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this was one of the first photos I took with my new cameraphone, on one of my first days in my new job. I was quite impressed...
the lighting and projection set up was really bad, so you could only use a flash to take a decent pic
Vic Ratner, former radio broadcaster for ABC Radio, shares a few remarks after he is inducted as a 2019 Chronicler during a ceremony at Kennedy Space Center’s NASA News Center in Florida on May 3, 2019. Also honored as Chroniclers were journalists Jim Banke and Todd Halvorson, and photographer Peter Cosgrove. The Chroniclers recognizes retirees of the news and communications business who have helped spread news of American space exploration from Kennedy for 10 years or more. The group of four was selected by a committee of their peers on March 25. Their names were engraved on brass strips and added to The Chroniclers wall display in the news center and were unveiled during the ceremony. Photo credit: NASA/Kim Shiflett
Vic Ratner, former radio broadcaster for ABC Radio, addresses a crowd of family and friends, current and former NASA officials, and space journalists after he is inducted as a 2019 Chronicler during a ceremony at Kennedy Space Center’s NASA News Center in Florida on May 3, 2019. Also honored as Chroniclers were journalists Jim Banke and Todd Halvorson, and photographer Peter Cosgrove. The Chroniclers recognizes retirees of the news and communications business who have helped spread news of American space exploration from Kennedy for 10 years or more. The group of four was selected by a committee of their peers on March 25. Their names were engraved on brass strips and added to The Chroniclers wall display in the news center and were unveiled during the ceremony. Photo credit: NASA/Kim Shiflett
One of 3 quick illustrations done in Corel Painter X for use in Praized Media presentation slides for StartupCamp Montreal 4
I have wanted to go here longer than any other explorer. That isn't an exaggeration. My earliest memory of the long country lane that these are on is the August of 1976. I was 4. As my family returned from a holiday in Wales, the hillside was ablaze near here. Horrific flames reached high as the trees caught alight as Kinver Edge burned. The smoke engulfed my dads Maxi as we slowly made our way down the lane, driving over the hoses from the fire appliances that had come nearly 40 miles to help fight the fire. It was caused by a discarded glass bottle like many forest fires in the 1970's. It all added to the mystique of the road. The old barbed wire fences around here. The stories that if you ever were to wander into the compound around Drakelow, men would appear and very politely ask you to leave. I'd seen the yellow B.T vans outside now and again, and the whole place was scary and unknown.
My mom however knew more. In fact she had researched this place in 1962 as part of her college final year project. She knew about the Rover company and the blasting they had done of the soft sandstone rock and the machines that they installed to build the tank parts for the war effort.
Underneath the hill are the tunnels, not carved, but blasted out. Three people lost their lives I think during this. They were blasted out to be used for a Shadow Factory. Here is one of the entrances. These used to frighten me. It is hard to imagine the cars racing here as the sirens sounded their four minute warning that a Russian Warhead was on it's way to destroy the world. The great and good would have entered here, and made their way in through the blast doors. Three months of time underground would have awaited them.
I could think of no better model that My Scene's Kennedy for the "Broadcast Yourself" series. She has the distinctive Barbie face, with the unsettling addition of bedroom eyes, and cherry red slightly parted lips. Combined with her girlish ponytails, she channels a myriad of forbidden fantasies and desires. I decided to use a different doll's body, which I couse for its suggestive pose and sheer red nightie. Perched atop her head are red Lolita sunglasses. The only light in the room emanates from her computer screen. It illuminates her body.
She is using the built-in webcam on her little laptop to share images of herself with the world. She makes a digital slide show for her social networking pages using a song by The Pussycat Dolls. The lyrics of the song are about wanting fame and attention, and being called sexy by boys. She knows no better way to express herself that to take photos that expose her breasts. She is not thinking of the consequences of her actions, especially what kind of influence this could have on her little sister Ana.
read more at http://tiffanygholar.blogspot.com/2008/11/yasmin-kennedy-and-lolita-how-bratz-and.html
Almost 200 students, faculty and staff of the Lawrence Herbert School of Communication produced their first live, multiplatform Election Night broadcast on November 6, 2018.
Photographer Trent Campbell
Sad news: Warp Records has announced that Trish Keenan, singer for the British electronic pop duo Broadcast, has died from complications of pneumonia. Keenan had been hospitalized and was said to be suffering from a strain of the H1N1 flu.
SIS Live Links Mercedes Benz Atego outside broadcast truck, reg. no. KX08 HZN, at the finish of Stage 5 of the Tour of Britain 2013 near Caerphilly Castle.
The picture was taken on 19 September 2013.
Kelis
Secret Solstice Festival
June, 2015
Reykjavik, Iceland
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A transmission tower silhouetted against the evening sky in Mumbai, shot from a moving car using 70-300mm lens on Canon EOS 80D
Sportscasters Johnny Holiday and Ray Knight prepare in their open air studio at Nationals Park, July 4, 2016.
The compound. HDR, Studio A/S producing EBU feed. And in the trees SIS-Live for BBC. The Blue in the front to the right is the SIS tender.
A communications tower mounted atop the Communication Arts and Sciences Building at MSU. I thought it looked neat in front of the sky and that cloud.
Garrison Keillor discusses the bleak history of the Wobegon Whippets baseball team. A Prairie Home Companion live broadcast, 25 May 2013, Wolf Trap Farm Park. Vienna, Virginia
The original Spago located at 8795 Sunset Boulevard, Los Angeles - now closed - 1988 -
This main entrance was located on a side street, 1114 Horn Avenue
Permission granted to copy, publish, broadcast or post but please credit "photo by Alan Light" if you can
Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
Project: Probabilistic Hazard Information Broadcasters
As intermediaries between NOAA National Weather Service forecasters and the public, broadcast meteorologists serve a critical and complex role in the communication of weather warnings. NSSL researchers work directly with broadcast meteorologists to get their feedback on experimental forecast tools, including their interpretation of experimental probabilistic forecasts generated in the HWT from the Probabilistic Hazards Information Experiment. As participants in the PHI Experiment, broadcasters perform typical job functions under a simulated television studio environment as they receive experimental probabilistic advisories and warnings from NWS forecasters during displaced real-time events. Researchers study how broadcast meteorologists interpret, use, and communicate probabilistic information. Decisions of interest include when to run “crawls,” post to social media, interrupt commercials, and interrupt programming. This feedback is used in conjunction with feedback from emergency managers and forecasters to refine how uncertainty information is generated and disseminated.
'Broadcast Myself' is about the way teenage girls present themselves through online videos. One of the fastest growing segments of the online entrepreneurial world is beauty vlogging. There are currently 14.9 billion beauty-related video views on Youtube. The girls who make the video’s are mostly under the age of 18. One by one these girls have a transcribed idea of beauty. They see themselves as a role model and know exactly how to behave in front of the camera.
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