Annual, Biennial and Perennial garden plants
View allAll Photos Tagged Biennial
A hardy biennial that not only looks great with its purple flower and is also good for wildlife as bees are attracted to the nectar/pollen rich flowers. This plant is also edible as the roots are said to have an oyster-like taste and the flowers can be added to salads. Native to southeast Europe and north Africa and can also be known as Salsify, Oyster plant, Jerusalem Star and Jack Go To Bed, will flower in the UK from May to September.
Union County, Georgia
This lovely gentian is extremely rare in North Georgia and the Southeastern United States. Its iridescent blue color is absolutely stunning, but, in spite of years of trying, I never seem able to capture an image that does it justice. I always have to hand hold my camera for fear of damaging plants with my tripod and the light is always very tricky as they only open on bright, sunny days. This biennial herb lives for two years, only flowering in their second season. After wading out into the poison ivy and brambles to locate specimens, I got to spend 30 minutes trying to remove the beggar's lice seeds that covered me from head to toe!
Being able to observe these lovely flowers in the field was worth the effort :-).
Venice's 58th Biennial of modern art, one of the most acclaimed and controversial exhibitions in the world. www.labiennale.org/en/art/2019
On a falling tide in the Mersey estuary one of Antony Gormley's cast-iron statues, a few hours ago semi-submerged, stands watch as a ferry departs the port of Liverpool and heads out towards the Irish Sea and its destination, Dublin.
The vessel is the 'Victorine', a roll-on, roll-off type that mostly caters for commercial trucks. It's a leisurely journey over too with the 5.30pm departure from Liverpool turning in to a 3.30am arrival at the Irish port - presumably to allow plenty of time for drivers to get their regulation rest before heading off to their next destination.
Per the Liverpool Biennial website:
Antony Gormley’s installation comprises 100 cast-iron life-size sculptures made from 17 different moulds taken from the sculptor’s own body, installed on Crosby Beach on the Mersey Estuary. The 'iron men' all face the open sea, and evoke the relationship between the natural elements, space and the human body. ‘Another Place’ covers a distance of almost 3km, with the pieces placed 250m apart along the tide line, and up to 1km out towards the horizon. The movement of local tides and daily weather conditions dictate whether the figures are visible or submerged. It has become one of the most well-loved and widely recognised public art works in the UK.
From personal experience, and with the huge cranes of the Port of Liverpool out of sight on my left, it's a surreal and magical place. By my reckoning, 11 of the men can be seen in this shot. Unsurprisingly, given the salty atmosphere and conditions, the statues have started corroding to varying degrees, which surely adds further to their appeal.
6.45pm, 25th July 2024
Installation art piece, Storm by Katie Pell at the Texas Biennial 2009 in Austin Texas, March 8, 2009. Located in the Mexican American Cultural Center.
Photo Copyright 2009, Steve Hopson.
Spring Creek Prairie, Denton, Nebraska
I meant to go earlier in August to see what wildflowers were blooming in this native prairie location. I got a surprise when I arrived. Most of the prairie had been mowed and baled - but they didn't get everything. This time it didn't feel like there were nearly as many flowers but I still found quite a variety. Just like the last visit about a month ago there are practically no holdovers from the previous visit. This time, as I went through the photos, I was surprised to see how many pictures also contained insects in the flowers. That prompted another trip later in the week solely to photograph insects.
david atkins dead tree
palmer sculpture biennial 2018, eastern scarp of the mount lofty ranges, south australia
Photos from a visit to the Whitney Biennial 2019, the preeminent survey of American contemporary art and again in the news for a controversy as several artists pull out of the exhibit to protest a museum board member who directs a company that manufactures tear gas.
"Erigeron annuus (formerly Aster annuus), the annual fleabane, daisy fleabane, or eastern daisy fleabane, is a species of herbaceous, annual or biennial flowering plant in the family Asteraceae.
"Erigeron annuus often grows as an annual but can sometimes grow as a biennial. It is herbaceous with alternate, simple leaves, and green, sparsely hairy stems, which can grow to between 30 and 150 centimeters (about 1 to 5 feet) in height. Leaves are numerous and large relative to other species of Erigeron, with lower leaves, especially basal leaves, coarsely toothed or cleft, a characteristic readily distinguishing this species from most other Erigeron. Upper leaves are sometimes (not always) toothed but may have a few coarse teeth towards the outer tips.
