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A tie clip - a souvenir brought back by a friend from the Photokina in Cologne, 1964, the year the Asahi Pentax Spotmatic was presented - shown here atop the prism of a Spotmatic II from 1971.
The background colour was chosen to recollect the linings of the leather cases of the SMC Takumar lenses.
HMM!
SMC Pentax-A 100mm f:2.8 macro
PENTAX K-1
The first Japanese 35mm pentaprism SLR came on the market in 1957: the "Asahi Pentax". In the face of fierce competition from mirrorless cameras, Pentax continues to manufacture single lens reflexes with a glass prism finder, believing that an electronic finder cannot replace the experience of direct viewing on a ground-glass screen. With the K-3iii Monochrome (2023) they stick to this philosophy.
Here a view of the slow-speed dial of the original Asahi Pentax, taken by the Pentax K-3iii Monochrome.
The lens used is the magical SMC Pentax Soft f:2.2 85mm (ca.1985), together with its companion and contemporary, the Pentax Rear Converter-A 1.4x-L, giving a focal length of ca. 120mm. The lens was stopped down to its minimum aperture of f:5.6, resulting in an actual aperture of f:8 with the converter.
The K-3iii Mono was mounted on a tripod with a heavy ball-head plus a focussing-rail. A halogen lamp was reflected from the ceiling.
From top to bottom the subject as shown measures just under three inches.
HMM!
When Kodak introduced color film a photographer sent in a picture from Crater Lake to get developed, only to get an apology letter with the processed photo.
Kodak thought the lakes color were not its true color and this was a flaw with the film. I bet that photographer got a kick out of that letter.
The Asahiflex IIb (1954), shown here branded as "Tower 23" for the Sears Company of Chicago, was the world's first marketed single-lens reflex camera with a self-returning mirror. This was more than a minor revolution in photography: the "black-out" after releasing the shutter (still to be found in many single-lens reflexes even into the 1960s) had been overcome. This removed one of the drawbacks of the single-lens reflex concept as opposed to twin-lens reflexes such as the Rolleiflex or range-finder cameras such as the Leica and its numerous imitators. Note that the Asahiflex, in common with the excellent Praktina, has a second "look-though" viewfinder. The shutter release is quiet and smooth, with just a light "clack" from the mirror. Asahi's next step was to incude slow shutter speeds (Asahiflex IIa), followed by the Asahi Pentax (1957) with pentaprism viewfinder, quick wind-on lever, M-42 screw-mount, and many other improvements.
Mounted on the camera is an Asahi Kogaku Takumar 100mm f:3.5 (1952, M-37 screw-mount), a very beautiful triplet lens (see my album), but one which practically needs three hands for easy operation, as the focussing ring is easily moved when the aperture is adjusted.
Super Takumar 55mm f:2 (from the Pentax SP500)
PENTAX K-1
Image and text strictly copyright!
Mechanisch. Robust. Zeitlos. Die Praktica MTL5 ist mehr als nur ein Relikt – sie ist ein echtes Stück Fotogeschichte aus Ostdeutschland. Jetzt das ausführliche Review lesen auf www.fujicolours.com.
The Pentax LX is a jewel of a camera with some astonishing features that don't immediately hit the eye - more on those perhaps another time...
It made it's appearance in 1980 (cf. Nikon F3) and remained in the catalogues until the year 2000, when a limited commemorative edition in titanium was produced. It received the model name LX to mark the 60th anniversary of the founding of the Asahi Optical Company in 1920.
The LX was a real multi-purpose camera with a wide range of accessories and was highly valued by professional photographers.
Here we see it fitted with a winder and surrounded by the many interchangeable viewfinders that were available.
The lens is the very fast SMC Pentax-A 50mm f:1.2.
The picture goes back to my very beginnings in digital photography. It was taken in 2008 with my first digital (compact zoom) camera, the 7-megapixel Pentax Optio L30.
I've processed it for Sliders Sunday, working on a variety of parameters in my "digital darkroom". The lighting effect I achieved with repeated use of tools for dodging and burning-in, combined with sliders for colour tint, saturation and contrast.
HSS!
(P.S. Please ignore "Takumar" in the Exif data!")
Legendäre Technik in seltener Hülle – die Minolta X-700 in Chrom.
