View allAll Photos Tagged COSMI

The whole universe is arranged according to divine proportions, thus generating a celestial music. (DUCH I, p. 90)

A quick picture I took of my car. Was in a hurry so not the best.

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In 1623, after a polemic with the astronomer J. Kepler, Fludd revises his celestial monochord and corrects some errors which were present in the previous one and adding new cabalistc and mystical elements.

Grumbling Infinite Questions.

 

imagini contemporane tumultos condensări în conformitate imită limbi,

Rumpeln Philosophen metaphysischen Variationen cosmi Irritationen Pfeifen Donner,

terrestrium somnis utuntur similitudinibus solertia certa oppositionis rhythmanalysis,

mistérios mortais de transporte admissões espirituais intrigantes ignorância empreendedora ilustrações causa,

zbudowane konkretne ustalenia widzów spektakle zrozumiałych działań tragiczne działki podstawowych środków,

απαριθμούνται ποιητική ομιλίες διθύραμβο απολαύσεις συγκλίνουν άδειες καθαρότητα αφηγήσεις μετριοπάθεια,

percezioni particolari conoscenze affermazioni analoghe mnemoniche presentazioni di intelligence opinioni suppone,

квантовые элементы невозможностями несоответствия ощущений, объясняющие последствия абсурда манеры сочетания,

القسمة مستمرة المقادير الحجج استمرارية عرضة افترض الجسم المنصوص عليها يعاني الإجراءات,

対応大陸領域空間四肢の二重性下方異なる角度絶対事実重い目.

Steve.D.Hammond.

Maker: Pascal Sebah (1823-1886)

Born: Turkey

Active: Turkey/Egypt

Medium: albumen print

Size: 8 1/2 in x 10 7/8 in

Location:

 

Object No. 2022.579

Shelf: A-20

 

Publication:

 

Other Collections:

 

Provenance:

Rank: 85

 

Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Assyrian father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Constantinople in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the embassies and hotels where tourists met. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was among a group of early photographers in Constantinople and Cairo to capitalize on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. The same year, he exhibited at the Ottoman pavilion of the Universal Exhibition in Vienna, Austria. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time, the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address and then moved until its closure in 1973.

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

The divine proportions are applied to the man, too. As happened with the celestial monochord, in fact, we here see the proportions and their corresponding musical intervals applied to the human body. (DUCH II.i, p. 242)

@imwhatyoucallasian.jp

Owner: @lbkouki

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Jorge S2000

 

instagram: @carlos_mongui

Cosmis N5R on a Nissan s15, 17x9+15 fronts and 18x9+15 on Driftworks CS2 coilovers

My entry for Champagne! Couture face of the month contest (july 2015 entry)

 

Outfit: Champagne! (C) - Spring Man Blue

Rings and Bracelets: MANDALA - Lustful from Lustful jewelry set

Piercings: HoD - Cosmis (Belly and Facial, edited)

Hair: Exile - High and Dry

Body: TMP - Deluxe Body, Hands and Feet

Ears: MANDALA - Steking Ears Season 5

Tattoo: .: TAOX :. - Sleeves Fantasy Psychedelique (applier)

'Utriusque Cosmi maioris salicet et minoris metaphysica..' Robert Fludd Oppenheim 1617

Genesis of Robert Fludd

www.odisea2008.com

 

Cosmis N5R on a Nissan s15, 17x9+15 fronts and 18x9+15 on Driftworks CS2 coilovers

Maker: Pascal Sébah (1832-1886) & Polycarpe Joaillier (1848-1904)

Born: Turkey

Active: Turkey/Egypt

Medium: albumen print

Size: 10.3" x 102.3"

Location: Turkey

 

Object No. 2014.655c

Shelf: C-9

 

Publication:

 

Other Collections: Library of Congress, GEM

 

Provenance: Dr Jens Mattow

 

Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

Maker: Pascal Sebah (1823-1886)

Born: Turkey

Active: Turkey/Egypt

Medium: albumen print

Size: 4 1/2" x 6"

Location: Egypt

 

Object No. 2016.980n

Shelf: PHO-1891

 

Publication: Victor Bizot, Six months around the world, 1886-1887 Lyon, Imp. Schneider brothers, 1891. 8vo 134 pages with 15 albumen prints inset

 

Other Collections:

 

Provenance: Les Photographies dans Les Livres, Binoche et Giquello, Paris, November 4, 2011, Lot 60-A

 

Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).

