View allAll Photos Tagged Cantor
Famoso por su canto, no por nada Carlitos Gardel, es el zorzal criollo, es un habitante de casi todo Chile. En la imagen, lo vemos dedicado a las manzanas.
Paseando por la playa en Mataró me encontré con este señor cuyo nombre suena algo así ·Kajira" a la vez que tocaba ese curioso instrumento cuyo nombre no soy capaz de recordar, iba cantando una canción.
La hermosa música que salía del instrumento mezclada con el susurro de las olas, era algo digno de escuchar. El caso es que estuve como veinte minutos sentado junto a él en la arena y disfrutando de su hermosa melodía.
La foto está hecha con el teléfono movíl
"Da onde vem a canção, melodia, letra e arpão
Um lago com dó, busca a rima sem isca no anzol
Pesca os sentimentos, vem tornado mas sem vento
Trato o lápis sem piscar"
Pescador de Canção - Marcio Lerner
Inicia seu canto lindo,mais ou menos umas 5:30. Bem na janela do meu quarto. Hoje ele se demorou mais , consegui fazer essa fotinho.
Bom Dia para vocês.
Julius Price - Through the Fog English Channel, 1886 at Cantor Arts Center at Stanford University California
After a multi-year expansion of company formation and in biopharma valuations, 2018 was a year of heightened market volatility. Investors’ eagerness to support new modalities enabled more than 50 biotech IPOs, but with much less mature clinical development progress than traditionally demonstrated. More than half those companies are trading below their IPO prices, however, complicating conditions for the next new offering. As interest rate worries, international trade disputes, and regulatory reimbursement uncertainty have increased, biopharma stock indexes have seen significant corrections. With historically high valuations experiencing sudden dips, M&A deal-making seems to have reignited with notable, multi-billion dollar deals in recent weeks. This session will assemble market experts to discuss what forces continue to shape performance within the sector and what opportunities the market correction can reveal for investors and companies seeking resources to deliver the next wave of innovative therapies for patients.
Speakers
Sara Michelmore, MacDougall
Katherine Andersen, Silicon Valley Bank (SVB)
Noël Brown, Cantor Fitzgerald
Andrew Gitkin, Piper Jaffray
Geoffrey Goodman, Wells Fargo Securities
Philip Ross, J.P. Morgan
Jennifer Sheng, Citi
Yaron Werber, Cowen
British postcard by De Reszke Cigarettes, no. 37. Photo: United Artists.
Eddie Cantor (1892-1964) was an American actor, screenwriter, producer and songwriter. After a rich Broadway career in the late 1910s and 1920s, he became a popular Hollywood star in pleasant and fast-paced musical film comedies in the early 1930s.
Eddie Cantor was born Edward Israel Iskowitz in 1892 in New York City, New York, USA. He was the son of amateur violinist Mechel Iskowitz (also Michael) and his wife Meta Kantrowitz Iskowitz (also Maite), a young Jewish couple from Russia. Both his parents died when he was still very young, and he was adopted and raised by his maternal grandmother, Esther Lazarowitz Kantrowitz. She called him Izzy and Itchik, both diminutives for Isidor. She supported herself and her grandson as a door-to-door peddler. The boy was educated in public schools. "Kantrowitz" was the name mistakenly assigned to the boy instead of his actual name, Iskowitz, by a public school registrar. It was shortened to Cantor. Eddie was the nickname given to him by his girlfriend, Ida Tobias, whom he later married. After winning $5 at a Bowery Theatre Amateur Night, the teenage Cantor knew where his destiny lay. One of his earliest paying jobs was a double position as a waiter and performer. He sang for tips at Carey Walsh's Coney Island saloon, where a young Jimmy Durante accompanied him on piano. He made his first public appearance in Vaudeville in 1907 at New York's Clinton Music Hall, then became a member of the Gus Edwards Gang, later touring Vaudeville with Al Lee as the team Cantor & Lee. His grandmother, Esther Kantrowitz, died on 29 January 1917, two days before he signed a long-term contract with Broadway's top producer Florenz Ziegfeld, to appear in his "Follies". Eddie starred in the Ziegfeld rooftop post-show Midnight Frolic (1917) and in the Ziegfeld Follies of 1917, 1918, 1919 and 1927. He also made Broadway stage appearances in 'Broadway Brevities of 1920', 'Make It Snappy' (1922), 'Kid Boots' (1923), 'Whoopee' (1928) and 'Banjo Eyes' (1941). For several years, Cantor starred in an act with pioneering comedian Bert Williams, both in blackface. Cantor played Williams' son. Other co-stars with Cantor during his time in the Follies included Will Rogers, Marilyn Miller, Fanny Brice and W.C. Fields. The successful Broadway series of 'Banjo eyes' in 1941 was cut short when Cantor suffered a major heart attack, the first of several that would dominate his later years.
