Here's our 19-minute geek-out on AI, quantum computing and autonomous vehicles, with the velveteen podcaster Mike Koenigs at Near Future Summit 2019.

 

“I have never been more excited. I love learning. I love technology, I’m a geek at heart. There’s more learning and more frontiers than ever before. Specifically, there’s a lot going on, obviously, in autonomous vehicles and driving that will touch all of our lives when we switch to these robo taxi fleets, and it’s just a better experience in every way, three times safer, three times cheaper”

 

“Quantum computing is as weird as the name implies. It uses quantum mechanics as the fundamental basis of computation in a way that is unlike any computer you’ve ever heard of before. The important thing to keep in mind is it’s not just ‘another supercomputer.’ It engages the computational resources of the refractive echoes of trillions of parallel universes? I mean, like, your mind explodes.”

Temple Newsam (historically Temple Newsham), (grid reference SE357322) is a Tudor-Jacobean house in Leeds, West Yorkshire, England, with grounds landscaped by Capability Brown.

 

The estate lends its name to the Temple Newsam ward of Leeds City Council, in which it is situated, and lies to the east of the city, just south of Halton Moor, Halton, Whitkirk and Colton. It is one of nine sites in the Leeds Museums & Galleries group.

 

The house is a Grade I listed building, defined as a "building of outstanding or national architectural or historic interest". The stables are Grade II* listed ("particularly significant buildings of more than local interest"), and ten separate features of the estate are Grade II listed ("buildings of special architectural or historic interest"), including the Sphinx Gates and the Barn.[1] Temple Newsam House is one of Leeds Museums and Galleries sites.[2] It is also part of the research group, Yorkshire Country House Partnership.[3]

 

History

1066 to 1520

In the Domesday Book of 1086 the manor is listed as Neuhusam (meaning new houses) and was held by Ilbert de Lacy and his sons.[4] Before the Norman Conquest of 1066 it had been held by Dunstan and Glunier, Anglo-Saxon thanes.[4] In about 1155, Henry de Lacy gave it to the Knights Templar, who built Temple Newsam Preceptory on a site near the present house.[5] The Templars farmed the estate very efficiently, with 1100 animals.[6] In 1307 the Templars were suppressed, and Edward II granted the manor to Sir Robert Holland who held it until 1323 when he was deprived of his estates.[6] The Templars tried to retake the estate but they were forced to surrender and in 1327 it was granted to Mary de St Pol, the Countess of Pembroke, who held the manor for 50 years.[6] In 1377 by royal decree the estate reverted to Philip Darcy, 4th Baron Darcy de Knayth (1341–1398).[6] It then passed through several members of the Darcy family, until it was inherited by the 21-year old Thomas, Lord Darcy in 1488.[7] Between 1500 and 1520 a Tudor manor house, known as Temple Newsam House, was built on the site.[8] It has also been spelled "Newsham" in the past.[9]

 

An oil on panel painting by Hans Eworth of Henry Stuart and his brother Charles Stuart in a grand interior based on a print by Hans Vreedman de Vries

An oil on panel painting from 1563 by Hans Eworth of Henry Stuart and his brother Charles Stuart in a grand interior based on a print by Hans Vreedman de Vries which may reflect Temple Newsam's Great Chamber

1500 to 1650

In 1537 Thomas, Lord Darcy was executed for the part he played in the Pilgrimage of Grace and the property was seized by the Crown.[7] In 1544 Henry VIII gave it to his niece Lady Margaret Douglas (Countess of Lennox), and she lived there with her husband Matthew Stewart, 4th Earl of Lennox.[7] Their son Henry Stuart, Lord Darnley, who was born in the house in 1545 and educated there, married Mary, Queen of Scots, by whom he was the father of King James VI of Scotland and I of England.[10] A portrait of Henry and his brother was probably intended to represent the interior of Temple Newsam despite being based on a print of an ideal interior.[11] Following the marriage in 1565, Temple Newsam was seized by Queen Elizabeth I and was managed by an agent.[12]

 

In 1609 King James I, successor to Elizabeth, granted the estate to his Franco-Scottish second cousin Ludovic Stewart, 2nd Duke of Lennox (1574–1624), who was a favourite of the King and given many titles and estates, including farmland and coalmines in the local area.[13] Despite his opportunities, Ludovic was in constant debt and he mortgaged the estate in 1614 for the sum of £9,000 (around £860,000 in today's money).[14] In 1622 Lennox began the sale of the estate to Sir Arthur Ingram (c. 1565 – 1642), a Yorkshire-born London merchant, civil servant, investor in colonial ventures and arms dealer, for £12,000, which he paid in two instalments, the last in July 1624, after Lennox's death.[14] During the next 20 years the mansion was rebuilt, incorporating some of the previous house in the west wing.[8] The north and south wings were rebuilt and the east wing was demolished after a bad fire in 1635.[15] Arthur's son, also called Arthur, inherited the estate with its debts and continued the building and renovation work.[16] Six months after Charles I was beheaded in 1649, Arthur Ingram the younger was declared delinquent and he compounded his estates and retired to Temple Newsam.[17]

 

1650 to 1900

After the death of Arthur the younger's eldest son, Thomas, in 1660, Temple Newsam was inherited by Arthur's second son, Henry Ingram, 1st Viscount of Irvine (created a peer of Scotland as Baron Ingram and Viscount of Irvine in 1661 - although the family used the English form "Irwin").[18] In 1661, Henry married Lady Essex Montagu, daughter of Edward Montagu, 2nd Earl of Manchester, a favourite of Charles II.[18] The estate then passed through Henry's two sons and five grandsons, the last being Henry Ingram, 7th Viscount of Irvine.[18] The 4th Viscount brought back paintings from his Grand Tour of 1704-7.[19] Extant receipts from 1692 show women as well as men were employed to work the estate in haymaking.[20] In 1712, William Etty designed a new approach to the house, with a bridge and ponds.[21][22] In 1714, Temple Newsam was inherited by Rich Ingram, the 5th Viscount, and his wife Ann who spent a vast fortune furnishing the house and creating the East Avenue.[19] Between 1738 and 1746, Henry Ingram, 7th Viscount of Irvine remodelled the west and north wings of the house, creating new bedrooms and dressing rooms and the picture gallery.[23] A painting in Leeds City Art Gallery by Philippe Mercier of c. 1745 shows Henry and his wife standing in front of Temple Newsam House.[24]

 

A coloured engraving made in 1699 by J Kip after a drawing by Leonard Knyff showing an aerial view of the house and estate at Temple Newsam

1699 Engraving by J Kip after a drawing by Leonard Knyff

In the 1760s, Charles Ingram, 9th Viscount of Irvine, employed Capability Brown to re-landscape the park on the insistence of his wife, Frances Shepheard, daughter of Samuel Shepheard.[25] Reflecting her interest in pastoral landscape design, Frances is depicted as a shepherdess in a portrait by Benjamin Wilson at Temple Newsam.[25] Both Frances and Charles were actively involved in the design and implementation.[26] Some aspects of Brown's plan depicted in paintings by James Chapman and Michael Angelo Rooker were never completed such as a large lake near the house.[26] Extant financial records show that in 1759 women as well as men were employed as garden labourers.[20] After Charles died in 1778, Frances rebuilt the south wing in 1796; she lived at Temple Newsam until her death in 1807.[27] Charles and Frances's eldest daughter Isabella Ingram, (Marchioness of Hertford) (d.1834) who inherited Temple Newsam, was the mistress of the Prince of Wales (later King George IV) from 1806 to 1819. In 1806, George visited Temple Newsam and presented Isabella with Chinese wallpaper, which she hung in the small Drawing Room next to the Great Hall in around 1820, embellished with cut out birds from Audubon's The Birds of America (now worth £7.5 million).[28] Lady Hertford inherited the house in 1807; after her husband died in 1822 she spent the season in London, and the rest of the time at Temple Newsam where she involved herself in charitable works including distributing food and clothing to the local people.[29] She allowed the servants to hold an annual supper and ball at Temple Newsam.[29] Reports of poachers were made during 1826 and 1827.[30] During the last years of Isabella's life, the canal, railway and roads encroached on the estate as well as coal mining; and she dealt with the companies setting these up.[29] In 1820 the novelist Sir Walter Scott published Ivanhoe featuring a Templar preceptory named Temple Stowe, believed to have been modelled on Temple Newsam; the name is preserved in local road names such as Templestowe Crescent.[31] At her death in 1834, Isabella left Temple Newsam to her widowed sister, Frances Ingram Shepheard, wife of Lord William Gordon, who died in 1841.[32]

  

Temple Newsam House from Morris's Country Seats (1880)

In 1841 the estate was inherited by Hugo Charles Meynell Ingram (d. 1869), son of Elizabeth Ingram, sister of Frances Ingram (Lady Gordon), who made no alterations to the estate.[33] In 1868, the Prince of Wales stayed at Temple Newsam during his visit to Leeds to open the Fine Art Exhibition in the New Infirmary; temporary triumphal arches were erected on the estate.[34] Following Hugo Charles's death, his son Hugo Meynell-Ingram (d.1871) inherited Temple Newsam; two years later, at his death, his wife Emily Meynell Ingram (d.1904) inherited the estate.[33] Emily spent a large part of her widowhood at Temple Newsam; she developed it considerably by replacing the sash windows and remodelling the dining room, great staircase and Lord Darnley's room.[33] Emily bequeathed Temple Newsam to her nephew Edward Wood, 1st Earl of Halifax.[8]

 

20th century

In 1909, 610 acres (2.5 km2) of the estate at Knostrop were compulsorily purchased by Leeds Corporation to build a sewage plant.[35] During the First World War (1914–17) the south wing of the house was turned into a hospital by Edward Wood and his wife Dorothy. Edward Wood fought in France as part of the Yorkshire Hussars, whilst Dorothy oversaw the running of the hospital as part of the Mayors War Committee.[36] In 1922 Edward Wood sold the park and house to Leeds Corporation for a nominal sum, placing covenants over them to ensure their preservation for the future.[35]

 

On 19 October 1923, Temple Newsam was opened to the public along with a golf course.[37] In the Derby Daily Telegraph newspaper, Temple Newsam was compared to Hampton Court.[37] Despite many people visiting the house and using the golf course, the Corporation lost money during the first decade mostly due to poor farming practices.[37] In July 1932, the Great Yorkshire Show was held at Temple Newsam and was a great success.[37] Preparations for war were made as early as April 1939, and in August, small items were being packed up for storage.[37] In September 1939, Temple Newsam was closed to the public and items were moved there for storage from Leeds City Art Gallery.[37] It was decided that objects would be displayed, and the house was officially reopened in November 1939, when it was again likened to Hampton Court in the press.[37]

 

Architecture

Photograph of entrance porch of Temple Newsam House, Leeds, showing at top the word 'FATHER', below a mullioned window, below a raised portico with coat of arms above a doorway flanked by two Ionic columns on each side.

Entrance Porch 17th century

Photograph of the west front of Temple Newsam

Centre of Temple Newsam west front

Remains of the early 16th century house were retained in the new building, including the brickwork and bay windows in the centre of the west front.[38] The plan of the new house was a conservative E-shape.[38] The Long Gallery and entrance hall in the south wing followed Elizabethan and early Jacobean styles.[38] The entrance porch has Classical columns but they are of Flemish design, rather than following correct Italian design.[38] There are Tudor doorways and timberwork in the cellars, which are largely Tudor in date.[39] Tudor features have also been discovered beneath later layers of decoration, including Lord Darcy's crest scratched into the plaster in the Blue Damask room.[40] An inventory of 1565 indicates that the hall, great chamber (later the dining room), gallery and chapel (later the kitchen) were probably where they are now.[40] There is a Tudor doorway in the north wing which was probably the entrance to the original chapel.[41]

 

In the 17th century, the south and north wings were rebuilt and the east wing demolished, replaced by a low wall with an arched gateway, giving the house a fashionable 'half-H' appearance.[39] It is possible that the man who made plans for the alteration was Bernard Dinninghof of York.[41] There is also some resemblance to designs by Inigo Jones.[42] Round the top of the house, letters appear in a balustrade, declaring the piety and loyalty of Sir Arthur Ingram: 'ALL GLORY AND PRAISE BE GIVEN TO GOD THE FATHER THE SON AND HOLY GHOST ON HIGH PEACE ON EARTH GOOD WILL TOWARDS MEN HONOUR AND TRUE ALLEGIANCE TO OUR GRACIOUS KING LOVING AFFECTION AMONGST HIS SUBJECTS HEALTH AND PLENTY BE WITHIN THIS HOUSE.'[38] The chapel in the north wing retains some 17th century features, such as armorial stained glass, probably by Henry Gyles and a carved wooden pulpit by Thomas Ventris, made around 1636, with geometric patterns, pilasters and friezes.[38] The walls had panels of Old Testament figures, painted by John Carleton.[38] An inventory dated 1667 records that the House had 66 rooms and 11 outhouses.[39] An engraving by Kip and Knyff dated 1699 is an accurate representation of the house, showing the varying height of the house and some buildings that were later demolished, including the arched gateway flanked by two small lodges and a detached garden building dating from the mid 1670s.[23]

 

Photograph of stone and brick Sphinx gate piers at Temple Newsam, c. 1760 by Lancelot Brown based on designs published by Lord Burlington in 1738 and used at Chiswick

Sphinx gate piers, c. 1760

Photograph of the mid-18th century stable block at Temple Newsam showing the pediment

Stable Block at Temple Newsam, added by Henry, 7th Lord Irwin

In 1718, the steward of Temple Newsam suggested an underground service passage to link the north and south wings to the 5th Viscount, who agreed.[43] This tunnel linked the original kitchens in the south wing to the rest of the house.[44] In 1738, Henry, 7th Viscount Irwin wrote to his mother describing the neglected state of the house with windows coming away and cracked brickwork.[23] The house was almost entirely remodelled by Henry.[38] He wanted to follow Palladian design and used craftsmen from York to do so.[45] He widened the gallery, improved the ceiling and windows and created additional rooms.[23] The gallery, completed around 1746, has fine Rococo carvings with overmantle paintings of classical scenes by Antonio Joli.[19] There are also elaborate gilded Rococo ornamental candle holders.[19] The gallery ceiling has detailed stucco work including a medallion of King George I.[19] The ceilings in the new Saloon and Library, made from the old Long Gallery, were decorated by Thomas Perritt and Joseph Rose.[45] The doorcases are elaborately carved, probably by Richard Fisher.[45] Two chimney pieces in the Saloon were based on designs by William Kent.[45] The distinctive sphinx gate piers by Lancelot Brown constructed in 1768 were based on designs published by Lord Burlington in 1738 and used at Chiswick.[45][1] The main rooms in the west wing were redecorated and the windows were replaced with sliding sash windows.[45] A large pedimented stable block was built to the north of the house, in 1742 and probably designed by Daniel Garratt, also in the Palladian style.[45][46] A painting by Mercier of around 1749, also shows a planned block to the south and a low wall connecting the north and south wings which were never completed.[23][21]

 

In 1796, Frances Shepheard employed a Mr Johnson to alter and reface the south wing in a style which tried to copy that of Sir Arthur Ingram's original house.[45] Her approach was a departure from the designs for the wing commissioned by her dead husband from John Carr and Robert Adam, as well as the landscaping by Capability Brown who was also consulted about rebuilding the south wing.[45] The wing was made two storeys high throughout with a suite of reception rooms on the ground floor with state bedchambers above.[27] In the 1790s, the kitchens were moved to the north wing and the original kitchen became a brushing room where servants brushed down nobles returning from hunting parties.[44]

 

At the end of the 19th century, Emily Meynell Ingram replaced the sash windows with stone mullions and leaded lights and rebuilt the north porch adding the Meynell Ingram coat of arms over the doorway.[27] She redecorated several rooms and had the great oak staircase installed.[27] The dining room, great staircase and Lord Darnley's room were remodelled in Elizabethan style.[33] In 1877, Emily converted the library at the east end of the gallery into a chapel.[47]

 

Coalmining on the estate

Estate records show the existence of coal pits in and around the park in the seventeenth century and Bell Wood to the south of the house would have had bell pits for coal extraction. A colliery at Halton village was leased to a number of different individuals from 1660 through to at least the 1790s. The leases generally required the leaseholder to supply coals to Temple Newsam house.[48]

 

In 1815, William Fenton, one of the 'Coal Kings' of Yorkshire,[49] began the sinking of a mine shaft on the estate at Thorpe Stapleton. The colliery was named Waterloo to commemorate the famous battle of that year.[50] Waterloo Colliery was operated as a royalty concession with contracted 'rents' for coal extracted going to the Temple Newsam landowner. Fenton also had a village built for his workers on land between the River Aire and the Aire and Calder navigation. The village was initially called Newmarket but then became Irwin Square on ordnance survey maps[51] and Ingram Place on census lists, but it was commonly simply known as Waterloo. The Yorkshire, Lancashire and England cricketer Albert Ward was born here in 1865. The village had two rows of cottages and a school building. It was connected to the colliery by a wooden footbridge over the river.[52] Deep coal mining on the estate ended with the closure of the Temple Pit of Waterloo Main Colliery in 1968.

  

Temple Newsam House

Opencast mining on the estate began in May 1942. Seven sites were exploited to the south of the house almost entirely destroying Capability Brown's landscape. One site reached within 330 feet (100 m) of the South Terrace. It continued at the Gamblethorpe site as far as Dawson's Wood, in full view of the house, until 1987.[53] No trace of the opencast remains now as the parkland was re-landscaped.

 

In 2019 there was a temporary exhibition about coal mining at Temple Newsam which was called 'Blot on the Landscape'.[54]

 

House and estate today

The house and estate are owned by Leeds City Council and open to the public. The house has undergone substantial restoration to its exterior. There is an established programme of restoring rooms back to known previous configurations, reversing the numerous intrusive installations and modifications that took place during the building's "art museum" phase.

 

The wider estate is made up of woods (the second largest part of the Forest of Leeds).[55] There are sporting facilities for football, golf, running, cycling, horse-riding and orienteering. There is an innovative children's playground opened in 2011 which caters for both disabled and able-bodied children.[56] Pegasus Wood, to the south of the house, commemorates veterans of the Normandy Landing at Pegasus Bridge in 1944.[57]

 

Photograph of brick barn at the Home Farm, Temple Newsam

Great Barn, Home Farm, Temple Newsam

The Home Farm, open to the public, has a barn built in 1694 and is the largest working rare breeds farm in Europe, and only one of 16 nationally approved by the Rare Breeds Survival Trust. Breeds include Gloucester, Kerry, Irish Moiled, Red Poll, White Park, British White, Beef Shorthorn, Vaynol and Belted Galloway cattle; Kerry Hill; Whitefaced Woodland and Portland sheep, and Golden Guernsey goats.[58] The farm was targeted by arsonists twice in 2011 with damage caused to buildings, and some animals killed.[59]

 

There are extensive gardens, with a celebrated rhododendron walk and six national plant collections: Aster novi-belgii (Michaelmas daisies), Phlox paniculata, Delphinium elatum (Cultivars), Solenostemon scutellarioides (sys. Coleus blumei), Primula auricula and Chrysanthemum (Charm and Cascade cultivars).[60] Within the Walled Garden there are 800 yards of herbaceous borders.[61]

 

Collections

There are substantial holdings of fine and decorative art which are designated by the Department of Culture, Media and Sport (DCMS) as being of national significance.[62]

 

Of most significant historical and cultural interest is the Chippendale Society collection of Chippendale works that are on permanent loan.[63] In his book "Britain's Best Museums and Galleries", Mark Fisher (a former DCMS minister) gave the museum an excellent review. When interviewed on Front Row, Radio 4, November 2004 Fisher placed Temple Newsam House in the top three non-national museums in the country, along with Birmingham's Barber Institute and the Dulwich Picture Gallery.[64]

02 Boeing C-17A Globemaster III

C17 477FF2

NATO Strategic Airlift Capability

08-0002 c/nF-210

BRK

METAR EYSA 021550Z 11009KT CAVOK 22/14 Q1013 NOSIG=

+++ DISCLAIMER +++

Nothing you see here is real, even though the model, the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

After the country's independence from the United Kingdom, after its departure from the European Union in 2017, the young Republic of Scotland Air Corps (locally known as Poblachd na h-Alba Adhair an Airm) started a major procurement program to take over most basic duties the Royal Air Force formerly had taken over in Northern Britain. This procurement was preceded by a White Paper published by the Scottish National Party (SNP) in 2013, which had stated that an independent Scotland would have an air force equipped with up to 16 air defense aircraft, six tactical transports, utility rotorcraft and maritime patrol aircraft, and be capable of “contributing excellent conventional capabilities” to NATO. According to the document, “Key elements of air forces in place at independence, equipped initially from a negotiated share of current UK assets, will secure core tasks, principally the ability to police Scotland’s airspace, within NATO.” An in-country air command and control capability would be established within five years of a decision in favor of independence, it continues, with staff also to be “embedded within NATO structures”.

 

Outlining its ambition to establish an air force with an eventual 2,000 uniformed personnel and 300 reservists, the SNP stated the organization would initially be equipped with “a minimum of 12 interceptors in the Eurofighter/Typhoon class, based at Lossiemouth, a tactical air transport squadron, including around six Lockheed Martin C-130J Hercules, and a helicopter squadron”. The latter would not only have to take over transport duties for the army, there was also a dire need to quickly replace the former Royal Air Force’s Search and Rescue (SAR) capabilities and duties in the North with domestic resources, after this role was handed over to civilian contractor Bristow Helicopters and the RAF’s SAR units had been disbanded.