Diese exklusive Version der ikonischen SLR war nur in Japan erhältlich und ist heute eines der begehrtesten Sammlerstücke der analogen Kamerawelt. Die Kombination aus seltener Chrome-Finish und der bewährten X-700-Technik macht sie zur perfekten Fusion aus Ästhetik und Funktionalität.
Mehr zur Geschichte, technischen Details und Sammlerwert jetzt im ausführlichen Review in der Rubrik GEMS auf www.fujicolours.com
#MinoltaX700 #MinoltaChrome #MinoltaJapanOnly #RareFilmCamera #VintageSLR #SLRClassic #AnalogPhotography #35mmFilm #FilmCameraCollectors #FujicoloursGEMS #CameraCollecting #FilmCommunity #CameraHistory #Fujicolours #GEMSbyFujicolours #ClassicCamera #ChromeCamera #JapanExclusive #VintageGear #MinoltaLove #RetroKamera #Fotografiegeschichte
Der ersten LEICA-Aufnahmen fotografierte Oskar Barnack 1914 mit der Ur-Leica von hier aus.
First LEICA picture was taken from here 1914 by the inventor and visionary OSKAR BARNACK with the UR - LEICA.
Leica Camera AG
Am Leitz-Park 5
35578 Wetzlar
Deutschland
Germany
"I heard the news today . . . " Kodak today applied for bankruptcy. I hope they continue under restructuring.
This is the Kodak Six-20 Brownie, 1933-36; the camera that, more than any other, put photography into the hands of everyone.
Best viewed with you grandparents.
The Edixa Reflex, manufactured by Wirgin was introduced in 1954. Although the series is well known, its place in the history of the development of the SLR is often overlooked. The Edixa Reflex was the first SLR with a right handed lever advance for instance - a development which is often erroneously credited to the first Pentax of 1957. Indeed the Edixa really sets the basic pattern for all subsequent 35mm SLRs. If you have an eye for detail you will note that both the Topcon and Pentax take design cues from the 1954 Edixa Reflex.
"VOIGTLÄNDER ZOOMAR 36-82mm f:2.8 good condition €398"
reads the price-tag on this pionier zoom lens from 1959. Seen in the window of a Vienna second-hand camera dealer - and snapped 'in passing' with the body-cap/"mount shield" lens on my dear little PENTAX Q7.
It is said that these old uncoated zoom lenses are low in contrast because of reflections in the glass...
My first digital camera ever was a Casio EX-Z40. Then I upgraded to another point and shoot: Canon PowerShot SD870 IS. It wasn't until about 2008, when I got my first DSLR, a Nikon D80. Now most recently, since Sept 2011, I have a Nikon D7000! :)
I always get the question of "do you think Nikon or Canon is better?" I think they're both great companies and produce good quality cameras. Both cameras produce amazing results. I think it's more about preference on what you like and are looking for in a camera. What your friends shoot with also may shift your decision since you can personally try their camera and swap lenses on photo-outings! I can't answer that question well because, obviously I know more specifics about Nikon than Canon. I can tell you why I upgraded from a D80 to a D7000. I can tell you what I look for in a camera. But I can't give you a good answer to which brand is better.
That's why I love this quote:
"A photographer went to a socialite party in New York. As he entered the front door, the host said 'I love your pictures - they're wonderful; you must have a fantastic camera.' He said nothing until dinner was finished, then: 'That was a wonderful dinner; you must have a terrific stove.'"
--Sam Haskins
I love my camera. :) It fits perfectly in my hands and isn't too heavy. I'm so glad that I picked up photography as a hobby (Thanks Art! :D). It's a great stress reliever from school/work, motivation for me to improve and challenge myself constantly, great excuse to go exploring new areas and most of all capture beautiful memories to remember.
+1 in comments
Digitale Ikone aus der Pionierzeit – die Olympus C-3000 Zoom.
Mit ihrem klassischen Design, 3,3 Megapixeln und starkem Zoom war sie ein technisches Statement zur Jahrtausendwende – und ist heute ein echtes Sammlerstück.