Eddie Cantor also made numerous film appearances. He had previously appeared in a number of short films in the 1920s, performing his Follies songs and comedy routines, and in two silent feature films, Kid Boots (Frank Tuttle, 1926) with Clara Bow and Special Delivery (Roscoe 'Fatty' Arbuckle, 1927). He was offered the lead role in The Jazz Singer (Alan Crosland, 1927) after it was turned down by George Jessel, but Cantor also turned down the role so it went to Al Jolson. His best Hollywood years were spent under contract to Samuel Goldwyn, where Eddie turned out one big-budget musical comedy per year between 1930 and 1936. Eddie became a leading Hollywood star with the film version of Whoopee! (Thornton Freeland, 1930), shot in two-colour Technicolour. He continued to make films for the next two decades, including such hits as Palmy Days (A. Edward Sutherland, 1931), The Kid from Spain (Leo McCarey, 1932), Roman Scandals (Frank Tuttle, 1933) with Gloria Stuart, Kid Millions (Roy Del Ruth, Willy Pogany, 1934) co-starring Ann Sothern and Ethel Merman, Strike Me Pink (Norman Taurog, 1936) and Ali Baba Goes to Town (David Butler, 1937). His last leading role was in If You Knew Susie (Gordon Douglas, 1948) with Joan Davis. In the Warner Bros. biopic The Eddie Cantor Story (Alfred E. Green, 1953) he did a cameo appearance. He was the President of the Screen Actors Guild (SAG) from 1933-1935. Cantor turned to radio with The Chase and Sanborn Hour in 1931. Performing as a standup comedian, he used his vaudeville experience to outstanding effect and combined the expression of patriotism and personal values with humour; audiences responded enthusiastically. With changes of name, the show continued for 18 years on the National Broadcasting Company (NBC) and the Columbia Broadcasting System (CBS) networks. He also served as host of The Eddie Cantor Variety Theater, a half-hour television variety show that was syndicated in 1955. Cantor also made many records. His theme song was 'One Hour With You'. His other popular-song compositions include 'Get a Little Fun Out of Life', 'It's Great to Be Alive' and 'The Old Stage Door'. Hal Erickson at AllMovie: "The offstage Cantor was not perfect, but most of the man's character flaws have been forgotten in the light of his inexhaustible work on behalf of dozens of charities, most prominently the March of Dimes. He also regularly put his career on the line through his union activities with Actors Equity, the Screen Actors Guild and the American Federation of Radio Artists, and flew in the face of bigotry and anti-Semitics through his work with the B'nai Brith and Jewish Relief." Eddie Cantor wrote the books 'Ziegfeld, the Great Glorifier' and 'As I Remember Them', and the autobiographies 'My Life Is In Your Hands' and 'Take My Life'. He received a Special Academy Award in 1956 for distinguished service to the film industry. Eddie Cantor died of a heart attack in 1964 in Beverly Hills, Los Angeles, California, USA. His wife Ida had passed away two years earlier. They had five daughters, Marilyn Cantor Baker, Marjorie Cantor, Natalie Cantor, Edna Cantor McHugh and Janet Cantor Gari. Eddie Cantor is interred in Hillside Memorial Park Cemetery, a Jewish cemetery in Culver City, California.
Sources: Hal Erickson (AllMovie), Britannica, Wikipedia (English and Dutch) and IMDb.
And, please check out our blog European Film Star Postcards.
Bain News Service,, publisher.
Cantor
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.31175
Call Number: LC-B2- 5285-1
Bain News Service,, publisher.
Cantor
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.29348
Call Number: LC-B2- 5014-18
Bain News Service,, publisher.
Cantor
[between ca. 1920 and ca. 1925]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Photograph shows singer Eddie Cantor (ca. 1892-1964). (Source: Flickr Commons project, 2018)
Title from data provided by the Bain News Service on the negative.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.36121
Call Number: LC-B2- 6030-11
Luiz Melodia
Tente passar pelo que estou passando
Tente apagar este teu novo engano
Tente me amar pois estou de amando
Baby, te amo, nem sei se te amo
Tente usar a roupa que eu estou usando
Tente esquecer em que ano estamos
Arranje algum sangue, escreva num pano
Pérola Negra, te amo, te amo
Rasgue a camisa, enxugue meu pranto
Como prova de amor mostre teu novo canto
Escreva num quadro em palavras gigantes
Pérola Negra, te amo, te amo
Tente entender tudo mais sobre o sexo
Peça meu livro querendo eu te empresto
Se inteire da coisa sem haver engano
British postcard in the Picturegoer Series, London, no. 693. Photo: United Artists.