 

This led to the procurement of six AS365 Dauphin helicopters as an initial measure to keep up basic SAR capabilities, with the prospects of procuring more to become independent from the Bristow Helicopters contract. These aircraft were similar to the Eurocopter SA 366 MH-65 “Dolphin” for the United States Coast Guard but differed in many ways from them and also from any other navalized SA365 variant.

For the RoScAC’s SAR squadron, the SA 365 was taken as a starting point, but the helicopter was heavily modified and locally re-christened “Leumadair” (= Dolphin).

 

The most obvious new feature of the unique Scottish rescue variant was a fixed landing gear with the main wheels on short “stub wings” for a wider stance, stabilizing the helicopter during shipboard landings and in case of an emergency water landing - the helicopter was not able to perform water landings, even though inflatable emergency landing floats were typically fitted. Another obvious difference to other military Dauphin versions was the thimble radome on the nose for an RDR-1600 search and weather radar which is capable of detecting small targets at sea as far as 25 nautical miles away. This layout was chosen to provide the pilots with a better field of view directrly ahead of the helicopter. Additionally, an electro-optical sensor turret with an integrated FLIR sensor was mounted in a fully rotatable turret under the nose, giving the helicopter full all-weather capabilities. Less obvious were a digital glass cockpit and a computerized flight management system, which integrated state-of-the-art communications and navigation equipment. This system provided automatic flight control, and at the pilot's direction, the system would bring the aircraft to a stable hover 50 feet (15 m) above a selected object, an important safety feature in darkness or inclement weather. Selected search patterns could be flown automatically, freeing the pilot and copilot to concentrate on sighting & searching the object.

To improve performance and safety margin, more powerful Turbomeca Arriel 2C2-CG engines were used. Seventy-five percent of the structure—including rotor head, rotor blades and fuselage—consisted of corrosion-resistant composite materials. The rotor blades themselves were new, too, with BERP “paddles”at their tips, a new aerofoil and increased blade twist for increased lifting-capability and maximum speed, to compensate for the fixed landing gear and other external equipment that increased drag. To prevent leading edge erosion the blade used a rubber-based tape rather than the polyurethane used on earlier helicopters.

 

The “Leumadair HR.1”, so its official designation, became operational in mid-2019. Despite being owned by the government, the helicopters received civil registrations (SC-LEA - -LEF) and were dispersed along the Scottish coastline. They normally carried a crew of four: Pilot, Copilot, Flight Mechanic and Rescue Swimmer, even though regular flight patrols were only excuted with a crew of three. The Leumadair HR.1 was used by the RoScAC primarily for search and rescue missions, but also for homeland security patrols, cargo, drug interdiction, ice breaking, and pollution control. While the helicopters operated unarmed, they could be outfitted with manually operated light or medium machine guns in their doors.

However, the small fleet of only six helicopters was far from being enough to cover the Scottish coast and the many islands up north, so that the government prolonged the contract with Bristow Helicopters in late 2019 for two more years, and the procurement of further Leumadair HR.1 helicopters was decided in early 2020. Twelve more helicopters were ordered en suite and were expected to arrive in late 2021.

  

General characteristics:

Crew: 2 pilots and 2 crew

Length: 12,06 m (39 ft 2 1/2 in)

Height: 4 m (13 ft 1 in)

Main rotor diameter: 12,10 m (39 ft 7 1/2 in)

Main rotor area: 38.54 m² (414.8 sq ft)

Empty weight: 3,128 kg (6,896 lb)

Max takeoff weight: 4,300 kg (9,480 lb)

 

Powerplant:

2× Turbomeca Arriel 2C2-CG turboshaft engines, 636 kW (853 hp) each

 

Performance:

Maximum speed: 330 km/h (210 mph, 180 kn)

Cruise speed: 240 km/h (150 mph, 130 kn)

Range: 658 km (409 mi, 355 nmi)

Service ceiling: 5,486 m (17,999 ft)

 

Armament:

None installed, but provisions for a 7.62 mm M240 machine gun or a Barrett M107 0.50 in (12.7

mm) caliber precision rifle in each side door

  

The kit and its assembly:

Another chapter in my fictional alternative reality in which Scotland became an independent Republic and separated from the UK in 2017. Beyond basic aircraft for the RoScAC’s aerial defense duties I felt that maritime rescue would be another vital task for the nascent air force – and the situation that Great Britain had outsourced the SAR job to a private company called for a new solution for the independent Scotland. This led to the consideration of a relatively cheap maritime helicopter, and my choice fell on the SA365 ‘Daupin’, which has been adapted to such duties in various variants.

 

As a starting point there’s the Matchbox SA365 kit from 1983, which is a typical offer from the company: a solid kit, with mixed weak spots and nice details (e. g. the cockpit with a decent dashboard and steering columns/pedals for the crew). Revell has re-boxed this kit in 2002 as an USCG HH-65A ‘Dolphin’, but it’s technically only a painting option and the kit lacks any optional parts to actually build this type of helicopter in an authentic fashion - there are some subtle differences, and creating a convincing HH-65 from it would take a LOT of effort. Actually, it's a real scam from Revell to market the Matchbox Dauphin as a HH-65!

 

However, it was my starting basis, and for a modernized/navalized/military version of the SA365 I made some changes. For instance, I gave the helicopter a fixed landing gear, with main wheels stub wings taken from a Pavla resin upgrade/conversion set for a Lynx HAS.2, which also comes with better wheels than the Matchbox kit. The Dauphin’s landing gear wells were filled with 2C putty and in the same process took the stub wings. The front landing gear well was filled with putty, too, and a adapter to hold the front twin wheel strut was embedded. Lots of lead were hidden under the cockpit floor to ensure that this model would not becaome a tail sitter.

A thimble radome was integrated into the nose with some PSR – I opted for this layout because the fixed landing gear would block 360° radar coverage under the fuselage, and there’s not too much ground clearance or space above then cabin for a radome. Putting it on top of the rotor would have been the only other option, but I found this rather awkward. As a side benefit, the new nose changes the helicopter’s silhouette well and adds to a purposeful look.

 

The rotor blades were replaced with resin BERP blades, taken from another Pavla Lynx conversion set (for the Hobby Boss kit). Because their attachment points were very different from the Matchbox Dauphin rotor’s construction, I had to improvise a little. A rather subtle change, but the result looks very plausible and works well. Other external extras are two inflatable floating devices along the lower fuselage from a Mistercraft ASW AB 212 (UH-1) kit, the winch at port side was scratched with a piece from the aforementioned BK 117 and styrene bits. Some blade antennae were added and a sensor turret was scratched and placed in front of the front wheels. Additional air scoops for the gearbox were added, too. Inside, I added two (Matchbox) pilot figures to the cockpit, plus a third seat for a medic/observer, a storage/equipment box and a stretcher from a Revell BK 117 rescue helicopter kit. This kit also donated some small details like the rear-view mirror for the pilot and the wire-cutters - not a typical detail for a helicopter operating over the open sea, but you never know...

 

The only other adition is a technical one: I integrated a vertical styrene pipe behind the cabin as a display holder adapter for the traditional hoto shooting's in-flight scenes.

  

Painting and markings:

It took some time to settle upon a design. I wanted something bright – initially I thought about Scottish colors (white and blue), but that was not garish enough, even with some dayglo additions. The typical all-yellow RAF SAR livery was also ruled out. In the end I decided to apply a more or less uniform livery in a very bright red: Humbrol 238, which is, probably due to trademark issues, marketed as “Arrow Red (= Red Arrows)” and effectively an almost fluorescent pinkish orange-red! Only the black anti-glare panel in front of the windscreen, the radome and the white interior of the fenestron tail rotor were painted, too, the rest was created with white decal stripes and evolved gradually. Things started with a white 2mm cheatline, then came the horizontal stripes on the tail, and taking this "theme" further I added something similar to the flanks as a high contrast base for the national markings. These were improvised, too, with a 6mm blue disc and single 1.5 mm bars to create a Scottish flag. The stancils were taken from the OOB decal sheet. The interior became medium grey, the crew received bright orange jumpsuits and white "bone domes".

 

No black ink washing or post-panel-shading was done, since the Dauphin has almost no surface details to emphasize, and I wanted a new and clean look. Besides, with wll the white trim, there was already a lot going on on the hull, so that I kept things "as they were". Finally, the model was sealed with a coat of semi-gloss acrylic varnish for a light shine, except for the rotor blades and the anti-glare panel, which became matt.

  

Quite a tricky project. While the Matchbox Dauphin is not a complex kit you need patience and have to stick to the assembly order to put the hull together. PSR is needed, esp. around the engine section and for the underside. On the other side, despite being a simple model, you get a nice Dauphin from the kit - but NOT a HH-65, sorry. My fictional conversion is certainly not better, but the bright result with its modifications looks good and quite convincing, though.

Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.

 

The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.

 

Location[edit]

Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]

 

House[edit]

 

Croome Court South Portico

History[edit]

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]

 

In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]

 

The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]

 

A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]

 

The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]

 

During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]

 

In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]

 

The house was listed on 11 August 1952; it is currently Grade I listed.[10]

 

In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]

 

From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]

 

The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]

 

Exterior[edit]

The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]

 

Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]

 

A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]

 

Interior[edit]

The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]

 

The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]

 

The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]

 

To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]

 

At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery

 

wikipedia

both in ex works condition 20096 and 20107 are seen top and tailing past Stoke Prior at 10:06 working 5Z20 Crewe to Bristol. I can only assume this run was to test the locos blue star capability's as they were working in multiple. 26/10/20

Ickworth House, Horringer, Bury St Edmunds, Suffolk

 

The House was built between the years of 1795 and 1829 to the designs of the Italian Architect Mario Asprucci, his most noted work being the Villa Borghese. It was this work that Frederick Hervey, the then 4th Earl of Bristol and Bishop of Derry had seen.

Asprucci’s plans were then taken up by the brothers Francis & Joseph Sandys, English architects.

The Parkland, of which there is 1,800 acres in total, was designed by Capability Brown and was Italianate in style. This style much loved by the 4th Earl.

Most of the friezes running around the rotunda were based upon John Flaxman’s illustrations of The Iliad and The Odyssey although, within the entrance portico there are some panels designed by Lady Caroline, the Earl’s Granddaughter and are based upon the Roman Olympic Games.

There are many works of art inside the house and very much well worth the visit.

 

A very hot and dry day at English Heritage, Audley End near Saffron Walden. This is one of the finest Jacobean Houses in England, although it is only a third of its original size today. It was the family seat of the Baybrooke family with grounds laid out by Capability Brown.

SAC-01: NATO Strategic Airlift Capability, Boeing C-17 Globemaster III, brengt equipment voor Noorse F-35's die gaan deelnamen aan de Weapons Instructor Course (WIC)

Broadway Tower is a folly on Broadway Hill, near the village of Broadway, in the English county of Worcestershire, at the second-highest point of the Cotswolds (after Cleeve Hill). Broadway Tower's base is 1,024 feet (312 metres) above sea level. The tower itself stands 65 feet (20 metres) high.

 

The "Saxon" tower was the brainchild of Capability Brown and designed by James Wyatt in 1794 in the form of a castle, and built for Lady Coventry in 1798–99. The tower was built on a "beacon" hill, where beacons were lit on special occasions. Lady Coventry wondered whether a beacon on this hill could be seen from her house in Worcester — about 22 miles (35 km) away — and sponsored the construction of the folly to find out. Indeed, the beacon could be seen clearly.

 

Over the years, the tower was home to the printing press of Sir Thomas Phillipps, and served as a country retreat for artists including William Morris and Edward Burne-Jones who rented it together in the 1880s. William Morris was so inspired by Broadway Tower and other ancient buildings that he founded the Society for the Protection of Ancient Buildings in 1877.

 

Today, the tower is a tourist attraction and the centre of a country park with various exhibitions open to the public at a fee, as well as a gift shop and restaurant. The place is on the Cotswold Way and can be reached by following the Cotswold Way from the A44 road at Fish Hill, or by a steep climb out of Broadway village.

 

Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.

Berrington Hall, Leominster, Herefordshire (NT) (Grade 1)

NATIONAL TRUST + ENGLISH HERITAGE ALBUM

www.flickr.com/photos/45676495@N05/albums/72157701116949872

 

Berrington Hall is a neoclassical country house located about 3 miles North of Leominster. Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall as a replacement for the earlier house. The Hall is designed as a neo-classical building and was designed by Henry Holland n 1778-8. Thomas Harley made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years. The Hall and Estate were purchased by Frederick Cawley MP, later Baron Cawley, in 1901, In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Cawley was allowed to remain in occupation until her death in 1978.

 

The Hall is the home to the Elmar Digby furniture collection, paintings by, among others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy.

 

The Estates landscape was the last landscape to be designed by Capability Brown's its pool and lake are a Site of Special Scientific Interest.

 

Thankyou for a massive 57,560,943 views

 

Shot 11.03.2017 at Berrington Hall, (NT) Leominster, Herefordshire REF 125-014

The Citroën 2CV (French: "deux chevaux" i.e. "deux chevaux-vapeur" (lit. "two steam horses", "two tax horsepower") is an air-cooled front-engine, front-wheel-drive economy car introduced at the 1948 Paris Mondial de l'Automobile and manufactured by Citroën for model years 1948–1990.

 

Conceived by Citroën Vice-President Pierre Boulanger to help motorise the large number of farmers still using horses and carts in 1930s France, the 2CV has a combination of innovative engineering and utilitarian, straightforward metal bodywork — initially corrugated for added strength without added weight. The 2CV featured low cost; simplicity of overall maintenance; an easily serviced air-cooled engine (originally offering 9 hp); low fuel consumption; and an extremely long-travel suspension offering a soft ride and light off-road capability. Often called "an umbrella on wheels", the fixed-profile convertible bodywork featured a full-width, canvas, roll-back sunroof, which accommodated oversized loads and until 1955 reached almost to the car's rear bumper.

 

Manufactured in France between 1948 and 1989 (and in Portugal from 1989 to 1990), over 3.8 million 2CVs were produced, along with over 1.2 million small 2CV-based delivery vans known as Fourgonnettes. Citroën ultimately offered several mechanically identical variants including the Ami (over 1.8 million); the Dyane (over 1.4 million); the Acadiane (over 250,000); and the Mehari (over 140,000). In total, Citroën manufactured almost 7 million 2CV variants.

 

A 1953 technical review in Autocar described "the extraordinary ingenuity of this design, which is undoubtedly the most original since the Model T Ford". In 2011, The Globe and Mail called it a "car like no other". The motoring writer L. J. K. Setright described the 2CV as "the most intelligent application of minimalism ever to succeed as a car", and a car of "remorseless rationality".]

 

HISTORY

DEVELOPMENT

In 1934, family-owned Michelin, being the largest creditor, took over the bankrupt Citroën company. The new management ordered a new market survey, conducted by Jacques Duclos. France at that time had a large rural population which could not yet afford cars; Citroën used the survey results to prepare a design brief for a low-priced, rugged "umbrella on four wheels" that would enable four people to transport 50 kg of farm goods to market at 50 km/h, if necessary across muddy, unpaved roads. In fuel economy, the car would use no more than 3 l/100 km (95 mpg-imp). One design requirement was that the customer be able to drive eggs across a freshly ploughed field without breaking them.

 

In 1936, Pierre-Jules Boulanger, vice-president of Citroën and chief of engineering and design, sent the brief to his design team at the engineering department. The TPV (Toute Petite Voiture — "Very Small Car") was to be developed in secrecy at Michelin facilities at Clermont-Ferrand and at Citroën in Paris, by the design team who had created the Traction Avant.

 

Boulanger was closely involved with all decisions relating to the TPV, and was determined to reduce the weight to targets that his engineers thought impossible. He set up a department to weigh every component and then redesign it, to make it lighter while still doing its job.

 

Boulanger placed engineer André Lefèbvre in charge of the TPV project. Lefèbvre had designed and raced Grand Prix cars; his speciality was chassis design and he was particularly interested in maintaining contact between tyres and the road surface.

 

The first prototypes were bare chassis with rudimentary controls, seating and roof; test drivers wore leather flying suits, of the type used in contemporary open biplanes. By the end of 1937 20 TPV experimental prototypes had been built and tested. The prototypes had only one headlight, all that was required by French law at the time. At the end of 1937 Pierre Michelin was killed in a car crash; Boulanger became president of Citroën.

 

By 1939 the TPV was deemed ready, after 47 technically different and incrementally improved experimental prototypes had been built and tested. These prototypes used aluminium and magnesium parts and had water-cooled flat twin engines with front-wheel drive. The seats were hammocks hung from the roof by wires. The suspension system, designed by Alphonse Forceau, used front leading arms and rear trailing arms, connected to eight torsion bars beneath the rear seat: a bar for the front axle, one for the rear axle, an intermediate bar for each side, and an overload bar for each side. The front axle was connected to its torsion bars by cable. The overload bar came into play when the car had three people on board, two in the front and one in the rear, to support the extra load of a fourth passenger and fifty kilograms of luggage.

 

In mid-1939 a pilot run of 250 cars was produced and on 28 August 1939 the car received approval for the French market. Brochures were printed and preparations made to present the car, renamed the Citroën 2CV, at the forthcoming Paris Motor Show in October 1939.

 

WORLD WAR II

On 3 September 1939, France declared war on Germany following that country's invasion of Poland. An atmosphere of impending disaster led to the cancellation of the 1939 motor show less than a month before it was scheduled to open. The launch of the 2CV was abandoned.

 

During the German occupation of France in World War II Boulanger personally refused to collaborate with German authorities to the point where the Gestapo listed him as an "enemy of the Reich", under constant threat of arrest and deportation to Germany.

 

Michelin (Citroën's main shareholder) and Citroën managers decided to hide the TPV project from the Nazis, fearing some military application as in the case of the future Volkswagen Beetle, manufactured during the war as the military Kübelwagen. Several TPVs were buried at secret locations; one was disguised as a pickup, the others were destroyed, and Boulanger spent the next six years thinking about further improvements. Until 1994, when three TPVs were discovered in a barn, it was believed that only two prototypes had survived. As of 2003 there were five known TPVs.

 

By 1941, after an increase in aluminium prices of forty percent, an internal report at Citroën showed that producing the TPV post-war would not be economically viable, given the projected further increasing cost of aluminium. Boulanger decided to redesign the car to use mostly steel with flat panels, instead of aluminium. The Nazis had attempted to loot Citroën's press tools; this was frustrated after Boulanger got the French Resistance to re-label the rail cars containing them in the Paris marshalling yard. They ended up all over Europe, and Citroën was by no means sure they would all be returned after the war. In early 1944 Boulanger made the decision to abandon the water-cooled two-cylinder engine developed for the car and installed in the 1939 versions. Walter Becchia was now briefed to design an air-cooled unit, still of two cylinders, and still of 375 cc. Becchia was also supposed to design a three-speed gearbox, but managed to design a four-speed for the same space at little extra cost. At this time small French cars like the Renault Juvaquatre and Peugeot 202 usually featured three-speed transmissions, as did Citroën's own mid-size Traction Avant - but the 1936 Italian Fiat 500 "Topolino" "people's car" did have a four-speed gearbox. Becchia persuaded Boulanger that the fourth gear was an overdrive. The increased number of gear ratios also helped to pull the extra weight of changing from light alloys to steel for the body and chassis. Other changes included seats with tubular steel frames with rubber band springing and a restyling of the body by the Italian Flaminio Bertoni. Also, in 1944 the first studies of the Citroën hydro-pneumatic suspension were conducted using the TPV/2CV.

 

The development and production of what was to become the 2CV was also delayed by the incoming 1944 Socialist French government, after the liberation by the Allies from the Germans. The five-year "Plan Pons" to rationalise car production and husband scarce resources, named after economist and former French motor industry executive Paul-Marie Pons, only allowed Citroën the upper middle range of the car market, with the Traction Avant. The French government allocated the economy car market, US Marshall Plan aid, US production equipment and supplies of steel, to newly nationalised Renault to produce their Renault 4CV. The "Plan Pons" came to an end in 1949. Postwar French roads were very different from pre-war ones. Horse-drawn vehicles had re-appeared in large numbers. The few internal combustion-engined vehicles present often ran on town gas stored in gasbags on roofs or wood/charcoal gas from gasifiers on trailers. Only one hundred thousand of the two million pre-war cars were still on the road. The time was known as "Les années grises" or "the grey years" in France.

 

PRODUCTION

Citroën unveiled the car at the Paris Salon on 7 October 1948. The car on display was nearly identical to the 2CV type A that would be sold the next year, but it lacked an electric starter, the addition of which was decided the day before the opening of the Salon, replacing the pull cord starter. The canvas roof could be rolled completely open. The Type A had one stop light, and was only available in grey. The fuel level was checked with a dip stick/measuring rod, and the speedometer was attached to the windscreen pillar. The only other instrument was an ammeter.In 1949 the first delivered 2CV type A was 375 cc, 9 hp, with a 65 km/h top speed, only one tail light and windscreen wiper with speed shaft drive; the wiper speed was dependent on the driving speed. The car was heavily criticised by the motoring press and became the butt of French comedians for a short while. One American motoring journalist quipped, "Does it come with a can opener?" The British Autocar correspondent wrote that the 2CV "is the work of a designer who has kissed the lash of austerity with almost masochistic fervour".

