View allAll Photos Tagged CRATE
one of those scene i wish i could shoot everyday. always a different number of crates in different positions.
This Outboard brand apple crate label was used by the Chelan-Manson Co-operative Association Inc., of Chelan, Washington during the early 20th century. The lithographed label has an illustration of a man driving an outboard motorboat named “Red Apple” over a lake whose shores are lined with apple orchards with mountains rising in the background. Fruit crate labels often depicted landscapes like this to evoke a sense of fresh, natural produce.
Details: americanhistory.si.edu/collections/search/object/nmah_136...
So. The Barton Springs Mall Lego Store has had crates in their Pick-a-Brick selection for some time now. I decided to use them to in a building, which I'll get pictures of tomorrow, created for Brick Fiesta. I, uh, overestimated how many crates I would need. These are the spare crates.
P.S. For the record, while stacked crates make an awesome textured wall, they are not stable when stacked more than three high. Now you know.
Tanamis Kenworth T904 on triple road train stock crates has a drink at Inglis terminal, Port Augusta. June 2010.
It's the Well, That's Just Crate texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/9452.html (created by jitspoe)
This Trout brand apple crate label from Chelan, Washington was in use around 1900-1940. The label features a lithographed image of a leaping trout, meant to evoke a sense of nature popular among fruit crate labels during this period. Washington was one of the largest producers of apples during the early 20th century, and Wenoka Apples is the growers cooperative that marketed their fruits collectively.
Details: americanhistory.si.edu/collections/search/object/nmah_136...
Since moving into our new house, it has been very (very!) difficult for me to refrain from decorating.
We haven't put anything up because we haven't painted yet and we don't have our new couch.
I feel like I have to wait for both of these things so it feels more put together once we do have everything.
But I couldn't stand it any longer. So I made a small vignette to satisfy my constant urge.
Crumbling stack of Crates near Othello, WA. Photographed with a Rolleiflex Automat TLR Using Kodak TMax 100 film. Semi-Stand developed in Adonal (Rodinal) 1-100 for 1 hour.
Brightly coloured stacks of plastic crates in an alleyway in Adelaide Central Market. There was a truck about to start reversing when I took this photo, and I scooted away quick smart after.
Taken with iPhone 3GS.
wooden crate to be place on front or back carriers of most city bikes. already assembled and ready to be used.
The hammer rests in some foam cradles, a few foam spacers glued to the lid make sure things don't rattle around in transit
Here I'm testing various angles and position of the seat and back during the chair's assembly.
The Crate chair was designed by Dutch furniture designer and architect Gerrit Rietveld c1934. Early versions of the chair were made from recycled packing crate wood using standard timber dimensions, in this case 15 x 2cm stock, of various lengths.
The Crate Chair is similar in ethos to the Enzo Mari table I made some time ago.
I managed to cut all the elements from a cheap board from a local hardware store made of glued up timber 2m x 60 x 2 cm. I cut it into four strips of 14.6 cm, then cut the strips to the required lengths, mostly 45cm, before ripping some of them down to make the battens for the seat, back and arm rests. In the spirit of Rietveld's intention I ripped them in half for simplicity and to save material. I cut everything using a handsaw, planed the planks to something like the same widths and cut chamfers on the battens.
You can read an account of how I made a version of the crate chair
The assembly was helped enormously by the annotated drawings and construction tips of Jorn Ake
GONE BUT NOT FORGOTTEN - This shelf resembles an old crate or typesetting drawer that has been expanded to more generous size. Each of the nooks is big enough to hold books, display collectables, or organize crafting supplies.
Width 88cm, depth 29cm, height 89cm