Jetzt das ausführliche Review lesen in der Rubrik GEMS auf www.fujicolours.com
#OlympusC3000 #OlympusCamera #VintageDigitalCamera #DigicamRevival #EarlyDigital #RetroCam #FujicoloursGEMS #CameraCollecting #TechNostalgia #VintageGear #DigicamCommunity #ClassicDigitalCamera #CameraHistory #Fujicolours #GEMSbyFujicolours #DigitalClassic #OldSchoolDigital #CameraReview #Fotografiegeschichte #RetroPhotography
Kodak Retinette IA tipo 035, película de 35mm. Lente: Schneider Kreuznach Reomar 1:2,8/45mm, obturador PRONTO. Número de serie: 233813
Kodak AG, fué la subsidiaria alemana de EKCo. Empresa que se fundó a finales del siglo 19 en Berlín, con el nombre de Eastman Kodak Gesellschaft m. b. H.
Posteriormente, en el siglo 20, la sucursal alemana de Kodak que se posicionó fuertemente en el Mercado alemán, luego adquirió al fabricante independiente Nagel. Su fundador el Dr. August Nagel fue nombrado director de de la compañía cuando EKCo compró esta empresa el 1 de diciembre de 1931 quedando como Kodak A.G. El Dr. Nagel desarrolló su propia línea de productos incluyendo las cámaras Kodak Retina. La primer cámara Retina (tipo 117) se introdujo en el verano de 1934 junto con la nueva película de 35mm DLC (Daylight Loading Cartridge), este producto fue patentado por el Dr. Nagel, posteriormente este formato de película fue compatible con las cámaras Leica y Contax. Helmut Nagel, hijo del doctor, dejó la compañía después de la Segunda Gerra Mundia.
Nos damos cuenta con la amplia serie de cámaras Retina que se fabricaron en Alemania por más de tres décadas, cámaras diseñadas para uso intenso, de tal suerte que se pueden conseguir actualmente ejemplares en muy buenas condiciones de operación. Así es la calidad de los productos de la industria alemana.
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Kodak Retinette IA type 035, 35mm film. Lens: Schneider Kreuznach Reomar 1: 2.8 / 45mm, PRONTO shutter. Serial number: 233813
Kodak AG, was the German subsidiary of EKCo. Company that was founded at the end of the 19th century in Berlin, under the name Eastman Kodak Gesellschaft m. b. H.
Later, in the 20th century, the German branch of Kodak, which strongly positioned itself in the German market, later acquired the independent manufacturer Nagel. Its founder Dr. August Nagel was appointed director of the company when EKCo bought this company on December 1, 1931, becoming Kodak A.G. Dr. Nagel developed his own product line including Kodak Retina cameras. The first Retina camera (type 117) was introduced in the summer of 1934 together with the new 35mm DLC (Daylight Loading Cartridge) film, this product was patented by Dr. Nagel, later this film format was compatible with Leica cameras and Contax. Helmut Nagel, the doctor's son, left the company after the Second World War.
We notice the extensive series of Retina cameras that were manufactured in Germany for more than three decades, cameras designed for intensive use, so that today copies in very good operating conditions can be obtained. This is the quality of the products of the German industry.
From right to left:
SR-1 (1959-71) Instant return mirror! Automatic stop down of aperture at exposure! External selenium meter.
SR-3 (1960-62) Flagship model. Semi-automatic exposure control! Automatic diaphragm!
SR-7 (1962-1966) First SLR with built-in CdS light meter!
SR-T101 (1966-75) First SLR with TTL metering at full aperture! First SLR with matrix metering!
SR-T303 (1973-75) Full information viewfinder! Split-image rangefinder!
photo made with: NEX-5 + Voigtlander Apo Lanthar 90/3.5
There are my digital camera's that I personally own. Before this I had a Kodak film camera as my first official camera. But lets begin. Starting from left to right.
The compact Coolpix 7600 is the camera that got started with photography on a large scale. With that camera I started my city photography and law enforcement photography. As a good point shoot with 7.1 megapixel and only a 3x optical zoom, it was definitely no class leader. That led me to buy my next step up camera... the Nikon L110.
Beside the Coolpix 7600 is my newest camera, the Nikon A900. I haven't taken much yet with this point and shoot that has 20 megapixel and 35x optical zoom. I bought this camera because I didn't always want to have to carry a big heavy camera. It is a wonderful point and shoot that actually records 4k video. I look forward to doing more photography with it and seeing how it does. It has a nifty screen that pops out from the base of the camera for easy angling. It was either this or the equivalent Canon camera (I wanted to try a Canon) but the competitor Canon didn't compare to the stats, so I picked the Nikon.