 

Despite critics, Citroën was flooded with customer orders at the show. The car had a great impact on the lives of the low-income segment of the population in France. The 2CV was a commercial success: within months of it going on sale, there was a three-year waiting list, which soon increased to five years. At the time a second-hand 2CV was more expensive than a new one because the buyer did not have to wait. Production was increased from 876 units in 1949 to 6,196 units in 1950.

 

Grudging respect began to emanate from the international press: towards the end of 1951 the opinion appeared in Germany's recently launched Auto, Motor und Sport magazine that, despite its "ugliness and primitiveness" ("Häßlichkeit und Primitivität"), the 2CV was a "highly interesting" ("hochinteressantes") car.

 

In 1950, Pierre-Jules Boulanger was killed in a car crash on the main road from Clermont-Ferrand (the home of Michelin) to Paris.

 

In 1951 the 2CV received an ignition lock and a lockable driver's door. Production reached 100 cars a week. By the end of 1951 production totalled 16,288. Citroën introduced the 2CV Fourgonnette van. The "Weekend" version of the van had collapsible, removable rear seating and rear side windows, enabling a tradesman to use it as a family vehicle on the weekend as well as for business in the week.

 

By 1952, production had reached more than 21,000 with export markets earning foreign currency taking precedence. Boulanger's policy, which continued after his death, was: "Priority is given to those who have to travel by car because of their work, and for whom ordinary cars are too expensive to buy." Cars were sold preferentially to country vets, doctors, midwives, priests and small farmers. In 1954 the speedometer got a light for night driving. In 1955 the 2CV side repeaters were added above and behind the rear doors. It was now also available with 425 cc (AZ), 12.5 hp and a top speed of 80 km/h. In 1957 a heating and ventilation system was installed. The colour of the steering wheel changed from black to grey. The mirrors and the rear window were enlarged. The bonnet was decorated with a longitudinal strip of aluminium (AZL). In September 1957, the model AZLP (P for porte de malle, "boot lid"), appeared with a boot lid panel; previously the soft top had to be opened at the bottom to get to the boot. In 1958 a Belgian Citroën plant produced a higher quality version of the car (AZL3). It had a third side window, not available in the normal version, and improved details.

 

In 1960 the production of the 375 cc engine ended. The corrugated metal bonnet was replaced by a 5-rib glossy cover.

 

The 2 CV 4 × 4 2CV Sahara appeared in December 1960. This had an additional engine-transmission unit in the rear, mounted the other way around and driving the rear wheels. For the second engine there was a separate push-button starter and choke. With a gear stick between the front seats, both transmissions were operated simultaneously. For the two engines, there were separate petrol tanks under the front seats. The filler neck sat in the front doors. Both engines (and hence axles) could be operated independently. The spare wheel was mounted on the bonnet. 693 were produced until 1968 and one more in 1971. Many were used by the Swiss Post as a delivery vehicle. Today they are highly collectable.

 

From the mid-1950s economy car competition had increased — internationally in the form of the 1957 Fiat 500 and 1955 Fiat 600, and 1959 Austin Mini. By 1952, Germany produced a price-competitive car - the Messerschmitt KR175, followed in 1955 by the Isetta - these were microcars, not complete four-door cars like the 2CV. On the French home market, from 1961, the small Simca 1000 using licensed Fiat technology, and the larger Renault 4 hatchback had become available. The R4 was the biggest threat to the 2CV, eventually outselling it.

 

1960s

In 1960 the corrugated Citroën H Van style "ripple bonnet" of convex swages was replaced (except for the Sahara), with one using six larger concave swages and looked similar until the end of production. The 2CV had suicide doors in front from 1948 to 1964, replaced with front hinged doors from 1965 to 1990.

 

In 1961 Citroën launched a new model based on the 2CV chassis, with a 4-door sedan body, and a reverse rake rear window: the Citroën Ami. In 1962 the engine power was increased to 14 hp and top speed to 85 km/h. A sun roof was installed. In 1963 the engine power was increased to 16 hp. An electric wiper motor replaced the drive on the speedo. The ammeter was replaced by a charging indicator light. The speedometer was moved from the window frame into the dash. Instead of a dip stick/measuring rod, a fuel gauge was introduced.

 

Director of publicity Claude Puech came up with humorous and inventive marketing campaigns. Robert Delpire of the Delpire Agency was responsible for the brochures. Ad copy came from Jacques Wolgensinger Director of PR at Citroën. Wolgensinger was responsible for the youth orientated "Raids", 2CV Cross, rallies, the use of "Tin-Tin", and the slogan "More than just a car — a way of life". A range of colours was introduced, starting with Glacier Blue in 1959, then yellow in 1960. In the 1960s 2CV production caught up with demand. In 1966 the 2CV got a third side window. From September 1966 a Belgian-produced variant was sold in Germany with the 602 cc engine and 21 hp Ami6, the 3 CV (AZAM6). This version was only sold until 1968 in some export markets.

 

In 1967 Citroën launched a new model based on the 2CV chassis, with an updated but still utilitarian body, with a hatchback (a hatchback kit was available from Citroën dealers for the 2CV, and aftermarket kits are available) that boosted practicality: the Citroën Dyane. The exterior is more modern and distinguished by the recessed lights in the fenders and bodywork. Between 1967 and 1983 about 1.4 million were built. This was in response to competition by the Renault 4. The Dyane was originally planned as an upmarket version of the 2CV and was supposed to supersede it, but ultimately the 2CV outlived the Dyane by seven years. Citroën also developed the Méhari off-roader.

 

From 1961, the car was offered, at extra cost, with the flat-2 engine size increased to 602 cc, although for many years the smaller 425 cc engine continued to be available in France and export markets where engine size determined car tax levels. This was replaced by an updated 435 cc engine in 1968.

 

1970s

In 1970 the car gained rear light units from the Citroën Ami 6, and also standardised a third side window in the rear pillar on 2CV6 (602 cc) models. From 1970, only two series were produced: the 2CV 4 (AZKB) with 435 cc and the 2CV 6 (Azka) with 602 cc displacement. All 2CVs from this date can run on unleaded fuel. 1970s cars featured rectangular headlights, except the Spécial model. In 1971 the front bench seat was replaced with two individual seats. In 1972 2CVs were fitted with standard three-point seat belts. In 1973 new seat covers, a padded single-spoke steering wheel and ashtrays were introduced.

 

The highest annual production was in 1974. Sales of the 2CV were reinvigorated by the 1974 oil crisis. The 2CV after this time became as much a youth lifestyle statement as a basic functional form of transport. This renewed popularity was encouraged by the Citroën "Raid" intercontinental endurance rallies of the 1970s where customers could participate by buying a new 2CV, fitted with a "P.O." kit (Pays d'Outre-mer — overseas countries), to cope with thousands of miles of very poor or off-road routes.

 

1970: Paris–Kabul: 1,300 young people, 500 2CVs, 16,500 km to Afghanistan and back.

1971: Paris–Persepolis: 500 2CVs 13,500 km to Iran and back.

1973: Raid Afrique, 60 2CVs 8000 km from Abidjan to Tunis, the Atlantic capital of Ivory Coast through the Sahara, (the Ténéré desert section was unmapped and had previously been barred to cars), to the Mediterranean capital of Tunisia.

 

The Paris to Persepolis rally was the most famous. The Citroën "2CV Cross" circuit/off-road races were very popular in Europe.

 

Because of new emission standards, in 1975 power was reduced from 28 hp to 25 hp. The round headlights were replaced by square ones, adjustable in height. A new plastic grille was fitted.

 

In July 1975, a base model called the 2CV Spécial was introduced with the 435 cc engine. Between 1975 and 1990 under the name of AZKB "2CV Spécial" a drastically reduced trim basic version was sold, at first only in yellow. The small, square speedometer (which dates back to the Traction Avant), and the narrow rear bumper was installed. Citroën removed the third side window, the ashtray, and virtually all trim from the car. It also had the earlier round headlights. From the 1978 Paris Motor Show the Spécial regained third side windows, and was available in red and white; beginning in mid-1979 the 602 cc engine was installed. In June 1981 the Spécial E arrived; this model had a standard centrifugal clutch and particularly low urban fuel consumption.

 

1980s

In 1981 a yellow 2CV6 was driven by James Bond (Roger Moore) in the 1981 film For Your Eyes Only. The car in the film was fitted with the flat-4 engine from a Citroën GS which more than doubled the power. In one scene the ultra light 2CV tips over and is quickly righted by hand. Citroën launched a special edition 2CV "007" to coincide with the film; it was fitted with the standard engine and painted yellow with "007" on the front doors and fake bullet hole stickers.

 

In 1982 all 2CV models got inboard front disc brakes.

 

In 1988, production ended in France after 40 years but continued at the Mangualde plant in Portugal. This lasted until 1990, when production of the 2CV ended. The 2CV outlasted the Visa, another of the cars which might have been expected to replace it, and was produced for four years after the start of Citroën AX production.

 

Portuguese-built cars, especially those from when production was winding down, have a reputation in the UK for being much less well made and more prone to corrosion than those made in France. According to Citroën, the Portuguese plant was more up-to-date than the one in Levallois near Paris, and Portuguese 2CV manufacturing was to higher quality standards.

 

As of October 2016, 3,025 remained in service in the UK.

 

SPECIAL EDITION SALOON MODELS

The special edition models began with the 1976 SPOT model and continued in the with the 1980 Charleston, inspired by Art-Deco two colour styles 1920s Citroën model colour schemes. In 1981 the 007 arrived. In 1983 the 2CV Beachcomber arrived in the United Kingdom; it was known as "France 3" in France or "Transat" in other continental European markets — Citroën sponsored the French America's Cup yacht entry of that year. In 1985 the two-coloured Dolly appeared, using the "Spécial" model's basic trim rather than the slightly better-appointed "Club" as was the case with the other special editions. In 1986 there was the Cocorico. This means "cock-a-doodle-doo" and tied in with France's entry in the 1986 World Cup. "Le Coq Gaulois" or Gallic rooster is an unofficial national symbol of France. In 1987 came the Bamboo, followed by the 1988 Perrier in association with the mineral water company.

 

The Charleston, having been presented in October 1980 as a one-season "special edition" was incorporated into the regular range in July 1981 in response to its "extraordinary success". By changing the carburetor to achieve 29 hp a top speed of 115 km/h was achieved. Other changes were a new rear-view mirror and inboard disc brakes at the front wheels. In the 1980s there was a range of four full models:

 

Spécial

Dolly (an improved version of the Spécial)

Club (discontinued in the early 1980s)

Charleston (an improved version of the Club)

 

In Germany and Switzerland a special edition called, "I Fly Bleifrei" — "I Fly Lead Free" was launched in 1986, that could use unleaded, instead of then normal leaded petrol and super unleaded. It was introduced mainly because of stricter emissions standards. In 1987 it was replaced by the "Sausss-duck" special edition.

 

EXPORT MARKETS

The 2CV was originally sold in France and some European markets, and went on to enjoy strong sales in Asia, South America, and Africa. During the post-war years Citroën was very focused on the home market, which had some unusual quirks, like puissance fiscale. The management of Michelin was supportive of Citroën up to a point, and with a suspension designed to use Michelin's new radial tyres the Citroën cars clearly demonstrated their superiority over their competitors' tyres. But they were not prepared to initiate the investment needed for the 2CV (or the Citroën DS for that matter) to truly compete on the global stage. Citroën was always under-capitalised until the 1970s Peugeot takeover. The 2CV sold 8,830,679 vehicles; the Volkswagen Beetle, which was available worldwide, sold 21 million units.

 

CONSTRUCTION

The level of technology in the 1948 2CV was remarkable for the era. While colours and detail specifications were modified in the ensuing 42 years, the biggest mechanical change was the addition of front disc brakes (by then already fitted for several years in the mechanically similar Citroën Dyane 6), in October 1981 (for the 1982 model year). The reliability of the car was enhanced by the minimalist simplification of the designers, being air-cooled (with an oil cooler), it had no coolant, radiator, water pump or thermostat. It had no distributor either, just a contact breaker system. Except for the brakes, there were no hydraulic parts on original models; damping was by tuned mass dampers and friction dampers.

 

The 1948 car featured radial tyres, which had just been commercialised; front-wheel drive; rack and pinion steering mounted inside the front suspension cross-tube, away from a frontal impact; rear fender skirts (the suspension design allowed wheel changes without removing the skirts); bolt-on detachable front and rear wings; detachable doors, bonnet (and boot lid after 1960), by "slide out" P-profile sheet metal hinges; flap-up windows, as roll up windows were considered too heavy and expensive.; and detachable full length fabric sunroof and boot lid, for almost pickup-like load-carrying versatility. Ventilation in addition to the sunroof and front flap windows was provided by an opening flap under the windscreen. The car had load adjustable headlights and a heater (heaters were standardised on British economy cars in the 1960s).

 

BODY

The body was constructed of a dual H-frame platform chassis and aircraft-style tube framework, and a very thin steel shell that was bolted to the chassis. Because the original design brief called for a low speed car, little or no attention was paid to aerodynamics; the body had a drag coefficient of Cd=0.51, high by today's standards but typical for the era.

 

The 2CV used the fixed-profile convertible, where the doors and upper side elements of its bodywork remain fixed, while its fabric soft top can be opened. This reduces weight and lowers the centre of gravity, and allows the carrying of long or irregularly shaped items, but the key reason was that fabric was cheaper than steel which was in short supply and expensive after the war. The fixed-profile concept was quite popular in this period.

 

SUSPENSION

The suspension of the 2CV was very soft; a person could easily rock the car side to side dramatically. The swinging arm, fore-aft linked suspension system with inboard front brakes had a much smaller unsprung mass than existing coil spring or leaf spring designs. The design was modified by Marcel Chinon.

 

The system comprises two suspension cylinders mounted horizontally on each side of the platform chassis. Inside the cylinders are two springs, one for each wheel, mounted at each end of the cylinder. The springs are connected to the front leading swinging arm and rear trailing swinging arm, that act like bellcranks by pull rods (tie rods). These are connected to spring seating cups in the middle of the cylinder, each spring being compressed independently, against the ends of the cylinder. Each cylinder is mounted using an additional set of springs, originally made from steel, called "volute" springs, on later models made from rubber. These allow the front and rear suspension to interconnect. When the front wheel is deflected up over a bump, the front pull rod compresses the front spring inside the cylinder, against the front of the cylinder. This also compresses the front "volute" spring pulling the whole cylinder forwards. That action pulls the rear wheel down on the same side via the rear spring assembly and pull rod. When the rear wheel meets that bump a moment later, it does the same in reverse, keeping the car level front to rear. When both springs are compressed on one side when travelling around a bend, or front and rear wheels hit bumps simultaneously, the equal and opposite forces applied to the front and rear spring assemblies reduce the interconnection. It reduces pitching, which is a particular problem of soft car suspension.

 

The swinging arms are mounted with large bearings to "cross tubes" that run side to side across the chassis; combined with the effects of all-independent soft springing and excellent damping, keeps the road wheels in contact with the road surface and parallel to each other across the axles at high angles of body roll. A larger than conventional steering castor angle, ensures that the front wheels are closer to vertical than the rears, when cornering hard with a lot of body roll. The soft springing, long suspension travel and the use of leading and trailing arms means that as the body rolls during cornering the wheelbase on the inside of the corner increases while the wheelbase on the outside of the corner decreases. As the corning forces put more of the car's weight on the inside pair of wheels the wheelbase extends in proportion, keeping the car's weight balance and centre of grip constant. promoting excellent road holding. The other key factor in the quality of its road holding is the very low and forward centre of gravity, provided by the position of the engine and transmission.

 

The suspension also automatically accommodates differing payloads in the car- with four people and cargo on board the wheelbase increases by around 4 cm as the suspension deflects, and the castor angle of the front wheels increases by as much as 8 degrees thus ensuring that ride quality, handling and road holding are almost unaffected by the additional weight. On early cars friction dampers (like a dry version of a multi-plate clutch design) were fitted at the mountings of the front and rear swinging arms to the cross-tubes. Because the rear brakes were outboard, they had extra tuned mass dampers to damp wheel bounce from the extra unsprung mass. Later models had tuned mass dampers ("batteurs") at the front (because the leading arm had more inertia and "bump/thump" than the trailing arm), with hydraulic telescopic dampers / shock absorbers front and rear. The uprated hydraulic damping obviated the need for the rear inertia dampers. It was designed to be a comfortable ride by matching the frequencies encountered in human bipedal motion.

 

This suspension design ensured the road wheels followed ground contours underneath them closely, while insulating the vehicle from shocks, enabling the 2CV to be driven over a ploughed field without breaking any eggs, as its design brief required. More importantly it could comfortably and safely drive at reasonable speed, along the ill-maintained and war-damaged post-war French Routes Nationales. It was commonly driven "Pied au Plancher" — "foot to the floor" by their peasant owners.

 

FRONT-WHEEL DRIVE AND GEARBOX

Citroën had developed expertise with front-wheel drive due to the pioneering Traction Avant, which was the first mass-produced steel monocoque front-wheel-drive car in the world. The 2CV was originally equipped with a sliding splined joint, and twin Hookes type universal joints on its driveshafts; later models used constant velocity joints and a sliding splined joint.

 

The gearbox was a four-speed manual transmission, an advanced feature on an inexpensive car at the time. The gear stick came horizontally out of the dashboard with the handle curved upwards. It had a strange shift pattern: the first was back on the left, the second and third were inline, and the fourth (or the S) could be engaged only by turning the lever to the right from the third. Reverse was opposite first. The idea was to put the most used gears opposite each other — for parking, first and reverse; for normal driving, second and third. This layout was adopted from the H-van's three-speed gearbox.

 

OTHER

The windscreen wipers were powered by a purely mechanical system: a cable connected to the transmission; to reduce cost, this cable also powered the speedometer. The wipers' speed was therefore dependent on car speed. When the car was waiting at a crossroad, the wipers were not powered; thus, a handle under the speedometer allowed them to be operated by hand. From 1962, the wipers were powered by a single-speed electric motor. The car came with only a speedometer and an ammeter.

 

The 2CV design predates the invention of disc brake, so 1948–1981 cars have drum brakes on all four wheels. In October 1981, front disc brakes were fitted. Disc brake cars use green LHM fluid – a mineral oil – which is not compatible with standard glycol brake fluid.

 

ENGINES

The engine was designed by Walter Becchia and Lucien Gerard, with a nod to the classic BMW boxer motorcycle engine. It was an air-cooled, flat-twin, four-stroke, 375 cc engine with pushrod operated overhead valves and a hemispherical combustion chamber. The earliest model developed 9 PS (6.6 kW) DIN (6.5 kW). A 425 cc engine was introduced in 1955, followed in 1968 by a 602 cc one giving 28 bhp (21 kW) at 7000 rpm. With the 602 cc engine, the tax classification of the car changed so that it became a 3CV, but the name remained unchanged. A 435 cc engine was introduced at the same time to replace the 425 cc; the 435 cc engine car was named 2CV 4 while the 602 cc took the name 2CV 6 (a variant in Argentina took the name 3CV). The 602 cc engine evolved to the M28 33 bhp (25 kW) in 1970; this was the most powerful engine fitted to the 2CV. A new 602 cc giving 29 bhp (22 kW) at a slower 5,750 rpm was introduced in 1979. This engine was less powerful, and more efficient, allowing lower fuel consumption and better top speed, but decreased acceleration. All 2CVs with the M28 engine can run on unleaded petrol.

 

The 2CV used the wasted spark ignition system for simplicity and reliability and had only speed-controlled ignition timing, no vacuum advance taking account of engine load.

 

Unlike other air-cooled cars (such as the Volkswagen Beetle and the Fiat 500) the 2CV's engine had no thermostat valve in its oil system. The engine needed more time for oil to reach normal operating temperature in cold weather. All the oil passed through an oil cooler behind the fan and received the full cooling effect regardless of the ambient temperature. This removes the risk of overheating from a jammed thermostat that can afflict water- and air-cooled engines and the engine can withstand many hours of running under heavy load at high engine speeds even in hot weather. To prevent the engine running cool in cold weather (and to improve the output of the cabin heater) all 2CVs were supplied with a grille blind (canvas on early cars and a clip-on plastic item called a "muff" in the owner's handbook, on later ones) which blocked around half the aperture to reduce the flow of air to the engine.

 

The engine's design concentrated on the reduction of moving parts. The cooling fan and dynamo were built integrally with the one-piece crankshaft, removing the need for drive belts. The use of gaskets, seen as another potential weak point for failure and leaks, was also kept to a minimum. The cylinder heads are mated to the cylinder barrels by lapped joints with extremely fine tolerances, as are the two halves of the crankcase and other surface-to-surface joints.

 

As well as the close tolerances between parts, the engine's lack of gaskets was made possible by a unique crankcase ventilation system. On any 2-cylinder boxer engine such as the 2CV's, the volume of the crankcase reduces by the cubic capacity of the engine when the pistons move together. This, combined with the inevitable small amount of "leakage" of combustion gases past the pistons leads to a positive pressure in the crankcase which must be removed in the interests of engine efficiency and to prevent oil and gas leaks. The 2CV's engine has a combined engine "breather" and oil filler assembly which contains a series of rubber reed valves. These allow positive pressure to escape the crankcase (to the engine air intake to be recirculated) but close when the pressure in the crankcase drops as the pistons move apart. Because gases are expelled but not admitted this creates a slight vacuum in the crankcase so that any weak joint or failed seal causes air to be sucked in rather than allowing oil to leak out.