"The flower heads are white with yellow centers, with rays that are white to pale lavender, borne spring through fall depending on the individual plant. Ray florets number 40 to 100.
"Erigeron annuus is native to North America and Central America. It is widespread in most of the United States, especially in the eastern part of its range, but occurs only in scattered locations in the western and southernmost parts of its range. It has been introduced to many other places, including Korea, Europe, India, and other areas in Asia.
"Erigeron annuus grows well in full through partial sun on sites with ample moisture. It is tolerant of a wide range of soil conditions, including gravel and clay. In hot, dry weather, lower leaves often yellow and wither.
"Erigeron annuus is a native pioneer species that often colonizes disturbed areas such as pastures, abandoned fields, vacant lots, roadsides, railways, and waste areas. In these habitats it competes, often successfully, with introduced invasive weeds.
"Flowers are pollinated by a variety of bees, including little carpenter bees, cuckoo bees, halictine bees, and masked bees; as well as flies, including syrphid flies, bee flies, tachinid flies, flesh flies, anthomyiid flies, and muscid flies. Wasps, small butterflies, and other insects also visit the flowers to a lesser degree, seeking nectar, as well as a few pollen-feeding beetles.
"Schinia lynx (lynx flower moth) caterpillars feed on the flowers and seeds of annual fleabane and other fleabanes, and Lygus lineolaris (tarnished plant bug) sucks the plant juices. Some mammals eat the foliage, flowers and stems, including sheep, groundhogs, and rabbits."
(Wikipedia)
www.accentnatural.com/fleabane-the-misunderstood-native/
www.illinoiswildflowers.info/prairie/plantx/ph_fleabanex....
Evening Primrose (Oenothera biennis) flowers bloom in the evening and close by noon the next day. This one was still covered with early morning dew a few weeks ago.
The Chicago Architecture Biennial 2017 includes 140 architects and artists, exhibits, and events across Chicago and goes on until January 7, 2017.
karl chilcott the last rainbow. a song line
local stone, animal bones
seventh palmer sculpture biennial, eastern scarp of the mount lofty ranges, south australia
Dipsacus is a genus of flowering plant in the family Dipsacaceae. The members of this genus are known as teasel or teazel or teazle. The genus includes about 15 species of tall herbaceous biennial plants (rarely short-lived perennial plants) growing to 1–2.5 metres (3.3–8.2 ft) tall. Dipsacus are native to Europe, Asia and northern Africa.
The genus name is derived from the word for thirst and refers to the cup-like formation made where sessile leaves merge at the stem. Rain water can collect in this receptacle; this may perform the function of preventing sap-sucking insects such as aphids from climbing the stem. A recent experiment has shown that adding dead insects to these cups increases the seedset of teasels (but not their height), implying partial carnivory. The leaf shape is lanceolate, 20–40 centimetres (7.9–15.7 in) long and 3–6 centimetres (1.2–2.4 in) broad, with a row of small spines on the underside of the midrib.
Teasels are easily identified with their prickly stem and leaves, and the inflorescence of purple, dark pink or lavender flowers that form a head on the end of the stem(s). The inflorescence is ovoid, 4–10 centimetres (1.6–3.9 in) long and 3–5 centimetres (1.2–2.0 in) broad, with a basal whorl of spiny bracts. The first flowers begin opening in a belt around the middle of the spherical or oval flowerhead, and then open sequentially toward the top and bottom, forming two narrow belts as the flowering progresses. The dried head persists afterwards, with the small (4–6 millimetres (0.16–0.24 in)) seeds maturing in mid autumn.
The seeds are an important winter food resource for some birds, notably the European Goldfinch. Teasels are often grown in gardens and encouraged on some nature reserves to attract them.
Teasel is also considered an invasive species in the United States. It is known to form a monoculture, capable of crowding out all native plant species, and therefore is discouraged and/or eliminated within restored open lands and other conservation areas.
