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The Austin Maxi is a medium-sized, 5-door hatchback family car that was produced by Austin and later British Leyland between 1969 and 1981. It was the first British five-door hatchback.
The Maxi (code name ADO14) was the last car designed under the British Motor Corporation (BMC) before it was incorporated into the new British Leyland group, and the last production car designed by famed designer Alec Issigonis. It was the first car to be launched by British Leyland.
The new chairman Lord Stokes decided to also change the hatchback's name to the Maxi in homage to the Mini of 10 years earlier. All Maxis were produced at the Cowley plant in Oxford, although the E-Series engines were made at a new factory at Cofton Hackett in Longbridge.
Underneath the Maxi's practical and spacious bodyshell lay an all-new front-wheel drive chassis, which was interlinked with an innovative five-speed manual transmission; the fifth gear was another rarity on family cars in 1969 and one which many manufacturers did not adopt until more than a decade later.
Despite the new platform, the Maxi's styling suffered from the decision to save tooling costs by re-using door panels from the Austin 1800 "Landcrab", which gave the Maxi an unusually long wheelbase in relation to its length, coupled with the fact that the carried-over doors made the Maxi resemble a scaled down version of the 1800 (and the Austin 3-Litre, which also used the same doors).
My second purchase from Padbus came about six months after the Goldliner. 175 (EFC 175V) is a Leyland Leopard/Plaxton Supreme IV built in 1989 (although representing a 1980 vehicle) and withdrawn during 2000, then stored for a further three years before passing into my hands. The bodyshell is an early resin casting by an unknown manufacturer with scratchbuilt running gear. It is in the second style of Padbus livery, a yellow front combined with the same shade of green used by Central; the green later changed to that on the Goldliner.
The 1949-51 third generation Mercury adopted a pontoon appearance, the bodyshell now shared with the 1949 Lincoln Cosmopolitan (the headlights and grille distinguishing the two vehicles); inside, the two lines would feature separate interior designs.
The 1949 Mercury Eight became the definitive lead sled.
In 1950; Front indicators were larger, the high- end Monterey coupe was introduced, in the same vein as the Ford Crestliner, the Lincoln Lido and the Lincoln Cosmopolitan Capri Coupe.
Models available in 1950 were; the M72A 2 door Coupe, the M72B 2 door Club Coupe, the M72C Monterey 2 door Coupe, the M74 4 door Sedan, the M76 2 door Convertible and the M79 2 door Wagon (wood sides)
1951; The bull nose grille continued out to the outside of the fenders to include the indicators.
Engine; 110hp 255 cu in Flathead V8
The Austin Maxi is a medium-sized, 5-door hatchback family car that was produced by Austin and later British Leyland between 1969 and 1981. It was the first British five-door hatchback.
The Maxi (code name ADO14) was the last car designed under the British Motor Corporation (BMC) before it was incorporated into the new British Leyland group, and the last production car designed by famed designer Alec Issigonis. It was the first car to be launched by British Leyland.
The new chairman Lord Stokes decided to also change the hatchback's name to the Maxi in homage to the Mini of 10 years earlier. All Maxis were produced at the Cowley plant in Oxford, although the E-Series engines were made at a new factory at Cofton Hackett in Longbridge.
Underneath the Maxi's practical and spacious bodyshell lay an all-new front-wheel drive chassis, which was interlinked with an innovative five-speed manual transmission; the fifth gear was another rarity on family cars in 1969 and one which many manufacturers did not adopt until more than a decade later.
Despite the new platform, the Maxi's styling suffered from the decision to save tooling costs by re-using door panels from the Austin 1800 "Landcrab", which gave the Maxi an unusually long wheelbase in relation to its length, coupled with the fact that the carried-over doors made the Maxi resemble a scaled down version of the 1800 (and the Austin 3-Litre, which also used the same doors).
The only Jaguar XJ220 in the world that lived up to its name, being fitted with a stunning V12 engine and making it the world's fastest production car. However, costs, setbacks, a recession or two and a myriad of other problems resulted in the dream becoming a nightmare, and the match of styling and power made in heaven being turned quickly into a BDSM session in hell!
The proposal for the Jaguar XJ220 seemed to come right out of nowhere. In 1986 the company was sold to Ford after ownership under British Leyland, and was producing a selection of strange luxury motors including the XJS and the XJ, which, although were very good and highly luxury machines, weren't exactly setting the world on fire.
But racing had been put forward to the company before, and racing team owner Tom Walkinshaw encouraged Jaguar to put one of their XJS's into the 1981 European Touring Car Championship, in which they succeeded in winning the competition in 1984. Jaguar had started to provide factory support to racing team Group 44 Racing, who were using the Jaguar-engined XJR-5 in the IMSA GT Championship, supplying V12 engines from 1983 onwards and supporting a Le Mans entry in 1984. Tom Walkinshaw and Jaguar agreed to entering the FIA Group C World Sportscar Championship and developed the XJR-6, which was powered by the Jaguar V12 engine; the car was launched during the 1985 season.
TWR took over the IMSA GT Championship operation in 1988 and one model – Jaguar XJR-9 – was launched to compete in both series. The XJR-9, which retained the Jaguar V12 engine, went on to win the 1988 24 Hours of Le Mans and World Sportscar Championship in the same year. The poor fuel consumption of the Jaguar V12 combined with new rules restricting refuelling during races forced the replacement of the V12 engine in the XJR-9s successors, the XJR-10 and XJR-11. The normally-aspirated Austin Rover V64V engine, designed for the MG Metro 6R4 had recently been made redundant thanks to the Group B rally ban in 1987, and the design rights were for sale. The compact, lightweight and fuel efficient nature of the small-displacement, turbocharged engine was investigated by TWR, who considered it an ideal basis for a new engine to power the XJR-10 and purchased the design rights from Austin Rover Group.
Jaguar and their Director of Engineering, Jim Randle, felt these racing cars were too far removed from the product available to the general public, especially with the rule changes that mandated the replacement of the Jaguar V12 engine in the forthcoming XJR-10 and XJR-11 racing cars. Therefore a project was initiated to design and build a car capable of winning Le Mans "in house", just as the Jaguar C-Type and D-Type had done. The groundwork for the project was undertaken by Randle over Christmas 1987, when he produced a 1:4 scale cardboard model of a potential Group B racing car.
The cardboard model was taken into the Jaguar styling studio and two mock-ups were produced. One was said to be reminiscent of the Porsche 956, the other took elements of the then current Jaguar XJ41 project and Malcolm Sayer's work on the stillborn Jaguar XJ13 racing car.
The project still had no official support, leaving Randle no option but to put together a team of volunteers to work evenings and weekends in their own time. The team came to be known as "The Saturday Club", and consisted of twelve volunteers. To justify the resources consumed by the project, the XJ220 needed to provide meaningful data to the engineers on handling, aerodynamics, particularly at high speeds, and aluminium structures. These requirements, together with FIA racing regulations and various government regulations governing car design and safety influenced the overall design and engineering direction of the car.
The FIA Group B regulations steered the concept towards a mid-engine, four-wheel drive layout, with a Jaguar V12 engine as the power source. The concept car was designed and built at very little cost to Jaguar, as Randle called in favours from component suppliers and engineering companies he and Jaguar had worked with in the past. In return he offered public recognition for their assistance and dangled the possibility of future contracts from Jaguar.
The name XJ220 was chosen as a continuation of the naming of the Jaguar XK120, which referred to the top speed of the model in miles per hour. The concept car had a targeted top speed of 220 mph so became the XJ220. The XK120, like the XJ220, was an aluminium-bodied sports car, and when launched was the fastest production car in the world.
Jaguar and engine designer Walter Hassan had previously created a 48-valve variant of their V12 engine specifically for motorsport use. It featured a double overhead camshaft layout with four valves per cylinder, compared with the single overhead camshaft and two valves per cylinder of the production engine, which was used in the Jaguar XJ and Jaguar XJS models at the time.
TWR and Cosworth had manufactured a number of these racing V12 engines during the 1980s and they had been raced competitively, with a 7-litre version of this engine featuring in the Le Mans winning Silk Cut Jaguar XJR-9. Five of these engines still existed, all of which were fitted with dry sump lubrication. These engines were chosen and considered to be especially useful as the dry sump would lower the vehicle's centre of gravity. The displacement of the V12 was set at 6.2L for the XJ220.
Jaguar had little experience with four-wheel drive systems at the time, having previously only produced rear-wheel drive cars. Randle approached Tony Rolt's company, FF Developments to design the transmission and four-wheel drive system for the XJ220, with Rolt's son Stuart running the project. Tony Rolt was the Technical Director of Ferguson Research, where he was heavily involved in the design of the four-wheel drive system used in the Jensen FF, the first sports car to be fitted with such a transmission. Tony Rolt also had a long involvement with Jaguar, winning the 1953 24 Hours of Le Mans with the factory works team driving the Jaguar C-Type.
The mid-engine complicated the design of the four-wheel drive system, and an innovative solution was needed to get drive from the rear of the engine to the front wheels. The chosen design took the front-wheel drive from the central differential on the rear transaxle and sent it through the V in the centre of the engine using a quill drive, before joining an inverted differential. The clutch was a twin-plate unit designed by AP Racing.
The design brief for the exterior restricted the use of aerodynamic aids, and aimed for a stylish yet functional body similar to the Jaguar D-Type. Drag and lift were limited at the envisioned ground clearance for road use, but the design allowed for additional downforce when the car was set up for racing; the body produced around 3,000 lb of downforce at 200 mph. The design was also intended to have a variable rear wing that folded into the bodywork at lower speeds. Aerodynamic work was undertaken at the Motor Industry Research Association wind tunnel using a 1:4 scale model, as the project was unable to budget for a full-scale mock-up.
The bodywork for the concept car displayed in 1988 was hand built from aluminium by Park Sheet Metal, a specialist automotive engineering company that manufactures concept cars and low-volume, niche models for various manufacturers, including Bentley. QCR Coatings undertook final painting of the bodyshell in silver. The concept also featured electrically operated scissor doors and a transparent engine cover to show off the V12 engine.
The concept car had a Connolly Leather-trimmed interior produced by Callow & Maddox, and was fitted with front and rear heated windscreens, electric windows, air conditioning, heated electrically adjustable seats with an Alpine Electronics CD player. The dashboard was supplied by Veglia.
The concept car was completed in the early hours of 18 October 1988, the day it was due to be unveiled at the British International Motor Show, being held at the National Exhibition Centre, Birmingham.
Jaguar's marketing department had allocated space on their stand at the motor show for the XJ220, but had not seen the vehicle until its arrival. Jaguar chairman John Egan and Roger Putnam, who was in charge of Jaguar's racing activities, were shown the vehicle the week before the motor show and signed off on the concept, allowing its unveiling. The car received an overwhelmingly positive reception by public and press, and a number of wealthy Jaguar enthusiasts handed over blank cheques to secure a purchase option should the XJ220 concept go into production. Ferrari displayed their F40 model at the same event; an estimated 90,000 additional visitors came to see the Jaguar and Ferrari cars.
The XJ220 was not initially intended to be a production car, but, following the reception of the concept and financial interest from serious buyers, a feasibility study was carried out by teams from TWR and Jaguar. Its conclusion was that such a car would be technically feasible, and that it would be financially viable. The announcement of a limited production run of 220 to 350 cars came on 20 December 1989. The list price on 1 January 1990 was £290,000 exclusive of value added tax, options and delivery charges, but by 1992 that had increased considerably owing to indexation of contracts. The offer was four times oversubscribed, and deposits of £50,000 exclusive of Value Added Tax (VAT) were taken from around 1400 customers; first deliveries were planned for mid-1992.
What Jaguar didn't reckon on was that the 1990's were going to get off to a very bad start, with a good old fashioned recession to usher in the new decade. This, combined with the various downgrades that would have to follow to make the car road legal, would result in the Jaguar XJ220 giving the company and the customers headaches in more ways than one.
In 1991, the company constructed a new £4 million factory at Wykham Mill, Bloxham, for the single purpose of building the XJ220, the plant being opened by the late Princess Diana. But, in order to comply with a variety of road legislation, engineering requirements resulted in significant changes to the specification of the XJ220, most notably replacement of the Jaguar V12 engine by a turbocharged V6 engine.This downgraded engine made that desirable rocket car more run-of-the-mill, and many pulled back their deposits.
At the same time the economy collapsed and when the first production cars left the factory in 1992, many of the original potential buyers who had put down their hefty deposits found that they couldn't afford it, and wanted their money back. Many of them cited the fact that the four wheel drive, V12 had been downgraded to a two wheel drive, V6, and thus they weren't getting what they paid for. The result was that Jaguar went so far as to take their customers to court, and forced them to buy a car they no longer wanted, the problem being exacerbated by the fact that in 1993, the McLaren F1 took the title of world's fastest production car, was available with the V12 and all things it promised, and was much smaller and more manageable than the bulky XJ220.
A total of just 275 cars were produced by the time production ended, 22 of their LHD models never being sold, each with a retail price of £470,000 in 1992, probably one of the biggest automotive flops in motoring history, right up there with the DeLorean and the Edsel. But this would later be advantageous for many, as this pedigree 'worlds-fastest-car' machine would go in later years for a much lower price. £150,000 mind you, but it's a lot better buying the one's that weren't sold at this reduced price, than at the initial asking price back in 1992. Therefore buyers were able to procure themselves a first-hand XJ220, for half the price, a representative saving of nearly £250,000.
Today the XJ220's are rare beasts indeed, rarely coming out to play due largely to their expensive upkeep, heavy fuel consumption and sheer size. But keep your eyes open in some of the more affluent neighbourhoods, be they Dubai, Beverley Hills, or the South of France, and chances are you'll be able to find one.
The weekend of September 21/22 saw Quicksilver celebrate 20 years of operation with a rally and running day at Ashfordly Hall. Two vehicles were unveiled at that event, the first being this brand new Scania K410 with a Higer Touring body, YT69 YDU. This is a resin bodyshell by Paragon to fit the chassis and interior of the Oxford Diecast Irizar PB.
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The Ghibli name was resurrected in 1992 with the release of the Ghibli II (Tipo 336). The Ghibli II appeared with updatedMaserati Biturbo engines: a 2.0 litre V6, with the highest output, for the Italian and European markets and a 2.8 litre V6 for other countries, operated via a six-speed manual transmission (early 2.8 cars have a 5 speed manual) or 4 speed automatic. The two-door, four-seater coupé was similar in appearance to Maserati Shamal, as both were an evolution of the previous Biturbo coupe. The Ghibli shows its Biturbo heritage in the doors, interior, and basic bodyshell, which were carried over from the Biturbo.
In 1994, the car was revised. A refreshed interior, new wheels, a fully adjustable electronic suspension and ABS brakes were added. Another round of improvements resulted in the Ghibli GT in 1996. It was fitted with spoked alloy 17" wheels, and had suspension and transmission modifications.
The coupe was built for luxury as well as performance. The car featured a Connolly Leather interior with burl elm trim.
The final year of production for the Ghibli II was 1997. It was replaced in the Maserati lineup by the 3200 GT the following year.
