Body Language
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It was Monday when they took out your blood and bone marrow. How could you keep this all to yourself when you could save a life? Besides, they found a potential donor and he is wealthy and ready to go on SpaceX again. On Tuesday, they demanded a kidney. You really only need one to function. You may think the quality of your life is important but this other person is a CEO of a major company. On Wednesday, they took out a lung and on Thursday your liver. Finally, they came for your heart on Friday.
You were a murderer, they said, for walking around with these things inside your body when you could save so many others. Your body is a ward of the state and you no longer have control over it.
Did you really think the lack of body autonomy didn't affect you?
For those on TikTok, I saw this video and I was like yes this here...and remember, we've given a ton of power to corporations in this country and profit over people so the lack of body autonomy is dangerous for everyone who isn't very wealthy. We know who will be left and what will be left of us.
www.tiktok.com/@maryclareclark/video/7113843543856155946?...
**All photos are copyrighted**
Herzlichen Dank allen Flickr Freunden, die mir gute Genesung gewünscht und auf neue Fotos von mir gewartet haben.
Many thanks to all Flickr friends who wished me a good recovery and waited for new photos of me.
Tony Bennett, Amy Winehouse - Body and Soul
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I decided to update the body of my skins ;)
Two first available Pale & Exotic @ Cosmopolitan
Hope you like this update <3
Sometimes the body language is the most powerful language of all!!
So I chose to wear this wonderful bodysuit go to Elysion, heard the song that got me in the mood and I just let my body talk :)
The bodysuit is from a wonderful designer I so adore... ElvenElder and it is available at the Cosmopolitan Event. U don't need the taxi do ya? :P
His stream on flickr: www.flickr.com/photos/145720879@N02/
His inworld shop: maps.secondlife.com/secondlife/Jadeite/96/128/23
and of course the link to mp: marketplace.secondlife.com/stores/80981?
and the reason of my mood: www.youtube.com/watch?v=AzRyxGBGiAE
* * OUTFIT * *
Sleepy star - RED gatcha
- POSE: Find Joy in the Ordinary -Where is the flower?
- HEAD: Catwa - Catya
- BODY: Maitreya Lara Mesh Body
- HAIR: TRUTH HAIR - Tempest
Male.
Species: Libellula Depressa.
The Broad-bodied chaser is a medium-sized, broad-bodied dragonfly that is on the wing from May to July, and occasionally into August. It is a common dragonfly of ponds and small lakes. It regularly returns to the same perch after swift flights out across the water looking for insects. Mating occurs on the wing, often taking less than a minute, after which the female will find a suitable spot to lay her eggs; she hovers over the water, dipping the tip of her abdomen in and dropping her eggs on to vegetation below the surface. Info: The Wildlife Trusts.
Many thanks to people who view or comment on my photos.
youtu.be/dWIs89Pub0w. - Lilies of the valley
Larisa Rezun-Zvezdoćetova - The Obsessed
The Cool and the Cold, Gropius Bau, Berlin
www.berlinerfestspiele.de/en/berliner-festspiele/programm...
Thank you to everybody that views, comments and for favouring my images. Always greatly appreciated.
I'm a bit of a different type of concert photographer in that I'd rather photograph a raw and genuine local band than Taylor Swift. I love experiencing the vibrant local community of music that is Chicago. I hesitated to post this photo because this provocative punk band does not have any music recorded yet (They do have plans, though) but they were super fun and energetic and I look forward to hearing their debut album. I've seen so many great local bands in my city over the years that others may not ever have the chance to experience and I am grateful for the opportunity to document a movement, even a local one. Right now, Body Shop mainly have this Instagram account:
www.instagram.com/bodyshopband/?hl=en
Photographed at the birthday party for the record store Bric-a-Brac which features both vinyl and random memorabilia.