Inspired on Antoni Gaudi his masterpiece the Sagrada Familia, situated in Barcelona - Spain. Measurements: 60cm x 30cm x 30cm. If you like to see a modest animation of this piece, see this page: ingrid-siliakus.exto.org/gallery/detail/id/12068934/show/...
Destination
Ḵaatuwdu.oo Nicole Carle
Weaving: Basketry
Red cedar, yellow cedar,
black and red dyed cedar
Category: weaving
Honorable Mention
SEALASKA HERITAGE INSTITUTE’S 10th BIENNIAL
NORTHWEST COAST JURIED
ART SHOW & COMPETITION
2020
=======================================================
Sealaska Heritage Institute sponsored its first Juried Art Show & Competition in 2002, and since then it has become a biennial event held during Celebration, a major four-day dance-and-culture festival in Juneau hosted by the institute. SHI sponsors the art show in an effort to reaffirm the greatness of Northwest Coast art traditions and to promote the continued evolution of those traditions in Southeast Alaska.
The goals of the show are:
•to encourage and enhance the creation and production of Southeast Alaska Native objects of artistic value which are becoming rare;
•to stimulate and enhance the quality of artistic work among our Native artisans;
•and to encourage the development of new forms of art of purely Southeast Alaska Native form and design.
Northwest Coast art is unique in the world. Nothing on Earth compares to the great Northwest Coast formline designs and the monumental totem poles and clan houses that populate Haa Aani-OurLand-or to the intricate Chilkat and Ravenstail woven robes that can take years to complete.
For the 2022 show, artists competed in five divisions:
1. 2D and relief carving (relief carving; painting);
2. carving and sculpture (wood, metal);
3. weaving(Chilkat-inspired, Ravenstail, basketry);
4. sewing (vest,skin and fur, beadwork); and endangered arts (spruce root basketry).
Eight winning pieces from the 2020 virtual Juried Art Show are also on display.
Sealaska Heritage is a private nonprofit founded in 1980 to perpetuate and enhance Tlingit, Haida, and Tsimshian cultures of Southeast Alaska. Its goal is to promote cultural diversity and cross-cultural understanding through public services and events. Find out more at www.sealaskaheritage.org.
Parkbos, Wolendorp, The Netherlands
The biennial Cow parsley dominates the woodland edge beside the perimeter path.
It is often confused with Hogweed. An easy way to tell them apart is to break a main stem. Cow parsley has a solid stem whereas that of Hogweed is hollow.
You should not go breaking the stems of the much bigger Giant Hogweed. They contain a caustic sap that can cause painful lesions and even cause long term damage to health. Wvwn touching the leaves can casue a rash. It is huge and not easily confused with its smaller relative. Stay well away.
FOrtunately ther is none in Parkbos.
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.
Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.
Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.
Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.
Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.
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Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
The biennial Farnborough Airshow took place in July 2018 and as normal the Hampshire town was flooded with visitors the show.
Go-Ahead London once again operated the Queens Parade shuttle service into the Airshow using a fleet of red buses not normally seen in the Hampshire town.
LA: Cirsium eriophorum
EN: Woolly thistle
DE: Wollköpfige-Kratzdistel / Mönchskrone
HU: Gyapjas aszat
A large biennial plant, endemic to Central and Southern Europe.
Prefers chalky ground.
The flowers (on the top of the heads) are pink.
Common storksbill is an annual or biennial weed with a beautiful flower. The annual version’s stem is usually low and almost unbranched while the overwintering biennial version can grow to knee-height and is often very branched. Common storksbill resembles cranesbill, but it can be differentiated by e.g. its long, pinnately lobed leaves and slightly irregular corolla. The clearest difference is probably in the fruit: in common storksbill all five carpels break off and get distance from the stem when their long tips begins to curl like a corkscrew when they are ripe. The tip is sensitive to changes in humidity: in dry weather it curls tightly while in rain it straightens out. This movement can help the carpel bore down into the soil, and the corkscrew can attach itself to passing animals or people. Common storksbill’s efficient way of spreading explains why it grows almost worldwide, and it arrived in southern and especially eastern Finland in ancient times. It grows in gardens and yards, on arable land and by roadsides, especially in sandy places. New casual aliens have been found by harbours, near storehouses and beside railway tracks. These have reached their new habitats mixed up with e.g. grain.