Several special edition models were produced by Maserati. The first was the Ghibli KS (Kit Sportivo), followed by the race version Ghibli Open Cup which featured improved power through roller-bearing turbos, a freer-flowing exhaust, and remapped fuel computers. The Cup also featured a toned-down carbon fiber-trimmed interior with aluminum pedals and a MOMO steering wheel, and the drivetrain included tweaked suspension and Brembo brakes. To celebrate the world speed record on water, Maserati made a further 60 special edition Ghiblis called the Ghibli Primatist, featuring bright blue paintwork and blue / turquoise leather.
At the time the Ghibli Cup had the highest ever per litre power output of any street legal car, surpassing the Bugatti EB110, andJaguar XJ220.
The racing version Ghibli Open Cup is highly sought after by collectors today. In 1996, the car received a modification upgrade, resulting in similar track times to those of the Ferrari 355 Challenge. After the end of the 1995 racing season, several of the original 23 cars were used in national GT events.
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(Wikipedia)
Completing the line-up of soft-top Porsche 911s, the Speedster revived a charismatic model from Porsche's past when it arrived in 1989, the name previously having been applied to that most stylish of the many Type 356 variants. Based on the 911 Turbo Cabriolet, though normally aspirated, the 3,2-litre Speedster was launched immediately prior to the introduction of the new Type 964 bodyshell, and thus was the last 911 model to feature the old style body based on the original design of 1963.
The latter was reworked by chief stylist Tony Lapine, incorporating numerous references to the original 356 Speedster as well as a pair of controversial 'camel hump' cowlings behind the seats that concealed the stowed-away manual hood, a simplified affair described by the factory as for 'temporary' use. One of the rarest of the 911 family, the Speedster was built during 1989 only, a mere 2.065 cars being completed.
This 'triple black' Porsche 911 Speedster was delivered new to the late Donald Simpson in November 1989 in Los Angeles and registered there in his name. Born in 1946, Don Simpson was a legendary Hollywood film producer, whose box-office successes included 'Cannonball', 'Flashdance', 'Beverly Hills Cop', 'Top Gun', 'Bad Boys', etc. Simpson was a die-hard Porsche aficionado, and reputedly one of the first to take delivery of a 911 Speedster. This car's custom audio system is said to have been installed at his instigation, while other noteworthy features include the factory options of a short gear lever; electrically height-adjustable seats; cruise control; air-conditioning; and a storage compartment behind the seats, the latter a rare fitting. Following Don Simpson's death, the Porsche was sold to Keith Melton, prominent author of more than 25 non-fiction works including 'The Ultimate Spy Book', and was registered in his name in Florida in December 1997.
Purchased by the current owner in 2013, the car has since formed part of a select collection of 'special black Porsches' in Holland. A matching-numbers, matching-colours example, it appears accident-free and undamaged, and is believed never to have been repainted. The current odometer reading is circa 19.900 miles (approximately 32.000 km) and the Speedster is presented in highly original and generally excellent condition.
The car comes with its original pouch containing instruction books and the service booklet, while accompanying documentation consists of a Carfax recording the mileage at various dates; Porsche Geburtsurkunde listing the factory specification; taxation report (September 2016) confirming the car's originality; invoices in the names of both Don Simpson and the current owner; and current Dutch registration papers.
Les Grandes Marques du Monde au Grand Palais
Bonhams
Sold for € 287.500
Estimated : € 275.000 - 475.000
Parijs - Paris
Frankrijk - France
February 2017
Coachwork by Chapron
Just as it had done 21 years previously with the revolutionary 'Traction Avant', Citroën stunned the world again in 1955 with the launch of the strikingly styled 'DS'. Beneath the shark-like newcomer's aerodynamically efficient, low-drag bodyshell there was all-independent, self-levelling, hydro-pneumatic suspension; plus power-operated brakes, clutch and steering. No European car would match the DS's ride quality for several years, the fundamental soundness of Citroën's ahead-of-its-time hydro-pneumatic suspension being demonstrated by its survival in present-day top-of-the-range models. The DS's original 1,911cc, overhead-valve, long-stroke engine was replaced in 1966 by a short-stroke 1,985cc unit, also available in 2,175cc and 2,347cc capacities, while other DS developments included a restyled front end, swivelling headlights, fuel injection, and a five-speed gearbox.
Other models offered alongside the original DS were the ID (a simplified, cheaper version), the cavernous Safari estate, and the two-door Décapotable (convertible), the latter boasting coachwork by Henri Chapron. (Chapron's first convertibles had been produced independently of Citroën, but the factory eventually gave the project its blessing). Despite a much-reduced demand for bespoke coachwork after WW2, Chapron survived thanks to his exemplary creations for Delahaye, Talbot and Salmson, switching to offering bespoke versions of unitary construction models when motor manufacturers began to abandon the traditional separate chassis frame. The arrival of the Citroën DS in 1955 presented Chapron with a fresh opportunity that would result in his name being forever linked with this remarkable car.
Citroën's own Décapotables were built on the longer, stronger chassis of the ID Break (Estate) but the model was never produced in England, where Citroën's right-hand drive cars were assembled at its Slough factory up to 1966. In total, 1,365 usine (factory) convertibles were made with either the DS19 or DS21 engine between 1960 and 1971, while Chapron built a further 389 of his own, the last in 1973.
Built in 1964, this DS 19 Décapotable has the original-style front end predating the revised version introduced in 1967. A semi-automatic transmission model, the car was delivered new in Lyon, France and remained with its original owner until 1971. The second owner, a resident of the Loire region in France, kept the DS until 1999 when it passed to the current (third) owner in Holland. Between 1999 and 2002, the car was completely restored in Holland, including an interior re-trim and renewal of the electrics, with complete overhauls of the engine and transmission being carried out in 2015. Invoices relating to the 2015 overhauls are on file, and the DS also comes with its original first-owner and second-owner French Cartes Grises. The car is currently registered in the Netherlands and has a valid technical inspection.
The Zoute Sale
Bonhams
Sold for € 181.700
Estimated : € 135.000 - 175.000
Zoute Grand Prix 2016
Knokke - Belgium
Oktober 2016
Porsche 996 GT3 RS
The 996 platform was used as the basis for two lightweight GT variants called GT2 and GT3. The GT3 was based on the standard 996 Carrera, but was stripped of a great deal of equipment for weight savings, featured stiffer, adjustable suspension and upgraded brakes, and used the bodyshell of the four-wheel-drive version, which incorporated additional front-end stiffening. It was produced in two versions. The first, commonly referred to as the Mk.I GT3, was released in 1999 in all markets, save North America. It featured a naturally aspirated version 3.6L flat six making 360 bhp (270 kW). This engine was shared with the 996 Turbo and was a derivative of the Le Mans winning engine developed for the 911 GT1. The Mk.II GT3 variant was based on the second generation of the 996, and featured updated aerodynamics, and a more powerful version of the 3.6L engine from the MK.I, now producing 380 bhp (280 kW). The Mk.II was the first GT3 marketed in the North America. In a 2004 testing of the Mk.II GT3, the car accelerated 0-60 mph in 4.0 seconds, and produced 1.03 g on the skidpad, the second highest number ever recorded by a street legal automobile.
Source Wikipedia
Ford Squire 100E (1955-59) Engine 1172 cc S4 SV
Production 17,812
Registration Number 271 NPU
FORD (UK) SET
www.flickr.com/photos/45676495@N05/sets/72157623665118181...
The Ford Anglia and Prefect 100E were both launched in 1954 along with a 5cwt van, a few of which had been converted by Utilecon to small Estates. Ford's official reaction came in 1956 with the launch of two such Estates both mechanically identical. The Escort and the Squire.
The Escort have the Anglia grille, seats and windows, while the Squire has the Prefect grille seats and windows and adds the upmarket wood strakes on their sides, until 1957, later Squires were lacked panel adornments.
The Squire is a two door Estate car related to the Ford Prefect 100E four-door saloon, sharing the same 1,172 cc (71.5 cu in) Ford Sidevalve 36 bhp engine. It was substantially shorter than both the Prefect and the closely related Ford Anglia 100E two-door saloon. It used the short front doors of the four-door model because the bodyshell was optimized for use as the Ford Thames 300E panel van. The rear door was in two pieces split horizontally. The rear seat could be folded flat to convert from a four-seater to a load carrier
The British Motor magazine tested a Squire in 1955 recording a top speed of 69.9 mph (112.5 km/h) and acceleration from 0-50 mph (80 km/h) in 20.2 seconds and a fuel consumption of 35.7 miles per imperial gallon. The test car which had the optional heater cost £668 including taxes
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Shot at Smallwood Steam Rally 26:05:2013 30:09:2012 Ref: 92a-337
Austin Allegro 2 1300SDL (1975-79) Engine 1275cc S5 BMC A Series
Registration Number FHA 671 T
AUSTIN SET
www.flickr.com/photos/45676495@N05/sets/72157623759808208...
The Allegro (ADO67) was designed as a replacement for the 1100 - 1300 models, designed by Sir Alec Issigonis the new car was launched in 1973. The Allegro used front-wheel drive, using the familiar A-Series engine with a sump-mounted transmission. The higher-specification models used the SOHC E-Series engine (from the Maxi), in 1500 cc and 1750 cc displacements. The two-box saloon bodyshell was suspended using the new Hydragas system (derived from the previous Hydrolastic system used on the 1100/1300). Stylistically the car bucked the trend of the 1970's sharp edge look in favour of a rounded bodyshell Early Allegro models featured a "quartic" steering wheel, which was rectangular with rounded sides. This was touted as allowing extra room between the base of the steering wheel and the driver's legs. The quartic wheel did not take off, and was dropped in 1974
The updated Allegro 2 was launched at the 1975 London Motorshow the Allegro 2 had the same bodyshells but featured a new grille, reversing lights on most models and some interior changes to increase rear seat room, Changes were also made to the suspension, braking, engine mounts and drive shafts.
The Allegro received its second major update, launched as the Allegro 3 at the end of 1979. The refreshed car used an "A-Plus" version of the 1.0 litre A-Series engine (developed for the forthcoming new Metro), and featured some cosmetic alterations in an attempt to keep the momentum going, but by then the Allegro was outdated and the Metro was due on stream in 1980. By 1980 the Allegro failed to dent the he top 10 best selling new cars in Britain, a table it had topped a decade earlier, though BL were represented by the fast selling Metro and the Triumph Acclaim. The Vanden Plas models were rebranded as the 1.5 and the 1.7, the 1.5 having a twin carburettor 1500 cc engine and a manual gearbox, while the 1.7 had a single carburettor 1750cc engine and an automatic gearbox. Some models of Allegro 3 (the early HL and later HLS models) were equipped with four round headlights, rather than the more usual two rectangular ones. The final Allegro was built in March 1982 with its successor the Austin Maestro going into production December 1982..
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Shot at the Catton Hall Transport Show, 5:5:2014 Ref: 98-039
W111
2.192 cc
120 PS
2.729 ex.
Bonhams : the Zoute Sale
Sold for € 103.500
Zoute Grand Prix 2017
Knokke - Zoute
België - Belgium
October 2017
'In the design of the 220 SE coupé, practical considerations have sometimes been given up for better looks, but the car gives passengers as well as the driver a fine feeling of safety, based in fact on first-class road-holding, excellent brakes and precise steering, not to mention the extreme comfort of the wide, well-upholstered individual front seats.' – Car & Driver.
Mercedes-Benz debuted four new models at the Frankfurt Show in 1959 - the 220 SEb among them - all of which shared the same basic unitary-construction bodyshell and all-round independent suspension. Longer than their predecessors, these elegant newcomers featured a wider radiator shell, wrap-around windscreen, wider rear window, and vertically positioned twin headlamps. The new 220 SEb retained the fuel-injected, single-overhead-camshaft engine of the previous 220 SE, though maximum power of the 2,195cc six was increased by five horsepower to 120bhp (DIN). Top speed was now 107mph (170km/h) with 60mph (97km/h) attainable in under 14 seconds. Coupé and Cabriolet models appeared in 1960 and 1961 respectively, minus the already dated-looking tail fins of the saloon. More modern in style, the luxurious 220 SEb Coupé and Cabriolet were better appointed too, being equipped as standard with a rev counter and leather upholstery, while four-speed automatic transmission with floor-mounted gearchange lever was avaiable as an option. Front disc brakes were fitted from the start of production, a benefit not enjoyed by the 220 SEb saloon until 1962. By the time production ceased in October 1965, fewer than 17,000 220 SEb Coupé and Cabriolet models had been manufactured, and today these stylish and luxuriously equipped Grand Tourers are highly prized.
Delivered new via the Mercedes-Benz sales organisation in Switzerland on 29th May 1963, this 220SEb Cabriolet has been in the vendor's private collection since 1999. We are advised that the previous owner's widow stated that her husband was the sole owner in Switzerland, but here are no documents surviving from this stage of the car's life.
Since 1999, restoration and maintenance have been documented by invoices and photographs. Having commenced in 2003, restoration of the bodywork was completed in 2009 using original Mercedes-Benz panels as far as possible, while any unobtainable panels were made by hand (no off-the-shelf panels were used). The car was then repainted in the original colour (DB 190 graphite grey) with subsequent cavity sealing. These works are documented by numerous photographs in addition to the invoices. The mechanicals were fully tested and, where necessary, reconditioned; since then, only regular maintenance has proved necessary as no repairs have been needed. A list of the works carried out is available on request.
The bumpers and sill trim strips were newly chromium-plated during the restoration; the remaining trim is described by the vendor as in a good-to-very-good original condition. The red leather upholstery is still largely original as are the nicely patinated door panels and carpets. All wood trim was re-veneered, and the interior also features a period-correct Blaupunkt Frankfurt radio with MP3 adapter and Hirschmann electric antenna. The rebuilt convertible hood is made of original-specification 'Sunland' fabric with horsehair padding, while the tonneau cover is new (shrunken original with car). An original power steering system as well as the obligatory hazard-warning flasher has been retrofitted. The wheels are shod with new Vredestein Sprint Classic tyres (185/80 R14) and the battery likewise is new. In March 2017, a cosmetic and mechanical overhaul of the engine ancillaries was carried out, though no repairs were found necessary. Driven regularly and ready to enjoy, this elegant Mercedes-Benz soft-top is offered with copy data card, German 'Historic' registration papers, and TüV.
The very sad sight of the body of 76056 dumped at Reddish depot. This was just over a year after the Woodhead line closed. On my visit there similar bodyshells littered around the place along with rows of withdrawn examples still on their bogies.
The need to have this vehicle in service quickly has led to it receiving Quicksilver vinyls on the livery in which it was purchased, a very pale non-metallic silver that some people would call white! SJI 5861 is a Leyland Tiger/Duple 340, a resin bodyshell hand-cast by a friend and based on a converted Pirate Duple 320.
The 1956 Chevrolet was the middle year of what has come to be known as the 'tri-fives', as such, it was the first refresh of the 1955 bodyshell. Notably the radiator grille was now leaned forward at the top, producing a longer hood (bonnet) profile.
Models were again arranged 150, 210 and Bel Air. The Bel Air Convertible shown here matched the only ope-top bodystyle with top-specification trim. The car shared a long arc chrome strip with the 210 model, which drooped at the tail and split the body in models with two-tone paint. The roof was paired to the upper bodysides (behind a vertical chromed trim feature half way along the car), along with the trunk, while the hood matched the upper bodyside, ahead of the vertical split (just behind the front door), along with the painted surface under the horizontal arc.