My second digital camera is the L110 as shown here. It was a good step up for me when I bought it from my Coolpix 7600. It had a good 12 megapixel capacity and a 15x optical zoom. It is still a camera I use a lot of motion photography as it is very fast to turn on and snap away. It is currently my most stable camera that seems to do everything I throw at it. It isn't the most up to date, but it is the camera I most comfortable with.
The Nikon P600 is my biggest and beefiest camera that has 1080pi video capabilities, wifi, 16 megapixels and a class leading 60x optical zoom. This is my lead zoom camera, but is best in more established shots without much movement. I have gotten good with it though and like it a lot. The zoom is incredible.
All these camera's are great in their own ways and I use them all regularly, except for the Coolpix 7600, but it still works flawlessly! I might give it some more runs and see how it does.
If for some reason you are still reading this, I appreciate you reading this. I hope you enjoyed my minor history and will answer any questions you have. Thank you.
Cámara de formato 135 (35mm) de enfoque automático y carga fácil, diseño muy amigable y ergonómico. Cuenta con auto disparador de 10 segundos, reducción de ojos, flash integrado, lente de 29mm, f5.6, obturador de 1/60 a 1/400 segundos, ISO de 100 a 800, batería de litio Kodak K123LA o equivalente. Fabricada en China en el año 2002, importada por Kodak Export México, S de R.L. de C.V. Número de serie: 0488020.
Esta fue una de las cámaras en este formato, más amigables y completas que fabricó Kodak.
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135 camera format (35mm) autofocus, easy loading and ergonomic design, friendly use. It features self-timer 10 seconds, eye reduction, integrated flash, 29mm lens, f5.6, shutter 1/60 to 1/400 seconds, ISO 100 to 800, K123LA Kodak lithium battery or equivalent. Made in China in 2002, imported by Kodak Export Mexico, S de RL de C.V. Serial number: 0488020.
This was one of the cameras in this format, more friendly and complete that manufactured Kodak.
Book cover of Pictorial Effect in Photography: Being Hints on Composition and Chiaroscuro for Photographers by H. P. Robinson. New York: Scovill & Adams, 1889, c1881. TR642 .R62 1889
Fabricada a partir de 1960 y permaneció en el mercado por cerca de dos años. Cuenta con un soporte sobre la marca R2000 para instalar un exposímetro propio de este modelo, se anunciaba como la primera cámara SRL diseñada con una obturación hasta de 1/2000 segundos. El equipo original se vendía con un lente de 500mm f 1.8 y una serie de lentes tipo R. El prisma de reflexión, se podía remover para poder usar el visor amplio de la cámara. Fabricada en Japón por Canon Inc.
Esta cámara me fue prestada por un familiar, la utilicé entre 1977 y 1979, en este año compré mi primer cámara SRL, una Nikon FM y con esta cámara tomé dos fotos de la Canonflex antes de regresarla a su dueño, utilicé película Kodachrome. Nunca imaginé que formaría alguna colección de cámaras, aunque modesta; y mucho menos imaginé que existiría Internet y Flickr que permiten compartir fotos y colecciones de todo tipo. Pensé más bien en algún tipo de registro, que en alguna colección. Lamentablemente no cuento esta magnífica cámara en mi colección, sólo estas dos fotos.
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Made from 1960 and remained on the market for about two years. It has a support on the R2000 to install its own brand exposure meter of this model, it was announced as the first SRL camera designed with a shutter up to 1/2000 seconds. The original team was sold with a lens 500mm f 1.8 and a set of standard lenses R. The reflection prism, you could be removed to use the large viewfinder. Made in Japan by Canon Inc.
This camera belonged to a family member, I used between 1977 and 1979, this year I bought my first SRL camera, a Nikon FM with this camera took two pictures of the Canonflex before returning it to its owner, I used Kodachrome film. I never imagined it would form a collection of cameras, though modest; let alone imagined that exist Internet and Flickr for sharing photos and collections of all kinds. I thought rather some kind of record that in any collection. Unfortunately I do not have this wonderful camera in my collection, only these two photos scanned from color slide.
Esta cámara la adquirí en el comercio ocasional de objetos usados recientemente (en “El Baratillo”, agosto 2013). Es la versión francesa de la cámara Click I fabricada en Alemania. Así que, Agfa considerando un mercado importante en Francia fabricó este modelo en Estrasburgo.
