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La Wildt'sche Haus, comme plus d'une fois sur deux, tire son nom de son commanditaire, le fabricant de ruban de soie Jeremias Wildt (XVIIIe siècle). L'architecte du palais était Johann Jakob Fechter, un des plus important architecte bâlois du XVIIIe siècle. La construction date du milieu du siècle, la maison et son précieux intérieur ont été achevés en 1768. Ce palais aurait été à destination de la fille de l'entrepreneur, Margaretha, qui y résida avec son marie également dans la soierie. Depuis le milieu du XXe siècle, cet édifice accueille une fondation qui anime et organise des évènements pour l'université de Bâle, le gouvernement local ainsi que pour d'autres entités privées. Il a également été revêtu récemment d'une peinture bien plus sombre de ce que le baroque nous a habitué, ce qui pourrait être un cadre intéressant pour n'importe quel thriller.
Sources : Site d'information sur le vieux Bâle à propos de la place (DE) && Wiki sur la place (DE) && Wiki sur la maison (DE) && Wiki sur l'architecte (DE) && Site du palais se présentant (DE)
Circa 1974 Nikon F2 Bowens studio flash
I found this old Ilford print today.
The cleaning ladies who were always up for a laugh in my studio at the City University.
Detail of Centenary Building, City University, Islington.
Designed by architects Sheppard Robson & Partners in a brutalist style, the Centenary Building was opened in 1969 (originally as the High Voltage Engineering Laboratory; it was converted into lecture theatres in 1993-4).
City University, Northampton Square, Islington. Built between 1966-70 to a brutalist design by architects Sheppard Robson & Partners.
City University, Spencer Street, London EC1. Sheppard, Robson & Partners, 1962-70.
Sony A7 + Canon FD 55mm f/1.2 Aspherical
Designed by architects Sheppard Robson & Partners in a brutalist style, the Centenary Building was opened in 1969 (originally as the High Voltage Engineering Laboratory; it was converted into lecture theatres in 1993-4).
Work by this year's graduates from the MA Jewellery Design and Related Products at the School of Jewellery in Birmingham.
Work using plastic micro-beads and silver.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Intermediate exhibition of work around non-traditional materials by the Level 5 BA Jewellery Students at the School of Jewellery.
Work by Effy Ma.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
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Olympus OM-10 + Olympus Zuiko Auto-S 50mm f/1.4 + AgfaPhoto Vista Plus 400
Concrete bridge linking the modernist Drysdale Building and the brutalist Centenary Building, both part of City University on Spencer Street in Clerkenwell, London. Both designed by architects Sheppard Robson & Partners and built between 1966-70.
Intermediate exhibition of work around non-traditional materials by the Level 5 BA Jewellery Students at the School of Jewellery.
Work by Xiao Yang.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Very proud of the students who took part in the British Art Medal Society Student Competition.
"Weight of the World" by Stephanie Holt.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
to: communications@brooklyn.cuny.edu, pamela@brooklyn.cuny.edu
cc: comerford@brooklyn.cuny.edu
To whom it may concern,
On Sunday May 25, 2008, 3.35pm, I was outside the gates of Brooklyn College on the sidewalk in an attempt to take a photo of your campus for personal use. I was on the city sidewalk, considered in the City of New York, PUBLIC PROPERTY.
As I was trying to take the photo, security approached and harassed me, and threatened me. I tried to warn him about my rights as a photographer
www.nyc.gov/html/film/html/news/110107_moftb_issues_new.s...
This guard continued to approach and I felt physically threatened by him.
I have enclosed a photo of this encounter and demand from the proper authorities, an apology, and demand written clarification on rules on photography both inside, and outside your campus, i.e., ON THE SIDEWALK.
Thank You,
RC
This is a composite of 3 shots, one overexposed, one right and one underexposed. Another shot using the same technique is here
Intermediate exhibition of work around non-traditional materials by the Level 5 BA Jewellery Students at the School of Jewellery.
Work by Tilly Wright.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Spencer Street, London EC1.
Sheppard Robson & Partners, 1966-70, with additions by East Architecture, 2017
Sony A7 + C/Y Zeiss Distagon 35mm f/2.8 MM
Why has that bloke got a snorkel on his crash hat? Or is it a periscope?
Scanned from a Kodachrome 64 transparency.
At a symposium at the school where ex-students present to the current students work from their time at the school and work that they have made since graduation.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Very proud of the students who took part in the British Art Medal Society Student Competition.
"Protect Our Birds" by Agnieszka Maksymiuk.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Class 86 number 86217 (formerly named "City University") in Anglia Railways livery at Long Marston Open Day on 7th June, 2009.
This locomotive had been withdrawn in April, 2004 and was exported to Hungary during February, 2013.