 

To view our archive organized by Collections, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

'Utriusque Cosmi maioris salicet et minoris metaphysica..' Robert Fludd Oppenheim 1617

Genesis of Robert Fludd

www.odisea2008.com

 

A quick picture I took of my car. Was in a hurry so not the best.

📍 North Port, Florida Automotive Photography by Alec Paris Photography • Built by Alyissa Amodeo (@xxava_tcxx) • Cosmis Racing S1 Wheels • cosmiscanada.ca/ • NIA Auto Design Side Skirts + Eyelids • www.niaautodesign.com • King Fiber Rear Diffuser • GReddy EVO3 Exhaust • www.greddy.com • NeoChrome Weapon R Intake • weapon-r.com • Splitting Edge Design Custom Aero—Front Splitter • Pink Vinyl Wrap by @Fitment41 • www.fitment41.com • NRG Steering Wheel • getnrg.com

 

👉Fuel the movement on www.instagram.com/strict.standards

 

🐲 Home of the Strict Standards CLIQUE 🐲

· ONLY THE FINEST · 最高級のみ ·

———————————————————

· Automotive Lifestyle Brand & Boutique ·

· Japanese-Inspired Street Style and Streetwear Apparel ·

———————————————————

YOUR FAVOURITE modified car curation including Stanced, Tuned; everything from from JDM, KDM— all the way to German Cars and Vag!

There’s something for every Car Enthusiast, Petrolhead or Hypebeast!

———————————————————

❤️‍🔥 SHOP STRICT STANDARDS BOUTIQUE • Global Shipping 🌎

Streetwear Apparel • Stickers • Vinyls • Banners • Automotive Accessories

www.strctstndrds.com/shop

———————————————————

📲🌐 CONNECT with us on your favourite platforms!

Twitter: www.twitter.com/strctstndrds

Facebook: www.facebook.com/strictstandards

TikTok: www.tiktok.com/@strictstandards

Maker: J.P. Sebah (1872-1947)

Born: Turkey

Active: Turkey/Egypt

Medium: albumen print

Size: 8.25" 10.5"

Location: Egypt

 

Object No. 2013.397

Shelf: D-31

 

Publication:

 

Other Collections:

 

Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

Jorge S2000

 

instagram: @carlos_mongui

@imwhatyoucallasian.jp

Owner: @lbkouki

Jorge S2000

 

instagram: @carlos_mongui

Maker: J.P. Sebah (1872-1947)

Born: Turkey

Active: Turkey/Egypt

Medium: albumen print

Size: 8.5 in x 8 in

Location: Egypt

 

Object No. 2009.097

Shelf: D-32

 

Publication:

 

Other Collections:

 

Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

 

Maker: Pascal Sébah (1832-1886) & Polycarpe Joaillier (1848-1904)

Born: Turkey

Active: Turkey/Egypt

Medium: albumen print

Size: 10.3" x 102.3"

Location: Turkey

 

Object No. 2014.655d

Shelf: C-9

 

Publication:

 

Other Collections: Library of Congress, GEM

 

Provenance: Dr Jens Mattow

 

Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

WekFest always has and always will be a show dedicated to setting the bar.

 

All photos by @kinglenyx // @lenyxgarciaphoto

Parte del backstage que hizo la Cosmi

de la sesion con Rodrigo Nuñez :)

 

pd: fotos sin edición

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