island and Stingray Bay.
Longleat House
Set within 900 acres of Capability Brown landscaped grounds, Longleat House is widely regarded as one of the best examples of high Elizabethan architecture in Britain and one of the most beautiful stately homes open to the public.
Built by Sir John Thynne from 1568 and visited by Elizabeth I in 1574, Longleat House is the home of the 7th Marquess of Bath, Alexander Thynn. It was the first stately home to open to the public on a fully commercial basis back on 1st April 1949.
CORAL SEA (July 21, 2021) Three F-35B Lightning fighter aircraft from the 31st Marine Expeditionary Unit fly in formation above the forward-deployed amphibious assault ship USS America (LHA 6) during Exercise Talisman Sabre 21. Talisman Sabre 21, the ninth iteration and conducted since 2005, occurs biennially across Northern Australia. Australian, U.S. and other multinational partner forces use Talisman Sabre to enhance interoperability by training in complex, multi-domain operations scenarios that address the full range of Indo-Pacific security concerts. (U.S. Navy photo by Mass Communication Specialist 3rd Class Jonathan D. Berlier)
Merlin on operations in Helmand A Flight, No 78 Squadron, Royal Air Force are currently deployed in Afghanistan. The Merlin Force has now declared Initial Operating Capability
Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)
Madingly Hall, Cambridgeshire. Lancelot 'Capability' Brown landscaped and de-formalised the grounds for Sir John Hynde Cotton, the 4th Baronet.
Madingley Hall was an elegant 16th-century country house, with a formal, Dutch-style garden. In 1756 Sir John employed Capability Brown to create a more naturalistic landscape. The redesigned park includes a lake with a sham bridge, sloping lawns, and views to the east and north of the house.
Now part of the University of Cambridge and used for short courses and continuing education ans as a hotel.
Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.
Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)
On April 25, 2014, Dr. Rongping Mu, the director-general of Institute of Policy and Management of Chinese Academy of Sciences (CAS) and the director of the CAS Center for Innovation and Development, provided an analysis on the evolution of the national innovation system in China, the innovation capacity of Chinese enterprises, the policy framework for firms’ innovation capability building, and the future trend of innovation management in enterprises.
"Philipine Navy Capability Plan" by the Philfleet Magazine Editorial Team published on the back cover of the Philippine Navy Philfleet Magazine, 2016 Anniversary Edition.
U.S. Army National Guard Soldiers with 4-118th Combined Arms Battalion, South Carolina National Guard, held a capability demonstration for trainees, Aug. 31, 2022 at McCrady Training Center in Eastover, South Carolina. Nearly 370 trainees attending Basic Training at Fort Jackson had the opportunity to see and touch equipment that they will see in their Advanced Individual Training and future units, as well as speak with and ask questions of Guard Soldiers to get more information about vehicles, equipment and weapons. (U.S. Army National Guard photo by Sgt. 1st Class Brad Mincey, South Carolina National Guard)
Eduardo Garcia, engineer, U.S. Army Space and Missile Defense Command Space and Missile Defense Center of Excellence, retires at the command's Redstone Arsenal, Alabama, headquarters, after almost 40 years of federal civilian service. Col. Douglas Waddingham, director, U.S. Army Training and Doctrine Command Capability Manager for Space and Missile Defense, officiated the ceremony. (U.S. Army photo by Carrie David Campbell)
Croome Park is a landscaped country park surrounding Croome Court, in Worcestershire. It was Lancelot 'Capability' Brown's first complete landscape design, begun in 1751 for George Coventry, 6th Earl of Coventry. The mansion house was also designed by Brown and is a rare example of his architectural work.
The Court has recently been acquired by the National Trust and is currently being renovated.
Croome Court is a grade 1 listed building.
Communications capability was the primary focus for more than 50 Soldiers from the 29th Combat Aviation Brigade during their two-week annual training at Fort Indiantown Gap. In an elaborate configuration of tents, generators and specialized trailers, Maryland National Guard Soldiers set up classified and non-classified computer networks, switches, and routers all in a field environment.
A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.
Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.
The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.
Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.
From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.
In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.
The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).
Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.
From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.
Parterre - the garden at the back of the house near the River Avon.
Charlecote Park House is a Grade I Listed Building
Listing Text
CHARLECOTE
SP2556 CHARLECOTE PARK
1901-1/10/19 Charlecote Park
06/02/52
(Formerly Listed as:
Charlecote Park House)
GV I
Formerly known as: Charlecote Hall.
Country house. Begun 1558; extended C19. Partly restored and
extended, including east range, 1829-34 by CS Smith;
north-east wing rebuilt and south wing extended 1847-67 by
John Gibson. For George and Mary Elizabeth Lucy.
MATERIALS: brick, that remaining from original building has
diapering in vitrified headers, but much has been replaced in
C19; ashlar dressings; tile roof with brick stacks with
octagonal ashlar shafts and caps.