 

These design features made the 2CV engine highly reliable; test engines were run at full speed for 1000 hours at a time, equivalent to driving 80,000 km at full throttle. They also meant that the engine was "sealed for life" — for example, replacing the big-end bearings required specialised equipment to dismantle and reassemble the built-up crankshaft, and as this was often not available the entire crankshaft had to be replaced. The engine is very under-stressed and long-lived, so this is not a major issue.

 

If the starter motor or battery failed, the 2CV had the option of hand-cranking, the jack handle serving as starting handle through dogs on the front of the crankshaft at the centre of the fan. This feature, once universal on cars and still common in 1948 when the 2CV was introduced, was kept until the end of production in 1990.

 

PERFORMANCE

In relation to the 2CV's performance and acceleration, it was joked that it went "from 0–60 km/h in one day". The original 1948 model that produced 9 hp had a 0–40 time of 42.4 seconds and a top speed of 64 km/h, far below the speeds necessary for North American highways or the German Autobahns of the day. The top speed increased with engine size to 80 km/h in 1955, 84 km/h in 1962, 100 km/h in 1970, and 115 km/h in 1981.

 

The last evolution of the 2CV engine was the Citroën Visa flat-2, a 652 cc featuring electronic ignition. Citroën never sold this engine in the 2CV, but some enthusiasts have converted their 2CVs to 652 engines, or even transplanted Citroën GS or GSA flat-four engines and gearboxes.

 

In the mid-1980s Car magazine editor Steve Cropley ran and reported on a turbocharged 602 cc 2CV that was developed by engineer Richard Wilsher.

 

END OF PRODUCTION

The 2CV was produced for 42 years, the model finally succumbing to customer demands for speed, in which this ancient design had fallen significantly behind modern cars, and safety. Although the front of the chassis was designed to fold up, to form a crumple zone according to a 1984 Citroën brochure, in common with other small cars of its era its crashworhiness was very poor by modern standards. (The drive for improved safety in Europe happened from the 1990s onwards, and accelerated with the 1997 advent of Euro NCAP.) Its advanced underlying engineering was ignored or misunderstood by the public, being clothed in an anachronistic body. It was the butt of many a joke, especially by Jasper Carrott in the UK.

 

Citroën had attempted to replace the ultra-utilitarian 2CV several times (with the Dyane, Visa, and the AX). Its comically antiquated appearance became an advantage to the car, and it became a niche product which sold because it was different from anything else on sale. Because of its down-to-earth economy car style, it became popular with people who wanted to distance themselves from mainstream consumerism — "hippies" — and also with environmentalists.

 

Although not a replacement for the 2CV, the AX supermini, a conventional urban runabout, unremarkable apart from its exceptional lightness, seemed to address the car makers' requirements at the entry level in the early 1990s. Officially, the last 2CV, a Charleston, which was reserved for Mangualde's plant manager, rolled off the Portuguese production line on 27 July 1990, although five additional 2CV Spécials were produced afterwards.[citation needed]

 

In all a total of 3,867,932 2CVs were produced. Including the commercial versions of the 2CV, Dyane, Méhari, FAF, and Ami variants, the 2CV's underpinnings spawned 8,830,679 vehicles.

 

The 2CV was outlived by contemporaries such as the Mini (out of production in 2000), Volkswagen Beetle (2003), Renault 4 (1992), Volkswagen Type 2 (2013) and Hindustan Ambassador (originally a 1950s Morris Oxford), (2014).

 

CONTINUED POPULARITY

The Chrysler CCV or Composite Concept Vehicle developed in the mid-1990s is a concept car designed to illustrate new manufacturing methods suitable for developing countries. The car is a tall, roomy four-door sedan of small dimensions. The designers at Chrysler said they were inspired to create a modernised 2CV.

 

The company Sorevie of Lodève was building 2CVs until 2002. The cars were built from scratch using mostly new parts. But as the 2CV no longer complied with safety regulations, the cars were sold as second-hand cars using chassis and engine numbers from old 2CVs.

 

The long-running 2CV circuit racing series organized by The Classic 2CV Racing Club continues to be popular in the UK.

 

English nicknames include "Flying Dustbin", "Tin Snail", "Dolly", "Tortoise"

 

WIKIPEDIA

The first two Galileo Full Operational Capability satellites (SAT 5-6) during preparations inside the S5A building, before fuelling operations, on 30 July 2014.

 

The launch of the two Galileo satellites, aboard a Soyuz rocket, is set for August 2014, from Europe's Spaceport in Kourou, French Guiana.

 

The definition, development and in-orbit validation phases of the Galileo programme were carried out by ESA and co-funded by ESA and the EU. The Full Operational Capability phase is managed and fully funded by the European Commission. The Commission and ESA have signed a delegation agreement by which ESA acts as design and procurement agent on behalf of the Commission.

 

Credit: ESA–S. Corvaja, 2014

In the parkland at Bleheim Palace, Capability Brown's Grand Cascade, the Swiss Bridge, and the Victorian pumphouse.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background

The Imperial Japanese Army Air Force's fighter force, especially the Nakajima Ki-43, had been underestimated in its capability, numbers and the strategy of its commanders. Within a few months, Japanese forces had conquered vast areas of the Pacific and South East Asia. During these campaigns, the ill-prepared Allied air forces in the Pacific suffered devastating losses.

 

Because of political and cultural ties between the United Kingdom and Australia, British manufacturers were the main source of RAAF aircraft. However, the British aircraft industry had long been hard-pressed to meet the needs of the RAF. Although United States companies had enormous aircraft manufacturing capacity, their output was now intended first and foremost for US air units. Even if aircraft built overseas did become available, they would be shipped long distances in wartime conditions, with consequent delays and losses. As a consequence, CAC came into its own with the development of the Boomerang fighter, which was not operational before late 1942.

 

Following the outbreak of war with Japan, 51 Hurricane Mk IIs were sent as a stop-gap in crates to Singapore, with 24 pilots, the nucleus of five squadrons. They arrived on 3 January 1942, by which time the Allied fighter squadrons in Singapore, flying Brewster Buffalos, had been overwhelmed in the Malayan campaign. Even though the Hurricanes were a significant progress, they suffered in performance.

 

Because of inadequate early warning systems, Japanese air raids were able to destroy 30 Hurricanes on the ground in Sumatra, most of them in one raid on 7 February. After Japanese landings in Singapore, on 10 February, only 18 serviceable Hurricanes remained out of the original 99. After Java was invaded, some of the pilots were evacuated by sea to Australia. 31 Hurricane airframes, which had been on the wayby ship, not been assembled and lacked Merlin engines, were directed to Australia in the wake of events.

 

From these unfinished machines, the Hurricane Mk. VI was quickly devised: the airframes were mated with P&W Twin Wasp engines, which were produced under license at the CAC plant in Lidcombe, Sydney, for the RAAF's Boomerang and Bristol Beaufort. It was clear from the start that these Twin Wasp-powered machines would rather be stop-gaps and no true fighters, rather fighter bombers and more suited for the ground attack role. Hence, like the latest fighters at the time, planning for the Mk. VI included automatic cannons. As no such weapons were manufactured locally, a British-made Hispano-Suiza 20 mm which an Australian airman had collected as a souvenir in the Middle East was reverse engineered – and four of them replaced the eight and partly twelve 0.303 machine guns of the original Mk. IIB machines. Additionally, the pilot received extra armor plating, and the wings were reinforced for external ordnance.

 

The RAAF Mk. VI Hurricanes carried A60-02 through -32 registrations. As a side note, A60-01 was a single Hurricane Mk.I serialled V-7476. This aircraft served with No.2 and 3 Communications Flights RAAF and was used on occasion for experimental work at RAAF Base Laverton on the outskirts of Melbourne. The aircraft was scrapped in 1945.

The Hurricane Mk. VIs actively took part in Pacific operations with RAAF’s No. 4 Squadron and No. 5 Squadron, being joined by Boomerangs in early 1943. They were operated in New Guinea and during the Solomon Islands Campaign as well as the Borneo Campaign, mostly in the close support role and with marked success.

 

Flying in pairs (one to observe the ground, the other to observe the air around them), their tasks included bombing, strafing, close infantry support and artillery spotting. When attacking larger enemy formations, the Hurricanes often operated in conjunction with the smaller and much more agile Boomerang fighter. In this role, a Boomerang would get in close to confirm the identity of the target and mark it with a 20 lb (9 kg) smoke bomb with the "cooperating" Hurricane, Beaufort or Havoc delivering the major ordnance in a quick run and from a safer distance. The partnership between RAAF planes and Royal New Zealand Air Force Corsair fighter bombers during the Bougainville Campaign was said to be particularly effective.

 

The Australian Hurricane Mk. VIs soldiered on until early 1945, when they were finally retired. The Twin Wasp engines were used for spares, all airframes were scrapped, no plane survived the war.

  

General characteristics:

Crew: 1

Length: 32 ft 3 in (9.84 m)

Wingspan: 40 ft 0 in (12.19 m)

Height: 13 ft 1½ in (4.0 m)

Wing area: 257.5 ft² (23.92 m²)

Empty weight: 5,745 lb (2,605 kg)

Loaded weight: 7,670 lb (3,480 kg)

Max. takeoff weight: 8,710 lb (3,950 kg)

 

Maximum speed: 331 mph (531 km/h)

Range: 650 mi (1.045 km)

Service ceiling: 36,000 ft (10,970 m)

Rate of climb: 2,303 ft/min (11.7 m/s)

Wing loading: 29.8 lb/ft² (121.9 kg/m²)

Power/mass: 0.15 hp/lb (0.25 kW/kg)

 

Engine: 1× Pratt & Whitney R-1830 Twin Wasp radial engine, 1,200 hp (895 kW)

 

Armament: 4× 20 mm (0.787 in) Hispano or CAC cannons; 2x 45-gallon (205 l) drop tanks or 2× 250 or 500 lb (110 or 230 kg) bombs

 

The kit and its assembly

The Hurricane Mk. VI is a whif, even though with little effort but a good story behind it. The original idea to mate a Hurricane with a radial engine came when I found a drawing of a Russian Hurricane, mated with a Schwezow ASch-82 engine. It looked… interesting. Not certain if this had been done for sure, but a great inspiration.

While browsing through the scrap heap I later found a Twin Wasp engine – that fueled the idea of a respective conversion. The Russian option was dead, but when I checked contemporary planes I came across the small Boomerang, and the historical facts were perfect for an obscure Australian Hurricane variant.

 

The rest was quickly done: the basic kit is a Hurricane Mk. IIC (Trop) from Hobby Boss, the Twin Wasp comes from a wrecked Matchbox PB4Y Privateer. The original Merlin was simply cut away and replaced by the "new" and relatively small radial engine. A surprisingly easy task, even though I had to widen the area in front of the cockpit by about 1mm to each side. With some putty and a new exhaust pipe with flame dampers, the surgical part was quickly done. A pilot was added, too, in order to distract from the rather bleak cockpit.

 

To make the plane look more interesting and suitable for a display on the ground, the flaps were lowered (scratch-built) and vertical and horizontal stabilizer were moved away from OOB neutral position. Additionally, the cooler under the fuselage was omitted, what creates together with the radial engine a very different side view. This "Aussie'cane" looks stout but disturbingly realistic, like a Boomerang’s big brother!

 

Only other changes/additions are a pilot figure and two wing hardpoints, holding bombs. The rest is OOB.

  

Painting

I have always been a fan of all-green RAAF WWII planes, so I chose such a simple livery. Inspiration came from real-life 4. Squadron Boomerangs, so I adopted the “QE” code and tried to mimic the overall look.

Interior surfaces were kept in Humbrol 78 ('Cockpit Green', dry-painted with light grey). The plane was painted with “Foilage Green” on all outer surfaces - a tone which seems to be heavily debated. Most sources claim FS 34092 (Humbrol 149) as a nowaday's replacement, but to me, this color is just too green and blue-ish. IMHO, “Foilage Green” has a rather yellow-ish hue - Humbrol 75 ("Bronze Green") would be better, if it wasn't too dark.

 

After some trials I settled for Humbrol 105 ("Army Green"). I think it is a sound compromise. It resembles FS 34096, but is (much) less grey-ish and offers that yellow hue I was looking for. Heavy weathering was done, esp. at the panel lines with dry-painted FS 34096 (Testors) and some panels "bleached" with Humbrol 86 ("Light live Green"). After deacls had been applied, some dry brushing with olive drab and light grey added to the worn and faded look, as well as flaked paint around the engine and the wings' leading egdes and soot stains at exhausts and guns. I wanted to emphasize the harsh climate conditions and duties of this fictional machine.

 

Only other colors are typical white quick recognition markings on tail and wings, painted with a mix of Humbrol 130 and 196 for a very light grey, with some white dry painting on th eleading edges.For a final clear coat, I used a matte varnish which still has a light gloss to it - “Foilage Green” and RAAF finishes were AFAIK supposed to be semi-matte and of higher quality that USAF paintjobs.

 

Markings come mostly from the scrap box. The RAAF insignia were taken from a Vultee Vengeance aftermarket sheet by Kanga Decals, which also provided the mid sea grey codes. The Australian registration numbers were improvised with single white letters from TL Modellbau decal sheets.

 

All in all I am happy with the result - a simple measure, a good story and even a very simple livery that allows room for imagination and painting effects. A nice lil' whif, the "Aussie'cane" Mk. VI.

The Strategic Airlift Capability (SAC) was a new concept for NATO when initiated a few years ago. The successful SAC, with its three Boeing C-17 Globemaster III large transport aircraft, is one of two complementary initiatives aimed at providing NATO member nations and Partners with strategic airlift capabilities. The other one is Strategic Airlift Interim Solution (SALIS). By comparison, the countries that signed the SAC MoU have committed themselves to SAC for 30 years and purchased the aircraft together; they did not just contract flight hours from a commercial enterprise. Based on their initial contribution to the programme the SAC participants are entitled to a corresponding percentage of the available flight hours and therefore provides assured access to strategic airlift capability.establishment of SAC can be largely explained by its concept, consisting of pooling resources in order to acquire maximum airlift capability for many nations, in a restrictive budgetary environment. The sound concept on which our programme has been founded matches perfectly the new NATO strategy, investing in more flexible and mobile armed forces, while capitalizing on collaborative defense projects and avoiding capabilities duplication.

In 2008, ten NATO member countries (Bulgaria, Estonia, Hungary, Lithuania, the Netherlands, Norway, Poland, Romania, Slovenia, and the United States) and two Partnership for Peace nations (Finland and Sweden) established SAC by signing the SAC Memorandum of Understanding (MoU). Over little than one year, in July 2009, the first aircraft was delivered and strategic airlift operations were started. SAC aircraft fly only at the direction of SAC nations. Participating nations can decide to use their flight hours in support of third parties. Therefore, a third party wishing to use the capability shall seek a SAC nation to "sponsor" the third party’s airlift requirement and to accept the mission as one of its own.Each participating nation owns a share of the available flight hours that can be used for missions without the prerequisite to consult with the other SAC Participants. The personnel contributed to the Heavy Airlift Wing, the operational arm of the Strategic Airlift Capability, correspond to the participating nation’s share of flight hours and are assigned to various missions, not only those requested by their nation. Nevertheless, a country can withdraw its airmen from a particular mission for national limitationsAs the programme evolves, more nations are likely to express interest in joining SAC and/or contracting flight hours on SAC aircraft. Potential new joiners can address all their requests for specific information to the NAM Programme. We are honored to enter into direct communication with all interested parties and deliver comprehensive presentations of our programme, as well as of the various options and conditions for joining.

This is the chapel at Compton Verney House. In 1761 John Verney (1738 – 1816), 14th Baron Willoughby de Broke, commissioned the Scottish neo-classical architect, Robert Adam, to propose alterations to the house. He also commissioned Lancelot ‘Capability’ Brown to redesign the landscape. This was done with enthusiasm and included demolishing the old medieval church of Compton Murdak, which stood between the house and the lake. The new chapel was designed by Brown in the Italian Classical style, and after suffering considerable neglect, was restored a few years ago. Like the main hall in the house itself, all is white and it now houses the tombs and monuments of earlier Verney family members, moved from the original church.

 

Three landscapes from Croome Park, Worcestershire.

According to Wikipedia:-

 

'Croome Park has a man-made lake and river, statues, temples and other buildings with the Court as the central focus. The other buildings around the park include Gatehouses, a Grotto, a Church and buildings termed "eye-catchers". These are Pirton Castle, Panorama Tower, Dunstall Castle and Park Seat. They are set away from the core of the Park and are intended to draw the eye into the wider landscape.

The park was Capability Brown's first complete landscape, and was set out from 1751 onwards. Croome and Hagley Hall have more follies and other similar features than any estate in Worcestershire. A lot of the park was designed to be viewed from the Croome Court house. Robert Adam, along with James Wyatt, designed temples and follies for the park.[citation needed]

A family trust, Croome Estate Trustees, was set up by the George Coventry, 9th Earl of Coventry, to manage the house and estate. In the mid-1970s the trust transferred ownership of the central core of the park to George William Coventry, 11th Earl of Coventry; in 1981 he sold it to Sun Alliance. The National Trust bought 670 acres (270 ha) of parkland in 1996, using heritage lottery funding along with a donation from Sun Alliance; the rest of Sun Alliance's property at the estate was sold to the Society of Merchant Venturers.

The National Trust own and have restored the core of the original 18th-century parkland, and it is open to visitors throughout the year. To visit many of the features below, you have to enter the pay-for-entry National Trust parkland. Some areas, however, are accessible via public footpaths.

HMS IRON DUKE visits Mindelo in the Cape Verde Islands. Picture: LA(Phot) Ian Simpson

 

HMS Iron Duke paid a visit to Mindelo in the Cape Verde Islands. The ship took part in the islands Independence celebrations whilst giving a capability demonstration to the public at a nearby beach. Two sea boats and a Lynx helicopter were utilised to demonstrate how the Royal Navy can halt suspect vessels in their tracks.

 

Portsmouth based warship HMS Iron Duke is currently deployed across the Atlantic where she will be visiting various far flung destinations in all seasons in both northern and southern hemispheres - enjoying summer and winter in the space of three months.

During six months away the Type 23 frigate will protect UK interests and promote the nation's capabilities abroad. At times she will work with partner nations to develop their armed forces training to defend their own waters. She may be called upon to lend assistance for humanitarian disasters or tackle piracy on the high seas.

 

MP140016

So hard that we only got as far as this first corner when both our waterproofs gave out and we decided to squelch our way back to the car.

Both literally soaked to the skin. Can’t describe the pleasure of getting home, into dry clothes and now drinking strong hot coffee with hot cross buns.

Designed by Capability Brown, one of my favourite places to go. Weather permitting 🤔

The last of the big GM wagons. Eight passenger capability, .231" long..

 

Seen at the :

 

Morris - Lions Car Show.

Route 6 & Tabler Road

Morris, Illinois.

Grundy County, USA

October 13, 2013

 

From Wikipedia:

First Generation 1971-1976

 

The first generation Custom Cruiser first appeared in 1971 based on the C platform-B platform. With a wheelbase of 127.0 in (3,226 mm) these were the first Oldsmobile station wagons ever to be built on Oldsmobile's largest chassis. The 1971-76 GM full-size bodies, at 64.3" front shoulder room and 63.4" rear shoulder room set a record for interior width that would not be matched by any car until the full-size GM rear-wheel drive models of the early to mid 1990s. The station wagon could seat up to 8 forward-facing people.

 

The Custom Cruiser shared Oldsmobile 98's exterior styling, in particular the 98's distinctive front fascia and rear quarter panels complete with fender skirts. Interior styling was somewhat between 88 and 98. The Custom Cruiser wagons, as did other GM full-sized wagons during these years, used a unique rear suspension with multi-leaf springs instead of the coil springs used on other full-sized Oldsmobiles, and other full-sized GM cars. The Custom Cruiser wagons also featured a new 'Clamshell' tailgate design where the rear power-operated glass slid up into the roof as the tailgate (manually or with power assist), slid into a recess under the cargo floor.

 

The power tailgate, the first in station wagon history, ultimately supplanted the manual tailgate, which required marked effort to lift from storage. It was operated by switches on the instrument panel or a key switch on the rear quarter panel. The Clamshell system, heavy and complex, made it easier to load and unload the extremely long wagons in tight spaces. But it remained un-adopted by any other manufacturer, and would be eliminated when GM reduced the length of their wagons by about a foot in 1977, and the overriding concern became increased fuel economy.

 

At 5,161 lb (2,341 kg) shipping weight (5,186 lb (2,352 kg) with woodgrain), or about 5,400 lb (2,400 kg) curb weight, the three-seat 1974 Custom Cruiser wagons are easily the heaviest Oldsmobiles ever built.

 

The 1975 is introducted in September 1974.

 

Oldsmobile's 455 in³ (7.4 L) V8 engine was standard, although Pontiac's 400 cu in (6.6 L) V8 was also offered in 1975.