Eddie Cantor (1892-1964) was an American actor, screenwriter, producer and songwriter. After a rich Broadway career in the late 1910s and 1920s, he became a popular Hollywood star in pleasant and fast-paced musical film comedies in the early 1930s.
Eddie Cantor was born Edward Israel Iskowitz in 1892 in New York City, New York, USA. He was the son of amateur violinist Mechel Iskowitz (also Michael) and his wife Meta Kantrowitz Iskowitz (also Maite), a young Jewish couple from Russia. Both his parents died when he was still very young, and he was adopted and raised by his maternal grandmother, Esther Lazarowitz Kantrowitz. She called him Izzy and Itchik, both diminutives for Isidor. She supported herself and her grandson as a door-to-door peddler. The boy was educated in public schools. "Kantrowitz" was the name mistakenly assigned to the boy instead of his actual name, Iskowitz, by a public school registrar. It was shortened to Cantor. Eddie was the nickname given to him by his girlfriend, Ida Tobias, whom he later married. After winning $5 at a Bowery Theatre Amateur Night, the teenage Cantor knew where his destiny lay. One of his earliest paying jobs was a double position as a waiter and performer. He sang for tips at Carey Walsh's Coney Island saloon, where a young Jimmy Durante accompanied him on piano. He made his first public appearance in Vaudeville in 1907 at New York's Clinton Music Hall, then became a member of the Gus Edwards Gang, later touring Vaudeville with Al Lee as the team Cantor & Lee. His grandmother, Esther Kantrowitz, died on 29 January 1917, two days before he signed a long-term contract with Broadway's top producer Florenz Ziegfeld, to appear in his "Follies". Eddie starred in the Ziegfeld rooftop post-show Midnight Frolic (1917) and in the Ziegfeld Follies of 1917, 1918, 1919 and 1927. He also made Broadway stage appearances in 'Broadway Brevities of 1920', 'Make It Snappy' (1922), 'Kid Boots' (1923), 'Whoopee' (1928) and 'Banjo Eyes' (1941). For several years, Cantor starred in an act with pioneering comedian Bert Williams, both in blackface. Cantor played Williams' son. Other co-stars with Cantor during his time in the Follies included Will Rogers, Marilyn Miller, Fanny Brice and W.C. Fields. The successful Broadway series of 'Banjo eyes' in 1941 was cut short when Cantor suffered a major heart attack, the first of several that would dominate his later years.
Eddie Cantor also made numerous film appearances. He had previously appeared in a number of short films in the 1920s, performing his Follies songs and comedy routines, and in two silent feature films, Kid Boots (Frank Tuttle, 1926) with Clara Bow and Special Delivery (Roscoe 'Fatty' Arbuckle, 1927). He was offered the lead role in The Jazz Singer (Alan Crosland, 1927) after it was turned down by George Jessel, but Cantor also turned down the role so it went to Al Jolson. His best Hollywood years were spent under contract to Samuel Goldwyn, where Eddie turned out one big-budget musical comedy per year between 1930 and 1936. Eddie became a leading Hollywood star with the film version of Whoopee! (Thornton Freeland, 1930), shot in two-colour Technicolour. He continued to make films for the next two decades, including such hits as Palmy Days (A. Edward Sutherland, 1931), The Kid from Spain (Leo McCarey, 1932), Roman Scandals (Frank Tuttle, 1933) with Gloria Stuart, Kid Millions (Roy Del Ruth, Willy Pogany, 1934) co-starring Ann Sothern and Ethel Merman, Strike Me Pink (Norman Taurog, 1936) and Ali Baba Goes to Town (David Butler, 1937). His last leading role was in If You Knew Susie (Gordon Douglas, 1948) with Joan Davis. In the Warner Bros. biopic The Eddie Cantor Story (Alfred E. Green, 1953) he did a cameo appearance. He was the President of the Screen Actors Guild (SAG) from 1933-1935. Cantor turned to radio with The Chase and Sanborn Hour in 1931. Performing as a standup comedian, he used his vaudeville experience to outstanding effect and combined the expression of patriotism and personal values with humour; audiences responded enthusiastically. With changes of name, the show continued for 18 years on the National Broadcasting Company (NBC) and the Columbia Broadcasting System (CBS) networks. He also served as host of The Eddie Cantor Variety Theater, a half-hour television variety show that was syndicated in 1955. Cantor also made many records. His theme song was 'One Hour With You'. His other popular-song compositions include 'Get a Little Fun Out of Life', 'It's Great to Be Alive' and 'The Old Stage Door'. Hal Erickson at AllMovie: "The offstage Cantor was not perfect, but most of the man's character flaws have been forgotten in the light of his inexhaustible work on behalf of dozens of charities, most prominently the March of Dimes. He also regularly put his career on the line through his union activities with Actors Equity, the