Century Series Fighters
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The sixteenth-century wing overlooks via della Mercanzia, with the façade entirely covered with frescoes by Raimondo Sirotti that follow those made at the beginning of the twentieth century by Ludovico Pogliaghi, who in turn had rebuilt, reinterpreting them, the original ones of the Tavarone.
The painted decoration of the facade reproduces a marble cladding with ashlar on the ground floor and pilasters that divide the façade into three sections. In the center of the façade, above the imposing marble entrance portal, stands the polychrome figure depicting St. George on horseback killing the dragon, a recurring image in numerous portals of the buildings of the historic center: in the Middle Ages the saint was in fact considered the very symbol of Republic. The subject was freely interpreted by Sirotti in 1990, having disappeared all traces of the seventeenth-century original. On the sides, from left to right, six bronze statues are painted inside false niches, depicting some historical figures of the Republic: the annalist Caffaro, the "Prince" Andrea Doria, the doge Simone Boccanegra (according to some the painting would instead depict the founder of the palace, Guglielmo Boccanegra), the crusader leader Guglielmo Embriaco known as "Head of a mallet", the navigator Christopher Columbus and finally the admiral Benedetto Zaccaria.
The decoration is completed by the figures of Janus and Neptune, also in fake bronze, and the coat of arms of the "Conservatori del Mare", the body in charge of governing the port at the time of the Republic of Genoa. The facade culminates with the clock tower.
Rila Monastery - the monastery was founded in the 14th century on the site of the hermitage Ivan Rila existing since the 10th century in the valley of Rila mountain.
Modern form of the monastery dates from the 19th century, when through the victims of Bulgarian society and with the agreement of the Turkish authorities built a huge monastery complex. The walls of a thickness of 2 m and a height of 24 m giving it the appearance of a fortified stronghold. The inner courtyard is surrounded by three-storey buildings with arches painted in black and white and wooden galleries.
The main church of the Holy Mother of God is a three-nave basilica based on a cruciform plan with a dome at the intersection of the aisles. The pride of the temple are frescoes and great iconostasis.
In 1983 the monastery was inscribed on the UNESCO World Heritage List.
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Rylski Monastyr – monastyr został założony w XIV na miejscu pustelni Iwana z Riły istniejącej od X wieku w kotlinie górskiego masywu Riła.
Współczesna postać monastyru pochodzi z XIX w., kiedy to dzięki ofiarom społeczeństwa bułgarskiego i przy zgodzie władz tureckich wybudowano ogromny kompleks klasztorny. Mury grubości 2 m i wysokości 24 m nadają mu wygląd warownej twierdzy. Wewnętrzny dziedziniec otaczają trójkondygnacyjne budynki z łukami pomalowanymi na czarno i biało oraz drewnianymi krużgankami.
Główna cerkiew pod wezwaniem Świętej Bogurodzicy to trójnawowa bazylika oparta na planie krzyża z kopułą na skrzyżowaniu naw. Ozdobą świątyni są freski i olbrzymi ikonostas.
W 1983 monastyr został wpisany na listę światowego dziedzictwa UNESCO.
The building on the centre of the photograph is the Custom House.
One of the most recognisable buildings in King's Lynn, the Custom House was built by Henry Bell in 1683 as a merchants' exchange. The building was used as a customs house from the 18th century until 1989. The building originally had an open arcade on the ground floor, supported by Doric columns, which is now filled in. The Custom House was the first Classical building to be built in King's Lynn.
Text Ref: www.heritage.norfolk.gov.uk/record-details?MNF5479-Custom...
Berzé-le-Châtel at the end of the Val Lamartinien is a stunning medieval fortress built from the 10th century, superbly preserved, and with magnificent gardens.
From the top of its ramparts, the view extends over the entire Val Lamartinien practically as far as Mâcon, and the Roches de Solutré and Vergisson stand out in the distance.
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Un beau château fort
Berzé-le-Châtel au bout du Val Lamartinien est une surperbe forteresse médiévale construite à partir du 10ème siècle, superbement conservée, et avec des jardins magnifiques.
Du haut de ses remparts, la vue porte sur tout le Val Lamartinien pratiquement jusqu'à Mâcon, et les Roches de Solutré et de Vergisson se détachent au loin à horizon
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Berzé-le-Châtel - Burgundy - France / Berzé le Châtel - Bourgogne - France
Little Egret - Egretta garzetta
The little egret (Egretta garzetta) is a species of small heron in the family Ardeidae. The genus name comes from the Provençal French Aigrette, egret a diminutive of Aigron, heron. The species epithet garzetta is from the Italian name for this bird, garzetta or sgarzetta.
It is a white bird with a slender black beak, long black legs and, in the western race, yellow feet. As an aquatic bird, it feeds in shallow water and on land, consuming a variety of small creatures. It breeds colonially, often with other species of water birds, making a platform nest of sticks in a tree, bush or reed bed. A clutch of bluish-green eggs is laid and incubated by both parents. The young fledge at about six weeks of age.