Saying goodbye to our Head of School, Gaynor Andrews, who has worked at the School for 40 years.
Gift from the Jewellery Quarter: a silver jeweller's bench by one of our graduates, Katy Tromans.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
The medals were designed to a request of Professor Philip Plowden, Vice Chancellor of Birmingham City University. He wanted a medal which would be awarded to the students from Health, Education and Life Sciences who graduated early in 2019 to go and work in the National Health Service and help alleviate the issues caused by the Covid-19 Pandemic. The Vice Chancellor wanted a medal which could be worn on a uniform.
These are silver-plated struck bronze medals - struck at Thomas Fattorini in Birmingham - and were designed to be accessible. It was important that the medal didn't have any ambiguity and was understandable by a wide range of people who would be viewing it: graduates, families, patients, colleagues in the NHS. I wanted the medal to be contemporary but not abstract and to reflect the idea that the people who were working in the NHS were working selflessly, putting themselves at risk to help others, perhaps even risking their lives to save lives. The key was a quote from the Humanist Geographer, Yi-Fu Tuan reflecting on his view of selfless acts in society, represented on the obverse, along with a heart, larger than the virus molecule. A hole leads the eye through to the reverse where the text changes to playfully reference the unique British surrealism of The Beatles “All You Need Is Love”, a song which in a naive and innocent way echoes Fuan’s philosophy. On this side love overpowers the virus molecule.
At a symposium at the school where ex-students present to the current students work from their time at the school and work that they have made since graduation.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
At a symposium at the school where ex-students present to the current students work from their time at the school and work that they have made since graduation.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
Very proud of the students who took part in the British Art Medal Society Student Competition.
"Cybernetic" by Hanglun Wan.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX7.
The medals were designed to a request of Professor Philip Plowden, Vice Chancellor of Birmingham City University. He wanted a medal which would be awarded to the students from Health, Education and Life Sciences who graduated early in 2019 to go and work in the National Health Service and help alleviate the issues caused by the Covid-19 Pandemic. The Vice Chancellor wanted a medal which could be worn on a uniform.
These are silver-plated struck bronze medals - struck at Thomas Fattorini in Birmingham - and were designed to be accessible. It was important that the medal didn't have any ambiguity and was understandable by a wide range of people who would be viewing it: graduates, families, patients, colleagues in the NHS. I wanted the medal to be contemporary but not abstract and to reflect the idea that the people who were working in the NHS were working selflessly, putting themselves at risk to help others, perhaps even risking their lives to save lives. The key was a quote from the Humanist Geographer, Yi-Fu Tuan reflecting on his view of selfless acts in society, represented on the obverse, along with a heart, larger than the virus molecule. A hole leads the eye through to the reverse where the text changes to playfully reference the unique British surrealism of The Beatles “All You Need Is Love”, a song which in a naive and innocent way echoes Fuan’s philosophy. On this side love overpowers the virus molecule.
School of Jewellery MA Graduation show.
Work by Muye Gao. Good to see fine jewellery in the MA show.
Taken with Panasonic 20mm f1.7 lens on Panasonic GX9.
The Hall of Fame for Great Americans--the original "Hall of Fame", was conceived of by Dr. Henry Mitchell MacCracken, Chancellor of New York University from 1891 to 1910. It was designed as part of the school's undergraduate campus in University Heights in the Bronx, which is today the campus of Bronx Community College of The City University of New York. The Hall of Fame stands on the heights occupied by the British army in its successful attack upon Fort Washington in the autumn of 1776. MacCracken, once said "Lost to the invaders of 1776, this summit is now retaken by the goodly troop of 'Great Americans', General Washington their leader. They enter into possession of these Heights and are destined to hold them, we trust, forever."
The memorial structure is a sweeping open-air colonnade, 630 feet in length, designed in neoclassical style by the Stanford White. Financed by a gift from Mrs. Finley J. Shepard (Helen Gould), the Hall of Fame was formally dedicated on May 30, 1901. The Colonnade was designed with niches to accommodate 102 sculptured works and currently houses the busts and commemorative plaques of 98 of the 102 honorees elected since 1900. Each bronze bust, executed by a distinguished American sculptor, must be made specifically for The Hall of Fame and must not be duplicated within 50 years of its execution. To be eligible for nomination, a person must have been a native born or naturalized citizen of the United States, must have been dead for 25 years and must have made a major contribution to the economic, political, or cultural life of the nation. Of the 17 categories in The Hall of Fame, Authors is the largest, with Statesmen following closely.
The complex of three buildings adjoining the Colonnade--Gould Memorial Library, the Hall of Languages, and Cornelius Baker Hall of Philosophy--were also designed by Stanford White and bear a close conceptual relationship to the Colonnade, with the library as the central focus.
National Register #79001567