**All photos are copyrighted**
I was milling around with a few other folks watching the activity at the river crossing late this afternoon. The action was pretty intense about now. There were horses in the trees behind me, bands of horses across the river, in the river, down the river. There was a lot going on and it was tough to decide what to focus on. Someone nearby said something like, "uh oh, trouble coming, look out behind you". I whirled around and pointed the camera, just in time to watch the chestnut body-slam and then kick at the gray. Geez.
Looking at the gray now, and the Righty gray in my post from yesterday, it's conceivable it's the same horse as this image is about 20 minutes before the gray pair posted yesterday. If that's so, then in the image from yesterday Lefty could be saying to Righty "Good job, you held your own against that rambunctious body-slammer." Furthermore, I'm elated I got any pics at all of this - straight into the setting sun practically. Lucky camera settings...
BODY SKIN line from Chewingum
HD details, 5 tones avable
Mainstore
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Thanks for the idea and inspiration, Babe. I have had so much fun kicking zombie butt with you even though you try to steal my loot! lol Bring on the next Blood Moon. Muah! 💋
He is a big boy, but happy that way...
Bastian (mixed breed), 13.10.2024.
Olympus OMD EM5 Digital Camera
He successfully rode the wave for a few short seconds before the wave ran out, and he sank into the wave, rather than falling from his body board, head first into the surf.
Körperwelten sind seit 1996 bestehende Wanderausstellungen plastinierter, überwiegend menschlicher Körper. Initiator der Ausstellungen ist der Anatom Gunther von Hagens. Die Ausstellungen sind auf Grund der Exponate umstritten.
Verfahren:
Das Verfahren läuft prinzipiell in vier Stufen ab:
Der erste Schritt ist die Fixierung in Formalin oder farberhaltenden Zubereitungen, welche das Gewebe stabilisieren und dadurch die Schrumpfung minimieren. Außerdem verhindert die Fixierung den Zerfall des Gewebes bei einer eventuell erforderlichen Präparation. Diese dient zur Freilegung und damit Darstellung bestimmter Strukturen mit Skalpell und Pinzette. Präparate für die („primäre“) Scheibenplastination werden jetzt auf einer Bandsäge oder mit einer anderen Schneidemaschine zerschnitten.
Bei dem sich anschließenden Gefrieraustausch und der Entfettung wird dem Präparat in einem −25 °C kalten Aceton-Bad das Gewebewasser entzogen. Das Wasser gefriert, das Aceton löst erst das Wasser, dann gegebenenfalls bei Raumtemperatur das Fett heraus. Bei Bedarf wird noch gründlicher mit Dichlormethan entfettet, welches einen höheren Dampfdruck als Aceton hat. Wasser und Fett sind nun durch Aceton ersetzt.
Der dritte Schritt und der eigentliche Kern der Plastination ist die forcierte Imprägnierung. Hierbei wird das Präparat in einer Kunststofflösung unter Vakuum gesetzt. Durch den hohen Dampfdruck beginnt das Aceton zu sieden und „perlt“ aus dem Präparat heraus. Dadurch entsteht ein Volumendefizit, sodass das gleiche Volumen an Kunststoff ins Gewebe hineingesaugt wird. Das Präparat ist danach vollkommen mit Kunststoff durchtränkt und wird eventuell in die anatomisch richtige Stellung gebracht.
Der letzte Schritt ist die Härtung. Die Kunststoffe werden jetzt je nach Kunststoffart durch Wärme, UV-Licht oder gasförmigen Härter auspolymerisiert. Bei der „sekundären Scheibenplastination“ wie auch bei der „Tissue Tracing Technique“ erfolgen entscheidende Bearbeitungsschritte nach Abschluss der Härtung. Komplett plastinierte Körperteile, dicke Scheiben oder Blöcke werden bei der sekundären Scheibenplastination in dünne parallele Scheiben geschnitten oder bei der Tissue Tracing Technique gezielt so geschliffen und zugeschnitten, dass anatomische Strukturen in Scheibenplastinaten verfolgt werden können.