A range of six and vee-eight engines were available, the V8 was a 265 CID (4.3 L) rated at 170 bhp (127 kW), 210 bhp (157 kW) or 225 bhp (168 kW) depending on the carburetor configuration. Power was to jump considerable the following year with the introduction of the 283 CID (4.6 L ) small block.
Other GM divisions, picked up new bodies for 1957, with the exception of Chevrolet and Pontiac. The 1957 was a hasty refresh of the 1955/56, the top Bel Air trim becoming one of the most famous and sought after Chevrolet models.
Sold for £ 5.500
The Jaguar Land-Rover Collection
Brightwells Auctions
Bicester Heritage
Buckingham Road
Bicester
Oxfordshire
England
March 2018
The Austin/Morris 1100 range was an instant hit. Its Pininfarina styling was very up-to-the-minute and its clever Hydrolastic suspension made it ride even better than its sophisticated European competition. Issigonis had another hit on his hands.
So impressed was Fred Connolly (owner of the famous leather firm) with the ride and comfort of the humble 1100 that he approached Vanden Plas (one of his main customers) with the idea of introducing a limousine in miniature - based on the 1100.
The idea was enthusiastically embraced and the new model launched at the 1963 Earls Court Motorshow. Eventually nearly 40.000 Princess 1100/1300s were to be produced, initially from Longbridge, but latterly from Vanden Plas themselves where they took an MG bodyshell complete with twin carb 55bhp engine and painted, coach-lined and trimmed the car to their normal high standard. Complete with full Connolly leather interior, lashings of burr walnut to the dash and doors, picnic tables and the oversized Vanden Plas grille at the front, the recipe was complete.
This stunning 1968 model comes to us with only a current V5C in the way of paperwork. An MOT check shows it was last tested in 2012, so it will no doubt need some careful servicing before venturing forth once more, having covered barely 30 miles since then.
A quick look at the car confirms that its indicated mileage of just 16.873 is very likely to be correct, although as we don’t know for sure, it is only guesswork based on its condition.
We have not attempted to start it since it has been on-site, a job which its lucky new owner can look forward to when they get it home.
With top examples heading east to Japan where they can't get enough of these clever little limousines, prices have sky-rocketed of late, but you never know, it's offered a no reserve so there’s always that chance.
In 1970 a new Taunus, the Taunus Cortina (TC), was introduced, as a two- or four-door sedan, station wagon (or Turnier) and coupé. It was very similar to the British Ford Cortina Mk III but without the "coke bottle" belt line. Also, the Taunus was available as a coupe, a bodystyle that the Cortina was never made in.
Both cars were developed under the auspices of Ford of Europe, and most major components including key parts of the bodyshell were identical. From 1976 Taunus and Cortina models were identical in all but name, 'Taunus' being the name used in left hand drive (LHD) markets, and 'Cortina' in right hand drive ones, although the Cortina name was used in LHD South Korea and Taiwan. The Mk III was also sold in Scandinavia, alongside the Taunus.
The Ford Taunus TC series was conceived in the late 1960s to be a "world car" alongside its technical sibling the Cortina Mk III, with construction and design work taking place on both sides of the Atlantic. As with the design of the first generation, it was done under the supervision of Semon "Bunkie" Knudsen, of former General Motors fame. The car is often nicknamed "Barock 2" (pointing back to the Taunus P2 series of the late 1950s, commonly known as the "Barock-Taunus") or "The Knudsen Nose" by its German owners because of the pointy hood scoop that, as the legend has it, was put there on direct order from Knudsen. Otherwise the major design work is rumoured to have been done by German car designer Luigi Colani, who also did design concepts for BMW's motorcycle division in the late 1970s.
(Wikipedia)
- - -
Der Ford Taunus TC ist ein Pkw der Mittelklasse von Ford, der von Herbst 1970 bis Mitte 1982 gebaut wurde. Die Schwestermodelle des englischen Ford Cortina MK III (daher auch die Bezeichnung „TC“) haben Vierzylinder-Reihenmotoren oder Sechszylinder-V-Motoren und Hinterradantrieb. Sie sind Nachfolger der Ford 12m und 15m (P6), die mit Frontantrieb (P6) und V-4-Motoren technisch anders ausgeführt waren.
(Wikipedia)
In 1970 a new Taunus, the Taunus Cortina (TC), was introduced, as a two- or four-door sedan, station wagon (or Turnier) and coupé. It was very similar to the British Ford Cortina Mk III but without the "coke bottle" belt line. Also, the Taunus was available as a coupe, a bodystyle that the Cortina was never made in.
Both cars were developed under the auspices of Ford of Europe, and most major components including key parts of the bodyshell were identical. From 1976 Taunus and Cortina models were identical in all but name, 'Taunus' being the name used in left hand drive (LHD) markets, and 'Cortina' in right hand drive ones, although the Cortina name was used in LHD South Korea and Taiwan. The Mk III was also sold in Scandinavia, alongside the Taunus.
The Ford Taunus TC series was conceived in the late 1960s to be a "world car" alongside its technical sibling the Cortina Mk III, with construction and design work taking place on both sides of the Atlantic. As with the design of the first generation, it was done under the supervision of Semon "Bunkie" Knudsen, of former General Motors fame. The car is often nicknamed "Barock 2" (pointing back to the Taunus P2 series of the late 1950s, commonly known as the "Barock-Taunus") or "The Knudsen Nose" by its German owners because of the pointy hood scoop that, as the legend has it, was put there on direct order from Knudsen. Otherwise the major design work is rumoured to have been done by German car designer Luigi Colani, who also did design concepts for BMW's motorcycle division in the late 1970s.
(Wikipedia)
- - -
Der Ford Taunus TC ist ein Pkw der Mittelklasse von Ford, der von Herbst 1970 bis Mitte 1982 gebaut wurde. Die Schwestermodelle des englischen Ford Cortina MK III (daher auch die Bezeichnung „TC“) haben Vierzylinder-Reihenmotoren oder Sechszylinder-V-Motoren und Hinterradantrieb. Sie sind Nachfolger der Ford 12m und 15m (P6), die mit Frontantrieb (P6) und V-4-Motoren technisch anders ausgeführt waren.
(Wikipedia)
Moving about Wansford is British Rail Class 46 Peak, D182 (46045).
The Class 46 was derived largely from the previous Class 45, sharing the same bodyshell and same Sulzer 12LDA28-B engine, but differed in the fitment of a Brush generator and traction motors, in place of the Crompton Parkinson equipment fitted to the Class 45. Along with the other Sulzer class 44 and 45 designs they are often referred to as "Peaks", so named because the earliest of the Class 44 were named after mountains.
They were built from 1961-1963 at British Railways' Derby Works and were initially numbered D138-D193, with 56 locomotives built.
Despite intermittent use on freight trains, Class 46s were regular performers on passenger turns, particularly North East-South West, Trans-Pennine and secondary North East-London trains, and depot allocations reflected this with locos at Gateshead, Cardiff and Plymouth in 1977 giving a typical spread. Freight workings were also quite often worked over long distances, particularly "clay hoods" carrying china clay from Cornwall to the area around Stoke-on-Trent.
In the 1980s the remaining locomotives were concentrated at Gateshead depot, and the final booked passenger workings for the class were the dated summer Saturday services Bradford - Weymouth (between Bradford and Birmingham New Street), Newcastle - Plymouth, Newcastle - Blackpool North, and York - Blackpool North.
By the early 1980's however, the locomotives were starting to look their age, and performance wise they were largely displaced by the much more efficient and flexible Class 43 HST sets which had been introduced on Cross-Country services from 1982. The last operations by Class 46's were made in 1984, after which a majority of the engines were scrapped.
However, one locomotive found itself being put on a suicide mission. On July 17th, 1984, 46009, hauling three Mark 1 coaches, was deliberately crashed into a "Flatrol" wagon loaded with a nuclear waste flask and lying on its side. The train was travelling at about 100 mph on the Old Dalby Test Track in a test organised by the CEGB. The test was intended to demonstrate to the public that there would be no leak of radioactive material in the event of a rail accident involving a train carrying a nuclear waste flask. As you can imagine, smashing the locomotive into a solid metal box designed to withstand nuclear radiation pretty much destroyed the locomotive, and the engine was scrapped on site by Vic Berry of Leicester.
Today, three of these locomotives have been preserved at heritage railways across the network, these being 46010 at the Great Central Railway; 46035 Ixion; and D182 (46045) at Midland Railway - Butterley.
Porsche 997
n° 208 of 356
Chassis n° WP0CB2A93BS795617
Bonhams : The Autumn Sale 2020
Estimated : € 220.000 - 250.000
Unsold
Autoworld
Brussels - Belgium
September 2020
With the introduction of the first 911 Speedster in January 1989, Porsche revived a charismatic model from its past, the name previously having been applied to that most stylish of the many Type 356 variants. Originally conceived as a basic, no frills, entry level version of the 356, the Speedster would later evolve into one of the most lavishly equipped, exclusive, and expensive models in the Porsche range.
Based on the 911 Turbo Cabriolet, though normally aspirated, '89 Speedster was launched immediately prior to the introduction of the new Type 964 bodyshell and thus was the last 911 model to feature the 'old style' body. The latter was reworked by chief stylist Tony Lapine, incorporating numerous references to the original 356 Speedster as well as a pair of controversial 'camel hump' cowlings behind the seats that concealed the stowed-away manual hood.
Following the Type 964's introduction in August 1989, it took Porsche a couple of years to reintroduce the Speedster to the 911 line-up, the Type 964 version being announced in October 1992. Based on the Carrera 2, it looked very like its immediate predecessor but unlike the latter was not initially available with the wide 'Turbo-Look' body style. With the Type 993's introduction in 1994, the Speedster once again disappeared from the 911 catalogue, only to be revived a few years later as part of Porsche's 'Exclusive' programme of strictly limited edition models.
This policy of offering the Speedster via the Exclusive programme continued on the succeeding Type 996 and Type 997 iterations of the 911, the latter arriving in 2005. As an homage to the first Porsche Speedster of 1954, it was announced that only 356 would be built. This new Speedster featured the wide body of the Carrera 4S Cabriolet but was rear-drive only, being powered by the 402bhp engine of the Sport Classic. Porsche's PDK seven-speed dual-clutch automatic was the only available transmission. Porsche claimed a top speed of 305km/h (190mph) and a 0-100km/h (0-62mph) time of 4.4 seconds, making the Type 997 Speedster one of the world's fastest convertibles.
The Speedster's signature double-bubble hood cover was retained for the Type 997, while the wide Fuchs-style wheels and front/rear bumpers and valances were other Sport Classic carry-overs. There was leather in great abundance in the interior, with even the smallest details trimmed in that material, while Porsche claimed that, once familiar with the procedure, the owner could deploy the hood in under two minutes. Despite shedding various components and adding aluminium doors and carbon brakes, the Speedster ended up weighing almost exactly the same as the C2S Cabriolet, thanks to its wide body and generous level of equipment. "The result is that it drives very much as you'd expect, offering flashing performance, admirable body rigidity and superb steering, chassis balance and poise," declared Autocar.
The Speedster offered here was built for the North American market and delivered new to Quebec, Canada, remaining there for some five years before returning to Germany in 2016. Subsequently converted to European specification, the Porsche is currently registered in Germany where it has had only one owner. Finished in white with black leather interior, this exceptional Speedster has covered only 3,174 kilometres from new and is presented in commensurately superb condition. Accompanying documentation includes sundry bills; a summary of its Canadian history; German registration papers; and a Vehicle Inspection Report rating the car as excellent in all areas.
Depending on their country of residence, prospective purchasers should consult with the local registration authorities regarding the registration of this vehicle or speak to a Bonhams specialist for further advice.
Please be advised that due to the limited number of kilometres recorded on the odometer, this Lot may incur VAT liability upon registration in the EU. The VAT payable will be the rate prevailing in the country of registration.
Bonhams : the Zoute Sale
Estimated : € 70.000 - 90.000
Sold for € 55.200
Zoute Grand Prix 2018
Knokke - Zoute
België - Belgium
October 2018
'There are few who would argue - we included - that the 500 SL is one of the world's finest luxury sports cars; beautifully styled and superbly engineered. Its engine an automatic transmission set extremely high standards in terms of smoothness and refinement while in most conditions its handling and roadholding are of the highest order.' - Motor.
Introduced alongside the outwardly similar 380 SL roadster and SLC coupé models at the Geneva Salon in March 1980, the 500 SL and 500 SLC retained the Type 107 bodyshell first introduced in 1971/72 in virtually unchanged form, the most noticeable difference being the addition of a front spoiler. Built on a longer wheelbase, the coupé models accommodated two rear seat passengers and provided greater boot space than their open-topped siblings. The running gear followed Mercedes-Benz's established pattern, comprising all-independent suspension and four-wheel disc brakes, while a new four-speed automatic transmission was standard equipment.
The 500 SL and 500 SLC featured the all-alloy 4,973cc overhead-camshaft V8 engine that had debuted in the 450 SLC 5.0 of 1977. Lighter, more powerful and less thirsty than the old 4.5-litre iron-block V8, the 5.0-litre produced 240bhp at 5,000rpm, an output sufficient to propel the luxuriously equipped yet lightweight 500 SL/SLC to 225km/h. With approximately the same amount of power on tap as the legendary 300 SL sports car, the 500 SL/SLC was both lighter and slightly quicker off the mark, though a little down on top speed when compared to its illustrious cousin.
Although shorter in the wheelbase than the superseded 450, the newcomers retained their predecessors' successful and long-established body style, which now featured aerodynamic spoilers at front and rear. The running gear too remained unchanged in essence, though improvements were made to the all-independent suspension and to the brakes, which gained larger pads and anti-lock as an option. As on the smaller models, four-speed automatic transmission was standard. The previous auto 'box had disappointed some, but Motor magazine found the new version 'equal in the smoothness of its changes to anything achieved by Rolls-Royce or Chrysler in America'. Depending on the destination market, the inventory of standard equipment included central locking, electric windows, cruise control, headlamp wash/wipe, power steering, a limited-slip differential, and alloy wheels. The 500 SL/SLC was not officially sold in the USA, though that did not stop would-be owners importing them privately. In 1989, after 17 years in production, the elegant Type 107 family was retired to the enduring regret of many Mercedes-Benz enthusiasts.
Presented in outstandingly original condition – down to the smallest detail - this 107-series Mercedes-Benz 500 SL retains matching numbers and matching colours, and has the very desirable factory-optional rear seat (code 565). The car was registered in Berlin in January 1989 by its first owner, and remained in Berlin until 1990 when it travelled to Monaco, staying there for 27 years. It is currently in the hands of its third owner, who purchased the car in 2017, and has covered only 25,710 kilometres from new, as verified by the accompanying service records. Services have been carried out as follows:
- 1,132 km: 16/5/89
- 6,173 km: 4/3/92
- 7,506 km: 26/7/93
- 10,556 km: 5/2/97
- 16,745 km: 28/1/03
- 17,855 km: 11/2/05
- 17,855 km: 23/6/06
- 21,307 km: 7/4/09
- 23,424 km: 30/5/12
- 24,516 km: 8/6/15
- 24,642 km: 8/9/15
- 25,300 km: 19/4/17
This beautiful 500 SL has retained its full documentation: the sales brochure; original upholstery brochure; original datacard; user handbook, original service handbook; and other Mercedes-Benz paperwork. It also has its three keys and its full and original tool kit. Factory options include a hardtop in body colour with heated rear screen; front heated seats; graduated tinted windscreen; alloy wheels; air conditioning; central locking; electric windows; and the aforementioned rear seats (full specification listing available). It also comes with the fully lined factory hardtop that makes this SL usable no matter what the weather.