 

1976 Total: 22,316

Two-seat, plain body: 2,572

Two-seat, woodgrained body: 3,849

Three-seat, plain body: 3,626

Three-seat, woodgrained body: 12,269

 

Berrington Hall, Leominster, Herefordshire (NT) (Grade 1)

NATIONAL TRUST + ENGLISH HERITAGE ALBUM

www.flickr.com/photos/45676495@N05/albums/72157701116949872

 

Berrington Hall is a neoclassical country house located about 3 miles North of Leominster. Berrington had been in the possession of the Cornewall family since 1386, but was sold in 1775 to Thomas Harley, a banker and government contractor who in 1767 had been Lord Mayor of London. He commissioned the rebuilding in 1778-1781 of the present Berrington Hall as a replacement for the earlier house. The Hall is designed as a neo-classical building and was designed by Henry Holland n 1778-8. Thomas Harley made it available to his daughter Anne and her new husband George Rodney, the son of Admiral Rodney. After Harley's death the house descended in the Rodney family for 95 years. The Hall and Estate were purchased by Frederick Cawley MP, later Baron Cawley, in 1901, In 1957 the 3rd Lord Cawley transferred it to the Treasury, which passed in on to the National Trust. Lady Cawley was allowed to remain in occupation until her death in 1978.

 

The Hall is the home to the Elmar Digby furniture collection, paintings by, among others, Thomas Luny (1759–1837), and the Charles Paget Wade costume collection from Snowshill, which can be viewed by appointment The 'below stairs' areas and servants' quarters that are open to the public include a Victorian laundry and Georgian dairy.

 

The Estates landscape was the last landscape to be designed by Capability Brown's its pool and lake are a Site of Special Scientific Interest.

 

Thankyou for a massive 57,560,943 views

 

Shot 11.03.2017 at Berrington Hall, (NT) Leominster, Herefordshire REF 125-013

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background

The Imperial Japanese Army Air Force's fighter force, especially the Nakajima Ki-43, had been underestimated in its capability, numbers and the strategy of its commanders. Within a few months, Japanese forces had conquered vast areas of the Pacific and South East Asia. During these campaigns, the ill-prepared Allied air forces in the Pacific suffered devastating losses.

 

Because of political and cultural ties between the United Kingdom and Australia, British manufacturers were the main source of RAAF aircraft. However, the British aircraft industry had long been hard-pressed to meet the needs of the RAF. Although United States companies had enormous aircraft manufacturing capacity, their output was now intended first and foremost for US air units. Even if aircraft built overseas did become available, they would be shipped long distances in wartime conditions, with consequent delays and losses. As a consequence, CAC came into its own with the development of the Boomerang fighter, which was not operational before late 1942.

 

Following the outbreak of war with Japan, 51 Hurricane Mk IIs were sent as a stop-gap in crates to Singapore, with 24 pilots, the nucleus of five squadrons. They arrived on 3 January 1942, by which time the Allied fighter squadrons in Singapore, flying Brewster Buffalos, had been overwhelmed in the Malayan campaign. Even though the Hurricanes were a significant progress, they suffered in performance.

 

Because of inadequate early warning systems, Japanese air raids were able to destroy 30 Hurricanes on the ground in Sumatra, most of them in one raid on 7 February. After Japanese landings in Singapore, on 10 February, only 18 serviceable Hurricanes remained out of the original 99. After Java was invaded, some of the pilots were evacuated by sea to Australia. 31 Hurricane airframes, which had been on the wayby ship, not been assembled and lacked Merlin engines, were directed to Australia in the wake of events.

 

From these unfinished machines, the Hurricane Mk. VI was quickly devised: the airframes were mated with P&W Twin Wasp engines, which were produced under license at the CAC plant in Lidcombe, Sydney, for the RAAF's Boomerang and Bristol Beaufort. It was clear from the start that these Twin Wasp-powered machines would rather be stop-gaps and no true fighters, rather fighter bombers and more suited for the ground attack role. Hence, like the latest fighters at the time, planning for the Mk. VI included automatic cannons. As no such weapons were manufactured locally, a British-made Hispano-Suiza 20 mm which an Australian airman had collected as a souvenir in the Middle East was reverse engineered – and four of them replaced the eight and partly twelve 0.303 machine guns of the original Mk. IIB machines. Additionally, the pilot received extra armor plating, and the wings were reinforced for external ordnance.

 

The RAAF Mk. VI Hurricanes carried A60-02 through -32 registrations. As a side note, A60-01 was a single Hurricane Mk.I serialled V-7476. This aircraft served with No.2 and 3 Communications Flights RAAF and was used on occasion for experimental work at RAAF Base Laverton on the outskirts of Melbourne. The aircraft was scrapped in 1945.

The Hurricane Mk. VIs actively took part in Pacific operations with RAAF’s No. 4 Squadron and No. 5 Squadron, being joined by Boomerangs in early 1943. They were operated in New Guinea and during the Solomon Islands Campaign as well as the Borneo Campaign, mostly in the close support role and with marked success.

 

Flying in pairs (one to observe the ground, the other to observe the air around them), their tasks included bombing, strafing, close infantry support and artillery spotting. When attacking larger enemy formations, the Hurricanes often operated in conjunction with the smaller and much more agile Boomerang fighter. In this role, a Boomerang would get in close to confirm the identity of the target and mark it with a 20 lb (9 kg) smoke bomb with the "cooperating" Hurricane, Beaufort or Havoc delivering the major ordnance in a quick run and from a safer distance. The partnership between RAAF planes and Royal New Zealand Air Force Corsair fighter bombers during the Bougainville Campaign was said to be particularly effective.

 

The Australian Hurricane Mk. VIs soldiered on until early 1945, when they were finally retired. The Twin Wasp engines were used for spares, all airframes were scrapped, no plane survived the war.

  

General characteristics:

Crew: 1

Length: 32 ft 3 in (9.84 m)

Wingspan: 40 ft 0 in (12.19 m)

Height: 13 ft 1½ in (4.0 m)

Wing area: 257.5 ft² (23.92 m²)

Empty weight: 5,745 lb (2,605 kg)

Loaded weight: 7,670 lb (3,480 kg)

Max. takeoff weight: 8,710 lb (3,950 kg)

 

Maximum speed: 331 mph (531 km/h)

Range: 650 mi (1.045 km)

Service ceiling: 36,000 ft (10,970 m)

Rate of climb: 2,303 ft/min (11.7 m/s)

Wing loading: 29.8 lb/ft² (121.9 kg/m²)

Power/mass: 0.15 hp/lb (0.25 kW/kg)

 

Engine: 1× Pratt & Whitney R-1830 Twin Wasp radial engine, 1,200 hp (895 kW)

 

Armament: 4× 20 mm (0.787 in) Hispano or CAC cannons; 2x 45-gallon (205 l) drop tanks or 2× 250 or 500 lb (110 or 230 kg) bombs

 

The kit and its assembly

The Hurricane Mk. VI is a whif, even though with little effort but a good story behind it. The original idea to mate a Hurricane with a radial engine came when I found a drawing of a Russian Hurricane, mated with a Schwezow ASch-82 engine. It looked… interesting. Not certain if this had been done for sure, but a great inspiration.

While browsing through the scrap heap I later found a Twin Wasp engine – that fueled the idea of a respective conversion. The Russian option was dead, but when I checked contemporary planes I came across the small Boomerang, and the historical facts were perfect for an obscure Australian Hurricane variant.

 

The rest was quickly done: the basic kit is a Hurricane Mk. IIC (Trop) from Hobby Boss, the Twin Wasp comes from a wrecked Matchbox PB4Y Privateer. The original Merlin was simply cut away and replaced by the "new" and relatively small radial engine. A surprisingly easy task, even though I had to widen the area in front of the cockpit by about 1mm to each side. With some putty and a new exhaust pipe with flame dampers, the surgical part was quickly done. A pilot was added, too, in order to distract from the rather bleak cockpit.

 

To make the plane look more interesting and suitable for a display on the ground, the flaps were lowered (scratch-built) and vertical and horizontal stabilizer were moved away from OOB neutral position. Additionally, the cooler under the fuselage was omitted, what creates together with the radial engine a very different side view. This "Aussie'cane" looks stout but disturbingly realistic, like a Boomerang’s big brother!

 

Only other changes/additions are a pilot figure and two wing hardpoints, holding bombs. The rest is OOB.

  

Painting

I have always been a fan of all-green RAAF WWII planes, so I chose such a simple livery. Inspiration came from real-life 4. Squadron Boomerangs, so I adopted the “QE” code and tried to mimic the overall look.

Interior surfaces were kept in Humbrol 78 ('Cockpit Green', dry-painted with light grey). The plane was painted with “Foilage Green” on all outer surfaces - a tone which seems to be heavily debated. Most sources claim FS 34092 (Humbrol 149) as a nowaday's replacement, but to me, this color is just too green and blue-ish. IMHO, “Foilage Green” has a rather yellow-ish hue - Humbrol 75 ("Bronze Green") would be better, if it wasn't too dark.

 

After some trials I settled for Humbrol 105 ("Army Green"). I think it is a sound compromise. It resembles FS 34096, but is (much) less grey-ish and offers that yellow hue I was looking for. Heavy weathering was done, esp. at the panel lines with dry-painted FS 34096 (Testors) and some panels "bleached" with Humbrol 86 ("Light live Green"). After deacls had been applied, some dry brushing with olive drab and light grey added to the worn and faded look, as well as flaked paint around the engine and the wings' leading egdes and soot stains at exhausts and guns. I wanted to emphasize the harsh climate conditions and duties of this fictional machine.

 

Only other colors are typical white quick recognition markings on tail and wings, painted with a mix of Humbrol 130 and 196 for a very light grey, with some white dry painting on th eleading edges.For a final clear coat, I used a matte varnish which still has a light gloss to it - “Foilage Green” and RAAF finishes were AFAIK supposed to be semi-matte and of higher quality that USAF paintjobs.

 

Markings come mostly from the scrap box. The RAAF insignia were taken from a Vultee Vengeance aftermarket sheet by Kanga Decals, which also provided the mid sea grey codes. The Australian registration numbers were improvised with single white letters from TL Modellbau decal sheets.

 

All in all I am happy with the result - a simple measure, a good story and even a very simple livery that allows room for imagination and painting effects. A nice lil' whif, the "Aussie'cane" Mk. VI.

Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.

 

The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.

 

Location[edit]

Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]

 

House[edit]

 

Croome Court South Portico

History[edit]

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]

 

In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]

 

The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]

 

A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]

 

The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]

 

During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]

 

In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]

 

The house was listed on 11 August 1952; it is currently Grade I listed.[10]

 

In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]

 

From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]

 

The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]

 

Exterior[edit]

The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]

 

Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]

 

A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]

 

Interior[edit]

The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]

 

The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]

 

The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]

 

To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]

 

At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery

 

wikipedia

Fallon Range Training Complex

The Fallon Range Training Complex (FRTC), located in the high desert of northern Nevada approximately 65 miles east of Reno, NV, is a set of well defined geographic areas encompassing a land area and multiple air spaces. It is used primarily for training operations, with some capability to support research and development, and test and evaluation of military hardware, personnel, tactics, munitions, explosives, and electronic combat.

 

The geographic scope encompasses NAS Fallon and near-by range training areas, Bureau of Land Management (BLM) rights-of-way, and 13,000 square miles of Special Use Airspace (SUA). The SUA is comprised of the 11 Military Operations Areas (MOAs), nine Restricted areas, ten Air Traffic Control Assigned Areas (ATCAAs), and an Aerial Refueling Route (ARR). Additionally, 17 Instrument Flight Rules (IFR) Military Training Routes (MTRs), three helicopter MTRs, and 14 Low Level Visual Flight Rules (VFR) MTRs transit, terminate in, or are in close proximity to the FRTC. The FRTC encompasses over 234,124 acres of land area including the Bravo-16, Bravo-17, Bravo-19, Bravo-20, Dixie Valley, and Shoal Site training areas.

 

The Navy administers only 234,124 acres of the 6.5 million acres of land under the FRTC airspace, while the remainder consists largely of public land managed by the Bureau of Land Management (BLM).

 

Oakland and Salt Lake Air Route Traffic Control Center (ARTCC) control the airspace within the FRTC, which in turn delegate scheduling and coordination authority to the Naval Strike and Air Warfare Center (NSAWC).

 

The FRTC is particularly significant to the Department of Defense (DoD) because of its unique training and tactics development capabilities, extensive instrumentation and target sets, live ordnance impact areas, and its capability to provide Basic, Integration and Sustainment Phase training of Naval forces in the Fleet Readiness Training Plan (FRTP).

 

Mission

The mission of the FRTC is to support Navy and Marine Corps tactical training by providing the most realistic strike and integrated air warfare training available, maintaining and operating facilities, and providing services and equipment to support the U.S. Pacific Fleet, U.S. Atlantic Fleet, U.S. Marine Corps Forces Pacific, U.S. Marine Corps Forces Atlantic, and other operating forces. Research, Development, Test, and Evaluation (RDT&E) operations are supported on a not to interfere basis.

 

Target Ranges

Bravo-16. The B-16 area has typically saline soil characterized by extensive alkali flats and areas of patchy desert sand and sparsely vegetated by sagebrush. Located south of the Sheckler Reservoir and nine miles southwest of NAS Fallon at an elevation of 3,942 feet, B-16 includes two conventional bull’s-eye targets. The West Conventional Weapons Bull provides night lighting; the East Conventional Weapons Bull does not. At both targets, MK-76/BDU-33, MK-106/BDU-48, 2.75 FFAR (practice), and LUU-2 Paraflares are allowed.

 

Bravo-17. The most frequently used range at FRTC, B-17, is located west of Fairview Peak and south of U.S. Highway 50 and is contained within the Fairview NSAWC working area. The B-17 terrain is made up of the following: alkali flats in the northern section giving way to a rocky terrain along the west and east foothills, and patchy areas of desert sand sparsely vegetated by sagebrush along a gently sloping foothill at the southern extreme. The range is flanked on the west by the Sand Spring Mountains and State Highway 839 and on the east by Fairview Peak.

 

Located 25 miles east-southeast of NAS Fallon at an elevation of 4,153 feet, B-17 is split into an east (B-17E) and west (B-17W) component. These areas are further divided into a total of four surface areas. The B-17W target complex is comprised of No Drop Area (NDA) targets. The NDA targets include an Army compound target; Scud missile target, laser billboard; a bridge target; the West Petroleum, Oil, and Lubricant (POL) Facility target; and a motor pool target. Ordnance expenditure is forbidden in this area.

 

B-17E includes the Light Inert Impact Area, the Heavy Inert Impact Area, and the Live Impact Area. The Light Inert Impact Area includes a conventional weapons bull’s-eye target, a strafe target, an airfield complex, an air defense site, the East POL Facility, a Headquarters compound, the East Power Plant target, a helicopter tank target, a tank convoy and cave entrance target, a Scud missile launcher, a convoy target, a command and control center, a Close Air Support (CAS) target that simulates a below-ground POL, and another CAS target that represents a below-ground building. The targets in the Light Inert Impact Area collectively accommodate expenditure of the following ordnance types: MK-76/BDU-33, MK-106/BDU-48, Laser Guided Training Round (LGTR), BDU-45, LUU-2 Paraflares, and 2.75 FFAR (practice). Targets in the Light Inert Impact Area are Weapons Impact Scoring System (WISS) scored.

 

Forward Air Controller (FAC) platforms are designated areas from which approved artillery, small arms, and mortars are fired in support of CAS exercises. Each FAC position allows an unobstructed view of associated target areas. There is one FAC platform located within B-17 at the western edge of the Light Inert Area. There is also a helicopter Landing Zone (LZ) in addition to the DZ Bad Monkey within B-17 to support CAS training

 

The Heavy Inert Impact Area is in the northeastern corner of the B-17 complex. This area includes three targets: an Industrial Site target, a SAM site target, and a missile assembly target. All three of these targets accommodate expenditure of MK-76/BDU-33, MK-106/BDU-48, LGTR, MK-81 thru MK-84 practice ordnance, BDU-45, LUU-2 Paraflares, and 2.75 FFAR (practice). Targets in the Heavy Inert Impact Area are Weapons Impact Scoring System (WISS) scored.

 

The High Explosive impact (HEI) area is located in the southeastern section of the B-17 complex and allows expenditure of high explosive ordnance. The HEI area contains numerous tank vehicle targets and a camouflaged cave entrance. Targets in the HEI area are WISS scored.

 

Bravo-19. The B-19 area is comprised of alkali flats with areas of patchy desert sand sparsely vegetated by sagebrush. This target complex, which lies 16 nm south-southeast of NAS Fallon at an elevation of 3,882 feet, consists of a strafe target consisting of an acoustic transducer located behind an earthen berm, a HEI area with three distinct clusters of four M60 tank targets each, and a helicopter strafe area comprised of 14 different light armored vehicles. Night lighting is provided for the bull target. The HEI area is also designated as an alternate ordnance jettison area. There are two FAC Platforms in B-19 to support CAS training, one on the tower road and one at the east tower.

 

The targets within B-19 accommodate expenditure of MK-76/BDU-33, MK-106, BDU-48, LGTR, 2.75 FFAR (practice), LUU-2 Paraflares, BDU-45, .20mm TP, .25mm TP, 30mm TP, 7.62mm, 5.56mm, .50 cal (no HEI), 5.0 Zuni (practice), MK-80 series (live and practice Laser Guided Bombs [LGB]), 20mm HEI, and MK-77 (Napalm).

 

An open range for small arms (up to .50 cal) training is available at B-19 with firing lines located 50 feet north of the center tower area. The range includes a pistol/shotgun range, popup targets and a rifle/machine gun range.

 

Bravo-20. The B-20 target range is located in the northeastern section of the Carson Sink and lies within the Lone Rock NSAWC working area. Lone Rock, an igneous rock formation approximately 140 feet tall, is the center of this target area. The B-20 area is 31 nm north-northeast of NAS Fallon at an elevation of 4,040 feet at Lone Rock. The adjacent flats are at 3,890 feet above MSL. Drainage in the area surrounding this range is very poor, often leading to extensive areas of shallow surface water surrounding many of the target sites after heavy rains.

 

The Light Inert Impact Areas within B-20 include:

• Two conventional bull’s-eye targets with night lighting and WISS scoring

• Laser evaluation capabilities

• A laser-guided bomb target

• Two strafe targets

• A submarine target

• A broadcasting facility

• A radar van target

• Area 52, a simulated Weapons of Mass Destruction (WMD) facility

 

The Heavy Inert Impact Area within B-20 consists of an industrial site comprised of 22 large metal targets of various geometric designs. Adjacent to the Heavy Inert Impact Area is the Live Impact Area, which includes the Lone Rock target within an alkali flat, and the Hellfire target, a single, light-armored vehicle target. The primary ordnance jettison area at Fallon is the B-20 HE impact area.

 

The five Laser Target Areas (LTAs) aboard B-20 include the Live Impact Area, a submarine target, a laser-guided bull, and the North and South Conventional Bull targets. Delivery of inert Joint Direct Attack Munition (JDAM) is only authorized within the boundaries of the B-20 target range. The only authorized target for practice JDAM expenditure is the radar van target (B-20-12), which includes Sheridan Tank-1, Sheridan Tank-2, Sheridan Tank-3, and the Tactical Fuel Truck.

 

The targets within B-20 accommodate expenditure of MK-76/BDU-33, MK-106, BDU-48, LGTR, 2.75 FFAR (practice), LUU-2 Paraflares, BDU-45, .20mm TP, .25mm TP, 30mm TP, 7.62mm, .50 cal (no HEI), 5.0 Zuni (practice), MK-80 series (live and practice LGB), MK-77 (Napalm), JDAM, and AGM-114 (Hellfire).

Dixie Valley Training Area

 

The capability to provide forces with CSAR and non-ordnance CAS at FRTC is provided by approximately 80,000 acres of Navy-managed land within Dixie Valley. Four sub-areas make up the Dixie Valley training area:

• Leisy Ground Training Area

• Dixie Valley Settlement North

• Dixie Valley Settlement South

• Horse Creek

 

Dixie Valley Settlement South, situated on the valley floor, and the mountainous Horse Creek area, are the most frequently used areas within the Dixie Valley training area.

 

The 11 target clusters within the Dixie Valley training area are non-ordnance targets; lasing and ordnance drops are not authorized. The majority of these targets are found within Dixie Valley Settlement South, including Fort Apache–a 100,000 square foot complex of buildings, tracked and wheeled vehicles, tents, and a firing base for two 8-inch howitzers.

 

Within the Dixie North airspace working area, the Gabbs North MOA overlays the Dixie Valley Settlement and Horse Creek. The Gabbs North MOA extends from 100 feet AGL to FL180 but excludes restricted area R-4816N extending from 1,500 feet AGL to but not including FL180. Helicopter landings are permitted in the Navy-owned land within Horse Creek and Dixie Valley Settlement North and South at the aircrew’s discretion.

 

Shoal Site

NSW and CSAR training operations are conducted on the 2,560-acre Shoal Site training range. Located south of US Highway 50 and west of B-17, the Shoal Site is public land withdrawn by the Department of Energy (DOE). The Military Lands Withdrawal Act of 1999 authorized a secondary withdrawal by the Navy for military use on the surface position of the DOE site.