Body Worlds (German title: Körperwelten) is a traveling exposition of preserved human bodies and body parts. In this exhibit what is enticed to see are real skinned humans and other anatomical structures of the body that have gone through the process of plastination. Plastination is “a process in which unite subtle anatomy and modern polymer chemistry.”Plastination is a process that a German man named Gunther Von Hagens created in the late 70’s in which the body is preserved to keep it from decaying.
Process:
There are four steps in the standard process of plastination: fixation, dehydration, forced impregnation in a vacuum, and hardening. Water and lipid tissues are replaced by curable polymers. Curable polymers used by plastination include silicone, epoxy and polyester-copolymer.
The first step of plastination is fixation. Fixation, frequently utilizing a formaldehyde based solution, serves two functions. Dissecting the specimen to show specific anatomical elements can be time consuming. Formaldehyde or other preserving solutions help prevent decomposition of the tissues. They may also confer a degree of rigidity. This can be beneficial in maintaining the shape or arrangement of a specimen. A stomach might be inflated or a leg bent at the knee for example.
After any necessary dissections have taken place, the specimen is then placed in a bath of acetone. Under freezing conditions, the acetone draws out all the water and replaces it inside the cells.
In the third step, the specimen is then placed in a bath of liquid polymer, such as silicone rubber, polyester or epoxy resin. By creating a vacuum, the acetone is made to boil at a low temperature. As the acetone vaporizes and leaves the cells, it draws the liquid polymer in behind it, leaving a cell filled with liquid plastic.
The plastic must then be cured with gas, heat, or ultraviolet light, in order to harden it.
A specimen can be anything from a full human body to a small piece of an animal organ, and they are known as 'plastinates'.[citation needed] Once plastinated, the specimens and bodies are further manipulated and positioned prior to curing (hardening) of the polymer chains.
Following on the positive response to my Wave Warrior photos, my theme for today is a single body boarder. Quite often when I take shots of people in the surf, I will select a few good surfers and follow them as they ride the waves.
This young man was particularly good, here is a sequence of shots from when I saw him catch a wave, until it dropped him.
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BODY: REBORN by eBODY Waifu 1.69.5
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HAIR:
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Female Broad-bodied chaser, posing nicely in one of the flower borders at Chatsworth Gardens last week.
Small Body
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letterboxd.com/film/small-body/
images.mubicdn.net/images/film/308031/cache-684234-174549...
bsf.si/media/publicity/image/7a/thumbnails/7a1b4385d34250...
www.semainedelacritique.com/uploads/filmdiaporama/image_b...
www.semainedelacritique.com/uploads/filmdiaporama/image_b...
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www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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This photographic series was born from research conducted in the cemeteries of Giarre, Catania, and Lipari (Sicily). It is the continuation of a personal story I narrated in a previous series published on Flickr under the title "Hereafter," to which I refer for a full understanding of what follows (here the link: flic.kr/p/2qBy35g ). I would like to clarify that the facts reported here are as I experienced them. I established a cordial and sincere WhatsApp correspondence relationship with the psychic lady, whom I will call "the Lady." Thanks to the kindness of colleagues in the department who treated her, I sent her some of my photographic prints as gifts. They were images of angels taken from my Hereafter series ("the Lady" reports being in contact with the Angels, the Beings of Light). After that little gift, “the Lady” told me that after looking at one of those photographs – the one with the angel holding a palm in his hands – she had a “vision – or contact”. It was of a little girl, buried in that cemetery, to the left of that angel, speaking to her father, asking him to