PLAN: U-plan facing east, with later west range and south
wing.
EXTERIOR: east entrance front of 2 storeys with attic;
3-window range with long gabled projecting wings. Ashlar
plinth, continuous drip courses and coped gables with finials,
sections of strapwork balustrading between gables; quoins.
2-storey ashlar porch has round-headed entrance with flanking
pairs of Ionic pilasters and entablature, round-headed
entrance has panelled jambs, impost course and arch with lion
mask to key and 2 voussoirs, strapwork spandrels and stained
glass to fanlight over paired 4-panel doors; first floor has
Arms of Elizabeth I below projecting ovolo-moulded
cross-mullion window, with flanking pairs of Composite
detached columns; top balustrade with symmetrical balusters
supports Catherine wheel and heraldic beasts holding spears;
original diapered brick to returns.
3-light mullioned and transomed window to each floor to left,
that to first floor with strapwork apron. Large canted bay
window to right of 1:3:1 transomed lights with pierced
rosettes to parapet modelled on that to gatehouse (qv) and
flanked by cross-mullioned windows, all with moulded reveals
and small-paned sashes; C19 gables have 3-light
ovolo-mullioned windows with leaded glazing.
Wings similar, with 2 gables to 5-window inner returns,
ovolo-moulded cross-mullioned windows. Wing to south has much
diaper brickwork and stair window with strapwork apron.
East gable ends have 2-storey canted bay windows dated 1852 to
strapwork panels with Lucy Arms between 1:3:1-light transomed
windows; 3-light attic windows, that to north has patch of
reconstructed diaper brickwork to left.
Octagonal stair turrets to outer angles with 2-light windows,
top entablatures and ogival caps with wind vanes, that to
south mostly original, that to north with round-headed
entrance with enriched key block over studded plank door.
North side has turret to each end, that to west is wholly C19;
3 gables with external stacks with clustered shafts between;
cross-mullioned windows and 3-light transomed stair window on
strapwork apron; 2-light single-chamfered mullioned windows to
turrets.
Single-storey east range of blue brick has 2 bay windows with
octagonal pinnacles with pepper-pot finials and arcaded
balustrades over 1:4:1-light transomed windows; central panel
with Lucy Arms in strapwork setting has date 1833; coped
parapet with 3 gables with lights; returns similar with
3-light transomed windows.
Range behind has 3 renewed central gables and 2 lateral stacks
each with 6 shafts; gable to each end, that to south over
Tudor-arched verandah with arcaded balustrade to central arch
and above, entrance behind arch to left with half-glazed door,
blocked arch to right; first floor with cross-mullioned window
and blocked window, turret to right is wholly C19. South
return has cross-mullioned window to each floor and external
stack with clustered shafts.
South-west wing of 2 storeys; west side is a 7-window range;
recessed block to north end has window to each floor, the next
4 windows between octagonal pinnacles; gabled end breaks
forward under gable with turret to angle; rosette balustrade;
stacks have diagonal brick shafts, gable has lozenge with Lucy
Arms impaling Williams Arms (for Mary Elizabeth Lucy).
Cross-mullioned windows, but 2 southern ground-floor windows
are 3-light and transomed.
South end 4-window range between turrets has cross-mullioned
windows, but each end of first floor has bracketed oriel with
strapwork apron with Lucy/Williams Arms in lozenge and dated
1866, rosette balustrade with to each end a gable with 2-light
single-chamfered mullioned window with label, and 3 similar
windows to each turret, one to each floor.
East side has 3-window range with recessed range to right.
South end has Tudor-arched entrance and 3-light transomed
window, cross-mullioned window and 3-light transomed window to
first floor and gable with lozenge to south end; gable to
full-height kitchen to north has octagonal pinnacles flanking
4-light transomed window and gable above with square panel
with Lucy/Williams Arms to shield; recessed part to north has
loggia with entrance and flanking windows, to left a
single-storey re-entrant block with cross-mullioned windows;
first floor has 5 small sashed windows. South side of
south-east wing has varied brickwork with mullioned and
transomed windows, 2 external stacks and 2 gables with 3-light
windows.
INTERIOR: great hall remodelled by Willement with wood-grained
plaster ceiling with 4-centred ribs and Tudor rose bosses;
armorial glass attributed to Eiffler, restored and extended by
Willement; wainscoting and panelled doors; ashlar fireplace
with paired reeded pilasters and strapwork to entablature, and
fire-dogs; white and pink marble floor, Italian, 1845.
Dining room and library in west wing have rich wood panelling
by JM Willcox of Warwick and strapwork cornices, and strapwork
ceilings with pendants; wallpaper by Willement; dining room
has richly carved buffet, 1858, by Willcox and simple coloured
marble fireplace, the latter with bookshelves and fireplace
with paired pilasters and motto to frieze of fireplace, paired
columns and strapwork frieze to overmantel with armorial
bearings; painted arabesques to shutter backs.