 

Small Arms Training Range

Target range B-19 contains a small arms training area. This area includes a pistol/shotgun range, a zero range, an automated-record fire range, and a rifle/machine gun range. The rifle/machine gun range accommodates M2, M60, Squad Automatic Weapon (SAW), and Sniper rifle firing. Munitions calibers authorized for use here include:

• 12 gauge Shotgun

• 9mm

• .22 cal

• .357 cal

• .38 cal

• .30 cal

• .44 cal

• .45 cal

• 5.56mm

• 7.62mm

• .50 cal

• 40mm PR/TR B546

 

Electronic Warfare Complex (EWC)

The Fallon EWC consists of a series of pre-approved fixed and mobile site locations spread through most of the FRTC as depicted in Figure 2-6. The fixed sites are centered in the Dixie Valley, 23 nm east of NAS Fallon at an elevation of 4,170 feet, which is characterized as high desert, moderately vegetated by sagebrush and a variety of high desert type flora. The EWC integrates with TACTS and R-4816 to provide a variety of EC training capabilities. EC services and strike/attack scenarios can be customized for specific mission training and include both fixed and mobile threat capabilities. The system supports specialized EC training, such as CSAR helicopter penetration and reconnaissance training, and provides real-time and post-engagement feedback. The EWC assets include SAM/AAA simulators; a command, control and communication network and emulator; search radar systems; and Electronic Support Measures/Electronic Countermeasures (ESM/ECM) systems.

 

NSAWC Working Areas

For safety and training efficiency, FRTC airspace is subdivided into NSAWC Working Areas. Though not strictly SUA, these areas can be scheduled only through NSAWC. The eight primary NSAWC working areas and their respective subdivisions are:

• Berlin East/West, High/Low

• Callaghan North/South

• Cortez North/South, High/Low

• Dixie North/South, High/Low

• Edwards North/South, High/Low

• Fairview

• Kingston

• Lone Rock

 

The ‘Low’ subdivisions encompass airspace below 10,000 feet MSL, while the ‘High’ sub-areas extend from 11,000 feet MSL to the top of the MOA boundary. One or more of these areas can be scheduled as required. The NSAWC working area boundaries are shown in Figure 2-5.

 

The eight primary working areas can be grouped into three major combined areas–NSAWC 1, NSAWC 2, and CAS 17/19. NSAWC 1 includes Lone Rock (including R-4813A), Dixie North, Edwards North, Cortez, Callaghan North, and Stillwater Corridor. NSAWC 2 consists of Fairview (including R-4804A), Dixie South, Berlin, Kingston, O’Toole, Shoshone, Middlegate, Edwards South, Callaghan South, and R-4812. NSAWC 1/2 are designed to provide support for training events involving 6 or more aircraft that require significant lateral dispersion. Scheduled together, the NSAWC 1/2 areas can be utilized jointly in COMMODORE events, which involve 12 or more aircraft. COMMODORE is an airspace and communications scheduling package that provides blanket airspace clearance for large-scale exercises. The area covered by the COMMODORE airspace clearance includes NSAWC 1 and NSAWC 2. The third major combined working area is CAS 17/19, which includes Dixie South, B-17 or B-19, R-4812, and Berlin West.

 

Four corridors, each 5 nm in width, have also been defined by NSAWC to facilitate safe and orderly transit within the FRTC airspace. The four corridors are named Middlegate, O’Toole, Shoshone, and Stillwater.

A visit to Charlecote Park for an afternoon visit to this National Trust property in Warwickshire. Near Stratford-upon-Avon. A deer park with a country house in the middle of it.

  

Charlecote Park (grid reference SP263564) is a grand 16th-century country house, surrounded by its own deer park, on the banks of the River Avon near Wellesbourne, about 4 miles (6 km) east of Stratford-upon-Avon and 5.5 miles (9 km) south of Warwick, Warwickshire, England. It has been administered by the National Trust since 1946 and is open to the public. It is a Grade I listed building.

 

The Lucy family owned the land since 1247. Charlecote Park was built in 1558 by Sir Thomas Lucy, and Queen Elizabeth I stayed in the room that is now the drawing room. Although the general outline of the Elizabethan house remains, nowadays it is in fact mostly Victorian. Successive generations of the Lucy family had modified Charlecote Park over the centuries, but in 1823, George Hammond Lucy (High Sheriff of Warwickshire in 1831) inherited the house and set about recreating the house in its original style.

 

Charlecote Park covers 185 acres (75 ha), backing on to the River Avon. William Shakespeare has been alleged to have poached rabbits and deer in the park as a young man and been brought before magistrates as a result.

 

From 1605 to 1640 the house was organised by Sir Thomas Lucy. He had twelve children with Lady Alice Lucy who ran the house after he died. She was known for her piety and distributing alms to the poor each Christmas. Her eldest three sons inherited the house in turn and it then fell to her grandchild Sir Davenport Lucy.

 

In the Tudor great hall, the 1680 painting Charlecote Park by Sir Godfrey Kneller, is said to be one of the earliest depictions of a black presence in the West Midlands (excluding Roman legionnaires). The painting, of Captain Thomas Lucy, shows a black boy in the background dressed in a blue livery coat and red stockings and wearing a gleaming, metal collar around his neck. The National Trust's Charlecote brochure describes the boy as a "black page boy". In 1735 a black child called Philip Lucy was baptised at Charlecote.

 

The lands immediately adjoining the house were further landscaped by Capability Brown in about 1760. This resulted in Charlecote becoming a hostelry destination for notable tourists to Stratford from the late 17th to mid-18th century, including Washington Irving (1818), Sir Walter Scott (1828) and Nathaniel Hawthorn (c 1850).

 

Charlecote was inherited in 1823 by George Hammond Lucy (d 1845), who married Mary Elizabeth Williams of Bodelwyddan Castle, from who's extensive diaries the current "behind the scenes of Victorian Charlecote" are based upon. GH Lucy's second son Henry inherited the estate from his elder brother in 1847. After the deaths of both Mary Elizabeth and Henry in 1890, the house was rented out by Henry's eldest daughter and heiress, Ada Christina (d 1943). She had married Sir Henry Ramsay-Fairfax, (d 1944), a line of the Fairfax Baronets, who on marriage assumed the name Fairfax-Lucy.

 

From this point onwards, the family began selling off parts of the outlying estate to fund their extensive lifestyle, and post-World War II in 1946, Sir Montgomerie Fairfax-Lucy, who had inherited the residual estate from his mother Ada, presented Charlecote to the National Trust in-lieu of death duties. Sir Montgomerie was succeeded in 1965 by his brother, Sir Brian, whose wife, Lady Alice, researched the history of Charlecote, and assisted the National Trust with the restoration of the house.

  

Gatehouse

 

Grade I Listed Building

 

Gatehouse to Charlecote Park

  

Listing Text

  

CHARLECOTE

 

SP2556 CHARLECOTE PARK

1901-1/10/23 Gatehouse to Charlecote Park

05/04/67

(Formerly Listed as:

Gatehouse at Charlecote Park House)

 

GV I

 

Gatehouse, now museum. c1560. Brick laid to English bond with

limestone ashlar dressings.

EXTERIOR: east facade of 2 storeys; symmetrical 3-window range

plus 3-storey octagonal angle turret to each angle. Drip

courses and parapet with pierced rosette pattern. Round-headed

moulded archway has imposts, keystone with jewelled soffit;

paired wrought-iron gates with overthrow, 1722 by T Parris.

Ground floor has ovolo-mullioned cross-mullioned windows, with

similar windows above flanking bracketed canted oriel with

1:3:1-light transomed window over painted relief arms of Lucy

impaling Spencer in wreath and strapwork frame; each turret

has 2-light windows, top entablature and ogival cupola with

ball finial and weather-vane; that to left with 1824 clock

faces. All windows with leaded glazing, most with crown glass.

Rear similar, but drip course raised over arch with fluted

key; 3-light mullioned and transomed windows flanking entrance

and similar windows above, flanking 2 cross-mullion windows

and central bracketed stone panel.

North and south ends have cross-mullioned windows; 2-light

stair window to south.

INTERIOR: passage has 2 bays of rib vaulting with large

pendant bosses; each side has impost course and cornice over

elliptical-headed entrance with studded door and flanking

shell-head alcoves. To north a timber-framed partition and

dogleg stair; south side has room with moulded Tudor-arched

corner fireplace with cornice and Tudor-arched corner doorway.

Museum to first floor has similar fireplace and doorway and

doorways to turret rooms, panelled and battened doors;

north-west room has round-headed timber doorway with C17

panelled door and fireplace with traces of paint.

The gatehouse is a well preserved item. Property of the

National Trust.

(The Buildings of England: Pevsner N & Wedgwood A:

Warwickshire: Harmondsworth: 1966-: 227; The National Trust:

Charlecote Park: guidebook: 1991-: 6-8).

  

Listing NGR: SP2599256412

 

This text is from the original listing, and may not necessarily reflect the current setting of the building.

  

The Strategic Airlift Capability (SAC)'s Boeing C-17 Globemaster III (03 F-211/SAC-3 C/N 50212) reversing its engine thrust as it lands at the Swiss Air Force base at Payerne. The SAC is a consortium of 12 nations, 10 of which are member states of NATO and two of which are Partners For Peace, to pool resources to purchase and operate Boeing C-17 Globemaster III aircraft for joint strategic airlift purposes. Based at Papa in Hungary, they are operated and flown by members of the SAC's armed forces. However, the aircraft are maintained by Boeing as described by the European Aviation Safety Agency (EASA). specified European standards. Photo taken by my son.

Harcourt Arboretum

The University of Oxford Arboretum

 

Acquired by the University in 1947 from the Harcourt family. It is now an integral part of the tree and plant collection of the University of Oxford Botanic Garden.

 

The original Pinetum, which forms the core of the arboretum, was laid out by William Sawrey Gilpin in the 1830s. Gilpin was a leading promoter of the picturesque style of planting and advised the Harcourt family on the establishment and layout of the arboretum. The trees are now mature, with Giant Redwoods and Monkey-Puzzle trees in the collection.

 

The arboretum also contains some of the finest conifer collections in the UK all set within 130 acres of historic Capability Brown landscape. The grounds include a 10-acre typical English woodland and a 37-acre summer flowering meadow.

 

www.obga.ox.ac.uk/visit-arboretum

 

en.wikipedia.org/wiki/Harcourt_Arboretum

Heavy Airlift Wing, Strategic Airlift Capability Wing, NATO. Royal International Air Tattoo 2022, RAF Fairford, Gloucestershire, UK.

The chapel is a very tranquil space, though now also available for weddings.

The N-1 was a heavy lift rocket intended to deliver payloads beyond low Earth orbit, acting as the Soviet counterpart to the NASA Saturn V rocket. This heavy lift booster had the capability of lifting very heavy loads into orbit, designed with manned extra-orbital travel in mind. Its first stage is the most powerful rocket stage ever built.

 

The N1-L3 version was developed to compete with the United States Apollo Saturn V to land a man on the Moon.

N1-L3 was under-funded and under-tested, and started development in October 1965, almost four years after the Saturn V. The project was badly derailed by the death of its chief designer Sergei Korolev in 1966. After four failed launch attempts, the program was suspended in 1974, and in 1976 was officially cancelled.

 

I will compare with a photo of the real thing.

The photo above is a rocket that is in the jack-up point injection. The photo below is a photo that was seen from below the first stage.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The Grumman Mohawk began as a joint Army-Marine program through the then-Navy Bureau of Aeronautics (BuAer), for an observation/attack plane that would outperform the light and vulnerable Cessna L-19 Bird Dog. In June 1956, the Army issued Type Specification TS145, which called for the development and procurement of a two-seat, twin turboprop aircraft designed to operate from small, unimproved fields under all weather conditions. It would be faster, with greater firepower, and heavier armor than the Bird Dog, which had proved very vulnerable during the Korean War.

 

The Mohawk's mission would include observation, artillery spotting, air control, emergency resupply, naval target spotting, liaison, and radiological monitoring. The Navy specified that the aircraft had to be capable of operating from small "jeep" escort class carriers (CVEs). The DoD selected Grumman Aircraft Corporation's G-134 design as the winner of the competition in 1957. Marine requirements contributed an unusual feature to the design: since the Marines were authorized to operate fixed-wing aircraft in the close air support (CAS) role, the mockup featured underwing pylons for rockets, bombs, and other stores, and this caused a lot of discord. The Air Force did not like the armament capability of the Mohawk and tried to get it removed. On the other side, the Marines did not want the sophisticated sensors the Army wanted, so when their Navy sponsors opted to buy a fleet oil tanker, they eventually dropped from the program altogether. The Army continued with armed Mohawks (and the resulting competence controversy with the Air Force) and also developed cargo pods that could be dropped from underwing hard points to resupply troops in emergencies.

 

In mid-1961, the first Mohawks to serve with U.S. forces overseas were delivered to the 7th Army at Sandhofen Airfield near Mannheim, Germany. Before its formal acceptance, the camera-carrying AO-1AF was flown on a tour of 29 European airfields to display it to the U.S. Army field commanders and potential European customers. In addition to their Vietnam and European service, SLAR-equipped Mohawks began operational missions in 1963 patrolling the Korean Demilitarized Zone.

 

Germany and France showed early interest in the Mohawk, and two OV-1s were field-tested by both nations over the course of several months. No direct orders resulted, though, but the German Bundesheer (Army) was impressed by the type’s performance and its capability as an observation and reconnaissance platform. Grumman even signed a license production agreement with the French manufacturer Breguet Aviation in exchange for American rights to the Atlantic maritime patrol aircraft, but no production orders followed.

 

This could have been the end of the OV-1 in Europe, but in 1977 the German government, primarily the interior ministry and its intelligence agency, the Bundesnachrichtendienst (BND), showed interest in a light and agile SIGINT/ELINT platform that could fly surveillance missions along the inner-German border to the GDR and also to Czechoslovakia. Beyond visual reconnaissance with cameras and IR sensors, the aircraft was to be specifically able to identify and locate secret radio stations that were frequently operated by Eastern Block agents (esp. by the GDR) all across Western Germany, but primarily close to the inner-German border due to the clandestine stations’ low power. The Bundeswehr already operated a small ELINT/ECM fleet, consisting of converted HFB 320 ‘Hansa’ business jets, but these were not suited for stealthy and inconspicuous low flight level missions that were envisioned, and they also lacked the ability to fly slowly enough to locate potential “radio nests”.

 

The pan and the objective were clear, but the ELINT project caused a long and severe political debate concerning the operator of such an aerial platform. Initially, the Bundesheer, who had already tested the OV-1, claimed responsibility, but the interior ministry in the form of the German customs department as well as the German police’s Federal Border Guard, the Bundesgrenzschutz and the Luftwaffe (the proper operator for fixed-wing aircraft within the German armed forces), wrestled for this competence. Internally, the debate and the project ran under the handle “Schimmelreiter” (literally “The Rider on the White Horse”), after a northern German legendary figure, which eventually became the ELINT system’s semi-official name after it had been revealed to the public. After much tossing, in 1979 the decision was made to procure five refurbished U.S. Army OV-1As, tailored to the German needs and – after long internal debates – operate them by the Luftwaffe.

 

The former American aircraft were hybrids: they still had the OV-1A’s original short wings, but already the OV-1D’s stronger engines and its internal pallet system for interchangeable electronics. The machines received the designation OV-1G (for Germany) and were delivered in early 1980 via ship without any sensors or cameras. These were of Western German origin, developed and fitted locally, tailored to the special border surveillance needs.

 

The installation and testing of the “Schimmelreiter” ELINT suite lasted until 1982. It was based on a Raytheon TI Systems emitter locator system, but it was locally adapted by AEG-Telefunken to the airframe and the Bundeswehr’s special tasks and needs. The system’s hardware was stowed in the fuselage, its sensor arrays were mounted into a pair of underwing nacelles, which occupied the OV-1’s standard hardpoints, allowing a full 360° coverage. In order to cool the electronics suite and regulate the climate in the internal equipment bays, the OV-1G received a powerful heat exchanger, mounted under a wedge-shaped fairing on the spine in front of the tail – the most obvious difference of this type from its American brethren. The exact specifications of the “Schimmelreiter” ELINT suite remained classified, but special emphasis was placed upon COMINT (Communications Intelligence), a sub-category of signals intelligence that engages in dealing with messages or voice information derived from the interception of foreign communications. Even though the “Schimmelreiter” suite was the OV-1Gs’ primary reconnaissance tool, the whole system could be quickly de-installed for other sensor packs and reconnaissance tasks (even though this never happened), or augmented by single modules, what made upgrades and mission specialization easy. Beyond the ELINT suite, the OV-1G could be outfitted with cameras and other sensors on exchangeable pallets in the fuselage, too. This typically included a panoramic camera in a wedge-shaped ventral fairing, which would visually document the emitter sensors’ recordings.

 

A special feature of the German OV-1s was the integration of a brand new, NATO-compatible “Link-16” data link system via a MIDS-LVT (Multifunctional Information Distribution System). Even though this later became a standard for military systems, the OV-1G broke the ground for this innovative technology. The MIDS was an advanced command, control, communications, computing and intelligence (C4I) system incorporating high-capacity, jam-resistant, digital communication links for exchange of near real-time tactical information, including both data and voice, among air, ground, and sea elements. Outwardly, the MIDS was only recognizable through a shallow antenna blister behind the cockpit.

 

Even though the OV-1Gs initially retained their former American uniform olive drab livery upon delivery and outfitting in German service, they soon received a new wraparound camouflage for their dedicated low-level role in green and black (Luftwaffe Norm 83 standard), which was better suited for the European theatre of operations. In Luftwaffe service, the OV-1Gs received the tactical codes 18+01-05 and the small fleet was allocated to the Aufklärungsgeschwader (AG) 51 “Immelmann”, where the machines formed, beyond two squadrons with RF-4E Phantom IIs, an independent 3rd squadron. This small unit was from the start based as a detachment at Lechfeld, located in Bavaria/Southern Germany, instead of AG 51’s home airbase Bremgarten in South-Western Germany, because Lechfeld was closer to the type’s typical theatre of operations along Western Germany’s Eastern borders. Another factor in favor of this different airbase was the fact that Lechfeld was, beyond Tornado IDS fighter bombers, also the home of the Luftwaffe’s seven HFB 320M ECM aircraft, operated by the JaBoG32’s 3rd squadron, so that the local maintenance crews were familiar with complex electronics and aircraft systems, and the base’s security level was appropriate, too.

 

With the end of the Cold War in 1990, the OV-1Gs role and field of operation gradually shifted further eastwards. With the inner-German Iron Curtain gone, the machines were now frequently operated along the Polish and Czech Republic border, as well as in international airspace over the Baltic Sea, monitoring the radar activities along the coastlines and esp. the activities of Russian Navy ships that operated from Kaliningrad and Saint Petersburg. For these missions, the machines were frequently deployed to the “new” air bases Laage and Holzdorf in Eastern Germany.

 

In American service, the OV-1s were retired from Europe in 1992 and from operational U.S. Army service in 1996. In Germany, the OV-1 was kept in service for a considerably longer time – with little problems, since the OV-1 airframes had relatively few flying hours on their clocks. The Luftwaffe’s service level for the aircraft was high and spare parts remained easy to obtain from the USA, and there were still OV-1 parts in USAF storage in Western German bases.

 

The German HFB 320M fleet was retired between 1993 and 1994 and, in part, replaced by the Tornado ECR. At the same time AG 51 was dissolved and the OV-1Gs were nominally re-allocated to JaboG 32/3. With this unit the OV-1Gs remained operational until 2010, undergoing constant updates and equipment changes. For instance, the machines received in 1995 a powerful FLIR sensor in a small turret in the aircraft’s nose, which improved the aircraft’s all-weather reconnaissance capabilities and was intended to spot hidden radio posts even under all-weather/night conditions, once their signal was recognized and located. The aircrafts’ radio emitter locator system was updated several times, too, and, as a passive defensive measure against heat-guided air-to-air missiles/MANPADS, an IR jammer was added, extending the fuselage beyond the tail. These machines received the suffix “Phase II”, even though all five aircraft were updated the same way.

Reports that the OV-1Gs were furthermore retrofitted with the avionics to mount and launch AIM-9 Sidewinder AAMs under the wing tips for self-defense remained unconfirmed, even more so because no aircraft was ever seen carrying arms – neither the AIM-9 nor anything else. Plans to make the OV-1Gs capable of carrying the Luftwaffe’s AGM-65 Maverick never went beyond the drawing board, either. However, BOZ chaff/flare dispenser pods and Cerberus ECM pods were occasionally seen on the ventral pylons from 1998 onwards.

 

No OV-1G was lost during the type’s career in Luftwaffe service, and after the end of the airframes’ service life, all five German OV-1Gs were scrapped in 2011. There was, due to worsening budget restraints, no direct successor, even though the maritime surveillance duties were taken over by Dornier Do 228/NGs operated by the German Marineflieger (naval air arm).