Screen Actors Guild and the American Federation of Radio Artists, and flew in the face of bigotry and anti-Semitics through his work with the B'nai Brith and Jewish Relief." Eddie Cantor wrote the books 'Ziegfeld, the Great Glorifier' and 'As I Remember Them', and the autobiographies 'My Life Is In Your Hands' and 'Take My Life'. He received a Special Academy Award in 1956 for distinguished service to the film industry. Eddie Cantor died of a heart attack in 1964 in Beverly Hills, Los Angeles, California, USA. His wife Ida had passed away two years earlier. They had five daughters, Marilyn Cantor Baker, Marjorie Cantor, Natalie Cantor, Edna Cantor McHugh and Janet Cantor Gari. Eddie Cantor is interred in Hillside Memorial Park Cemetery, a Jewish cemetery in Culver City, California.
Sources: Hal Erickson (AllMovie), Britannica, Wikipedia (English and Dutch) and IMDb.
And, please check out our blog European Film Star Postcards.
Clara Moreno, filha mais velha de Joyce, cantora, compositora e instrumentista.
Quem não lembra de " Clara, Ana e quem mais chegar, água, terra, fogo e ar..."
Boa de balanço a menina!
www.facebook.com/l.php?u=http://www.youtube.com/watch?v=6...
Bain News Service,, publisher.
Cantor
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.29010
Call Number: LC-B2- 4951-10
British postcard by W&G Ltd., no. 82. Photo: United Artists. Eddie Cantor in Kid Millions (Roy Del Ruth, 1934) at the Hippodrome in Nottingham.
Eddie Cantor (1892-1964) was an American actor, screenwriter, producer and songwriter. After a rich Broadway career in the late 1910s and 1920s, he became a popular Hollywood star in pleasant and fast-paced musical film comedies in the early 1930s.
Bain News Service,, publisher.
Cantor
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.31180
Call Number: LC-B2- 5285-6
Bain News Service,, publisher.
Cantor [& girls]
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from data provided by the Bain News Service on the negative and caption card.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.31185
Call Number: LC-B2- 5286-1
Show lindo demais ontem no Rival lotado!
Hoje tem também.
Neil Armstrong2 disse:
Congratulations on EXPLORE
Bain News Service,, publisher.
Cantor [Family]
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from data provided by the Bain News Service on the negative.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.31183
Call Number: LC-B2- 5285-13
French postcard, no. 47.
Eddie Cantor (1892-1964) was an American actor, screenwriter, producer and songwriter. After a rich Broadway career in the late 1910s and 1920s, he became a popular Hollywood star in pleasant and fast-paced musical film comedies in the early 1930s.
Eddie Cantor was born Edward Israel Iskowitz in 1892 in New York City, New York, USA. He was the son of amateur violinist Mechel Iskowitz (also Michael) and his wife Meta Kantrowitz Iskowitz (also Maite), a young Jewish couple from Russia. Both his parents died when he was still very young, and he was adopted and raised by his maternal grandmother, Esther Lazarowitz Kantrowitz. She called him Izzy and Itchik, both diminutives for Isidor. She supported herself and her grandson as a door-to-door peddler. The boy was educated in public schools. "Kantrowitz" was the name mistakenly assigned to the boy instead of his actual name, Iskowitz, by a public school registrar. It was shortened to Cantor. Eddie was the nickname given to him by his girlfriend, Ida Tobias, whom he later married. After winning $5 at a Bowery Theatre Amateur Night, the teenage Cantor knew where his destiny lay. One of his earliest paying jobs was a double position as a waiter and performer. He sang for tips at Carey Walsh's Coney Island saloon, where a young Jimmy Durante accompanied him on piano. He made his first public appearance in Vaudeville in 1907 at New York's Clinton Music Hall, then became a member of the Gus Edwards Gang, later touring Vaudeville with Al Lee as the team Cantor & Lee. His grandmother, Esther Kantrowitz, died on 29 January 1917, two days before he signed a long-term contract with Broadway's top producer Florenz Ziegfeld, to appear in his "Follies". Eddie starred in the Ziegfeld rooftop post-show Midnight Frolic (1917) and in the Ziegfeld Follies of 1917, 1918, 1919 and 1927. He also made Broadway stage appearances in 'Broadway Brevities of 1920', 'Make It Snappy' (1922), 'Kid Boots' (1923), 'Whoopee' (1928) and 'Banjo Eyes' (1941). For several years, Cantor starred in an act with pioneering comedian Bert Williams, both in blackface. Cantor played Williams' son. Other co-stars with Cantor during his time in the Follies included Will Rogers, Marilyn Miller, Fanny Brice and W.C. Fields. The successful Broadway series of 'Banjo eyes' in 1941 was cut short when Cantor suffered a major heart attack, the first of several that would dominate his later years.