Recent maintenance has included new suspension silent block buses, cradles, and tie rods; brake pads; tyres (x4); cylinder head gaskets; ancillary drive belts; distributor cap; battery; air conditioning recharge; and airbag diagnosis (OK). This car also benefits from a transferable warranty (parts and labour, valid until February 2019) issued by a Mercedes-Benz Classic dealer located in Paris. Finished in its original colour combination of Arctic White with blue leather interior, this beautiful 500 SL is worthy of the closest inspection.
God, if you'd put in a deposit for one of these back when this was proposed, you would have been jibbed in more ways than one! This really was the dream car that turned into an absolute nightmare!
The proposal for the Jaguar XJ220 seemed to come right out of nowhere. In 1986 the company was sold to Ford after ownership under British Leyland, and was producing a selection of strange luxury motors including the XJS and the XJ, which, although were very good and highly luxury machines, weren't exactly setting the world on fire.
But racing had been put forward to the company before, and racing team owner Tom Walkinshaw encouraged Jaguar to put one of their XJS's into the 1981 European Touring Car Championship, in which they succeeded in winning the competition in 1984. Jaguar had started to provide factory support to racing team Group 44 Racing, who were using the Jaguar-engined XJR-5 in the IMSA GT Championship, supplying V12 engines from 1983 onwards and supporting a Le Mans entry in 1984. Tom Walkinshaw and Jaguar agreed to entering the FIA Group C World Sportscar Championship and developed the XJR-6, which was powered by the Jaguar V12 engine; the car was launched during the 1985 season.
TWR took over the IMSA GT Championship operation in 1988 and one model – Jaguar XJR-9 – was launched to compete in both series. The XJR-9, which retained the Jaguar V12 engine, went on to win the 1988 24 Hours of Le Mans and World Sportscar Championship in the same year. The poor fuel consumption of the Jaguar V12 combined with new rules restricting refuelling during races forced the replacement of the V12 engine in the XJR-9s successors, the XJR-10 and XJR-11. The normally-aspirated Austin Rover V64V engine, designed for the MG Metro 6R4 had recently been made redundant thanks to the Group B rally ban in 1987, and the design rights were for sale. The compact, lightweight and fuel efficient nature of the small-displacement, turbocharged engine was investigated by TWR, who considered it an ideal basis for a new engine to power the XJR-10 and purchased the design rights from Austin Rover Group.
Jaguar and their Director of Engineering, Jim Randle, felt these racing cars were too far removed from the product available to the general public, especially with the rule changes that mandated the replacement of the Jaguar V12 engine in the forthcoming XJR-10 and XJR-11 racing cars. Therefore a project was initiated to design and build a car capable of winning Le Mans "in house", just as the Jaguar C-Type and D-Type had done. The groundwork for the project was undertaken by Randle over Christmas 1987, when he produced a 1:4 scale cardboard model of a potential Group B racing car.
The cardboard model was taken into the Jaguar styling studio and two mock-ups were produced. One was said to be reminiscent of the Porsche 956, the other took elements of the then current Jaguar XJ41 project and Malcolm Sayer's work on the stillborn Jaguar XJ13 racing car.
The project still had no official support, leaving Randle no option but to put together a team of volunteers to work evenings and weekends in their own time. The team came to be known as "The Saturday Club", and consisted of twelve volunteers. To justify the resources consumed by the project, the XJ220 needed to provide meaningful data to the engineers on handling, aerodynamics, particularly at high speeds, and aluminium structures. These requirements, together with FIA racing regulations and various government regulations governing car design and safety influenced the overall design and engineering direction of the car.
The FIA Group B regulations steered the concept towards a mid-engine, four-wheel drive layout, with a Jaguar V12 engine as the power source. The concept car was designed and built at very little cost to Jaguar, as Randle called in favours from component suppliers and engineering companies he and Jaguar had worked with in the past. In return he offered public recognition for their assistance and dangled the possibility of future contracts from Jaguar.
The name XJ220 was chosen as a continuation of the naming of the Jaguar XK120, which referred to the top speed of the model in miles per hour. The concept car had a targeted top speed of 220 mph so became the XJ220. The XK120, like the XJ220, was an aluminium-bodied sports car, and when launched was the fastest production car in the world.
Jaguar and engine designer Walter Hassan had previously created a 48-valve variant of their V12 engine specifically for motorsport use. It featured a double overhead camshaft layout with four valves per cylinder, compared with the single overhead camshaft and two valves per cylinder of the production engine, which was used in the Jaguar XJ and Jaguar XJS models at the time.
TWR and Cosworth had manufactured a number of these racing V12 engines during the 1980s and they had been raced competitively, with a 7-litre version of this engine featuring in the Le Mans winning Silk Cut Jaguar XJR-9. Five of these engines still existed, all of which were fitted with dry sump lubrication. These engines were chosen and considered to be especially useful as the dry sump would lower the vehicle's centre of gravity. The displacement of the V12 was set at 6.2L for the XJ220.
Jaguar had little experience with four-wheel drive systems at the time, having previously only produced rear-wheel drive cars. Randle approached Tony Rolt's company, FF Developments to design the transmission and four-wheel drive system for the XJ220, with Rolt's son Stuart running the project. Tony Rolt was the Technical Director of Ferguson Research, where he was heavily involved in the design of the four-wheel drive system used in the Jensen FF, the first sports car to be fitted with such a transmission. Tony Rolt also had a long involvement with Jaguar, winning the 1953 24 Hours of Le Mans with the factory works team driving the Jaguar C-Type.
The mid-engine complicated the design of the four-wheel drive system, and an innovative solution was needed to get drive from the rear of the engine to the front wheels. The chosen design took the front-wheel drive from the central differential on the rear transaxle and sent it through the V in the centre of the engine using a quill drive, before joining an inverted differential. The clutch was a twin-plate unit designed by AP Racing.
The design brief for the exterior restricted the use of aerodynamic aids, and aimed for a stylish yet functional body similar to the Jaguar D-Type. Drag and lift were limited at the envisioned ground clearance for road use, but the design allowed for additional downforce when the car was set up for racing; the body produced around 3,000 lb of downforce at 200 mph. The design was also intended to have a variable rear wing that folded into the bodywork at lower speeds. Aerodynamic work was undertaken at the Motor Industry Research Association wind tunnel using a 1:4 scale model, as the project was unable to budget for a full-scale mock-up.
The bodywork for the concept car displayed in 1988 was hand built from aluminium by Park Sheet Metal, a specialist automotive engineering company that manufactures concept cars and low-volume, niche models for various manufacturers, including Bentley. QCR Coatings undertook final painting of the bodyshell in silver. The concept also featured electrically operated scissor doors and a transparent engine cover to show off the V12 engine.
The concept car had a Connolly Leather-trimmed interior produced by Callow & Maddox, and was fitted with front and rear heated windscreens, electric windows, air conditioning, heated electrically adjustable seats with an Alpine Electronics CD player. The dashboard was supplied by Veglia.
The concept car was completed in the early hours of 18 October 1988, the day it was due to be unveiled at the British International Motor Show, being held at the National Exhibition Centre, Birmingham.
Jaguar's marketing department had allocated space on their stand at the motor show for the XJ220, but had not seen the vehicle until its arrival. Jaguar chairman John Egan and Roger Putnam, who was in charge of Jaguar's racing activities, were shown the vehicle the week before the motor show and signed off on the concept, allowing its unveiling. The car received an overwhelmingly positive reception by public and press, and a number of wealthy Jaguar enthusiasts handed over blank cheques to secure a purchase option should the XJ220 concept go into production. Ferrari displayed their F40 model at the same event; an estimated 90,000 additional visitors came to see the Jaguar and Ferrari cars.
The XJ220 was not initially intended to be a production car, but, following the reception of the concept and financial interest from serious buyers, a feasibility study was carried out by teams from TWR and Jaguar. Its conclusion was that such a car would be technically feasible, and that it would be financially viable. The announcement of a limited production run of 220 to 350 cars came on 20 December 1989. The list price on 1 January 1990 was £290,000 exclusive of value added tax, options and delivery charges, but by 1992 that had increased considerably owing to indexation of contracts. The offer was four times oversubscribed, and deposits of £50,000 exclusive of Value Added Tax (VAT) were taken from around 1400 customers; first deliveries were planned for mid-1992.
What Jaguar didn't reckon on was that the 1990's were going to get off to a very bad start, with a good old fashioned recession to usher in the new decade. This, combined with the various downgrades that would have to follow to make the car road legal, would result in the Jaguar XJ220 giving the company and the customers headaches in more ways than one.
In 1991, the company constructed a new £4 million factory at Wykham Mill, Bloxham, for the single purpose of building the XJ220, the plant being opened by the late Princess Diana. But, in order to comply with a variety of road legislation, engineering requirements resulted in significant changes to the specification of the XJ220, most notably replacement of the Jaguar V12 engine by a turbocharged V6 engine.This downgraded engine made that desirable rocket car more run-of-the-mill, and many pulled back their deposits.
At the same time the economy collapsed and when the first production cars left the factory in 1992, many of the original potential buyers who had put down their hefty deposits found that they couldn't afford it, and wanted their money back. Many of them cited the fact that the four wheel drive, V12 had been downgraded to a two wheel drive, V6, and thus they weren't getting what they paid for. The result was that Jaguar went so far as to take their customers to court, and forced them to buy a car they no longer wanted, the problem being exacerbated by the fact that in 1993, the McLaren F1 took the title of world's fastest production car, was available with the V12 and all things it promised, and was much smaller and more manageable than the bulky XJ220.
A total of just 275 cars were produced by the time production ended, 22 of their LHD models never being sold, each with a retail price of £470,000 in 1992, probably one of the biggest automotive flops in motoring history, right up there with the DeLorean and the Edsel. But this would later be advantageous for many, as this pedigree 'worlds-fastest-car' machine would go in later years for a much lower price. £150,000 mind you, but it's a lot better buying the one's that weren't sold at this reduced price, than at the initial asking price back in 1992. Therefore buyers were able to procure themselves a first-hand XJ220, for half the price, a representative saving of nearly £250,000.
Today the XJ220's are rare beasts indeed, rarely coming out to play due largely to their expensive upkeep, heavy fuel consumption and sheer size. But keep your eyes open in some of the more affluent neighbourhoods, be they Dubai, Beverley Hills, or the South of France, and chances are you'll be able to find one.
Nº 39.
Ford Galaxie Taxi (Quebec, 1964).
Escala 1/43.
"Taxis del Mundo" - Altaya (España).
Ixo.
Año 2014.
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"El taxi Ford Galaxie 500 - GRANDE Y ESPACIOSO
En 1964, los Ford Fairlane y Galaxie eran los dos modelos de la marca ofrecidos a los taxistas con todo el equipamiento necesario. El Galaxie era un coche de enorme tamaño y conducción muy suave, por lo que era muy apropiado para el servicio de transporte de personas."
- See more at: www.planetadeagostini.es/colecciones-altaya/miniaturas/ta...
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Ford Galaxie
From Wikipedia, the free encyclopedia
"The Ford Galaxie was a full-size car built in the United States by the Ford Motor Company for model years 1959 through 1974. The name was used for the top models in Ford's full-size range from 1959 until 1961, in a marketing attempt to appeal to the excitement surrounding the Space Race. In 1962, all full-size Fords wore the Galaxie badge, with "500" and "500/XL" denoting the higher series. The Galaxie 500/LTD was introduced for 1965 followed by the Galaxie 500 7-Litre in 1966. The Galaxie 500 part was dropped from the LTD in 1966, and from the XL in 1967; however the basic series structuring levels were maintained. The "regular" Galaxie 500 continued below the LTD as Ford's mid-level full-size model from 1965 until its demise at the end of the 1974 model year.
The Galaxie was the high volume counterpart to the Chevrolet Impala. Some Galaxies were high-performance, racing specification machines, a larger forebear to the muscle car era. Others were plain family sedans."
(...)
Second generation 1960–1964.
"The 1960 Galaxie was all-new in style, abandoning the ostentatious ornamentation of the 1950s for a futuristic, sleek look. A new body style this year was the Starliner, featuring a huge, curving rear observation window on a pillarless, hardtop bodyshell. The formal roofed 2-door hardtop was not available this year, but the roofline was used for the Galaxie 2-door pillared sedan, complete with chromed window frames."
(...)
1961
"For 1961, the bodywork was redone again, although the underpinnings were the same as in 1960.
(...) the 1961 Galaxie offered a new 390 CID (6.4 L) version of Ford's FE series pushrod V8, which was available with either a four-barrel carburetor or, for serious performance, three two-barrel carburetors."
(...)
1962
"For 1962, the Galaxie name was applied to all of Ford's full size models, as the Fairlane moved to a new intermediate and Custom was temporarily retired. New top-line Galaxie 500 (two-door sedan and hardtop, four-door sedan and hardtop, and "Sunliner" convertible) models offered plusher interiors, more chrome trim outside, and a few additional luxury items over and above what was standard on the plainer Galaxie models. Base Galaxie models were available in two- and four-door sedans as well as the plain Ranch Wagon.
(...) The 292 cu in (4.8 l) V8 was standard on the 500/XL. The XL had as sportier trim inside and out as part of the package. "
(...)
1963
"For 1963, Ford saw no reason to radically change a good thing, and the 1963 model was essentially unchanged save for some freshening and added trim; windshields were reshaped and a four-door hardtop 500/XL was added."
(...)
1964
"Model year 1964 was the fourth and final year of this body style. Interior trim was much altered, and the exterior featured a more sculpted look which was actually designed to make the car more aerodynamic for NASCAR. The formal-roof "boxtop" style was replaced by a slanted-roof design for all non-wagon or convertible models, including sedans. Ford's quality control, spotty when the first Galaxie was introduced, was now as good as it ever was, and many 1964 Fords passed the 100,000-mile (160,000 km) mark intact. The 1964 models gained an enviable reputation as durable, comfortable cars that offered decent handling and road-ability at a reasonable price, so it is no wonder they sold so well."
(...)