  

General characteristics:

Crew: Two: pilot, observer/systems operator

Length: 44 ft 4 in (13.53 m) overall with FLIR sensor and IR jammer

Wingspan: 42 ft 0 in (12.8 m)

Height: 12 ft 8 in (3.86 m)

Wing area: 330 sq. ft (30.65 m²)

Empty weight: 12,054 lb (5,467 kg)

Loaded weight: 15,544 lb (7,051 kg)

Max. takeoff weight: 18,109 lb (8,214 kg)

 

Powerplant:

2× Lycoming T53-L-701 turboprops, 1,400 shp (1,044 kW) each

 

Performance:

Never exceed speed: 450 mph (390 knots, 724 km/h)

Maximum speed: 305 mph (265 knots, 491 km/h) at 10,000 ft (3,050 m)

Cruise speed: 207 mph (180 knots, 334 km/h) (econ cruise)

Stall speed: 84 mph (73 knots, 135 km/h)

Range: 944 mi (820 nmi, 1,520 km) (SLAR mission)

Service ceiling: 25,000 ft (7,620 m)

Rate of climb: 3,450 ft/min (17.5 m/s)

 

Armament:

A total of eight external hardpoints (two ventral, three under each outer wing)

for external loads; the wing hardpoints were typically occupied with ELINT sensor pods, while the

ventral hardpoints frequently carried 300 l drop tanks to extend loiter time and range;

Typically, no offensive armament was carried, even though bombs or gun/missile pods were possible.

  

The kit and its assembly:

This build became a submission to the “Reconnaissance” Group Build at whatifmodellers.com in July 2021, and it spins further real-world events. Germany actually tested two OV-1s in the Sixties (by the German Army/Bundesheer, not by the air force), but the type was not procured or operated. The test aircraft carried a glossy, olive drab livery (US standard, I think) with German national markings.

However, having a vintage Hasegawa OV-1A in the stash, I wondered what an operational German OV-1 might have looked like, especially if it had been operated into the Eighties and beyond, in the contemporary Norm 83 paint scheme? This led to this purely fictional OV-1G.

 

The kit was mostly built OOB, and the building experience was rather so-so – after all, it’s a pretty old mold/boxing (in my case the Hasegawa/Hales kit is from 1978, the mold is from 1968!). Just a few things were modified/added in order to tweak the standard, short-winged OV-1A into something more modern and sophisticated.

 

When searching for a solution to mount some ELINT sensor arrays, I did not want to copy the OV-1B’s characteristic offset, ventral SLAR fairing. I rather settled for the late RV-1D’s solution with sensor pods under the outer wings. Unfortunately, the OV-1A kit came with the type’s original short wings, so that the pods had to occupy the inner underwing pair of hardpoints. The pods were scratched from square styrene profiles and putty, so that they received a unique look. The Mohawk’s pair of ventral hardpoints were mounted, but – after considering some drop tanks or an ECM pod there - left empty, so that the field of view for the ventral panoramic camera would not be obscured.

 

Other small additions are some radar warning sensor bumps on the nose, some extra antennae, a shallow bulge for the MIDS antenna on the spine, the FLIR turret on the nose (with parts from an Italeri AH-1 and a Kangnam Yak-38!), and I added a tail stinger for a retrofitted (scratched) IR decoy device, inspired by the American AN/ALG-147. This once was a Matchbox SNEB unguided missile pod.

  

Painting and markings:

For the intended era, the German Norm 83 paint scheme, which is still in use today on several Luftwaffe types like the Transall, PAH-2 or CH-53, appeared like a natural choice. It’s a tri-color wraparound scheme, consisting of RAL 6003 (Olivgrün), FS 34097 (Forest Green) and RAL 7021 (Teerschwarz). The paints I used are Humbrol 86 (which is supposed to be a WWI version of RAL 6003, it lacks IMHO yellow but has good contrast to the other tones), Humbrol 116 and Revell 9. The pattern itself was adapted from the German Luftwaffe’s Dornier Do 28D “Skyservants” with Norm 83 camouflage, because of the type’s similar outlines.

 

A black ink washing was applied for light weathering, plus some post-shading of panels with lighter shades of the basic camouflage tones for a more plastic look. The cockpit interior was painted in light grey (Humbrol 167), while the landing gear and the interior of the air brakes became white. The scratched SLAR pods became light grey, with flat di-electric panels in medium grey (created with decal material).

The cockpit interior was painted in a rather light grey (Humbrol 167), the pilots received typical olive drab Luftwaffe overalls, one with a white “bone dome” and the other with a more modern light grey helmet.

 

The decals were improvised. National markings and tactical codes came from TL Modellbau sheets, the AG 51 emblems were taken from a Hasegawa RF-4E sheet. The black walkways were taken from the Mohak’s OOB sheet, the black de-icer leading edges on wings and tail were created with generic black decal material. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).

  

An interesting result, and the hybrid paint scheme with the additional desert camouflage really makes the aircraft an unusual sight, adding to its credibility.

Capability Demonstration of the Wildcat HMA.2 at RAF Benson, during an MoD Helicopter Showcase Event.

U.S. Soldiers with 3rd Platoon, Alpha Company, 1st Combined Arms Battalion, 163rd Infantry Regiment, Montana Army National Guard, conducts an air assault mission on the Orchard Combat Training Center, Boise, Idaho, June 14, 2018, in support of the 116th Cavalry Brigade Combat Team's eXportable Combat Training Capability (XCTC) rotation. The assault was the battalion’s first training lane of its 15-day XCTC rotation. (U.S. Army national Guard photo by Spc. Jonnie Riley)

The low light capability of my digital Fujifilm X20 is very good - especially if you steady yourself against something. Even though all the camera shake warning lights come up, the camera will still take a shot.

I'll usually take several shots in the hope that one will be in focus and one or two will be. And some will be blurred and unuseable. Most cameras will have a fairly tough time in handheld low light conditions anyway. Sometimes my X20 throws the whole scene into a kind of bokeh frenzy in that moment between either being totally sharp or totally unusable. Here's the Clock Tower at Hoboken station in New Jersey at night in that 'in between' moment.

One from the archives! This was taken from out near the end of the pier in Howth looking back towards the town. The Martelo tower stands guard over the harbour. These towers were built along the coast during the Napoleonic wars as a primary defence and with the capability of signalling to other similar towers that an invasion was beginning. They were never tested though and many lie derelict now though one or two have become famous including the Joyce tower in Sandymount!

02

Boeing C-17A

Globemaster III

C17

477FF2

NATO

BRK94

NATO Strategic Airlift Capability

08-0002

cn F-210

BRK Hungarian Air Force

based LHPA Papa AB for NATO

EYSA 191220Z 25008KT CAVOK M02/M03 Q1014 R32R/29//95 BLU NOSIG

Tampere–Pirkkala Airport TMP EFTP

LBBG 201400Z 09008KT 1900 0900S FG OVC002 07/07 Q1016 R04/CLRD// TEMPO 0600 FG BKN001

2r

  

While the F-16A had proven a success, its lack of long-range missile and true all-weather capability hampered it, especially in projected combat against the Warsaw Pact over Central Europe. General Dynamics began work on the upgraded F-16C/D version, with the first Block 25 F-16C flying in June 1984 and entering USAF service that September.

 

Externally, the only ways to tell apart the F-16C from the F-16A is the slightly enlarged base of the tail and a UHF radio antenna at the base of the tail. The intake is also slightly larger, though later marks of the F-16A also have this feature. Internally, however, the F-16C is a significantly different aircraft. The earlier APG-66 radar was replaced by the APG-68 multimode radar used by the F/A-18, which gave the F-16C the same capability to switch between ground-attack and dogfight mode and vastly improved all-weather capability. Cockpit layout was also changed in response to pilots’ requests, with a larger Heads-Up Display and movement of the radar display to eye level rather than between the pilot’s legs on the F-16A. The F-16C would also have the capability to carry the AIM-120 AMRAAM, though it would not be until 1992 that the missile entered service. Other small upgrades were made throughout the design, including the engine.

 

The Block 25 initial production was superseded by the Block 30 F-16C in 1987, which gave it better navigation systems, and the capability to carry the either the General Electric F110 or the Pratt and Whitney F100 turbofan. The Block 40/42 “Night Falcon” followed in 1988, equipped with LANTIRN night attack pods, followed by the Block 50/52, which was a dedicated Wild Weasel variant. In USAF service, the latter are semi-officially known as F-16CG and F-16CJ variants.

 

The F-16C had replaced the F-16A in nearly all overseas USAF units by the First Gulf War in 1991, and as a result, the aircraft was among the first deployed to the theater in August 1990. During the war, the F-16C was used mainly in ground attack and strike sorties, due to delays in the AIM-120, but it performed superbly in this role. USAF F-16s finally scored kills in the F-16C, beginning in 1992, when an Iraqi MiG-23 was shot down over the southern no-fly zone; the victory was also the first with the AMRAAM. Four Serbian G-4 Super Galebs were shot down over Bosnia in 1994. F-16Cs had replaced the F-16A entirely in regular and Reserve USAF service by 1997, and further service was seen over Kosovo, Iraq, Afghanistan, and Libya by 2012. Subsequent upgrades to USAF F-16Cs with GPS allow them to carry advanced precision weapons such as JSOW and JDAM.

 

Whatever the variant, the F-16 is today the most prolific combat aircraft in existence, with 28 nations operating the type (17 of which operate F-16Cs). Over 4450 have been built, with more in production; the F-16C is also license-produced by Turkey and South Korea. It also forms the basis for the Mitsubishi F-2 fighter for Japan, though the F-2 is significantly different, with a longer nose and larger wing. Though the USAF projects that the F-16C will be replaced by the F-35 beginning in 2020, it will likely remain in service for a very long time.

 

This F-16 is actually the combination of two airframes: F-16C 84-1228 and F-16B 78-0105, so it is something of a "Frankenfalcon," with the forward half from the F-16C and the rear the F-16B. 84-1228 was a F-16C delivered to the USAF in 1985 to the 363rd Tactical Fighter Wing at Shaw AFB, South Carolina; on January 5, 1989, the aircraft was damaged beyond repair when the pilot hit birds on takeoff. Though the pilot was able to abort the takeoff, 84-1228 ran off the runway and exploded. The pilot was able to escape, but the F-16 behind the wingroot was a burned-out wreck.

 

Rather than completely scrap it, the front section was cut off and mated with the rear section of 78-0105. This F-16 had crashed into the Gulf of Mexico in 1981 while assigned to the 56th Tactical Fighter Training Wing at MacDill AFB, Florida. The crew ejected successfully and the F-16 was recovered from the water, but the nose was considered unsalvageable and scrapped. The two sections were put together as a ground instruction trainer, but since the aircraft could not be powered up, the "Frankenfalcon" was of little use even as a trainer. It was returned to General Dynamics for disposal, and it sat forgotten in the company plant until 2016, when it was donated to the Joe Davies Heritage Airpark.

 

For something put together from two wrecks, the aircraft looks pretty good, though it lacks landing gear. (78-0105 still had its gear intact, so why it was removed is unknown.) It also lacks any national markings, and the camouflage is somewhat close to an aggressor scheme, or Royal Moroccan Air Force F-16s. (Joe Davies seems to have an inventive approach to painting some of its aircraft.) The name "Salty Dog" comes from 78-0105's inadvertent bath in the Gulf of Mexico!

Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.

 

The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.

 

Location[edit]

Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]

 

House[edit]

 

Croome Court South Portico

History[edit]

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]

 

In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]

 

The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]

 

A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]

 

The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]

 

During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]

 

In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]

 

The house was listed on 11 August 1952; it is currently Grade I listed.[10]

 

In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]

 

From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]

 

The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]

 

Exterior[edit]

The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]

 

Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]

 

A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]

 

Interior[edit]

The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]

 

The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]

 

The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]

 

To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]

 

At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery

 

wikipedia

Croome Court is a mid 18th century Neo-Palladian mansion surrounded by an extensive landscaped parkland at Croome D'Abitot, near Pershore in south Worcestershire. The mansion and park were designed by Lancelot "Capability" Brown for George Coventry, 6th Earl of Coventry, and was Brown's first landscape design and first major architectural project. Some of the internal rooms of the mansion were designed by Robert Adam.

 

The mansion house is owned by Croome Heritage Trust, and is leased to the National Trust who operate it, along with the surrounding parkland, as a tourist attraction. The National Trust own the surrounding parkland, which is also open to the public.

 

Location[edit]

Croome Court is located near to Croome D'Abitot, in Worcestershire,[1] near Pirton, Worcestershire.[2] The wider estate was established on lands that were once part of the royal forest of Horewell.[3] Traces of these older landscapes, such as unimproved commons and ancient woodlands, can be found across the former Croome Estate.[4]

 

House[edit]

 

Croome Court South Portico

History[edit]

The foundations and core of Croome Court, including the central chimney stack structure, date back to the early 1640s.[5] Substantial changes to this early house were made by Gilbert Coventry, 4th Earl of Coventry.[6]

 

In 1751, George Coventry, the 6th Earl, inherited the estate, along with the existing Jacobean house. He commissioned Lancelot "Capability" Brown, with the assistance of Sanderson Miller, to redesign the house and estate.[7][1] It was Brown's "first flight into the realms of architecture" and a "rare example of his architectural work",[8] and it is an important and seminal work.[9] It was built between 1751 and 1752, and it and Hagley Hall are considered to be the finest examples of Neo-Palladian architecture in Worcestershire. Notable Neo-Palladian features incorporated into Croome Court include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire).[1] Robert Adam worked on the interior of the building from 1760 onwards.[10]

 

The house has been visited by George III,[2][11] as well as Queen Victoria[7] during summers when she was a child, and George V (then Duke of York).[11]

 

A jam factory was built by the 9th Earl of Coventry, near to Pershore railway station, in about 1880, to provide a market for Vale of Evesham fruit growers in times of surplus. Although the Croome connection with jam making had ceased, during the First World War, the building was leased by the Croome Estate Trust to the Huddersfield Fruit Preserving Company as a pulping station.[12]

 

The First World War deeply affected Croome, with many local casualties, although the house was not requisitioned for the war effort. This is possibly because it was the home of the Lord Lieutenant of the County, who needed a residence for his many official engagements.[13]

 

During the Second World War Croome Court was requisitioned by the Ministry of Works and leased for a year to the Dutch Government as a possible refuge for Queen Wilhelmina of the Netherlands; to escape the Nazi occupation of the Netherlands. However, evidence shows that they stayed two weeks at the most, perhaps because of the noise and fear created by the proximity of Defford Aerodrome. They later emigrated to Canada.[14]

 

In 1948 the Croome Estate Trust sold the Court, along with 38 acres (15 ha) of land, to the Roman Catholic Archdiocese of Birmingham, and the mansion became St Joseph's Special School, which was run by nuns[15] from 1950[11] until 1979.[15]

 

The house was listed on 11 August 1952; it is currently Grade I listed.[10]

 

In 1979 the hall was taken over by the International Society for Krishna Consciousness (Hare Krishna movement), who used it as their UK headquarters and a training college[16] called Chaitanya College,[15] run by 25 members of the movement.[16] During their tenure they repainted the Dining Room.[17] In 1984 they had to leave the estate for financial reasons. They held a festival at the hall in 2011.[16]

 

From 1984 onwards various owners tried to use the property as a training centre; apartments; a restaurant and conference centre; and a hotel and golf course,[15] before once more becoming a private family home,[2][15] with outbuildings converted to private houses.[15]

 

The house was purchased by the Croome Heritage Trust, a registered charity,[18] in October 2007,[19] and it is now managed by the National Trust as a tourist attraction. It opened to the public in September 2009, at which point six of the rooms had restored, costing £400,000, including the Saloon. It was estimated that another £4 million[2][20] to £4.8 million would be needed to restore the entire building. Fundraising activities for the restoration included a 2011 raffle for a Morgan sports car organised by Lord and Lady Flight. After the restoration is complete, a 999-year lease on the building will be granted to the National Trust.[21] An oral history project to record recollections about Croome was funded by the Heritage Lottery Fund.[15] As of 2009, the service wing was empty and in need of substantial repair.[22]

 

Exterior[edit]

The mansion is faced with Bath stone,[7] limestone ashlar, and has both north and south facing fronts. It has a basement and two stories, with three stories in the end pavilions. A slate roof, with pyramid roofs over the corner towers, tops the building, along with three pair-linked chimneys along the axis of the house.[10]

 

Both fronts have 11 bays, split into three central sets of three each, and one additional bay each side. The north face has a pedimented centre, with two balustraded staircases leading to a Roman Doric doorcase. The south face has a projecting Ionic tetrastyle portico and Venetian windows. It has a broad staircase, with cast stone sphinxes on each side, leading to a south door topped with a cornice on consoles. The wings have modillion cornice and balustrade.[10]

 

A two-story L-shaped service wing is attached to the east side of the mansion. It is made of red brick and stone, with slate roofs.[10] It was designed by Capability Brown in 1751-2.[22] On the far side of the service wing, a wall connects it to a stable court.[10]

 

Interior[edit]

The interior of the house was designed partially by Capability Brown, with plasterwork by G. Vassalli, and partially by Robert Adam, with plasterwork by J. Rose Jr. It has a central spine corridor. A stone staircase, with iron balusters, is at the east end.[10]

 

The entrance hall is on the north side of the building, and has four fluted Doric columns, along with moulded doorcases. To the east of the entrance hall is the dining room, which has a plaster ceiling and cornice, while to the west is a billiard room, featuring fielded panelling, a plaster cornice, and a rococo fireplace. The three rooms were probably decorated around 1758-59 by Capability Brown.[10] The dining room was vibrantly repainted by the Hare Krishnas in the 1970s-80s.[17]

 

The central room on the south side is a saloon, probably by Brown and Vassalli. It has an elaborate ceiling, with three panels, deep coving, and a cornice, along with two Ionic fireplaces, and Palladian doorcases.[10] George III was entertained by George Coventry, the 6th Earl, in the house's Saloon.[2] A drawing room is to the west of the saloon, and features rococo plasterwork and a marble fireplace.[10]

 

To the east of the saloon is the Tapestry Room.[10] This was designed in 1763-71, based on a design by Robert Adam, and contained tapestries and furniture covers possibly designed by Jacques Germain Soufflot, and made by Manufacture Nationale des Gobelins.[23] Around 1902 the ninth Earl sold the tapestries and seating to a Parisian dealer. In 1949 the Samuel H. Kress Foundation purchased the ceiling, floor, mantlepiece, chair rails, doors and the door surrounds, which were donated to the Metropolitan Museum of Art, New York, in 1958. In 1959 the Kress Foundation also helped the Metropolitan Museum acquire the chair and sofa frames, which they recovered using the original tapestry seats.[7][23] A copy of the ceiling was installed in place of the original.[10] As of 2016, the room is displayed as it would have looked after the tapestries had been sold, with a jug and ewer on display as the only original decoration of the room that remains in it. The adjacent library room is used to explain what happened to the tapestry room;[17] the former library was designed by Adam, and was dismantled except for the marble fireplace.[10]

 

At the west side of the building is a long gallery,[10] which was designed by Robert Adam and installed between 1761 and 1766. It is the best preserved of the original interior (little of the rest has survived in situ).[1] It has an octagonal panelled ceiling, and plaster reliefs of griffins. A half-hexagonal bay faces the garden. The room also contains a marble caryatid fireplace designed by J Wilton.[10] As of 2016, modern sculptures are displayed in empty niches along the Long Gallery

 

wikipedia

The AX is the first autofocus Contax SLR produced by Kyocera. The AX achieves autofocus capability with the standard manual focus Carl Zeiss lenses by utilizing a specially-developed automatic back focusing system. With this system, the fixed mirror box, pentaprism assembly and film plane move as a unit along a ceramic rail to achieve focus. Contax later introduced the N1/NX series of autofocus film SLRs that used a new generation of autofocus Carl Zeiss lenses. The later model N1 and NX are not compatible with manual focus Contax/Yashica mount Carl Zeiss and Yashica lenses.

 

Being a long-time manual focus SLR user when the AX first came out, I at first did not know how to react to this camera. Recall at the time that many photographers were still shooting manual focus SLRs, such as the Nikon F3, Contax ST,etc. The AX generated a lot of commentary in the press and especially on the Internet soon after its release. Some thought it was great that Contax took this approach to finally develop an autofocus SLR. Others though this was an admission of defeat by a camera maker that waited far too long to get onto the autofocus SLR bandwagon. Looking back from a historical standpoint, the AX was a brilliant solution by Kyocera to try to compete in the autofocus SLR market while maintaining compatibility with their existing base of Contax line Carl Zeiss lenses. In a way, the RX and AX were stepping stones by Kyocera on their way from traditional manual focus to a complete autofocus system with the N1/NX.

 

For those who are used to the image of sleek, thin SLRs such as the RX and the ST, the AX does not immediately appear to be beautiful. The camera has the cosmetics of an RX, but the AX body is much thicker from front to back to make room for the moving focus assembly within the camera. However, once one gets used to the camera's bulky image, at least for a 35mm SLR, one realizes that it is packed with useful technology and really does combine the best features of automatic focus capabilities and compatibility with Carl Zeiss manual focus lenses.

 

The AX continued the tradition of providing the tank-like over-engineered feel common to most Contax bodies. The camera has a titanium top cover and an aluminum alloy die-cast chassis, and is made with the same attention to detail and finely-machined parts for which Contax cameras are renowned. All of the controls are consistent with the design of other high-end Contax cameras, employing the switches and knobs representative of a traditional analog user interface but which are actually electronic controls connected to state-of-the-are electronic circuitry within the camera. The camera weighs in at 1,080 grams without battery, so it is no lightweight. However, its weight is still acceptable when compared with certain other contemporaneous professional-level bodies from Contax (RTSIII), Nikon (F4 and F5) and others, especially after battery weight is factored in.