Eddie Cantor also made numerous film appearances. He had previously appeared in a number of short films in the 1920s, performing his Follies songs and comedy routines, and in two silent feature films, Kid Boots (Frank Tuttle, 1926) with Clara Bow and Special Delivery (Roscoe 'Fatty' Arbuckle, 1927). He was offered the lead role in The Jazz Singer (Alan Crosland, 1927) after it was turned down by George Jessel, but Cantor also turned down the role so it went to Al Jolson. His best Hollywood years were spent under contract to Samuel Goldwyn, where Eddie turned out one big-budget musical comedy per year between 1930 and 1936. Eddie became a leading Hollywood star with the film version of Whoopee! (Thornton Freeland, 1930), shot in two-colour Technicolour. He continued to make films for the next two decades, including such hits as Palmy Days (A. Edward Sutherland, 1931), The Kid from Spain (Leo McCarey, 1932), Roman Scandals (Frank Tuttle, 1933) with Gloria Stuart, Kid Millions (Roy Del Ruth, Willy Pogany, 1934) co-starring Ann Sothern and Ethel Merman, Strike Me Pink (Norman Taurog, 1936) and Ali Baba Goes to Town (David Butler, 1937). His last leading role was in If You Knew Susie (Gordon Douglas, 1948) with Joan Davis. In the Warner Bros. biopic The Eddie Cantor Story (Alfred E. Green, 1953) he did a cameo appearance. He was the President of the Screen Actors Guild (SAG) from 1933-1935. Cantor turned to radio with The Chase and Sanborn Hour in 1931. Performing as a standup comedian, he used his vaudeville experience to outstanding effect and combined the expression of patriotism and personal values with humour; audiences responded enthusiastically. With changes of name, the show continued for 18 years on the National Broadcasting Company (NBC) and the Columbia Broadcasting System (CBS) networks. He also served as host of The Eddie Cantor Variety Theater, a half-hour television variety show that was syndicated in 1955. Cantor also made many records. His theme song was 'One Hour With You'. His other popular-song compositions include 'Get a Little Fun Out of Life', 'It's Great to Be Alive' and 'The Old Stage Door'. Hal Erickson at AllMovie: "The offstage Cantor was not perfect, but most of the man's character flaws have been forgotten in the light of his inexhaustible work on behalf of dozens of charities, most prominently the March of Dimes. He also regularly put his career on the line through his union activities with Actors Equity, the Screen Actors Guild and the American Federation of Radio Artists, and flew in the face of bigotry and anti-Semitics through his work with the B'nai Brith and Jewish Relief." Eddie Cantor wrote the books 'Ziegfeld, the Great Glorifier' and 'As I Remember Them', and the autobiographies 'My Life Is In Your Hands' and 'Take My Life'. He received a Special Academy Award in 1956 for distinguished service to the film industry. Eddie Cantor died of a heart attack in 1964 in Beverly Hills, Los Angeles, California, USA. His wife Ida had passed away two years earlier. They had five daughters, Marilyn Cantor Baker, Marjorie Cantor, Natalie Cantor, Edna Cantor McHugh and Janet Cantor Gari. Eddie Cantor is interred in Hillside Memorial Park Cemetery, a Jewish cemetery in Culver City, California.
Sources: Hal Erickson (AllMovie), Britannica, Wikipedia (English and Dutch) and IMDb.
And, please check out our blog European Film Star Postcards.
Cantora Bebel Gilberto apresenta o show da turnê mundial "Bebel Gilberto Trio" em São Paulo. 14.04.17
Mais em: rogeriostella.wordpress.com/2017/04/14/uma-noite-acustica...
Bain News Service,, publisher.
Cantor
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.29347
Call Number: LC-B2- 5014-12