Esta cámara utiliza película formato 120, tiene un lente de menisco de 72,5mm de foco fijo, una apertura de f/8.8, una velocidad de obturación de 1/60 seg. Cuenta con sincronización para Agfa Clibo Flash. Cámara muy simple y funcional de gran formato.
El acrónimo de AGFA es: Aktien-Gesellschaft für Anilin-Fabrikation.
La mayor parte del siglo 20 hacíamos "clic" con las cámaras fotográficas, a partir de los años 80's, lo hemos estado haciendo con los ratones de los dispositivos informáticos. La humanidad y su tecnología seguirán avanzando con cada "clic" (o click).
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This camera acquired in August 2013 in used objects market. It is the French version of the camera Click 1, made in Germany. So, Agfa considering an important market in France produced this model in Strasbourg.
This camera uses 120 format film, has a meniscus lens fixed focus 72,5mm, an aperture of f / 8.8, a shutter speed of 1/60 sec. Agfa has Clibo Flash synchronization. very simple and functional large format camera.
AGFA is an acronym for: Aktien-Gesellschaft für Anilin-Fabrikation.
Most of the 20th century did "click" with cameras, from the 80's, we've been doing "click" with mice computing devices. Humanity and technology will continue to advance with each "click".
Esta cámara, está elaborada en baquelita, resina termofija desarrollada y patentada en 1907 por el químico belga Leo Baekeland (premio Nóbel de Química), quien formó la empresa General Bakelite Co. También inventó el papel fotográfico Velox. En su interior sus mecanismos son metálicos, funciona correctamente.
Fabricada por Herbert George Co. Chicago Illinois, EUA. Una cámara muy simple y compacta que usa película de formato 620, cuenta con conectores para sincronizar lámparas de destello con el obturador. Única velocidad de obturación: 1/50 segundos.
La adquirí a principios de los años ochentas.
En 1961 el dueño de la compañía cambió el nombre por: Imperial Camera Corp.
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This camera, is made of bakelite, thermosetting resin developed and patented in 1907 by the Belgian chemist Leo Baekeland (Nobel Prize in Chemistry), who formed the General Bakelite Co. also invented Velox photographic paper. Inside its mechanisms are metal, it works correctly.
Manufactured by Herbert George Co. Chicago Illinois, USA. A very simple and compact camera that uses 620 film format, has connectors for synchronizing flash lamps with shutter. Single shutter speed: 1/50 seconds.
I bought in the early eighties.
In 1961 the company owner changed the name: Imperial Camera Corp.
Kodak Retinette IA tipo 035, película de 35mm. Lente: Schneider Kreuznach Reomar 1:2,8/45mm, obturador PRONTO. Número de serie: 233813
Kodak AG, fué la subsidiaria alemana de EKCo. Empresa que se fundó a finales del siglo 19 en Berlín, con el nombre de Eastman Kodak Gesellschaft m. b. H.
Posteriormente, en el siglo 20, la sucursal alemana de Kodak que se posicionó fuertemente en el Mercado alemán, luego adquirió al fabricante independiente Nagel. Su fundador el Dr. August Nagel fue nombrado director de de la compañía cuando EKCo compró esta empresa el 1 de diciembre de 1931 quedando como Kodak A.G. El Dr. Nagel desarrolló su propia línea de productos incluyendo las cámaras Kodak Retina. La primer cámara Retina (tipo 117) se introdujo en el verano de 1934 junto con la nueva película de 35mm DLC (Daylight Loading Cartridge), este producto fue patentado por el Dr. Nagel, posteriormente este formato de película fue compatible con las cámaras Leica y Contax. Helmut Nagel, hijo del doctor, dejó la compañía después de la Segunda Guerra Mundial.
Nos damos cuenta con la amplia serie de cámaras Retina que se fabricaron en Alemania por más de tres décadas, cámaras diseñadas para uso intenso, de tal suerte que se pueden conseguir actualmente ejemplares en muy buenas condiciones de operación. Así es la calidad de los productos de la industria alemana.
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Kodak AG, the German subsidiary was EKCo. Company founded in the late 19th century in Berlin, with the name of Eastman Kodak Gesellschaft m. b. H.