grant her a little wish – to receive as a gift a daisy picked in a meadow, not purchased from a florist. Feeling involved, I promised to bring a daisy to that little soul; but I completely forgot about it, many days passed, I contacted “the Lady” on WhatsApp, I asked her about her health, it was then that “the Lady” asked me “how is the little girl?” … I didn’t understand, I asked her which little girl she was talking about, she replied “the little girl with the daisy”… How could I have forgotten! I told her I'd go to the cemetery as soon as possible. Two days later, when I was free from work, I went to a field near my house, picked a small bunch of daisies, and went to the cemetery. I recognized the angel with the palm tree. I looked to its sides but found only adult graves. Directly below the angel, to its right (but to my left as I looked at it), there was a buried grave, with a cement headstone worn away by time and illegible. Just in case it was the little girl's grave, I went to the cemetery caretaker, hoping he could identify the person buried there. The caretaker replied that it was possible, but it was necessary to know at least the date of death, which was therefore impossible; the headstone was unreadable. Disconsolate, I returned to the angel. I had looked to the sides, in front, but not behind. I had this last chance. It was right there, to my great surprise and amazement, to the left of the angel but behind, that I found the buried tomb with this inscription: "Here was placed the little body of the lovely little girl Maria di Francesco Cardile, taken from the kisses of her parents on December 28, 1921, at just eight months old. Hail, dear little angel from heaven, pray for yours." Reading the word "baby" on the epitaph was the revealing word for me that this was the tomb I was looking for (I don't think it's common to find this term on the tomb of a deceased child), so I placed the daisies on that tomb. I told the "Lady" that I had found the little girl and that I had brought her the gift she had requested; A few days later, "the Lady" told me she had "seen" the little girl, who had introduced herself to her. She was joyful, thanking her father. Her little hands were clean, free of thorns and grass. Perhaps—"the Lady" interpreted—that was her way of saying thank you. I asked her how she managed to understand those souls, and the answer was that "they don't speak, they don't use words, but she can understand them anyway."
P.S.: "the Lady" didn't know where I had photographed those angels, which are in a cemetery far from Taormina. She couldn't have found that angel and gone there after seeing my photos. Furthermore, "the Lady" had come to Taormina for major surgery, coming from far away, from the other side of Sicily. I took most of the photos in this story with "lensbaby" lenses of various sizes. In Catania's monumental cemetery, I photographed the grave of the writer and leading exponent of Verismo, Giovanni Verga (many years ago I purchased a book entitled "Giovanni Verga, Photographer") and the grave of Angelo Musco (an Italian stage and film actor, nicknamed "the king of laughter"); of all the "encounters" in this series, the one that saddened me the most, for reasons related to my profession, was reading the inscription—about the incompetent doctor—"the girl died at the young age of 13."
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Questa serie fotografica nasce da una ricerca condotta nei cimiteri di Giarre, Catania, Lipari (Sicilia), è il proseguimento di una vicenda personale che avevo narrato in una precedente serie pubblicata su Flickr col titolo “Hereafter”, alla quale rimando per una piena comprensione di quanto segue (qui il link: flic.kr/p/2qBy35g ). Tengo a precisare che i fatti qui riportati sono come li ho vissuti. Con la signora sensitiva, che chiamerò “la Signora”, ho instaurato un rapporto whatsApp-epistolare cordiale e sincero, grazie alla cortesia di colleghi del reparto che l’hanno avuta in cura, le feci recapitare in dono alcune mie stampe fotografiche, erano immagini di angeli tratte dalla mia serie Hereafter (“la Signora” riferisce di essere in contatto con gli Angeli, gli Esseri di Luce). Successivamente a quel piccolo dono, “la Signora” mi raccontò che dopo aver osservato una di quelle fotografie – quella con l’angelo recante una palma tra le mani – ebbe una “visione – o contatto”, si trattava