Main staircase, c1700, but probably extensively reconstructed
in C19, open-well with cut string, 3 twisted balusters to a
tread, carved tread ends and ramped handrail;
bolection-moulded panelling in 2 heights, the upper panels and
panelled ceiling probably C19.
Morning room to south of hall has Willement decoration: white
marble Tudor-arched fireplace with cusped panels; plaster
ceiling with bands.
Ebony bedroom, originally billiard room, and drawing room to
north-east wing have 1856 scheme with cornices and
Jacobean-style plaster ceilings; white marble C18-style
fireplaces, that to Ebony Bedroom with Italian inserts with
Lucy crest. Drawing room has gilded and painted cornice and
ceiling, and large pier glasses.
Rooms to first floor originally guest bedrooms: doors with
egg-and-dart and eared architraves; C18-style fireplaces, that
to end room, originally Ebony Bedroom, has wood Rococo-style
fireplace with Chinoiserie panel; 1950s stair to attic.
South-east wing has c1700 stair, probably altered in C19, with
symmetrical balusters with acanthus, closed string; first
floor has wall and ceiling paintings: land and sea battle
scenes painted on canvas, male and female grisaille busts.
First floor has to west the Green Room, with Willement
wallpaper and simple Tudor-arched fireplace with
wallpaper-covered chimney board; adjacent room has marble
fireplace.
Death Room and its dressing room to east end have wallpaper of
gold motifs on white, painted 6-panel doors and architraves,
papier-mache ceilings; bedroom has fireplace with marble
architrave. Adjacent room has bolection-moulded panelling with
c1700 Dutch embossed leather. Stair to attic has c1700
balusters with club-form on acorn. Attics over great hall and
north-east and south-east wings have lime-ash floors and
servants' rooms, each with small annex and corner fireplace;
some bells.
South wing has kitchen with high ceiling and 2
segmental-arched recesses for C19 ranges; Tudor-arched recess
with latticed chamber for smoked meats over door.
Servants' hall has dark marble bolection-moulded fireplace and
cornice; scullery has bread oven, small range, pump and former
south window retaining glass.
First floor has to south end a pair of rooms added for Mary
Elizabeth Lucy in her widowhood; bedroom to east with deep
coved cornice and Adam-style fireplace, sitting room to west
similar, with gold on white wallpaper, white marble fireplace
with painted glass armorial panels and 1830s-40s carpet; door
to spiral timber turret staircase.
Nursery has fireplace with faceted panels and C19 Delft tiles;
probably 1920s wallpaper.
Other rooms with similar fireplaces and coloured glazed tiles.
While dating back to the C16, the house is one of the best
examples of the early C19 Elizabethan Revival style. Property
of National Trust.
(The Buildings of England: Pevsner, N & Wedgwood, A:
Warwickshire: Harmondsworth: 1966-: 227-9; The National Trust
Guide to Charlecote Park: 1991-; Wainwright C: The Romantic
Interior).
Listing NGR: SP2590656425
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Part of one of the mostly concealed Verney monuments that remain in the disused chapel at Compton Verney.
Compton Verney's Chapel was built in 1772 by Lancelot 'Capability' Brown to replace the medieval church that stood by the lake nearby. It has not been used for services since the Verney family left in 1921.
Inside the rectangular room has plaster decoration influenced by Robert Adam's work. The main items of interest are the Verney monuments including a large centrally placed tomb with effigies of Sir Richard & wife by Nicholas Stone c1630. However given the long term disuse of the building most of the monuments have been boxed in for protection. They will remain hidden until funding is found to restore and re-open the chapel as part of the visitor attraction here,
The 16th century glass once contained here was sold in the 1920s and is now in New York. Nobody seems to know what's become of the brasses. They may still be there under all the clutter that the building's mothballed state has generated.
Compton Verney House stands in a beautiful setting overlooking a lake. The grounds were landscaped by Capability Brown who also built the chapel.
The House itself is largely the work of Robert Adam, who in the 1760s who added extra ranges to an existing west range of 1714,
From the early 20th century the house passed through various owners, and after requisitioning in World War II was never lived in again, and thus remained in a state of disuse, slowly falling apart, until rescued and converted into a highly successful art gallery in the 1990s.
www.comptonverney.org.uk/?page=home
The house is now almost fully restored and in use. The chapel however remains closed and awaits proper restoration.
Croome Court was transformed in the second half of the 18th-century, the house refaced and the grounds landscaped to satisfy the Palladian vision of Robert Adam and Lancelot "Capability" Brown.
Since that time Croome has been many things, including the wartime home of RAF Defford and radar research and, later, of the Hare Krishna movement.