Its breeding distribution is in wetlands in warm temperate to tropical parts of Europe, Africa, Asia, and Australia. A successful colonist, its range has gradually expanded north, with stable and self-sustaining populations now present in the United Kingdom.
It first appeared in the UK in significant numbers in 1989 and first bred in Dorset in 1996
In warmer locations, most birds are permanent residents; northern populations, including many European birds, migrate to Africa and southern Asia to over-winter there. The birds may also wander north in late summer after the breeding season, and their tendency to disperse may have assisted in the recent expansion of the bird's range. At one time common in Western Europe, it was hunted extensively in the 19th century to provide plumes for the decoration of hats and became locally extinct in northwestern Europe and scarce in the south. Around 1950, conservation laws were introduced in southern Europe to protect the species and their numbers began to increase. By the beginning of the 21st century the bird was breeding again in France, the Netherlands, Ireland and Britain. It has also begun to colonise the New World; it was first seen in Barbados in 1954 and first bred there in 1994. The International Union for Conservation of Nature has assessed the bird's global conservation status as being of least concern..
Camera: Graflex Century Graphic
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Arriving at Escanaba, Michigan, three Chicago & North Western C628’s have a trainload of iron ore from Ishpeming. Here the ore will be transloaded to an ore boat on Lake Michigan.
Part of the monastery established by Christian Monks from around the 4th century (possibly earlier) on Great Skellig Michael which is dedicated to Saint Michael The Archangel and is part of a line of seven monasteries that runs from Ireland to Israel. You can see Little Skellig which lies between Great Skellig and the County Kerry coast in the background.
Large stone blocks stacked like giant lego pieces at Bayon, Angkor Thom, Angkor, Siem Reap, Cambodia
Leaves of Century Plant (Agave americana). A stunning, sculptural plant. As the 6-foot leaves unfurl, savage spines leave a lasting impression on the plant’s epidermis. Matures in roughly 10 years, at which time a yellow-flowered stalk bolts upwards of 26 feet (8 meters); the primary plant dying thereafter.
McGovern Centennial Garden. Hermann Park. Houston, Texas.
"With Teeth", a lullaby of sorts, by Nine Inch Nails: www.youtube.com/watch?v=H21PyAV4zCU
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Seven centuries of art: from Flemish Primitives to Expressionists. World-famous masters. The largest and most important collections of James Ensor and Rik Wouters. Yet the Royal Museum of Fine Arts Antwerp is much more than even this internationally renowned collection of art. The KMSKA is the only Flemish museum with high-level scientific status.
The Violin Player this lady was playing the violin at a turn of the century reenactment at the pioneer village in North Carolina.
** From Fountains Abbey it is only a short walk along the river to the Studley Royal water gardens . The gardens were designed by John Aislabie in the early seventeenth century, they are a fine example of a Georgian water gardens
The Temple of Piety seen in the centre of the image is one of the many neo-classical buildings in Studley Royal.
a bit more background
In the early 18th-century John Aislabie had great plans to impress visitors to his Yorkshire estate and so turned the wild and wooded valley of the river Skell into one of England’s most spectacular Georgian water gardens.
John Aislabie inherited the Studley Royal estate in 1693. He was a socially and politically ambitious man and became Chancellor of the Exchequer in 1718. Disaster struck his career in 1720 due to his part in the South Sea Bubble financial scandal and he was expelled from Parliament. It was then that John returned to Yorkshire and devoted himself to creating this ground-breaking garden. Inspired by the work of the great French landscape gardeners, the two gifted amateurs created the Water Garden with its formal, geometric design and extraordinary vistas; including the much photographed Temple of Piety.You can also find classical statues, follies and garden buildings carefully positioned within the landscape to discover and enjoy.
Amazingly the garden you see today is little changed from the one that would have impressed Aislabie’s visitors 200 years ago.
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A uniquely Chicago & North Western C628/GP7 combination has dropped its train from Green Bay on a yard track in Escanaba, Michigan, and now awaits a call to return south.
A short flight between Duschambee and Bishkek.
Tribute to Georgia O'Keeffe, who was inspired by the views from the sky for her abstract paintings, during the very first commercial airplane trips in the middle ot the twentieth century.
Wandering through narrow, old and cozy streets thinking we have been teleported to a time where transport meant horse and cart. Eguisheim, France
www.istockphoto.com/fr/portfolio/sonja-ooms
The watermill Lippholthausen (Schloßmühle Lippholthausen) in the Lippholthausen district of Lünen is a grain mill built in 1760 near the river Lippe. The watermill of the former Buddenburg noble house is a late Baroque half-timbered building, not far from the former Buddenburg Castle.
From the 14th century until 1902, the Buddenburg house was owned by the Frydag family of Buddenburg. The Frydags belong to the very old Westphalian nobles. The family is mentioned for the first time in 1198.