1969 Ford Escort Twin Cam.
Registered in April 2002. Taxed but last MoT test expired in November 2015. H&H classic car auction, Buxton -
"Chassis Number: BB49JC39549
Engine Number: JC39549
Perhaps the most famous rally car in the world is another in the 'FEV' series - FEV 1H, the car that won the 1970 London-Mexico, the 16,000-mile 'toughest rally of all time', and which Ford still owns today. That was actually powered by the more lowly pushrod engine, but this, its Twin Cam sister, is also an important ex-Works car, with a long and interesting history. Licensed by the factory on October 1st 1969, and first used by the works on the 1970 Monte Carlo Rally with Hannu Mikkola and Gunnar Palm, it subsequently won the 1970 Circuit of Ireland with Roger Clark and Jim Porter, and later won the 1000 Lakes rally with Mikkola and Palm, the crew that had conquered that historic London-Mexico enduro. Mikkola reminisced of that white-knuckle drive in Finland: "The Escort was one for my tastes from the very first made. It was a pleasure to drive and a joy to jump with. Mind you, I did jump them like mad - it was good fun. In the Rouvesi region there was a stage where the road drops sharply, after a plateau. I'd always been braking to that spot, but decided to take it flat in the dark. The car took off and when it started coming down I vividly remember how the beams grew shorter and shorter - lastly I saw just six round, small spots of lights in the road. It bounced twice back into the air, and in the next corner we knocked down a stretch of fence with the Escort's rear corner, but somehow stayed on the road. At the stage finish the marshals were wondering why our faces were so white. I looked at Gunnar and promised I wouldn't overdo it again!"
"But what makes this car even more interesting is that it was effectively the first RS1600, as on that Circuit of Ireland win with Roger Clark, it ran with the potent new Ford-Cosworth BDA engine, in Group 6. The Belt-Drive type A was a far more effective powerplant than the Twin Cam, with more aggressive port and valve sizes, (it's a close relative of the FVA, which has been described as 'half a DFV'), and would happily run to 8500rpm. Historian and former rally manager Graham Robson, who made his first visit to Boreham in 1965 "and was in and out of the premises for the next 40 years", confirms: "It was absolutely THE first BDA-engined Works Escort to be built at Boreham, under the guidance of Bill Meade, the first to go rallying, and the first to win a rally". It became a Twin Cam again for that epic 1000 Lakes rally, and other events that season included the Austrian Alpine Rally (Jean-Francois Piot/3rd) and the Acropolis - (Jean Francois Piot/4th). By the TAP rally (Portugal) it ran with a BDA again as the RS1600 had been homologated, but did not get Roger Clark to the finish. For the Tour de Corse it was back to being a Twin Cam and finished sixth with Piot. It won its last event with Ford, the 1971 Midco Rally in Kenya with Roger Clark and Henry Liddon, and after that it was used in various East African events by various crews including Vic (Junior) Preston.
"Arch Escort collector Dave Watkins discovered the car in Preston's back yard in Kenya in 2000, and spent the next five years restoring it for historic rallies, which included building the car up in a new Gartrac bodyshell with current-spec rollcage. At first, he enlarged the existing Twin Cam engine to 1800cc, as per the Works cars, and later fitted a 2-litre BDA, mirroring the developments carried out by the Works on this car. Of course it boasts all the usual Works car type features, such as seam welded and strengthened shell, Atlas rear axle with five locating links and vertical dampers, disc brakes all round and a ZF five-speed gearbox. Left-hand drive like most of the Works cars, it sports the double-cowl Works dashboard with extra instruments, but now has a plumbed fire extinguisher system plus hand-held, as per current historic rally safety regulations. More recently the Escort has reverted to Twin Cam power, as per its debut specification, and, following appearances on the Goodwood Festival of Speed Rally Stage, driven once again by Hannu Mikkola, it is presented in the livery in which it took that memorable victory on the 1970 1000 Lakes.
"As a result of its extensive Works career not to mention Dave Watkins' restoration, the vendor is unsure whether the current incarnation of 'FEV 5H' has any material / 'concrete' link to the car that retired from the 1970 Monte Carlo Rally. Describing the Ford as being in "good" condition with regard to its engine, gearbox, electrical equipment, interior trim, bodywork and paintwork, he adds that it will be supplied with four used spotlamp covers and two new Perspex wind-up windows. The Escort is also accompanied by both a RAC MSA Historic Rally Vehicle Identity Form, which documents its engine changes, and a MSA Competition Car Log Book. In August 2008, the Ford AVO Owners' Club inspected and priced the modern day 'FEV 5H' at £85,000, pointing out that values "have been increasing quite considerably over recent years". This is an almost unrepeatable opportunity to acquire an important ex-Ford Works car with continuous history, which has the added advantage of being eligible for historic stage rallies.
"PLEASE NOTE: Since the catalogue went to press we have been unable to find any photographic or documentary evidence among this lot's accompanying paperwork to substantiate the claim that it was discovered in Kenya during 2000. Furthermore, there appear to be various gaps in the vehicle's timeline and as such the opinion that it possesses "continuous history" would seem to be based - at least in part - on unprovable hearsay and rumour."
Unsold.
The Mark I Ford Escort was introduced in the United Kingdom at the end of 1967, making its show debut at Brussels Motor Show in January 1968. It replaced the successful long running Anglia. The car was presented in continental Europe as a product of Ford's European operation. Escort production commenced at Halewood in England during the closing months of 1967, and for left hand drive markets during the autumn/fall of 1968 at the Ford plant in Genk. Initially the continental Escorts differed slightly from the UK built ones under the skin. The front suspension and steering gear were differently configured and the brakes were fitted with divided hydraulic circuits; also the wheels fitted on the Genk-built Escorts had wider rims.[1] At the beginning of 1970, continental European production transferred to a new plant on the edge of Saarlouis, West Germany. The MkI was also built in Israel between 1969 - 1975.
The Escort was a commercial success in many parts of western Europe, but nowhere more than in the UK, where the national best seller of the 1960s, BMC's Austin/Morris 1100 was beginning to show its age while Ford's own Cortina had grown, both in dimension and in price, beyond the market niche at which it had originally been pitched. In June 1974, less than six years after the car's UK introduction, Ford announced the completion of the two millionth Ford Escort, a milestone hitherto unmatched by any Ford model outside the USA.It was also stated that 60% of the two million Escorts had been built in Britain.[3]
The Escort had conventional rear wheel drive and a four-speed manual gearbox, or 3 speed automatic transmission. The suspension consisted of a simple live axle mounted on leaf springs, but with rack-and-pinion steering. The Mark I featured contemporary styling cues in tune with its time: a subtle Detroit-inspired "Coke bottle" waistline and the "dogbone" shaped front grille — arguably the car's most famous stylistic feature. Similar styling featured in the larger Cortina Mark III (also built in West Germany as the Taunus) that was launched in 1970.
Initially, the Escort was sold as a 2-door saloon (with circular front headlights and rubber flooring) on the "De Luxe" model. The "Super" model featured rectangular headlamps, carpets, a cigar lighter and a water temperature gauge. A 3-door estate was introduced at the end of March 1968 which, with the back seat folded down, provided an impressive 40% increase in maximum load space over the old Anglia 105E estate, according to the manufacturer. The estate featured the same engine options as the saloon, but it also included a larger 7½ inch diameter clutch, stiffer rear springs and in most configurations slightly larger brake drums or discs than the saloon. A panel van appeared in April 1968 and the 4-door saloon in 1969.
Underneath the bonnet was the Kent Crossflow engine. Diesel engines on small family cars were very rare, so the Escort featured initially only petrol engines — in 1.1 L, and 1.3 L versions. A 940 cc engine was also available in some export markets, but few were ever sold.
There was a 1300GT performance version, with a tuned 1.3 L Kent (OHV) engine sporting a Weber carburetor and uprated suspension. This version also featured additional instrumentation with a tachometer, battery charge indicator and oil pressure gauge. The same tuned 1.3 L engine was also used in a variation sold as the Escort Sport, that used the flared front wings from the AVO range of cars, but featured trim from the more basic models. Later on a further "executive" version of the Escort was produced known as the 1300E. This featured the same 13" road wheels and flared wings of the Sport, but was trimmed in an upmarket, for that time, fashion with wood trim on the dashboard and door cappings.
Hannu Mikkola's 1970 World Cup Rally -winning Escort.
Roger Clark's 1972 RAC Rally -winning Escort RS1600.
There was, in the early days of the Escort, a higher performance for rallies and racing — the Escort Twin Cam, which featured an engine with a Lotus-made 8-valve twin camshaft head fitted to the 1.5 L non-crossflow block, which had a bigger bore than usual to give a capacity of 1558 cc. Production of the Twin Cam, which was originally produced at Halewood, was phased out as the RS1600 was developed.
The Mark I Escorts became very successful as a rally car, and they eventually went on to become one of the most successful rally cars of all time.[5] The Ford works team was practically unbeatable in the late 1960s / early 1970s, and arguably the Escort's greatest victory was in the 1970 London to Mexico World Cup Rally being driven by Finnish legend Hannu Mikkola. This gave rise to the famous Escort Mexico (1.6 L "Kent" engined) special edition road versions in honour of the rally car.
In addition to the Mexico, the RS1600 was developed which used a Kent engine block with a 16-valve Cosworth cylinder head. This engine was essentially a detuned Formula 3 engine designated BDA, for Belt Drive A Series. Both the Mexico and RS1600 were built at Ford's Advanced Vehicle Operations (AVO) facility located at the Aveley Plant in South Essex. As well as higher performance engines and sports suspension, these models featured strengthened bodyshells, making them an ideal model for rallying. Even today Mark I Escorts are still popular in the amateur rally scene. The BDA engine has a distinctive growling which can be heard for quite a distance when the vehicle is being driven hard, such as in competition.
Ford also produced an RS2000 model as a more "civilised" alternative to the somewhat temperamental RS1600, featuring a 2.0 L Pinto (OHC) engine. This also clocked up some rally and racing victories; and pre-empted the hot hatch market as a desirable but affordable performance road car. Like the Mexico and RS1600, this car was produced at the Aveley plant.
The Escort quickly became one of Britain's most popular cars, comfortably outselling the conceptually similar Vauxhall Viva HB launched two years earlier. It was also a success on export markets, though in the larger European markets it tended to be outsold by the Opel Kadett, its General Motors rival. The car was built in Germany, Britain and in Commonwealth countries such as Australia and New Zealand.
For my video; youtu.be/FgL5LQqEZkk
Continuing the build of this model using a 3D printed bodyshell.
I have now added custom printed blinds to show the tram as it could have been around 1950, used on EX journeys to the Embankment. Lifeguards have been fitted. That at the rear appears to have operated in conjunction with the passenger step, shown in lowered position, as the platform doors are open.
The lifeguards etc are still awaiting paint. Transfers need to be fixed and final varnishing undertaken. Trolley poles will also have to be fitted.
Shown here on my Kennington Cross layout.
Since fully restored!
This very rotten wreck is a genuine, all-original 1965 Austin Mini Cooper S 1275 W/ standard fuel tank, black plate Yorkshire registration “DPY 160C”, in an original shade of corroded “Surf Blue” W/ white roof. I took this picture in-person back in October 2018, and was present in December that year at a very well-attended auction at the famous Mathewson’s classic car auctions at Thornton-Le-Dale, Ryedale, North Yorkshire, U.K. My friend bought a 1962 Anglia 105E Deluxe at auction that day. The Mini was initially expected to fetch around £3K-£5K, at least under £10K, but sold for a staggering £18,000 at auction, the winning bidder being Mr. Peter Watchman - a classic Mini enthusiast from Sunderland. The car is a genuine “Barn Find”, as it was parked stashed with old glass bottles and junk inside a moldy 1930s garage in the nearby North Yorkshire town of Stokesley for over 40 years. The Mini was featured on the popular series “Bangers And Cash” and caused quite a stir among MK1 Mini enthusiasts online.
This vehicle was in an extremely rough shape of disrepair. As evidenced by this picture, and shots from the show. There were lots and lots of seriously rusted patches of sheet metal and even worse deep rot on practically every angle of the car. Despite this, the new owner and his team of talented restorers decided to salvage as many rebuildable pieces as possible and even managed to bravely save the original bodyshell, rather than source a replacement. As many original parts as possible were restored and reused.
The Mini was in such a dreadful state to begin with, in fact it - seeing the car up-close in person while taking this picture made me think that anyone willing to buy it would probably only either use it as an original spares donor (mostly for the dashboard, glass, stainless trim pieces and reference points), or maybe even just display it in its given condition as some sort of macabre museum display piece. However, the result of over at least three years of hard work and considerable expense all put into this car resulted in an immaculate, spectacular, and gorgeous complete painstaking restoration. In fact, this is one of the very best restorations I have seen, given the “before” and “after” comparisons. Massive credit and respect for Mr. Watchman and his team of dedicated restorers and family! Peter not only has successfully and faithfully preserved a rare and interesting classic, but also regularly drives the car to shows and classic Mini meets, giving people the opportunity to see this incredible rebuild up-close! The logbook was reissued in January 2023, so the car might belong to someone else now. I’d love to know how much it sold for!
This car, considering just how rough it was, as seen in this photo and others, when compared to the perfect, complete brave restoration it received, proves that even the roughest cars can still be restored, albeit with considerable hours of hard labour and expense. Arguably, nothing isn’t “completely unsalvageable”.
Official video here, featuring in-progress stages of the restoration: www.youtube.com/watch?v=Nd52UGNwRFg
Volkswagen Golf Clipper Cabriolet (1980-93) 1781cc S4 OC Production 400871 (all Cabriolet)
Registration Number J 683 TNA (Manchester)
VOLKSWAGEN SET
www.flickr.com/photos/45676495@N05/sets/72157623738785355...
Also available with 1457cc and 1585cc engines. Based on the Mk.1 Golf, Karmann at Osnabruck engineered and carried out the conversions, initially using the 1.8 ltr 112bhp GLi three door as abasis. over the next thirteen years and still using the Mk.1 bodyshell sevral variations of the Cabriolet were built.
The Mark 1 Golf was introduced in 1974, while Cabriolet version followed six years later in 1980 It had a reinforced body, transverse roll bar, and a high level of trim, and kept the pre-1980 style of rear lamp clusters. The Mk1 Cabriolet is of unibody construction built entirely at the factory of Karmann, from stamping to final assembly; Volkswagen supplied the engine, suspension, interior, etc. for Karmann to install. The vinyl or cloth tops were heavily insulated and manually - or beginning in 1991, electrically - operated, with a heated glass rear window.
Prior to the 1984 model year the highest standard specification Cabriolet was the GLI, which was essentially a GTI in all but name. It was only in late 1983 with the introduction of the 1984 model that an officially badged GTI version of the cabriolet finally became available.
All Cabriolets from 1988 on left the factory fitted with a "Clipper" bodykit that featured smooth body-coloured bumpers, wheel-arch extensions, and side skirts
Diolch am 76,473,910 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 76,473,910 amazing views, every one is greatly appreciated.
Shot 21.07.2019 at , Ashover Classic Car Show, Ashover, Derbyshire 143-618
Class 66 66547 Heading South Through Northallerton Station
Freightliner
Freightliner 66610 on the East Coast Main Line near York
Freightliner followed EWS by initially ordering five new Class 66/5 locomotives, and have continued to order in small batches. As of summer 2010, the 66/5 fleet had reached 98 examples, numbered 66501-520/522-599. 66521 was withdrawn after the 2001 crash at Great Heck and later scrapped.
In 2000 a new Class 66/6 sub-class was built, with a lower gear ratio, enabling heavier trains to be hauled, albeit at slower speed. There are presently 25 examples of this class, numbered 66601-625.
During 2004 the company also took delivery of the most recent Class 66/9 sub-class of the locomotive, which are a low-emission variant. All new locomotives for all companies are now of the low-emission "T2" type. The original two such locomotives remain as 66951/52.