Later in the 20th century, the German branch of Kodak strongly positioned in the German market, then acquired the independent manufacturer Nagel. Its founder Dr. August Nagel was named director of the company when the company bought EKCo the December 1, 1931 leaving Kodak A.G. Dr. Nagel developed its own line of products including Kodak Retina cameras. The first Retina (type 117) camera was introduced in the summer of 1934 along with the new 35mm film DLC (Daylight Loading Cartridge), this product was patented by Dr. Nagel, then this film format was compatible with Leica cameras and Contax. Helmut Nagel, son of the doctor, left the company after World War II.
We realize the wide range of Retina cameras that were manufactured in Germany for more than three decades, cameras designed for heavy use, in such a way that you can now get copies in very good operating condition. So is the quality of the products of German industry.
Esta cámara de elegante diseño la compré a mediados de los años ochentas, utiliza película de formato 127, cuenta con dos velocidades: 1/50 y 1/100 segundos, la velocidad 1/50 está sincronizada para la lámpara de destello Anscoflash VI. Cuenta con dos aberturas: f/8 y f/16, lente de menisco Sconar. Fabricada en Alemania por Bilora para Ansco. Indiscutible la calidad de la industria alemana.
El ejemplar está acompañado de un portalámpara para focos de destello de un solo uso, fabricado por Bilora en Alemania.
Ansco, empresa fundada en el siglo 19, fabricante de cámaras fotográficas originaria de Binghampton New York,
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This elegantly designed camera I bought in the mid-eighties, uses 127 film format, has two speeds: 1/50 and 1/100 seconds, 1/50 speed is synchronized for flash bulb Anscoflash VI. It has two apertures: f / 8 and f / 16, Sconar meniscus lens. Made in Germany by Bilora for Ansco. Undisputed quality of German industry.
The specimen is accompanied by a lampholder for flash bulbs single use, manufactured by Bilora in Germany.
Ansco, founded in the 19th century, original manufacturer of cameras Binghampton New York,
Both of these cameras are solid, well-built beauties from the analogue era....though it might be hard to find film for the Yashica. From my small but beloved collection... ;-)
I bought this early digital camera in Panama in 1999 for several hundred dollars. It was a whopping 0.35 megapixels and came with a 2MB CF card -- that's MB, not GB!
I wore it on a belt and had it with me to take snaps of things I encountered during my day, and sometimes compromising pictures of friends. ;-) The quality of the shots was sometimes barely acceptable for the web, but useless for prints.
Technology has changed a lot in 11 years!
Manufactured in the UK from 1946 to 1960.
Uses 127 roll film. This (my) model still in working order.
Canon Powershot A60
Canon Powershot S3
Sony Cibershot W55
Nokia 2630
Canon EOS Rebel XSi (450D)
The first one, Canon A60, dont work anymore. The others are still in use.
It's Christmas Eve, and Kwanon and Vollenda are exchanging gifts with her family. Her father Nagel, mother Contessa, brother Tessar, and his girlfriend Xenar all enjoyed the holiday together. Unfortunately, Vollenda and Tessar's older brother, Radionar, is currently being refurbished and was unable to come.
~Image from a 2016 Photo of the Day series: "A Dawn's Eye View: 366 Days Focusing on my 'Cameras'"
☼ #dawnseyeview366 #photooftheday #366days #photohumor #toycamera #minicamera #miniaturecamera #photographerslife #artistslife #christmasphoto #vollenda #kwanon #christmaseve #famly #CarlZeiss #Tessar #schneider #Radionar #xenar #lenses #127film #kodak #germany #augustnagel #nagel #ContessaNettel #openingpresents #gifts #camerahistory
Christmas suggests a Kodak. Give a Kodak. A Christmas Kodak is more than a gift...it's a happy promise of a thousand delightful snapshots.
From the moment it's out of its wrapping on Christmas morning it will be busy - and all the year round a constant reminder of your thoughtfulness.
You can find a large number of full-resolution photos under a Creative Commons license on my official website: nenadstojkovicart.com/albums
Kyocera DA-1, 1996, 0.27MP
#stillvideo #stillvideocamera
#KyoceraDA1 #kyocera #videofloppydisk
#vfd
#earlydigital #earlydigitalcamera #vintagedigital #vintagedigitalcamera #retrodigitalcamera #digitallofi #digitallomography #earlydigitalphotography #olddigitalcamera #cameracollector #camerahistory #digitalcamerahistory #digicam #vintagedigital #photographyislife #testshot #unedited #nofilter #photographyproject