 

Let's check out the various features of this fascinating camera. Basically, the designers have successfully combined the best and most important features of the RX, ST and RTSIII, and then gone a step further by adding autofocus. The AX has a shutter speed dial positioned at the standard Contax location on the top left of the camera. While shutter speed can only be set from 4 sec. to 1/4000 sec. in manual and shutter priority mode, the shutter has an increased range from 32 sec. to 1/6000 sec. in Av and P modes. Surrounding the shutter speed dial is an exposure mode selector lever, which permits selection of the following metering modes: Av, Tv, P, M, X and B. The same lever is also used for selecting modes to directly adjust film ISO and to modify the custom functions of the camera. Custom functions such as film leader out on rewind are actually set using the two adjustment buttons on the top right of the camera. The AX has the standard Contax exposure compensation dial on the top right of the camera, which allows very easy and quick adjustment of exposure compensation in the range of +-2 EV. The exposure compensation dial is surrounded by the automatic bracketing control ("ABC") lever, which permits a series of three photographs to be taken with +- 0.5 or 1.0 EV exposure compensation. The ABC function works either by making one exposure with each press of the shutter release button, or a continuous burst of three frames as long as the shutter release button is held down, depending on how the drive mode selector dial is set (single or continuous exposure). The top-mounted drive mode selector dial allows adjustment for single frame exposure, continuous exposure (at 3 or 5 fps), multiple exposure, and self timer (2 or 10 second delay). Surrounding the drive mode selector dial is the focus mode selector lever. This lever allows rapid selection among manual focus, single autofocus, continuous autofocus, and a macro setting. A combination button/dial just under the thumb position on the back right of the camera body works with the focus mode selector lever to adjust the operation of the focus system. The main switch surrounding the shutter release button has the usual Contax autoexposure lock functionality. However, the AX adopts the RTSIII's very convenient placement of the exposure meter selection switch to the left side of the lens mount. Other controls include the standard Contax exposure check button and electronic depth-of-field preview button on the right front of the camera. The exposure check button activates the viewfinder information without the risk of tripping the shutter when trying to press the shutter release button down only half-way. The camera also provides built-it dioptric adjustment and a shutter for the viewfinder eyepiece.

 

The viewfinder of the AX is very good. The camera uses an oversized prism, providing a very bright view of the subject and a 95% field of view. While it is an autofocus camera, the AX, like the RX, also sports the traditional horizontal split image, microprism collar, and of course matte field optical focusing aids. All of the viewfinder readouts are located on a LCD display below the viewfinder image. This display includes an exposure frame counter, spot/average metering indicator, exposure compensation indicator (+ or -, as well as a numerical readout of the amount of compensation), flash indicator, back focus position indicator, in-focus indicator, aperture indicator, over/under exposure warning, and shutter speed indicator. Because of the packed real estate on the viewfinder LCD readout, there is unfortunately no room for a graphical indication of the exact amount of exposure compensation, or any indication of the amount of over/under exposure when setting exposure in M mode. Metering patterns are a 5 mm spot meter, which includes the area within the microprism focusing collar, and a wide area center-weighted average pattern. In addition to the standard FW-1 focusing screen, Contax also provides four other selections of focusing screens for various applications.

 

The flash functionality of the AX combines the best features of both the RX and the ST, but does not offer the pre-flash spot meter found on the RTSIII. Flash synch is at a fastest speed of 1/200 second. Among Contax electronic cameras, only the RTSIII offers a faster maximum synch speed (1/250 second). This speed should be fast enough for fill flash in most available light conditions. TTL flash appears to be based on a fairly narrow center-weighted pattern. The AX shares the RX's five-point flash contact on the accessory shoe, providing enhanced camera to flash communication, as well as a locking slot to keep the flash unit from falling off. With this improved communication, the Contax TLA flash readout panel will automatically reflect the film ISO and lens aperture, as well as activate the direct flash exposure compensation functionality on the flash unit itself. With this system, balanced fill flash is implemented by setting the appropriate negative flash compensation on the flash unit.

 

The AX can be fit with an optional multi-functional data back (D-8). This highly advanced data back allows the recording of data (such as shutter speed and aperture, date, time or exposure mode) between the film frames or on frames one and two at the beginning of the roll. Somewhat uniquely in its class, the D-8 also provides an intervalometer that can be set to trigger exposures from every two seconds to 99 hours, 59 minutes, 59 seconds.

 

The AX works on one 6V lithium 2CR5 battery. The battery is inserted on one side of the camera base, allowing the tripod mount of this relatively weighty camera to be placed at the body's center of balance. Kyocera claims that the battery has a capacity of about 50 rolls of 36-exposure film under their test conditions. The automatic back focusing system of the AX appears to be relatively energy-efficient. As I mentioned in my separate review for the RX, I prefer the use of lithium batteries in Contax cameras, which provides for longer time between battery changes, better cold weather performance, and lighter travelling weight.

 

The autofocus system of the AX utilizes an AF-assist beam, which is emitted from the right front of the camera. The camera’s autofocus capability is relatively fast and accurate for general use, especially for the time when the AX was released. It was not as fast as the autofocus systems on high-end sports-oriented cameras, such as the Nikon F5 or the Canon EOS 1n. Nevertheless, the AX's focusing speed and accuracy compared very favorably with other autofocus bodies offered by the competition. A very nice feature of the AX's autofocus system is its ability to turn almost any lens into a macro lens (by eliminating the need to use extension tubes). In normal (non-macro) autofocus mode, some care must be taken when focusing floating element/group lenses at relatively close distances.

 

Carl Zeiss Vario-Sonnar 28-85/3.3-4.0

 

The Carl Zeiss Vario-Sonar T* 28-85mm f/3.3-4 (MMJ) is an amazing precision work of metal and glass. This lens provides one of the most popular zoom ranges with photographers, and is also my favorite zoom range in the 35mm film world. I use this lens when I only want to carry one Carl Zeiss lens on a trip or outing and the 50/1.4 by itself won't do. The 29-75 degree angular field will cover you in most everyday situations. The f/3.3-4 maximum aperture range is not the greatest, but it is acceptable for normal use. (I generally won't use a zoom lens if the maximum aperture is smaller than f/4.) Anyway, this lens is already about maximum acceptable size and weight for hand-held use, and that is the purpose for which this lens was designed. Imagine how big and heavy the lens would be if it had larger maximum aperture! The lens is engineered in two parts; the rear barrel is fixed to the camera and includes the aperture ring. The front barrel twists for focus and slides in and out for zoom. The lens is at maximum length when it is zoomed to 28mm.

 

If you are using a Contax AX, you even get autofocus with all of your CZ lenses. Normally, you just set the lens focus to infinity and the AX autofocus function takes it from there. However, this lens if one of a few CZ lenses where you need to move the lens off of infinity to autofocus at the minimum end of the range, which is not a big deal. The focus/zoom movement is silky smooth.

 

The CZ 28-85/3.3-4 does have some disadvantages. It does not work well on a tripod, with the single ring design and lack of a tripod socket. It can be used on a sturdy-tripod with a heavier Contax body to support and balance the lens, but however irrationally, I would avoid doing it too much to avoid stressing the bayonet and mount on the lens and camera. (As mentioned in the introduction to the Carl Zeiss lens section, the metal mounting ring on the lens is relatively thin compared with the weight of CZ lenses and can be damaged if stressed too much. Indeed, I once damaged the mount of this lens by twisting it on while it wasn't exactly perpendicular to the camera body. Another disadvantage of the single ring design is that it is difficult to adjust the focus without nudging the zoom and vice versa. When carried over your shoulder while attached to the a camera body, the lens will always zoom out to maximum wide angle due to the weight of the front barrel. I have a habit of zooming the lens all the way out before slinging the camera over my shoulder. (Don't sling it around your neck, especially when attached to an RTSIII or you may cut off all blood flow to your brain! Still, its size and weight is about the same as a modern large-aperture autofocus zoom lens.)

 

I once had the infinity focus of this lens go out of adjustment. I couldn't turn the focusing ring far enough to focus at infinity. A trip to the authorized repair shop solved the focusing problem and above bent bayonet ring problem about 15 years ago, and the lens still appears fine to this day. One other quirk I noticed is that this zoom lens does not communicate the current value of the variable aperture to the camera. Thus if you zoom the lens all the way to telephoto while the lens is set to maximum aperture, for example, the aperture setting displayed in the viewfinder does not change to reflect the actual aperture value. Actually, it does not matter because the light meter still exposes the film properly; only the displayed value is slightly misleading.

 

How to carry this lens and body combination? As mentioned above, I usually use this lens when it is the only lens that I carry. For this purpose, I have a camera bag that is designed for a modern digital SLR body with a large zoom lens. I can attach this lens to any full-size Contax body and the combination fits in the bag like a glove.

 

The 28-85/3.3-4 lens takes large screw-in 82mm filters. Contax provided a very nice W-1 metal lens hood, which is matched to the zoom range of the lens and screws right on top of your filter. Also, Contax made a matching metal 99mm K-94 lens cap that snugly fit right on top of the W-1 lens hood. There is never any need to remove the filter and hood from the lens for storage or to use the smaller original lens cap.

 

Copyright © 1997-2015 Timothy A. Rogers. All rights reserved.

 

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A stout pair of boots and a view of the gallery above. The chapel would have been a little more colourful originally, as it had medieval stained glass in some of the windows, but this was sold off in the 19th century, by which time the chapel was in a sorry state.

A multinational Strategic Airlift Capability Boeing C-17 III Globemaster transport aircraft arriving at RIAT.

Ugbrooke House

 

Ugbrooke House is a stately home in the parish of Chudleigh, Devon, England, situated in a valley between Exeter and Newton Abbot.

 

It dates back over 900 years, having featured in the Domesday Book. Before the Reformation the land belonged to the Church and the house was occupied by Precentors to the Bishop of Exeter. It has been the seat of the Clifford family for over four hundred years, and the owners have held the title Baron Clifford of Chudleigh since 1672.

 

The 9th Baron Clifford was an aide-de-camp to Edward VII and entertained royalty, both Edward VII and George V, at Ugbrooke Park.

 

The house, now a Grade I listed building, was remodelled by Robert Adam, while the grounds were redesigned by Capability Brown in 1761.The grounds featured what were possibly the earliest plantings of the European White Elm Ulmus laevis in the UK.The gardens are now Grade II* listed in the National Register of Historic Parks and Gardens.[4] The house and gardens are open to the public for a limited number of days each summer.

  

Baron Clifford of Chudleigh

 

Baron Clifford of Chudleigh, of Chudleigh in the County of Devon, is a title in the Peerage of England. It was created in 1672 for Thomas Clifford. The title was created as "Clifford of Chudleigh" rather than simply "Clifford" to differentiate it from several other Clifford Baronies previously created for members of this ancient family, including the Barony of de Clifford (1299), which is extant but now held by a branch line of the Russell family, having inherited through several female lines.

 

Baron Clifford of Chudleigh is the major surviving male representative of the ancient Norman family which later took the name de Clifford which arrived in England during the Norman Conquest of 1066, feudal barons of Clifford, first seated in England at Clifford Castle in Herefordshire, created Baron de Clifford by writ in 1299. The family seat is Ugbrooke Park, near Chudleigh, Devon.

 

Notable members of this branch of the Clifford family include antiquarian Arthur Clifford (grandson of the 3rd Baron), Victoria Cross recipient Sir Henry Hugh Clifford (son of the 7th Baron), Catholic clergyman William Clifford (son of the 7th Baron) and colonial administrators Sir Bede Clifford (son of the 10th Baron) and Sir Hugh Clifford (grandson of the 7th Baron). The family is also related to the notable recusant Weld family, of Lulworth Castle, through the 7th Baron's marriage to the daughter of Cardinal Thomas Weld.

 

Barons Clifford of Chudleigh (1672)

 

Thomas Clifford, 1st Baron Clifford of Chudleigh (1630–1673)

Hugh Clifford, 2nd Baron Clifford of Chudleigh (1663–1730)

Hugh Clifford, 3rd Baron Clifford of Chudleigh (1700–1732)

Hugh Clifford, 4th Baron Clifford of Chudleigh (1726–1783)

Hugh Edward Henry Clifford, 5th Baron Clifford of Chudleigh (1756–1793)

Charles Clifford, 6th Baron Clifford of Chudleigh (1759–1831)

Hugh Charles Clifford, 7th Baron Clifford of Chudleigh (1790–1858)

Charles Hugh Clifford, 8th Baron Clifford of Chudleigh (1819–1880)

Lewis Henry Hugh Clifford, 9th Baron Clifford of Chudleigh (1851–1916)

William Hugh Clifford, 10th Baron Clifford of Chudleigh (1858–1943)

Charles Oswald Hugh Clifford, 11th Baron Clifford of Chudleigh (1887–1962)

Lewis Joseph Hugh Clifford, 12th Baron Clifford of Chudleigh (1889–1964)

Lewis Hugh Clifford, 13th Baron Clifford of Chudleigh (1916–1988)

Thomas Hugh Clifford, 14th Baron Clifford of Chudleigh (b. 1948)

The heir apparent is the present holder's son Hon. Alexander Thomas Hugh Clifford (b. 1985)

 

From Wikipedia, the free encyclopedia

19605 Agusta-Westland EH-101 Merlin

Esquadra 751

Demonstração de capacidades, Comemorações do Dia de Portugal.

Capability Demonstration, Celebrations of the Day of Portugal.

PHILIPPINE SEA (June 16, 2022) Lt. Connor M. Keating of Fairfax, Virginia, stands watch as the Fires Officer aboard Arleigh Burke-class guided-missile destroyer USS Benfold (DDG 65) during the coordinated multi-domain, multi-axis, long-range maritime strikes against EX-USS Vandegrift as part of Valiant Shield 2022 (VS 22). As the Integrated Air and Missile Defense (IAMD) Warfare Tactics Instructor (WTI) graduate assigned to Benfold, Lt. Keating oversaw all facets of weapons planning and employment coordination during the strike on the decommissioned Oliver Hazard Perry-class frigate USS Vandegrift (FFG 48). USS Benfold started the event by firing its Standard Missile (SM) 6, a supersonic surface-to-surface guided-missile. Benfold is assigned to Commander, Task Force (CTF) 71/Destroyer Squadron (DESRON) 15,Navy’s largest forward-deployed DESRON and U.S. 7th Fleet’s principal surface force and is on routine deployment as part of Carrier Strike Group (CSG) 5. (U.S. Navy photo by Mass Communication Specialist 2nd Class Arthur Rosen)

NASA Administrator Charles Bolden listens to a reporter’s question after he announced the agency’s selection of Boeing and SpaceX to transport U.S. crews to and from the International Space Station using the Boeing CST-100 and the SpaceX Crew Dragon spacecraft, at NASA’s Kennedy Space Center in Cape Canaveral, Fla. on Tuesday, Sept. 16, 2014. These Commercial Crew Transportation Capability (CCtCap) contracts are designed to complete the NASA certification for a human space transportation system capable of carrying people into orbit. Once certification is complete, NASA plans to use these systems to transport astronauts to the space station and return them safely to Earth. Photo Credit: (NASA/Bill Ingalls)

I had a few hours walking through Fraserburgh Harbour capturing as many vessels as I could on 19th April 2018, its a fine busy harbour and when the sun shines you can capture the trawlers etc at their best .

  

Fraserburgh Harbour is situated in Aberdeenshire in the North East corner of Scotland and is ideally positioned for the fishing grounds of the North and East of Scotland, as well as being in close proximity to the North Sea oil and gas fields and the emerging offshore renewables market. The location also makes it well placed for trade with Scandinavia and the Baltic sea ports.

 

Google and Wiki have the folowing info on this fine town.

 

Fraserburgh (/ˈfreɪzərbrə/; Scots: The Broch or Faithlie, Scottish Gaelic: A' Bhruaich) is a town in Aberdeenshire, Scotland with a population recorded in the 2001 Census at 12,454 and estimated at 12,630 in 2006.

 

It lies at the far northeast corner of Aberdeenshire, about 40 miles (64 km) north of Aberdeen, and 17 miles (27 km) north of Peterhead. It is the biggest shellfish port in Europe, landing over 12,000 tonnes in 2008, and is also a major white fish port and busy commercial harbour.

 

History

The name of the town means, literally, 'burgh of Fraser', after the Fraser family that bought the lands of Philorth in 1504 and thereafter brought about major improvement due to investment over the next century. Fraserburgh became a burgh of barony in 1546. By 1570, the Fraser family had built a castle (Fraserburgh Castle) at Kinnaird's Head and within a year the area church was built. By the 1590s the area known as Faithlie was developing a small harbour.

 

In 1592, Faithlie was renamed Fraserburgh by a charter of the Crown under King James VI. Sir Alexander Fraser was given permission to improve and govern the town as Lord Saltoun. At present this title is still in existence and is held by Flora Fraser, 20th Lady Saltoun and head of Clan Fraser. The Royal Charter also gave permission to build a college and university in Fraserburgh allowing the Lord Saltoun to appoint a rector, a principal, a sub-principal, and all the professors for teaching the different sciences.

 

A grant from the Scottish Parliament in 1595 allowed the first college building to be erected by Alexander Fraser, and in 1597 the General Assembly of the Church of Scotland recommended the Rev. Charles Ferme, then minister at the Old Parish, to be its first (and only) principal.

 

In 1601, Fraserburgh became a burgh of regality. The college, however, closed only a decade or so after Ferme's arrest on the orders of James VI for taking part in the 1605 General Assembly, being used again only for a short time in 1647 when King's College, Aberdeen temporarily relocated owing to an outbreak of plague. A plaque commemorating its existence may be seen on the exterior wall of the remains of the Alexandra Hotel in College Bounds.

 

Fraserburgh thereafter remained relatively quiet until 1787 when Fraserburgh Castle was converted to Kinnaird Head Lighthouse, Scotland's first mainland lighthouse. In 1803, the original 1571 church building was replaced and enlarged to seat 1000 people. The Auld Kirk was to be the standing authority in the town up until the 1840s.

 

The Statistical Account on the Parish of Fraserburgh, written between 1791–1799 (probably 1791) by Rev. Alexander Simpson of the Old Parish Church, shows that the population of Fraserburgh was growing with peaks due to seasonal employment. He records a population of about 2000 in 1780 of whom only 1000 resided in the town.

 

There was an additional population of 200 in the village of Broadsea. He makes a point of the arrival of Dr. Webster in Fraserburgh in 1755 claiming that the population then only stood at 1682. By the time the account was written the population had increased by 518 souls since 1755. Rev. Simpson also gives accounts of deaths, births and marriages. Between 1784-1791, he claims to have an average of 37 baptisms, 14 marriages and 19 deaths per year. The statistical account mentions activities with the harbour. He describes the harbour as small but good, telling that it had the capability to take vessels with '200 tons burden' at the time the account was written.

 

The account also mentions that Fraserburgh had tried and succeeded in shipbuilding especially after 1784. His account finishes speaking of a proposed enlargement of the harbour. He claims that the local people would willingly donate what they could afford but only if additional funding was provided by the Government and Royal Burghs.

 

The second statistical account, written as a follow up to the first of the 1790s, was written in January 1840 by Rev. John Cumming. He records population in 1791 as 2215 growing to only 2271 by 1811, but increasing massively to 2954 by 1831. He considered the herring fishing, which intensified in 1815, to be the most important reason for this population boom. By 1840 he writes that seamen were marrying early with 86 marriages and 60 births in the parish in the space of one year. On top of this increased population, he explains that the herring season seen an additional 1200 people working in the Parish. There is also mention of the prosperity of this trade bringing about an increase in general wealth with a change in both dress and diet. Cumming also records 37 illegitimate children from 1837–1840 although he keeps no record of death.

 

The prosperity of the economy also brought about improvement within the town with a considerable amount of new houses being built in the town. The people were gaining from the herring industry as in real terms rent fell by 6% from 1815 to 1840. Lord Saltoun was described as the predominant land owner earning £2266,13s,4d in rents.

 

This period also saw the extension of the harbour with a northern pier of 300 yards built between 1807–1812 and, in 1818, a southern pier built by Act of Parliament. Cumming states that no less than £30,000 was spent developing the harbour between 1807 and 1840 by which time the harbour held eight vessels of 45–155 tons and 220 boats of the herring fishery.

 

A railway station opened in 1865 and trains operated to Aberdeen via Maud and Dyce, as well as a short branch line to St. Combs. It was, however, closed to passengers in 1965 as part of the Beeching cuts, though freight trains continued to operate until 1979, after which the station site was redeveloped. Currently, the closest operating station is Inverurie, 56 km (35 miles) away.

 

Climate[

Fraserburgh has a marine climate heavily influenced by its proximity to the sea. As such summer highs and winter lows are heavily moderated, with very mild winter temperatures for a location so far north. The differences between seasons are very narrow as a result, with February averaging highs of 6.7 °C (44.1 °F) and August 17.2 °C (63.0 °F).[6] As a result of its marine influence, there is significant seasonal lag, with September being milder than June and October has slightly milder nights than May, in spite of a massive difference of daylight. The climate is overcast and wet with 1351.8 hours of sunshine. Temperature extremes have ranged from 26.6.C (July 1995) down to -14.4.C (February 1991) 747.7 millimetres (29.44 in) of precipitation per annum.