On the privatisation of British Rail's freight operations in 1996, English, Welsh and Scottish Railway bought most of British Rail's freight operations. Many of the locomotives that EWS inherited were either at the end of their useful life or of doubtful reliability. EWS approached General Motors Electro-Motive Division (EMD), who offered their JT42CWR model which had the same bodyshell as the EMD built Class 59; this gave the advantage of having a locomotive of known clearance. The engine and traction motors were different models from those in the Class 59. Additionally, the Class 66s incorporated General Motors' version of a steering bogie - designed to reduce track wear and increase adhesion on curves.
The initial classification was as Class 61, then they were subsequently given the Class 66 designation in the British classification system (TOPS). Two hundred and fifty were ordered and built in London, Ontario, Canada.[1]
In 1998, Freightliner placed an order for locomotives. They were followed by GB Railfreight, and then Direct Rail Services.
Although sometimes unpopular with many rail enthusiasts, due to their ubiquity and having caused the displacement of several older types of (mostly) British built locomotives, their high reliability has helped rail freight to remain competitive
The original Rover 200 (sometimes referred to by the codename SD3) was the replacement for the earlier Triumph Acclaim, and was the second product of the alliance between British Leyland (BL) and Honda. Only available as a four-door saloon, the 200 series was intended to be more upmarket than the company's Maestro and Montego models, which the 200 Series came in between in terms of size. It was launched on 19 June 1984, at which time there was still a high demand for small family saloons, with many manufacturers selling this type of car under a different nameplate to similar-sized hatchbacks. For example, Ford was selling the saloon version of the Escort as the Orion, the saloon version of the Volkswagen Golf was called the Jetta, and Vauxhall would soon launch an Astra-based saloon called the Belmont. The Rover 200 Series, however, was not based on a hatchback.
Essentially, the 200 series was a British-built Honda Ballade, the original design of which had been collaborated upon by both companies. Engines employed were either the Honda Civic derived E series 'EV2' 71 PS (52 kW; 70 bhp) 1.3 litre 12 valve engine, or BL's own S-Series engine in 1.6 litre format (both in 86 PS (63 kW; 85 bhp) carburettor and 103 PS (76 kW; 102 bhp) Lucas EFi form). The resulting cars were badged as either Rover 213 or Rover 216.
The 213 used either a Honda five-speed manual gearbox or a Honda three-speed automatic transmission. The British-engined 216 also employed a Honda five-speed manual gearbox, unlike the S-Series engine when fitted in the Maestro and Montego. There was also the option of a German ZF four-speed automatic on some 216 models as well.
The Honda-badged version was the first Honda car to be built in the United Kingdom (the Honda equivalent of the 200 Series' predecessor, the Triumph Acclaim, was never sold in the UK). Ballade bodyshells, and later complete cars, were made in the Longbridge plant alongside the Rover equivalent, with the Ballade models then going to Honda's new Swindon plant for quality-control checks.
This model of car is well known as Richard and Hyacinth Bucket's car in the BBC Television sitcom Keeping up Appearances (1990–1995). A blue 213 model was also used in the Series 2 episode "Think Fast, Father Ted" of comedy series Father Ted.
The original Rover 200 (sometimes referred to by the codename SD3) was the replacement for the earlier Triumph Acclaim, and was the second product of the alliance between British Leyland (BL) and Honda. Only available as a four-door saloon, the 200 series was intended to be more upmarket than the company's Maestro and Montego models, which the 200 Series came in between in terms of size. It was launched on 19 June 1984, at which time there was still a high demand for small family saloons, with many manufacturers selling this type of car under a different nameplate to similar-sized hatchbacks. For example, Ford was selling the saloon version of the Escort as the Orion, the saloon version of the Volkswagen Golf was called the Jetta, and Vauxhall would soon launch an Astra-based saloon called the Belmont. The Rover 200 Series, however, was not based on a hatchback.
Essentially, the 200 series was a British-built Honda Ballade, the original design of which had been collaborated upon by both companies. Engines employed were either the Honda Civic derived E series 'EV2' 71 PS (52 kW; 70 bhp) 1.3 litre 12 valve engine, or BL's own S-Series engine in 1.6 litre format (both in 86 PS (63 kW; 85 bhp) carburettor and 103 PS (76 kW; 102 bhp) Lucas EFi form). The resulting cars were badged as either Rover 213 or Rover 216.
The 213 used either a Honda five-speed manual gearbox or a Honda three-speed automatic transmission. The British-engined 216 also employed a Honda five-speed manual gearbox, unlike the S-Series engine when fitted in the Maestro and Montego. There was also the option of a German ZF four-speed automatic on some 216 models as well.
The Honda-badged version was the first Honda car to be built in the United Kingdom (the Honda equivalent of the 200 Series' predecessor, the Triumph Acclaim, was never sold in the UK). Ballade bodyshells, and later complete cars, were made in the Longbridge plant alongside the Rover equivalent, with the Ballade models then going to Honda's new Swindon plant for quality-control checks.
This model of car is well known as Richard and Hyacinth Bucket's car in the BBC Television sitcom Keeping up Appearances (1990–1995). A blue 213 model was also used in the Series 2 episode "Think Fast, Father Ted" of comedy series Father Ted.
Another day, another E-Type, and this example is one of what many consider the better cars, being the stylish and flamboyant Series I fitted with the powerful and reliable 4.2L Straight Six engine!
Note in the background the 1957 Jaguar XKSS, a car spawned from the famous racing D-Type and spiritual older brother to the E-Type.
One of the most revolutionary cars in all of motoring history, a car that has often been declared as the Space Shuttle in the Middle Ages! Beauty, style and performance all harnessed in one simple bodyshell. It can't be anything other than the Jaguar E-Type!
When it was launched in 1961, Britain was still very much an antiquated Victorian country, and transport was not much better. Steam Trains still had another 7 years to go and the most you could get out of the Motor Industry were flaky BMC products such as the humble Austin Cambridge and the Morris Minor. Unbeknownst to this very slow moving world of modesty, the entire picture was about to be turned on its head. In music, the Beatles rocked their way into everlasting legacy, the De Havilland Comet brought nations closer together, and Jaguar launched the E-Type, a car that set the motoring world ablaze!
Designed by Malcolm Sayer and powered by a 3.8L Straight Six engine, the Jaguar E-Type could now whisk people to 150mph, and with there being no speed limits back then, that was not too much of a stretch to imagine. You just had to look at it to see nothing but speed, everything about it was designed to go as fast as possible!
In spirit, the E-Type can trace its roots back to the race ready D-Type, also designed by Malcolm Sayer and notable for raking home victory after victory at Le Mans, being credited with being one of the most advanced sports cars of all time. A limited edition road going version, the XKSS, made the idea of a D-Type on the public highway possible, and parts developed in this often forgotten little gem helped to culminate in the final and superb E-Type.
On March 16th 1961, the E-Type was released upon the unsuspecting public at the Geneva Motor Show to an absolute roar of applause and acclaim. It made the front page of pretty much every newspaper in Europe, and orders absolutely rolled in by the thousand! The thing that made the E-Type so desirable was the fact that it was fun on a budget, a high performance 150mph capable machine for an affordable price of just £2,000, the equivalent of about £40,000 today. Now you may think that's a lot of money, but when you consider that a car of comparable beauty and performance was double that price, you'd know it was something truly special.
However, this proved to be a problem for the comparatively small company, who simply couldn't turn out the cars fast enough to supply the demand. Millions and Millions of Pounds worth of orders were being placed, with some owners even going so far as to place deposits at 10 to 15 Jaguar dealers hoping that one of them could give them a car! The biggest problem was trying to supply differing markets, especially if you were British because in order to appease the desperate American buyers, cars would be built in LHD for 6 month periods at a time, which meant if you were someone wishing to buy a car here in the UK, you'd be stuck for the best part of a year!
But it was obvious why, these cars were unrealistically fast! Tap the pedal and you'd be at 60mph in 7.1 seconds, press it further and you'd be over 100, and if you pressed it further, the bonnet would rise and with blood gushing from your eyes and every fibre of your body telling you to stop, you'd be hitting 150mph! That doesn't sound like much today considering the Aston Martins and Ferrari's we're so used to, but in 1961 this was absolutely unheard of.
Not that your E-Type would ever make 150mph because Jaguar had been a tad naughty. As it turns out the initial test cars that had been leant to the Press had been tuned to reach that golden 150, but the rest of the flock would barely go that fast. This was further compounded by a troublesome gearbox, hopeless brakes, cramped interior and uncomfortable seats. Jaguar's con had only been done to bless their car with the initial fame that would sell the production models, but in 1965 Jaguar chose to redress the issue by fitting the car with a much larger and much better 4.2L Straight Six engine.
But once the novelty had worn off the E-Type was starting to become maligned. Much like owning a topping Rolls Royce, seeing one being driven in the street opened the wounds of jealousy that continued to divide the social classes, and if you were very lucky you'd only get away with a disapproving look or a nasty name, if you weren't expect a brick, a can of paint or a rock to be hurtled in your direction! At the same time because so many cars had been built, the Second Hand market became saturated which meant that people could pick up early ones for a song, which removed the exclusivity that these vehicles had once commanded. Again, much like a Rolls Royce these owners only saw them as ways to get women to take off their clothes for you, and thus didn't exactly give them the love that such cars required.
However, this was before we got to the biggest problem of them all, America.
Actually I take it back, America can't be blamed for everything, in fact the stringent safety legislation and rules on car manufacturing can be credited to the increased safety of modern motor vehicles, the people to be blamed though are in fact the car manufacturers themselves for not being able to incorporate the compulsory safety features whilst still keeping the car stylish.
But still, throughout the 1960's the death of James Dean had resulted in a gradual increase in safety legislation on US Highways, and in order to have a market there, cars had to conform. The height of the headlights, the bumpers, the smoke emissions, the recess of the switches, all of these things were scrutinised and had to be taken into account by car builders. The E-Type became a shameful victim as its looks were compromised with changes to the lights, and body profile. To be honest the Series II was not that bad a car, still retaining much of its charm, especially when you compare it to 1971's Series III which was formulated by British Leyland. With the cabin looking like it had sunk, the lights being stretched and contorted, and sporting a massive 5.3L V12 engine. By this point many of the cars former buyers saw the E-Type as damaged beyond repair and thus sales began to tumble. British Leyland however had been planning to replace the car since the late 1960's, and after much deliberation its replacement, the Jaguar XJS, was launched in 1975, bringing an end to the increasingly hard to sell E-Type. Although very well performing, in terms of looks, the XJS was considered by many classic Jag fans to be absolute heresy, but would go on to have a much longer life that the E-Type, being built until 1996.
However, even before the last E-Type left the production line the originals were already being hailed as classical heroes. In total well over 70,000 of these cars had been sold, and a large number of them remain on the roads. During the late 70's and 80's the car continued to be a major pin-up, often ending up rather oddly, and to my mind a bit shamefully, in erotic films and porn movies (I sure hope they washed thoroughly afterwards). But when you look at the E-Type you can understand why, it is a seriously sexy looking car!
So iconic and so stylish were these cars that over the years many different replica models have also been made. Throughout the 1990's the company Eagle GB built the Eagle E-Type, brand new cars built to exactly the same specifications as the original Series I versions, whilst in 2011 the Eagle Speedster was produced, revising the bodyshape but attempting to maintain the charm of the original, and in 2014 several remaining chassis from the original production run that had been kept in storage are intended to be built into fully functioning cars.
The E-Type may have died a long time ago, but its reputation isn't letting up! :D
Lotus Elite Type 75 (1974-80) Engine 1973cc S4 DOC Production 2398
Registration Number PWS 9 S
LOTUS SET
www.flickr.com/photos/45676495@N05/sets/72157623671671113...
First of the new generation cars from Lotus, still built around a backbone frame but now with a 98 inch wheelbase. Glass fibre body with concealed headlights and large glass hatch back.
The Elite type 75 was a larger and more upmarket car than its forbearers, intended to move the company away from its kit car past. and a replacement for the ageing Lotus Elan Plus 2. The Elite was configured as a small shooting brake with a glass rear hatch opening into the luggage compartment. It was front-engined with rear wheel drive. The Elite's fibreglass bodyshell was mounted on a steel backbone chassis evolved from the Elan and Europa. It had 4-wheel independent suspension using coil springs. The Elite was Lotus' first car to use the 907 aluminium-block 4-valve, DOHC, four-cylinder engine of 1973cc which had previously been used in the Jensen Healey. The Elite had a claimed drag co-efficient of 0.30 and at the time of launch it was the world's most expensive four-cylinder car. The Elite's striking shape was designed by Oliver Winterbottom. He is quoted as saying that the basic chassis and suspension layout were designed by Colin Chapman, making the Elite and its sister design the Eclat the last Lotus road cars to have significant design input from Chapman himself. The Elite went on to be the base for the Eclat, and the later Excel 2+2 coupés. and were available in 4 main specification variations, 501, 502, 503, and later on 504
In 1980 the Elite type 75 was replaced by the Elite Mark 2 Type 83 powered by a larger 2,174 cc (132.7 cu in) Lotus 912 engine. and continued until 1982
Shot 15:05:2011 at Chiltern Hills Vintage Vehicle Rally, Aston Clinton, Buckinghamshire Ref 68-235
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Land Rover 101 Forward Control (1972-80s) Engine 3528 cc V8 Rover
Registration Number MPB 91 V
LAND ROVER SET
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Originally produced as a gun tractor, it was designed to tow a field gun and carry i ton of ammunition. Designed to be easily transported by air with the cube shape achieved by the positioning of its Rover V8 engine beneath the cab. The 101 is derived from the 101 inch wheelbase.
All of the 101's were built as soft top vehicles although many were later re-bodied as hardtop ambulances or communications vehicles
By the late 1990s, the 101's were decommissioned by the MoD and were replaced with Defenders and Pinzgauer vehicles. Many 101s have entered into private ownership
Thirty-one 101s were converted by Land Rover with artistically styled bodyshells for the 1995 Sylvester Stallone film Judge Dredd. Land Rover is supposedly the world's only surviving vehicle manufacturer in 2139 when the film is set, and the green oval logo can be seen on the side of the vehicles, known as "City CABs".[3] Several of these prop vehicles still exist in driveable condition and are often seen at Land Rover events.
Along with the standard Series models some Forward Control were built by Santana in Spain, originally in CKD form (Complete Knocked Down kits) dispatched from Solihull Because of the harsh working lives vehicles endured in these environments, customer feedback on the range but due to the tight finacial situation of British Leyland at the time, Santana were often better placed than Land Rover was to deal with these failings. This meant that Santana began to engineer its own solutions to common problems into the models it produced and thus Santana's models diverged from Land Rover's original products, being first with innovations such as anatomical seats, disc-brakes, turbo diesel engines, taper-leaf springs, coil springs, and civilian-specification Forward Control versions before the Land Rover equivalents and there was even a civilian version of the Land Rover Lightweight called the "Ligero" which was never released by Land Rover.
A big Thenks for 20.8 Million Views
Shot at Gaydon Heritage Centre 19.05.2014 Ref. Number 98b-328
The Escort Mark V platform (and Mark III Orion saloon) arrived in September 1990 with an all-new bodyshell and a simplified torsion beam rear suspension (instead of the Mark III's fully independent layout). Initially the 1.3 L HCS, 1.4 L and 1.6 L CVH petrol and 1.8 L diesel units were carried over from the old model. This model however was poorly received by the motoring press, and was panned by journalists for its mediocre driving dynamics and unremarkable styling. The engines which had been carried over from the previous generation largely unmodified were also heavily criticised for their poor refinement.