di una bambina, sepolta in quel cimitero, alla sinistra di quell’angelo, parlava col suo papà, gli chiedeva che le venisse esaudito un suo piccolo desiderio – ricevere in dono una margherita colta in un prato, non acquistata da un fioraio - . Sentendomi coinvolto, mi impegnai a portare una margherita a quella piccola anima; però me ne dimenticai completamente, passarono molti giorni, contattai “la Signora” su WhatsApp, le chiesi del suo stato di salute, fu allora che “la Signora” mi domandò “come sta la bambina ?” … non capivo, le chiesi di quale bambina parlasse, lei mi rispose “la bambina della margherita”… Come avevo fatto a dimenticarmene ! Le dissi che mi sarei recato al cimitero al più presto, due giorni dopo, libero dal lavoro, mi recai in un prato vicino casa mia, raccolsi un piccolo mazzo di margherite, e mi recai al cimitero; riconobbi l’angelo con la palma, guardai ai suoi lati ma trovai solo tombe di persone adulte, proprio sotto l’angelo, alla sua destra (ma alla mia sinistra guardandolo) c’era una tomba interrata, con la lapide in cemento rovinata dal tempo, illeggibile, nel dubbio si trattasse la tomba della bambina, mi recai dal custode del cimitero sperando si potesse risalire alla identità di chi vi era sepolto, il custode mi rispose che si poteva, ma era necessario conoscere almeno la data di morte, quindi impossibile, sulla lapide non si leggeva nulla. Sconsolato ritornai dall’angelo, avevo guardato ai lati, davanti, ma non dietro, mi restava quest’ultima opportunità, fu proprio li, con mia grande sorpresa e stupore, alla sinistra dell’angelo ma dietro, che trovai la tomba interrata con questa iscrizione – Qui fu posto il corpicciuolo della graziosa bambina Maria di Francesco Cardile tolta ai baci dei genitori il 28 dicembre 1921 di appena otto mesi. Ave caro angioletto dal cielo prega pei tuoi. – Aver letto sull’epitaffio la parola “bambina” per me fu la parola rivelatrice che quella era la tomba che stavo cercando (non credo sia comune trovare questo termine sulla tomba di un piccolo defunto), così posai le margherite su quella tomba. Raccontai alla “Signora” che avevo trovato la bambina e di averle portato il dono richiesto; qualche giorno dopo “la Signora” mi riferì di aver “visto” la bambina, che si era presentata a lei, era gioiosa, ringraziava il suo papà, le sue manine erano pulite, senza spine ne erba, forse – interpretò “la Signora” – quello era il suo modo di dire grazie. Le chiesi come riuscisse a comprendere quelle anime, la risposta fu che – loro non parlano, non usano le parole, ma lei riesce a capirle ugualmente -.
P.S.: “la Signora” non sapeva dove avessi fotografato quegli angeli, i quali si trovano in un cimitero lontano da Taormina (lei si era recata a Taormina per curarsi nel nostro ospedale), non avrebbe potuto trovare quell’angelo e recarvisi dopo aver visto le mie foto, inoltre “la Signora” era venuta a Taormina per affrontare un importante intervento chirurgico, provenendo da molto lontano, dall’altro lato della Sicilia; le foto di questo racconto le ho realizzate in maggior parte con delle ottiche “lensbaby” di varie misure; nel cimitero monumentale di Catania ho fotografato la tomba dello scrittore, massimo esponente del Verismo, Giovanni Verga (tanti anni fa acquistai un libro dal titolo “Giovanni Verga fotografo) e la tomba di Angelo Musco (attore teatrale e cinematografico italiano, soprannominato "il re del riso"); tra tutti “gli incontri” di questa serie, quello che più mi ha rattristato, per motivi legati alla mia professione, è stato leggere l’epigrafe - a riguardo del medico incompetente – la ragazza morì alla giovane età di 13 anni.
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Body Sculpture, Jordan Wolfson. National Gallery of Australia.
Developed over six years, Body Sculpture is the third in his series of animatronic figures that challenge expectations of art and its relationship to the audience.
The work enacts a complex choreography that suggests a confrontational form of ritual. Stated as open to interpretation, the ritual conveys little doubt of what is occurring. Art and electronics merging into a skilful projection.
"Most scars are invisible.
Damn transparent knives.
Does anything cut deeper than love?
I need to get some new body armor."
- Jarod Kintz
Blog Post
sllorinovo.blogspot.ca/2015/07/sneak-peek-body-armor.html
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