Around 1535, the noble family built a watermill south of Brunnenstraße and opposite Schlossallee. At the former river Henebecke a large millpond was excavated.
Afterwards, the runs of the creek Henebecke, Sadbecke, Wilbecke and Seltenbecke were diverted so that they flowed directly into the new millpond and fed it with water.
After the mill had been completed and put into operation, the farmers in the area of the thirlage "Buddenburg Mahlzwang" had to come to the castle mill to have their grain ground.
Nothing remains of the mill built at the beginning of the 16th century. However, the current mill building already has a considerable number of years on the hump: It was built in 1760 by Wessel Giesbert von Frydag.
In 1903, Haus Buddenburg and the mill were inherited by the Rüxleben family. The latter finally sold the property to the city of Lünen in 1913. Until 1930 grain was ground in the castle mill.
The old mill pond above the castle mill is no longer present, it was filled in 1938 during the construction of the Lippewerk. A loss for trippers, they could sail around on the pond with paddle boats.
Until the end of the 1970s, the House of Buddenburg, which also included the castle mill, stood in the district of Lippholthausen, now part of Lünen.
The Mühlenfreunde Lippholthausen e. V. restored and maintains the mill, which currently serves as an excursion restaurant and can also be used for weddings. It was placed under monument protection in 1985.
Diana's Grove is a tranquil wooded area situated near to Blair Castle within the grounds of Atholl Estates. Diana's Grove is named after the Roman Goddess of Hunting. Blair Castle is the ancestral home of the Dukes of Atholl, known as the 'Planting Dukes' in the 18th & 19th centuries, by 1830 the family had planted over 27 million trees within the Atholl Glens.
Colț Citadel (Cetatea Colț). The citadel was built in the 14th century by the Cândea family. Because of the appearance of the citadel and toponymy of the places, it is assumed that these would have inspired the novel "The Castle in the Carpathians" by Jules Verne. The citadel is in a state of increased degradation, being practically a ruin.
One of Savannah’s most beloved attractions is Forsyth Park. Among the park’s abundant greenery is the dense urban forest of gnarled live oaks draped with Spanish moss. The old Oak trees are as iconic to the city of Savannah as its man-made historic treasures.
Since the early 19th century, Savannah planted out trees in its streets and squares to provide shade in the summer and beauty the year round, earning it the title of “The Forest City.” Today, its arching live oaks, swathed with picturesquely gothic drapes of Spanish moss, are one of the city’s most charming and typical sights.
This photo was edited with Skylum's Luminat AI software.
Still wearing the colors of former owner Long Island, Virginia & Maryland C420 213 idles at Cape Charles, Virginia.
Kojori Fortress was built atop Azeuli Mountain, at a height of 1,250 metres above sea level. According to historians, the fortress was constructed sometime during the 11th century. Built in multiple layers atop the cliffs, this fortress once protected the caravan road connecting Tbilisi to Armenia, and was of immense strategic importance during the Middle Ages.
Korjoli Fortress was built of crushed stone and brick, and was plastered with thick mortar. Today, only the ruins of the walls and two of its towers remain, but these ruins speak to numerous battles and sieges over the centuries. The ruins afford visitors a beautiful view of Kartli’s wide-open spaces.
The last battle to take place at Kojori Fortress took place in 1921, when the 11th Army of the Russian Red Army faced Georgian cadets. A memorial in honour of these fallen cadets stands there today.
In addition to its historical value, Kojori is also a spectacular place for relaxing in nature, having a picnic, and doing a little light hiking in the nearby forest. This region, once the summer residence of kings, is today open to the public to enjoy.
St Govan’s 13th century Chapel is one of three points of photographic interest (the Green Bridge of Wales and Elegug stacks being the other two) accessible only at weekends as the only route in is through the Ministry of Defence’s Castlemartin gunnery range
The chapel sits precariously on a cliff-lined cove on the site of a holy well once frequented by pilgrims.
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Les sanatoriums ont été massivement construits au début du XXe siècle dans des régions isolées de la pollution, en montagne, sur des plateaux ensoleillés pour bénéficier du grand air et des vertus désinfectantes et reconstituantes du soleil.
Sanatoriums were massively built at the beginning of the 20th century in regions isolated from pollution, in the mountains, on sunny plateaus to benefit from the great outdoors and the disinfecting and restorative properties of the sun.
I composed this photograph while walking through a residential area in Palm Desert, California. It is, I believe, an example of Mid-century Modern architecture, quite common in this area.
Mid-century modern was originally considered a collection of homes built after World War II, rather than a specific style. However, "mid-century modern" now often denotes a particular building or decorating style, characterized by clean lines, minimal decoration, and a connection with nature. It features a wide, low house footprint with large, open spaces, floor-to-ceiling windows, and an emphasis on bringing the outdoors in.