In early 1992, an all new Zetec 16-valve engine was launched bringing improved driveability, while also marking the return of the XR3i which was available with two versions of the 1.8 L Zetec engine. The 150 PS (110 kW) RS2000 also appeared in the autumn of 1991 with a 16v version of the Sierra's I4 2.0 L engine and also improved ride and handling meaning that this version of the Escort finally delivered on the road. Specifications, however, were also higher than before. The Escort was now available with items such as power steering, electric windows, central locking, electronic antilock brakes, and air conditioning. Some of these options were even available on some of the entry-level models.
Early 1992 saw the launch of the Escort RS Cosworth. Intended to replace the Sierra Sapphire RS Cosworth (which finished production shortly afterwards) as Ford's stalwart rally challenger as well as a competitor to supercars with private buyers, it used the turbocharged 2.0 L Cosworth 16-valve engine, generated some 227 PS (167 kW) and was capable of 150 mph. As well as having four-wheel drive, its most memorable feature was its extremely large "whale-tail" tailgate spoiler.
The 2,500 road-going examples sold (required for homologation purposes) were made, but demand for the car was so high that Ford kept producing them. Later models (1995 up) have a smaller turbo than the homologation versions and came with the whale-tail spoiler as an option. The Escort Cosworth ceased production in 1996, but it has already achieved classic status and has a huge following. However, the car wasn't mechanically an Escort, being based on the four-wheel drive Sierra floorpan and mechanicals, including its longitudinally mounted engine, and was merely clothed in body panels to resemble a Mark V.
The fifth generation Escort was launched in South America in 1992, being manufactured in Brazil and Argentina by Autolatina, a joint-venture between Volkswagen and Ford. This resulted with the top of the line Escort XR3i being equipped with a VW AP 2.0 L engine generating 115 PS (85 kW). This generation also spawned two VW-branded cars with the same mechanics (but different body styles and interiors) called Pointer (five-door hatchback) and Logus, a two-door saloon.
The XR3i was discontinued at the beginning of 1994.
The Chinese toy is a little crude and doesn't appear to be an accurate replica of any specific vehicle, but was clearly inspired by the King Long XMQ6900. This odd-looking little 41-seater is Quicksilver's first King Long but not the first Chinese coach as a Guangzhou Eagle has been operated for a few years. The bodyshell is quite decent but the over-thick glazing unit and crude base with single seats and moulded-in wheels have been discarded; bizarrely the windscreen was double-glazed with an additional flush-fitting piece on top of the main unit!
One of the most revolutionary cars in all of motoring history, a car that has often been declared as the Space Shuttle in the Middle Ages! Beauty, style and performance all harnessed in one simple bodyshell. It can't be anything other than the Jaguar E-Type!
When it was launched in 1961, Britain was still very much an antiquated Victorian country, and transport was not much better. Steam Trains still had another 7 years to go and the most you could get out of the Motor Industry were flaky BMC products such as the humble Austin Cambridge and the Morris Minor. Unbeknownst to this very slow moving world of modesty, the entire picture was about to be turned on its head. In music, the Beatles rocked their way into everlasting legacy, the De Havilland Comet brought nations closer together, and Jaguar launched the E-Type, a car that set the motoring world ablaze!
Designed by Malcolm Sayer and powered by a 3.8L Straight Six engine, the Jaguar E-Type could now whisk people to 150mph, and with there being no speed limits back then, that was not too much of a stretch to imagine. You just had to look at it to see nothing but speed, everything about it was designed to go as fast as possible!
In spirit, the E-Type can trace its roots back to the race ready D-Type, also designed by Malcolm Sayer and notable for raking home victory after victory at Le Mans, being credited with being one of the most advanced sports cars of all time. A limited edition road going version, the XKSS, made the idea of a D-Type on the public highway possible, and parts developed in this often forgotten little gem helped to culminate in the final and superb E-Type.
On March 16th 1961, the E-Type was released upon the unsuspecting public at the Geneva Motor Show to an absolute roar of applause and acclaim. It made the front page of pretty much every newspaper in Europe, and orders absolutely rolled in by the thousand! The thing that made the E-Type so desirable was the fact that it was fun on a budget, a high performance 150mph capable machine for an affordable price of just £2,000, the equivalent of about £40,000 today. Now you may think that's a lot of money, but when you consider that a car of comparable beauty and performance was double that price, you'd know it was something truly special.
However, this proved to be a problem for the comparatively small company, who simply couldn't turn out the cars fast enough to supply the demand. Millions and Millions of Pounds worth of orders were being placed, with some owners even going so far as to place deposits at 10 to 15 Jaguar dealers hoping that one of them could give them a car! The biggest problem was trying to supply differing markets, especially if you were British because in order to appease the desperate American buyers, cars would be built in LHD for 6 month periods at a time, which meant if you were someone wishing to buy a car here in the UK, you'd be stuck for the best part of a year!
But it was obvious why, these cars were unrealistically fast! Tap the pedal and you'd be at 60mph in 7.1 seconds, press it further and you'd be over 100, and if you pressed it further, the bonnet would rise and with blood gushing from your eyes and every fibre of your body telling you to stop, you'd be hitting 150mph! That doesn't sound like much today considering the Aston Martins and Ferrari's we're so used to, but in 1961 this was absolutely unheard of.
Not that your E-Type would ever make 150mph because Jaguar had been a tad naughty. As it turns out the initial test cars that had been leant to the Press had been tuned to reach that golden 150, but the rest of the flock would barely go that fast. This was further compounded by a troublesome gearbox, hopeless brakes, cramped interior and uncomfortable seats. Jaguar's con had only been done to bless their car with the initial fame that would sell the production models, but in 1965 Jaguar chose to redress the issue by fitting the car with a much larger and much better 4.2L Straight Six engine.
But once the novelty had worn off the E-Type was starting to become maligned. Much like owning a topping Rolls Royce, seeing one being driven in the street opened the wounds of jealousy that continued to divide the social classes, and if you were very lucky you'd only get away with a disapproving look or a nasty name, if you weren't expect a brick, a can of paint or a rock to be hurtled in your direction! At the same time because so many cars had been built, the Second Hand market became saturated which meant that people could pick up early ones for a song, which removed the exclusivity that these vehicles had once commanded. Again, much like a Rolls Royce these owners only saw them as ways to get women to take off their clothes for you, and thus didn't exactly give them the love that such cars required.
However, this was before we got to the biggest problem of them all, America.
Actually I take it back, America can't be blamed for everything, in fact the stringent safety legislation and rules on car manufacturing can be credited to the increased safety of modern motor vehicles, the people to be blamed though are in fact the car manufacturers themselves for not being able to incorporate the compulsory safety features whilst still keeping the car stylish.
But still, throughout the 1960's the death of James Dean had resulted in a gradual increase in safety legislation on US Highways, and in order to have a market there, cars had to conform. The height of the headlights, the bumpers, the smoke emissions, the recess of the switches, all of these things were scrutinised and had to be taken into account by car builders. The E-Type became a shameful victim as its looks were compromised with changes to the lights, and body profile. To be honest the Series II was not that bad a car, still retaining much of its charm, especially when you compare it to 1971's Series III which was formulated by British Leyland. With the cabin looking like it had sunk, the lights being stretched and contorted, and sporting a massive 5.3L V12 engine. By this point many of the cars former buyers saw the E-Type as damaged beyond repair and thus sales began to tumble. British Leyland however had been planning to replace the car since the late 1960's, and after much deliberation its replacement, the Jaguar XJS, was launched in 1975, bringing an end to the increasingly hard to sell E-Type. Although very well performing, in terms of looks, the XJS was considered by many classic Jag fans to be absolute heresy, but would go on to have a much longer life that the E-Type, being built until 1996.
However, even before the last E-Type left the production line the originals were already being hailed as classical heroes. In total well over 70,000 of these cars had been sold, and a large number of them remain on the roads. During the late 70's and 80's the car continued to be a major pin-up, often ending up rather oddly, and to my mind a bit shamefully, in erotic films and porn movies (I sure hope they washed thoroughly afterwards). But when you look at the E-Type you can understand why, it is a seriously sexy looking car!
So iconic and so stylish were these cars that over the years many different replica models have also been made. Throughout the 1990's the company Eagle GB built the Eagle E-Type, brand new cars built to exactly the same specifications as the original Series I versions, whilst in 2011 the Eagle Speedster was produced, revising the bodyshape but attempting to maintain the charm of the original, and in 2014 several remaining chassis from the original production run that had been kept in storage are intended to be built into fully functioning cars.
The E-Type may have died a long time ago, but its reputation isn't letting up! :D
Ford Escort (5th Gen) (1990-97) Engine 1392cc S4 S4 CVH
Registration Number K 49 MCA
FORD EUROPE
www.flickr.com/photos/45676495@N05/sets/72157623665118181...
The Escort Mark V was launched in September 1990 with an all-new bodyshell and a simplified torsion beam rear suspension Initially the 1.3 L HCS, 1.4 L and 1.6 L CVH petrol and 1.8 L diesel units were carried over from the old model.
The 5th Generation however was poorly received by the motoring press, and was panned by journalists for its mediocre driving dynamics and unremarkable styling. The engines which had been carried over from the previous generation largely unmodified were also heavily criticised for their poor refinement. In early 1992, an all new Zetec 16-valve engine was launched bringing improved driveability, while also marking the return of the XR3i
Stung by the criticism of the original Mark V Ford facelifted the Escort and Orion in September 1992, giving the revised cars a new grille, bonnet and, in the Escort hatchback's case, a new rear end. A new 1.6 L 16-valve 90 bhp (66 kW) Zetec engine was introduced, replacing the previous CVH.
The Dash was a limited edition Cabrio,launched in 1993 but based on the pre-facelift car.
Many Thanks for a fan'dabi'dozi 25,530,100 views
Shot 09:06:2014 ar The Luton Classic Car Show, Stockwell Park, Luton REF 102-406
'The Sondermodell coupes were not standard production 911s. They never appeared in factory brochures, and most Porsche books don't even reference them. They were only sold in Germany, basically through the backdoor, during the last two months of the 1976 model year. They were the last model-year street Porsche with MFI.' - Ryan Snodgrass.
Porsche revived the Carrera name for its luxuriously equipped, top-of-the-range 911 in 1973. Designated 'Carrera RS' (RennSport), the newcomer was intended as a limited edition product for Group 4 GT racing, a class that required a minimum of 500 built. However, the resulting demand for this fabulous car proved so great that the production run was progressively extended, eventually ending up at 1,590 units and allowing homologation in Group 3 for standard GT production cars. The majority of cars produced were to 'Lightweight' (competition) specification, the remainder being delivered as the Carrera RS Touring, complete with 911S-type interior trim and fittings.
Based on a lightened 911S platform, the Carrera RS featured revised suspension and wider rear wheels (beneath flared 'arches) for improved handling, while the 2.7-litre, mechanically fuel-injected (MFI), air-cooled six-cylinder engine's 210bhp boosted top speed to around 150mph. Not merely a styling gimmick, the Carrera's trademark 'duck tail' spoiler made a vital contribution to high-speed stability, a virtue of increasing importance as power outputs continued to rise.
Based on the 911 Carrera RS Lightweight announced the previous year, Porsche's RSR GT-category racer collected overall wins in the World Sports Car Championship at Daytona and the Targa Florio in 1973, defeating 3.0-litre prototypes from Ferrari, Matra and Mirage-Ford in the process, an outstanding achievement for a production-based car.
For 1974, Porsche introduced a new body incorporating impact-absorbing bumpers - a US requirement - after which the earlier body became known as the 'long hood' type. In the USA though, the Carrera had to make do with an electronically fuel-injected engine producing 'only' 175bhp (to meet emissions legislation) while elsewhere Porsche's customers enjoyed the legendary 2.7-litre MFI RS-specification 911/83 engine producing 210 horsepower.
The 1976 Sondermodell came with several performance enhancements as standard, including flared rear wheelarches, Bilstein dampers, 18mm rear anti-roll bar, 6" front and 7" rear wheels, and a limited-slip differential. Most importantly, it kept the RS-specification MFI engine. Like all the '76 911 range, the Sondermodell also benefited from Porsche's adoption of the improved Thyssen zinc coating process for the entire bodyshell. Only 113 were built for the 1976 model year.
One of the last 2.7-litre 'MFI' Carreras made, chassis number '9034' left the factory in May 1976 and was delivered new to Germany. The latter was the only market to receive these last-of-the-line Carrera 2.7 Sondermodells, which were reserved for Porsche's most favoured clients, many of them from the racing community. These cars are considered by many enthusiasts to be the last of the 'real' Carreras. Chassis number '9034' is one of only two cars delivered in Copper Brown with the highly desirable electric sunroof option, while other items of special equipment included a rear window wiper and tinted glass.
The Porsche came to Belgium in January 1978 and has extensive Belgian history. In 1992 it was registered by a lady owner, Mrs Melkebeek from Aalst, and there is an old Contrôle Technique in her name dating from 1992 in the file. The car then was put away and hardly ever driven.
In 2012, the Carrera found its way to Holland where it formed part of a Porsche collection. It was then extensively restored with no expense spared, and after completion was featured in Porsche RS Magazine (01/2016 edition). After some 20 years off the road, the Carrera was in exceptionally original condition and an excellent candidate for restoration. In the course of the rebuild, all rubbers were replaced and the car repainted to the highest standard, while the engine and gearbox were totally overhauled. The odometer reading of approximately 80,000 kilometres is believed genuine, a conclusion supported by the condition of the original interior when the car was found.
It is most unusual to find one of these ultra-rare 'Sondermodells' - one of the least known models in Porsche history - in such exceptionally original and unmolested condition; indeed, according to Ryan Snodgrass (author of the definite marque history, 'Carrera 2.7', published by Parabolica Press) this is one of the most original 2.7 MFI Sondermodells he has ever seen. The car comes complete with books, tools, and an owner's manual, while accompanying documentation consists of a Porsche Certificate of Authenticity, a copy of the old Belgian registration papers, and a Certificate of Conformity issued by D'Ieteren, Belgium.
The Zoute Sale
Bonhams
Sold for € 183.264
Estimated : € 175.000 - 275.000
Zoute Grand Prix 2016
Knokke - Belgium
Oktober 2016
Originally conceived by British Leyland, the Metro was built to similar principals as those of the Mini it was intended to replace, with a small, practical platform with as much use available to the passenger as was possible. The car came under various initial guises, including the Austin Metro, the Austin miniMetro, the Morris Metro van and the MG Metro, a version of the car with a 1.3L A-Series Turbo Engine.
Although the car was launched in 1980, development of a Mini replacement had dated back to the beginning of the 70's. Dubbed ADO88 (Amalgamated Drawing Office project number 88), the Metro was eventually given the go ahead in 1977, but wanted to have the appeal of some of the larger 'Supermini' (what a contradiction in terms) cars on the market, including cars such as the Ford Fiesta and the Renault 5. Designed by Harris Mann (the same guy who gave us the Princess and the Allegro), the car was given a much more angular body for the time, but despite its futuristic looks did share many features of the earlier Mini, including the 675cc BMC-A Series engine that dated back to 1959, and the gearbox. Initial cars also included the Hydragas Suspension system originally used on the Allegro and the Princess, though with no front/rear connection. The car was also built as a hatchback, which would eventually be a key part of its success as the Mini instead utilised only a small boot.
The Metro was originally meant for an earlier 1978 launch, but a lack of funds and near bankruptcy of British Leyland resulted in the car's launch being pushed back. This delay however did allow the folks at Longbridge to construct a £200m robotic assembly plant for the new Metro line, with the hope of building 100,000 cars per year. Finally the car entered sales 3 years late and got off to quite promising initial sales, often being credited for being the saviour of British Leyland. The Metro was in fact the company's first truly new model in nearly 5 years, with the 9 year old Allegro still in production, the 1980 Morris Ital being nothing more than a 7 year old Marina with a new face, and the 5 year old Princess not going anywhere!
As mentioned, an entire myriad of versions came with the Metro, including the luxury Vanden Plas version and the sporty MG with its top speed of 105mph and 0-60mph of 10.1 seconds. Eventually the original incarnation of the car, the Austin Metro, went on to sell 1 million units in it's initial 10 year run, making it the second highest selling car of the decade behind the Ford Escort. However, like most other British Leyland products, earlier cars got a bad reputation for poor build quality and unreliability, combined with the lack of rustproofing that was notorious on many BL cars of the time.
The show was not over however, as in 1990 the car was given a facelift and dubbed the Rover Metro. The 1950's A-Series engine was replaced by a 1.1L K-Series, and the angular bodyshell was rounded to similar principals as those by acclaimed styling house Ital to create a more pleasing look for the 90's. This facelift, combined with an improvement in reliability and build quality, meant that the car went on to win the 'What Car?' of the Year Award in 1991.
In 1994 the car was given yet another facelift, with once again a more rounded design and removal of the Metro name, the car being sold as the Rover 100. Engines were once again changed, this time to a 1.5L Peugeot engine and more audacious colour schemes were available for the even more rounded design of the new car. However, the car was very much starting to look and feel its age. Aside from the fact that the design dated back to 1977, the new car was not well equipped, lacking electric windows, anti-lock brakes, power steering, or even a rev counter! In terms of safety, it was very basic, with most features such as airbags, an alarm, an immobiliser and central locking being optional extras.
Eventually the curtain had to fall on the Metro, and in 1997, twenty years after the initial design left the drawing board, it was announced that the car would be discontinued. Spurred on by dwindling sales due to lack of safety and equipment, as well as losing out to comparative cars such as the ever popular Ford Fiesta, VW Polo and Vauxhall Corsa, with only fuel economy keeping the car afloat, Rover axed the Metro in 1998 with no direct replacement, although many cite the downsized Rover 200 a possible contender. Stumbling blindly on, the next car to fill the gap in Rover's market was the 2003 CityRover, based on the TATA Indica, which flopped abysmally and pretty much totalled the company (but that's another story).
In the end only 2,078,000 Metro's were built in comparison to the 5.3 million examples of the Mini that it was meant to replace. The main failings of the Metro were down to the fact that the car was too big compared to the Mini, and the rounded old-world charm of the Coopers and Clubmans was replaced by the angular corners. Because of this the car simply didn't have the novelty that the Mini continued to claim even 20 years after the first ones left the factory, and the Mini would even go on to outlive the Metro by another 2 years, ending production in 2000, then going on to have a revival in the form of BMW's New Mini Cooper that's still being built today. Unlike the Mini, the Metro also failed to conquer the international market in the same way, scoring its 2 million units pretty much in Britain alone, although some cars were sold in France and Spain, but only to the total of a few hundred.
The Metro however survived only on fuel economy and its spacious interior, but by the early 1990's, whilst other car manufacturers had moved on leaps and bounds, Rover continued to be stuck in the past with not the money or the enthusiasm to change what was a terribly outdated and extremely basic car. Towards the end the Metro, which had only a few years earlier won awards for its practical nature, was ending up on lists for Worst car on the market.
Today however you can still see Metro's, later editions are especially common on the roads of Britain. Earlier models built under British Leyland have mostly rusted away and are apparently only down to about a thousand nowadays, but the Rover 100's and Rover Metros continue to ply their trade, a lonely reminder of how here in Britain, we can never ever seem to move on!
Another day, another E-Type, and this example is one of what many consider the better cars, being the stylish and flamboyant Series I fitted with the powerful and reliable 4.2L Straight Six engine!
One of the most revolutionary cars in all of motoring history, a car that has often been declared as the Space Shuttle in the Middle Ages! Beauty, style and performance all harnessed in one simple bodyshell. It can't be anything other than the Jaguar E-Type!
When it was launched in 1961, Britain was still very much an antiquated Victorian country, and transport was not much better. Steam Trains still had another 7 years to go and the most you could get out of the Motor Industry were flaky BMC products such as the humble Austin Cambridge and the Morris Minor. Unbeknownst to this very slow moving world of modesty, the entire picture was about to be turned on its head. In music, the Beatles rocked their way into everlasting legacy, the De Havilland Comet brought nations closer together, and Jaguar launched the E-Type, a car that set the motoring world ablaze!
Designed by Malcolm Sayer and powered by a 3.8L Straight Six engine, the Jaguar E-Type could now whisk people to 150mph, and with there being no speed limits back then, that was not too much of a stretch to imagine. You just had to look at it to see nothing but speed, everything about it was designed to go as fast as possible!
In spirit, the E-Type can trace its roots back to the race ready D-Type, also designed by Malcolm Sayer and notable for raking home victory after victory at Le Mans, being credited with being one of the most advanced sports cars of all time. A limited edition road going version, the XKSS, made the idea of a D-Type on the public highway possible, and parts developed in this often forgotten little gem helped to culminate in the final and superb E-Type.
On March 16th 1961, the E-Type was released upon the unsuspecting public at the Geneva Motor Show to an absolute roar of applause and acclaim. It made the front page of pretty much every newspaper in Europe, and orders absolutely rolled in by the thousand! The thing that made the E-Type so desirable was the fact that it was fun on a budget, a high performance 150mph capable machine for an affordable price of just £2,000, the equivalent of about £40,000 today. Now you may think that's a lot of money, but when you consider that a car of comparable beauty and performance was double that price, you'd know it was something truly special.
However, this proved to be a problem for the comparatively small company, who simply couldn't turn out the cars fast enough to supply the demand. Millions and Millions of Pounds worth of orders were being placed, with some owners even going so far as to place deposits at 10 to 15 Jaguar dealers hoping that one of them could give them a car! The biggest problem was trying to supply differing markets, especially if you were British because in order to appease the desperate American buyers, cars would be built in LHD for 6 month periods at a time, which meant if you were someone wishing to buy a car here in the UK, you'd be stuck for the best part of a year!
But it was obvious why, these cars were unrealistically fast! Tap the pedal and you'd be at 60mph in 7.1 seconds, press it further and you'd be over 100, and if you pressed it further, the bonnet would rise and with blood gushing from your eyes and every fibre of your body telling you to stop, you'd be hitting 150mph! That doesn't sound like much today considering the Aston Martins and Ferrari's we're so used to, but in 1961 this was absolutely unheard of.
Not that your E-Type would ever make 150mph because Jaguar had been a tad naughty. As it turns out the initial test cars that had been leant to the Press had been tuned to reach that golden 150, but the rest of the flock would barely go that fast. This was further compounded by a troublesome gearbox, hopeless brakes, cramped interior and uncomfortable seats. Jaguar's con had only been done to bless their car with the initial fame that would sell the production models, but in 1965 Jaguar chose to redress the issue by fitting the car with a much larger and much better 4.2L Straight Six engine.
But once the novelty had worn off the E-Type was starting to become maligned. Much like owning a topping Rolls Royce, seeing one being driven in the street opened the wounds of jealousy that continued to divide the social classes, and if you were very lucky you'd only get away with a disapproving look or a nasty name, if you weren't expect a brick, a can of paint or a rock to be hurtled in your direction! At the same time because so many cars had been built, the Second Hand market became saturated which meant that people could pick up early ones for a song, which removed the exclusivity that these vehicles had once commanded. Again, much like a Rolls Royce these owners only saw them as ways to get women to take off their clothes for you, and thus didn't exactly give them the love that such cars required.
However, this was before we got to the biggest problem of them all, America.
Actually I take it back, America can't be blamed for everything, in fact the stringent safety legislation and rules on car manufacturing can be credited to the increased safety of modern motor vehicles, the people to be blamed though are in fact the car manufacturers themselves for not being able to incorporate the compulsory safety features whilst still keeping the car stylish.
But still, throughout the 1960's the death of James Dean had resulted in a gradual increase in safety legislation on US Highways, and in order to have a market there, cars had to conform. The height of the headlights, the bumpers, the smoke emissions, the recess of the switches, all of these things were scrutinised and had to be taken into account by car builders. The E-Type became a shameful victim as its looks were compromised with changes to the lights, and body profile. To be honest the Series II was not that bad a car, still retaining much of its charm, especially when you compare it to 1971's Series III which was formulated by British Leyland. With the cabin looking like it had sunk, the lights being stretched and contorted, and sporting a massive 5.3L V12 engine. By this point many of the cars former buyers saw the E-Type as damaged beyond repair and thus sales began to tumble. British Leyland however had been planning to replace the car since the late 1960's, and after much deliberation its replacement, the Jaguar XJS, was launched in 1975, bringing an end to the increasingly hard to sell E-Type. Although very well performing, in terms of looks, the XJS was considered by many classic Jag fans to be absolute heresy, but would go on to have a much longer life that the E-Type, being built until 1996.
However, even before the last E-Type left the production line the originals were already being hailed as classical heroes. In total well over 70,000 of these cars had been sold, and a large number of them remain on the roads. During the late 70's and 80's the car continued to be a major pin-up, often ending up rather oddly, and to my mind a bit shamefully, in erotic films and porn movies (I sure hope they washed thoroughly afterwards). But when you look at the E-Type you can understand why, it is a seriously sexy looking car!
So iconic and so stylish were these cars that over the years many different replica models have also been made. Throughout the 1990's the company Eagle GB built the Eagle E-Type, brand new cars built to exactly the same specifications as the original Series I versions, whilst in 2011 the Eagle Speedster was produced, revising the bodyshape but attempting to maintain the charm of the original, and in 2014 several remaining chassis from the original production run that had been kept in storage are intended to be built into fully functioning cars.
The E-Type may have died a long time ago, but its reputation isn't letting up! :D
A brand new purchase for ConnexionsBuses, the first in 2 years, is of Mercedes-engined Euro 6 compliant Optare Solo SR YJ67 GGO - seen here exiting the Holly Bank loop working HCT service 16 to and from Acomb. This has gained the new-style Connexions logo with the union flag 'big X'; but the vehicle bodyshell itself is different from the other Solos as this has curved-top skirt panels as would normally be seen on a Versa, in addition to a new latch fitted between the front wipers. Audibly this bus sounds as if it has the same engine as a Wright Streetdeck, it certainly sounds almost identical to First York's 35100.
In 1970 a new Taunus, the Taunus Cortina (TC), was introduced, as a two- or four-door sedan, station wagon (or Turnier) and coupé. It was very similar to the British Ford Cortina Mk III but without the "coke bottle" belt line. Also, the Taunus was available as a coupe, a bodystyle that the Cortina was never made in.
Both cars were developed under the auspices of Ford of Europe, and most major components including key parts of the bodyshell were identical. From 1976 Taunus and Cortina models were identical in all but name, 'Taunus' being the name used in left hand drive (LHD) markets, and 'Cortina' in right hand drive ones, although the Cortina name was used in LHD South Korea and Taiwan. The Mk III was also sold in Scandinavia, alongside the Taunus.
The Ford Taunus TC series was conceived in the late 1960s to be a "world car" alongside its technical sibling the Cortina Mk III, with construction and design work taking place on both sides of the Atlantic. As with the design of the first generation, it was done under the supervision of Semon "Bunkie" Knudsen, of former General Motors fame. The car is often nicknamed "Barock 2" (pointing back to the Taunus P2 series of the late 1950s, commonly known as the "Barock-Taunus") or "The Knudsen Nose" by its German owners because of the pointy hood scoop that, as the legend has it, was put there on direct order from Knudsen. Otherwise the major design work is rumoured to have been done by German car designer Luigi Colani, who also did design concepts for BMW's motorcycle division in the late 1970s.
(Wikipedia)
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Der Ford Taunus TC ist ein Pkw der Mittelklasse von Ford, der von Herbst 1970 bis Mitte 1982 gebaut wurde. Die Schwestermodelle des englischen Ford Cortina MK III (daher auch die Bezeichnung „TC“) haben Vierzylinder-Reihenmotoren oder Sechszylinder-V-Motoren und Hinterradantrieb. Sie sind Nachfolger der Ford 12m und 15m (P6), die mit Frontantrieb (P6) und V-4-Motoren technisch anders ausgeführt waren.
(Wikipedia)
Audi IMSA S4 GTO (1992) Engine 2190cc S5 20v
Livery Rothmans
Race Number a1 Hans Joachim Stuck
AUDI SET
www.flickr.com/photos/45676495@N05/sets/72157623635550501...
This was this cars first appearance in the UK. The gestation of the car began after Audi had successfully introduced their Quattro brand into International rallying, and were looking to showcase the technology in circuit racing. In 1988 Audi had dominated American SCCA racing with their Aufi 200 Tans Am, and for 1989 the Audi 90 IMSA GTO agin with great success.
With Audi wanting to penetrate the South African market Audi Sport South Africa (Voldi) suggested entering a re-worked version of the Audi 90 IMSA GTO into the popular Wesbank Modified Race Series, South Africas premier track series.
In 1992 Audi (Germany) agreed to send one of the original Audi 90 IMSA GTO cars (chassis GTO5) to Voldi together with a new Audi Sport, Matter prepared works C4 S4 bodyshell. The original Audi 90 IMSA GTO was stripped of all of its components which were then rebuilt into this new C4 S4 bodyshell, including the full IMSA GTO engine and running gear. The finished car was then renamed Audi IMSA S4 GTO this being chassis number 001.
The car debuted at the penultimate Wesbank race at Kilarney, Cape Town finished in the tradition Audi Silver and Red Audi Sport livery driven to victory by Hans Joachim Stuck in both the races at the meeting. Voldi repainted the car to their sponsors blue and white Rothmans livery for the final race of 1992 (Result unknown)
The car returned for the 1993 and 1994 seasons driven by Voldi team drivers Terrry Moss and Chris Aberdain winning the Championship in 1993 and were runners up in 1994. Regulations changed for the 1995 season leaving the car inelligable.
From 1995-98 the car was raced by Ashley Landman in selected regional races still in its blue and white but with the Rothmans logo replaced by Bloomsbury logos.
It was subsequently re-imported to the USA in 2000 by Steve Zlotkin until his death in 2015
Here the car was reunited with Hans Joachin Stuck for its demonstration run up the Shelsey Walsh hill
Thankyou for a massive 55,408,646 views
Shot 17.07.2016 at Shelsey Walsh Classic Nostalgia Meeting, Worcestershire REF 121-403